Enhanced Narnia E-Book Has Promise, Restrictions

When will books benefit from the addition of multimedia magic? Narnia may hold the answer.

HarperCollins has released an enhanced e-book for C.S. Lewis’s The Chronicles of Narnia: The Voyage of the Dawn Treader in advance of the film adaptation of the same. The book is a perfect test case for the promises and flaws of the enhanced e-book market.

The Voyage of the Dawn Treader isn’t an app, but a multimedia EPUB book. EPUB is as close as we have to a universal e-book standard. This immediately makes it multi-platform and multi-device — no need for separate iOS or Android code, or store approval. All you need is an application on those platforms that can read EPUB, and a touchscreen. EPUB books can’t be read on the Kindle, but the Kindle isn’t a multimedia touchscreen device either, so that’s no loss anyways.

The book is available for iBooks now, and according to the press release, “will be available on a number of handheld multimedia readers and touchscreen devices” — read: the forthcoming Nook Color, and possibly other Android tablets too. On all available platforms, it will cost $10.

Sometimes, enhancing e-books with multimedia seems like a solution in search of a problem. Generally, readers aren’t clamoring for enhanced books. Writers and publishers don’t always understand them, and there isn’t always good content to put in them.

Lewis’s Narnia books are different. They have a well-established readership and are broadly popular with both adults and children. They’ve already gone transmedia, spinning off games and movies; the writer’s estate is willing to develop and authorize new media, and companies like HarperCollins and Disney have the tools and incentives to develop them. The serial nature of the books, in turn, gives the books continuity and room to evolve.

What’s more, the visually rich and conceptually encyclopedic nature of the books means that adding maps, illustrations, animations, reference guides, and timelines actually become very useful reading aids. Add in audio readings and commentaries, critical essays, and you have something that could become the equivalent of a deluxe DVD edition of a beloved book.

Really, the deluxe DVD editions of The Lord of the Rings were enhanced e-books without us fully realizing it — at least those portions devoted to author JRR Tolkien, the writing of the books and the world of Middle Earth. That’s the standard against which we should judge enhanced e-books.

The Voyage of the Dawn Treader doesn’t quite get there. I reviewed the iBooks version, which costs $10, $2 more than the $8 “non-enhanced” version. It gets the Pauline Baynes maps and illustrations, animation and reference encyclopedia right. This material alone is worth the extra $2.

But a promising “read along” feature, using audio from Shakespearean actor/audiobook standout Derek Jacobi’s reading of the book, is hopelessly crippled, providing just the first few paragraphs of each chapter. If you want to hear the whole thing, you’ll need to buy the separate audiobook, which costs another $17 from iTunes. Putting snippets of audio in the e-book feels like a terrible tease.

Again and again, enhanced e-books bump up against rights that have already been sold and assigned. The video content, including an animated timeline/summary of the story, is solid, but considering the e-book is intended as a cross-promotion with the film, it’s sad that it doesn’t even include previews from the film.

It’s a worthwhile object for what it is. But it’s ultimately frustrating, because the potential for an integrated object on video-capable e-readers like the iPad and Nook Color is so clear, at least to me.

The publishing industry, though, is so knotted — the media streams so legally and functionally fragmented — that the opportunities for a clear case study, an example that everyone can point to as a standard, get squandered again and again.

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IOS 4.2 Update ‘Delayed,’ Despite No Official Launch Date

Here’s an amusing look at just how screwed up is the Apple rumor-mill. Today’s big “news” is that the iOS 4.2 update has been “delayed.” The problem? The official launch date is simply “November,” and we still have weeks to go.

The logic works like this. Initial murmurings said that iOS 4.2, the unifying release that brings multitasking to the iPad and AirPlay to all iDevices, would be delivered tomorrow. This fits, as last week Apple released the iOS 4.2 Gold Master (GM). A GM usually goes on, unchanged, to be the official release.

Now, thanks to iPad Wi-Fi connectivity problems suffered by testers (read: “people who grabbed the GM off BitTorrent), the rumors say that the release will be “delayed” until next week, either Tuesday or Friday, depending on the source.

And this may all be true, but there is no delay. That’s the advantage of Apple’s secrecy. If you never announce anything until it’s ready, it can never be late (see: white iPhone).

Most consumers won’t even realize there’s an update coming until it shows up in their iTunes. And for those of us who can’t wait? Well, lets just say the iOS 4.2 GM isn’t causing any problems with my iPad 3G.

iOS 4.2 on November 16th [iPhone Hellas]

Rumor: iOS4.2 Delayed At Least a Week [TUAW]

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Samsung Galaxy Tab Garners Favorable Reviews

Samsung’s Galaxy Tab, a 7-inch tablet powered by the Android operating system, has made its rounds with gadget reviewers, and consensus says it’s a solid but pricey device.

Reviewers at tech blogs and mainstream publications, including Wired.com, found that the Galaxy Tab offered a pleasing user experience despite some flaws. Many complained that the Galaxy Tab, priced at $600, is too expensive when pitted against Apple’s larger $500 iPad.

The Galaxy Tab is the first official Android tablet on the market to compete with Apple’s iPad. Samsung has marketed the smaller, pocketable size of the Galaxy Tab as ideal for commuters, while  highlighting Adobe Flash as a key feature that the tablet supports, unlike the iPad.

Reviews of the Galaxy Tab were mostly positive, but the most dissenting opinion comes from Matt Buchanan of Gizmodo, who described the Galaxy Tab as a “pocketable trainwreck.” A list of excerpts from reviews of the Galaxy Tab follows.

Christopher Null, Wired.com:

“The Tab ultimately reveals itself not as a competitor to the iPad but as a new class of mobile devices: a minitablet that is designed to go everywhere you do.”

Walt Mossberg, The Wall Street Journal:

“The Tab is attractive, versatile and competitively priced, though monthly cell fees can add up. It’s different enough from the iPad, yet good enough, to give consumers a real choice.”

David Pogue, New York Times:

“With the Samsung Galaxy Tab, you’re also buying delicious speed and highly refined hardware. It’s just a shame that you’re buying all that for $600.”

Matt Buchanan, Gizmodo:

This thing is just a mess. It’s like a tablet drunkenly hooked up with a phone, and then took the fetus swimming in a Superfund cleanup site. The browser is miserable, at least when Flash is enabled. It goes catatonic, scrolling is laggy, and it can get laughably bad.”

Joanna Stern, Engadget:

It’s the best Android tablet on the market. Now, that’s not saying much given the state of the Android competition, but we can also assuredly say that the Tab is the first true competitor to Apple’s iPad. Its crisp display, compact form factor, touch-friendly software and dual cameras undoubtedly have what it takes to win over the average tablet seeker.”

Melissa Perenson, PCWorld:

The Samsung Galaxy Tab lives up to its promise as the most credible Android tablet to date. Though it isn’t perfect, it is a strong first-gen device. It isn’t for everyone: The high cost without a monthly contract ($600) underscores that. Nevertheless, if you’re planning to get a mobile broadband data device, the Galaxy Tab’s potential as a mobile hotspot makes it more attractive than some of its competitors.”

Chris Davies, SlashGear:

“Its 7-inch display may offer only half the usable area of the iPad, but the high resolution and responsive, accurate capacitive touchscreen add up to a user experience that’s significantly better than a regular smartphone for browsing, multimedia and – thanks in no small part to Samsung’s custom apps – messaging.”

Donald Bell, CNET:

With the Galaxy Tab, Samsung has created a true peer of the iPad–an uncompromising product that stakes out new territory in terms of both design and features.


New Version of Instapaper Knows When It’s Nighttime

Instapaper, our favorite iOS web reading application, works because it recognizes both the strengths and weaknesses of your device — something most websites either don’t or can’t consider. Just-released version 2.3 provides a terrific example of this in the new way it handles nighttime reading.

Impresario Marco Arment, who recently left his job at Tumblr to work on Instapaper full-time, outlines the changes on the Instapaper blog. Here, I’m going to highlight just one, because I think it’s both very cool and a good illustration of this problem of working within constraints of both a device and a platform.

Instapaper can now automatically switch modes from light (dark text on a light screen) to dark (light text on a dark screen). How the application pulls it off is very clever.

“There’s no API access to the iPhone’s ambient light sensor,” Marco writes, “so I can’t just enable dark mode in dark rooms… And I can’t just look at hours and the date, because 5 PM in December is much darker in Alaska than in Costa Rica.”

Instead, Instapaper uses the phone’s location (there’s an API for that!) and the local sunset time wherever your phone is. After dark, Instapaper goes into dark mode. If you mostly use Instapaper indoors, in light rooms, you can always leave the light/dark toggle on manual.

“Leave it to me to come up with the least-social use of locations possible,” Marco writes.

Other changes include text preview snippets on both iPhone and iPad; a smart Kindle-inspired length and progress meter (more dots equal longer articles – darkened dots show progress); improved account syncing and sharing features; and a bookmarklet-installation feature that cuts out a few steps, but is still harder than it ought to be (Apple’s fault, not Instapaper’s).

On another app, the new version’s interface changes would be tweaks. Here, they’re key design choices for better readability. It’s the best-designed undesign service going, stripping the core design from the story and reformatting it in a way that gives the user more control (but also more guidance) over the content’s look and feel.

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DC Comics App: Batman, Hellblazer, Invisibles on iPad

At last, DC Comics has a home on the iPad. Forget about the X-Men and all that other kids’s stuff: now you can buy and read some of the best comic-books ever made.

DC, like Marvel, is on the iPad in two forms. First, this standalone app in which you can browse, buy and read the available titles. This is powered by the same Comixology engine behind most branded comic-book apps. But while this is a nice way to get your favorite DC titles, it may be better to just grab the free Comics app, which is exactly the same but also contains the catalogs of Marvel and a heap of indie publishers. Some DC titles are already available in the Comics store, but now they are all in one DC store, so you can go straight for the good stuff.

Why am I so excited? Because DC comics were the ones I bought when I was a teenager, and a lot of those old titles are here. Hellblazer, Grant Morrison’s stunning Invisibles, the Sandman, and the comic book which arguably kick-started the whole comic-books-are-not-for-kids movement, Batman: The Dark Knight Returns. And not as a trade paperback, either, but in its original separate issues ($3 each).

What are you waiting for? The DC app is free, and also available on the iPhone. And one more thing: Look at that picture up top, or rather, that Photoshop disaster up top. Who the hell did that “iPad” illustration?

DC Comics iPad App [DC]
DC app [iTunes]
Comixology App [iTunes]

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One in Five Mobiles Sold Are Smartphones (One in Four Run Android)

Year-over-year smartphone sales are up 98% worldwide. Over 80 million of the over 400 million handsets sold in the third quarter were smartphones.

The sheer growth of the global market and the meteoric rise of Android means that hardware and software companies who once dominated this market can ship tens of millions additional units and still lose share, in some cases by double digits.

“Smartphone OS providers have entered a period of accelerated platform evolution, stimulated by more regular product releases, new platform entrants and new device types,” said Gartner analyst Roberta Cozza. “Any platform that fails to innovate quickly — either through a vibrant multi-player ecosystem or clear vision of a single controlling entity — will lose developers, manufacturers, potential partners and ultimately users.”

Market share and unit numbers don’t tell us everything, even how profitable a mobile company has become. But they do reveal an evolving space.

Customers in North America, Western Europe, and East Asia — what Gartner’s report calls “mature markets” — are gravitating towards full-featured, name-brand, consumer-oriented smartphones. This seems to be partly a function of wider 3G data capability, greater hardware and software choices, and especially lower prices.

  • Company
  • 3Q10 Units
  • 3Q10 Market Share (%)
  • 3Q09 Units
  • 3Q09 Market Share (%)
  • Symbian
  • 29,480.1
  • 36.6
  • 18,314.8
  • 44.6
  • Android
  • 20,500.0
  • 25.5
  • 1,424.5
  • 3.5
  • iOS
  • 13,484.4
  • 16.7
  • 7,040.4
  • 17.1
  • Research In Motion
  • 11,908.3
  • 14.8
  • 8,522.7
  • 20.7
  • Windows Mobile
  • 2,247.9
  • 2.8
  • 3,259.9
  • 7.9
  • Linux
  • 1,697.1
  • 2.1
  • 1,918.5
  • 4.7
  • Other OS
  • 1,214.8
  • 1.5
  • 612.5
  • 1.5
  • Total
  • 80,532.6
  • 100.0
  • 41,093.3
  • 100.0
    Source: Gartner

Price cuts and growing feature differences make smartphones a much looser, more varied category than it was just a year ago. Gartner’s report singles out ZTE’s sub-£100 Android phone with the UK’s Orange carrier. You could also point to the Motorola Citrus (pictured above), which is being offered as a $180 prepaid at Wal-Mart. Smartphones can be burners now.

Meanwhile, generic manufacturers are cranking out handsets for developing markets in Asia, Africa, and Latin America. Growth in non-3G mobiles isn’t as sharp as smartphones in terms of percentages, but the global distribution is radically different.

This growth on either side squeezes out name-brand midlist feature phones — Gartner’s report singles out LG — who can’t command the prices or share they used to hold through carrier sales in Europe, Asia and North America.

The report closes by predicting that the growth of the media tablet market (projected sales of 54.8 million units) will begin to affect smartphone sales, attracting consumer dollars and developer attention away from some platforms and towards others — especially Apple’s iOS.

It’s a sharp reminder that companies with forthcoming tablets like Samsung or RIM/Blackberry aren’t simply trying to open up new growth areas or slow iPad purchases. These companies need to offer tablets in order to protect their customer and developer relationships in their core businesses — multimedia entertainment for Samsung, smartphones for RIM.

“Apple’s dramatic expansion of iOS with the iPad and the continuing success of the iPod Touch are important sales achievements in their own right,” said Carolina Milanesi. “But more importantly they contribute to the strength of Apple’s ecosystem and the iPhone in a way that smartphone-only manufacturers cannot compete with.”

Gartner Says Worldwide Mobile Phone Sales Grew 35 Percent in Third Quarter 2010; Smartphone Sales Increased 96 Percent [Press Release]

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Samsung Teases 10-Inch Galaxy Tab with Ultra-Light Resin Screen

Well, well, well. What could Samsung be planning to do with this 10.1-inch LCD panel? The screen is on show at the the FPD International Green Device 2010 trade-show in China, and is displayed naked alongside versions in a prototype “e-reader” and a small notebook.

Clearly, that “e-reader” is really a 10-inch Galaxy Tab: It’s making a video call (not something you’d do on, say, a Kindle) and it has the same row of buttons on the bottom bezel as the smaller 7-inch Tab. The screen has a 1024×600 resolution and a 1,000:1 aspect ratio, but that’s not the most interesting part. Not nearly.

The panel is built using Samsung’s existing manufacturing processes, only instead of using a glass substrate for the TFT it uses resin, which results in a tiny reduction in thickness (fro 0.5mm to 0.44mm), but a huge reduction in weight from 130g to just 28g, excluding backlights.

This could lead to a significant reduction in the weight of tablet computers, which right now are a lot heavier than similar sized e-readers that lack glass in their screens. One spec that isn’t mentioned is whether or not this screen is capable of multi-touch. We’d assume so, given the software and form-factor of the demo device. There appears to be some more work to do, though. Take a look at the right side of the screen in Tech-On’s picture, above, and you’ll see that it is slightly warped. Still, it’s only a prototype.

Samsung Unveils 1.8mm-thick 10.1-inch LCD Panel [Tech-On]

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Blackberry Boss: Playbook will Cost ‘Under $500′

Blackberry’s Playbook tablet will go on sale in the first quarter of next year for “under $500″, according to Blackberry co-CEO Jim Balsillie. Speaking to Bloomberg, he said that the 7-inch tablet “will be very competitively priced.”

$500 seems to be the limit for non-Apple tablets, and if this is a real price and not just a spoiler to stop be-suited business-types from buying an iPad in the next few months, then it will join the Samsung Galaxy Tab in the marketplace for undersized tablets. This $500 is actually a surprise, as Blackberry is selling the Playbook as a business machine, and we were expecting a high price to match.

The trouble is, $500 is still too much. How can you charge essentially the same price as Apple does for the iPad, but for a machine with a half-sized screen? Worse, Blackberry isn’t exactly known for it’s third-party apps, and choosing the horrible Adobe Air runtime won’t help.

The Playbook might support Flash, but that is increasingly irrelevant as more sites switch to where the money is and serve iPad-friendly HTML5 video.

It’s getting hard to see who will buy the Playbook. And remember: by the time it actually limps into stores, the iPad 2 will be either available or imminent.

RIM to Sell Tablet for Less Than $500 to Take on IPad [Bloomberg]

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How E Ink’s Triton Color Displays Work, In E-Readers and Beyond

E Ink’s new Triton line give the company’s displays a long-desired new feature: color. Most of the E Ink team is in Japan this week, demonstrating their new screens in Hanvon’s new e-reader. I spoke by phone with E Ink’s Lawrence Schwartz, who broke down the technology behind the new screens, Triton’s importance for his company, and where their displays fit into the broader ecosystem of readable screens.

“All of our screens have been building towards this,” Schwartz said. “The contrast and brightness we were able to add to the Pearl’s black-and-white screens, paired with a color filter — that’s what lets us bring color to the display.”

Schwartz emphasized that the company’s primary focus is still developing low-power, high-contrast surfaces for reading. “What’s unique about color in reading,” he added, “is that while most textual content is still in monochrome, we can introduce color into cover art, children’s books, newspapers, and textbooks — places still in the reading field where color is at a premium.”

E Ink developed the Triton screen in conjunction with a group of partners, including Epson, Texas Instruments, Marvell, and the semiconductor companies Maxim and Freescale, all of whom worked on the electronic components of the Pearl screen. In particular, Epson played a key role, providing the color filters’ controller chip.

Underneath, it’s still the same white, black and grayscale electrophoretic pigments; it’s only when filtered through the RGB overlay that the image appears in color. To reach for an historical analogy, it’s not totally dissimilar from film’s Technicolor process, which shot in black-and-white film strips through color filters, then reverse-processed.

Because the underlying technology is identical, Triton’s contrast, energy usage, viewing angle are all essentially the same as the Pearl. The image update or refresh rate for monochrome is the same (240 ms), but color animation can take up to about one full second.

Unlike a LCD display, though, pictures on the Triton don’t need to update the entire screen: a moving figure in the foreground might be refreshed while the background remains identical — just like traditional cel animation.

E-readers are the high-profile example of E Ink in action, but the company’s screens are also used in watches, battery indicators, printers, calculators, signage, end-cap displays in stores and a wide range of industrial displays. All of these displays, Schwartz said, could benefit from the introduction of color. And in the vast majority of these use cases, LCD or other full-video displays simply aren’t feasible, either for reasons of power conservation or the inherently limited nature of what’s being shown.

While Hanvon is the first company bringing the Triton screen to market, Schwartz said E Ink had other customers working with Triton screen technology who haven’t yet made announcements about their forthcoming products. Otherwise, he couldn’t comment on future devices or availability.

The most exciting innovations, Schwartz said, were the experimentations with user interface in conjunction with E Ink screens, whether using multitouch, stylus, or other NUI. E Ink, he said, works to optimize each of its displays for every one of these interfaces, which has required the company to be increasingly flexible in how it thinks about its products.

In the meantime, E Ink’s goal is to continue to improve their existing product line: get higher contrast, brighter colors, faster screen refreshes, and continue to find better ways to optimize their screens for every interface, use case and use environment.

E Ink Triton Imaging Film [E Ink]

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Hey Students! Want a Digital Textbook for the Holidays?

After almost a year of hype, Kno has announced that its oversized reader/tablet will be available just before the holidays.

Prices will run between $600 for a 16-GB single-screen tablet and $1,000 for a 32-GB dual-screen folio — and that’s with an educational discount — the company said, and will be delivered by December 20.

Sound expensive? The 14-inch Kno has the same relationship to the 6-inch Kindle that college textbooks have to trade paperbacks. Textbooks are big, heavy, they cost a lot of money, they’ve got expensive illustrations and the publishers are all different.

At least, that’s Kno’s pitch. Kno doesn’t compare itself to other e-readers, or even other tablets. It compares itself to new textbooks, which may help justify its high prices. Considering the thousands of dollars students spend on books, the company says — and the tens of thousands they and their parents spend on college — $600 for an entry-level unit is a bargain.

“Kno’s extraordinary benefits represent only a tiny fraction of the overall cost of college, but its impact on the student’s career — and the energy it adds to the experience, the thrill of learning, and the ultimate grade — is dramatic,” said Osman Rashid, co-founder and CEO of Kno. “Even better, when you do the math, it actually pays for itself and still saves $1,300 in digital-textbook costs.”

That figure is misleading, since it assumes a student purchases all their books new and doesn’t sell them used. What’s more, Rashid, founder of textbook-borrowing site Chegg, knows it.

The Kno is an extremely capable device and deserves to be sold on its own merits. It’s got either one or two 1440 x 900 LCD touchscreens that support both fingertip navigation and stylus notetaking. It supports either a virtual or a Bluetooth keyboard, and it’s backed up by an impressive library of electronic textbooks.

It doesn’t have third-party apps, which will make parents happy: It’s built to read, write and browse the web. But it can play the major audio and video formats, including Flash. It’s got an NVidia Tegra 2 graphics chip with an A9 dual-core 1-GHz processor and 512 MB RAM. Despite this giant display of video power, it still claims up to six hours of battery life on “normal campus use” (whatever that means).

The Kno is heavy by e-reader and tablet standards; it’s 2.6 pounds for the single-screen, 5.6 pounds for the dual-screen. But again, that’s not necessarily the relevant comparison. Compared to a bag full of first-year biology and calculus textbooks, 5.6 pounds is light as a feather.

A lot of companies have tried to make e-reading work for academic textbooks and, so far, none have succeeded. It’s more complicated than direct-to-consumer trade publication, because there are just so many stakeholders: students, parents, teachers, authors, publishers, retailers. The timing is tough because the economy is forcing many people to curtail their academic spending, not ramp it up on new gadgets — which is one reason the company is pushing the money-saving angle.

But Kno’s hardware looks good, the pricing is high but reasonably competitive, the company’s strategy is sound and its people understand those complexities as well as anyone.

I think we can expect a gradual rollout of the product this semester for holiday-season early adopters, and if it’s successful, a big push for back-to-school next fall. We’ll just have to see whether it clicks.

Kno Announces Pricing and Pre-Order Availability for Tablet Textbook; Pays for Itself in 3 Semesters [Press Release]

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