Hasta La Gadget!

Can’t wait for another Engadget Show to roll around? Well you’re in luck, friend. It’s happening tomorrow at 5:00pm ET. We’ll be doing giveaways at the show taping only, so brave the weather and join us in person for a chance to win great prizes!

Josh will be sitting down with Avner Ronen of Boxee to discuss the upcoming (and hotly anticipated) Boxee Box, as well as his strategy for taking on Big Television and their army of Jeff Zuckers.

Microsoft will also be on hand to demo Windows Phone 7 Series and the company’s own Aaron Woodman will be sharing stories about the major changes Redmond has made to the Windows mobile OS. Also expect an out-of-this-world performance from Nullsleep complete with stunning visuals from Outpt and Paris, as well as some other big surprises…

As you may have heard, livestreaming is back by popular demand, and we’re rolling out some cool new features! You will now be able to tweet your comments directly to the livestream! During the show, just include the hashtag “#engadgetshow” and look for your tweet to show up on the ticker at the bottom of the stream. One thing to note, The Engadget Show is a family program, so any single instance of swearing or trolling will force us to turn off the ticker… and it won’t come back on. So, keep it clean and have fun!

The Engadget Show is sponsored by Sprint, and will take place at the Times Center, part of The New York Times Building in the heart of New York City at 41st St. between 7th and 8th Avenues (see map after the break). Tickets are — as always — free to anyone who would like to attend, but seating is limited, and tickets will be first come, first served… so get there early! Here’s all the info you need:

• There is no admission fee — tickets are completely free
• The event is all ages
• Ticketing will begin at the Times Center at 2:30PM on Saturday, doors will open for seating at 4:30PM, and the show begins at 5PM
• You cannot collect tickets for friends or family — anyone who would like to come must be present to get a ticket
• Seating capacity in the Times Center is about 340, and once we’re full, we’re full
• The venue is located at 41st St. between 7th and 8th Avenues in New York City (map after the break)
• The show length is around an hour

If you’re a member of the media who wishes to attend, please contact us at: engadgetshowmedia [at] engadget [dot] com, and we’ll try to accommodate you. All other non-media questions can be sent to: engadgetshow [at] engadget [dot] com.

Subscribe to the Show:

[iTunes] Subscribe to the Show directly in iTunes (M4V).
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Update: As you guys may have noticed, New York and the surrounding areas got hit with a little snow. Never fear, because we’re still doing the show, but we’re going to make it easier for everyone to come out and enjoy it. If you want to see the taping today, don’t worry about showing up at 2PM or standing in line — if you come anytime before 4:30PM you will definitely get a seat! We don’t want anyone standing around in the snow, and it’s likely that not everyone who was going to come will be able to make it, so we should be able to accommodate everyone that does show up.

Continue reading The Engadget Show tapes tomorrow… snow or shine! (plus livestreaming!)

The Engadget Show tapes tomorrow… snow or shine! (plus livestreaming!) originally appeared on Engadget on Fri, 26 Feb 2010 16:30:00 EST. Please see our terms for use of feeds.

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Can a game based around relaxing aquatic dives be compelling enough to work? Jeff and Scott try out the Nintendo Wii’s latest iconoclastic game.

The same Adobe employee who mentioned on Adobe’s official forums that Flash 10.1 would be blowing right past Windows Mobile 6.5 made another notable comment, too: on Android, they’ll be conveniently overlooking devices that aren’t based on an ARMv7 core like a Snapdragon or OMAP3 — in other words, pretty much every device of consequence except the Nexus One, HTC Desire, Acer Liquid, Motorola Droid / Milestone, and Sony Ericsson X10. At this point, we’re starting to get a little suspicious — this is the same company that proudly demoed the Hero’s custom-rolled Flash support last year, after all, and there’ll be no shortage of devices using Qualcomm’s MSM7x27 line of chipsets in 2010 — so we’re holding out for some additional verification on this. Granted, forum mod Jochem van Dieten refers to the commenter specifically as an Adobe employee and he’s got a Plaxo profile identifying him as a product manager, but this is pretty wild news if accurate. We’ll update you as we know more.

Update: Indeed, PC Magazine points out that Adobe’s current verbiage is that Flash 10.1 is going to require Cortex A8 “or better.” So much for the “open” in Open Screen Project, eh?

Flash 10.1 snubbing non-ARMv7 Android devices, too? (update: yes) originally appeared on Engadget on Fri, 26 Feb 2010 15:49:00 EST. Please see our terms for use of feeds.

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A $5000 camera is not within reach for most people. So this Nikon D3s review is a bit different—it’s a peek at the near future of photography where shooting in any lighting condition is possible. It’s really exciting.

ISO Is the New Megapixel: A Case Study

Nikon effectively declared the pixel war over with D3 two years ago: Its $5000 flagship shot a mere 12 megapixels—less than many point-and-shoots—and began the low-light arms race. The D3s again forsakes more megapixels for more light, sticking with 12 megapixels, and it’s a tiny miracle of engineering.

The D3s isn’t a thoughtless product rehash—as you might expect given that Nikon’s simply tacked an ‘s’ onto the end of the D3. Unlike the D300s, which didn’t progress all that far in the two interceding years, the D3s is steady evolution at its best: It offers roughly double the low-light performance as the original D3.

What All This Low Light and ISO Business Means

A brief explanation of low-light digital photography and ISO is in order (click here for the long explanation). The focal point of engineering with the D3s, and other cameras of this caliber, has been boosting their ability to pick up more light (because a photo = light). That photo directly above with a 100 percent crop in the loupe? Taken at night at ISO 102,400.

The D3s uses a completely new sensor that refines elements of the original D3’s sensor, like a new gapless microlens architecture that directs more available light onto the sensor’s photodiodes. With film, ISO speed is a standard that indicates how sensitive the film is to light—higher speeds are more sensitive. With digital cameras, when you set the ISO speed, it’s supposed to be equivalent to the film standard. In low-light conditions, you boost the ISO, so you don’t need a long exposure time or wide open aperture. The problem with cranking up the ISO is that when you boost the camera’s sensitivity to light (the signal) you’re also boosting its sensitivity to noise—which can be sexy with film, but isn’t really with digital photos. The D3s shoots up ISO 102,400, far beyond any film you could buy at Walgreen’s. (Does Walgreen’s still sell film?) At that level, you’re talking night vision, practically, though the resulting noisy ass photo’s nothing you’d want to print.

So, here’s what the D3s offers, practically. In the most common DSLRs that people own, or with the latest crop of Micro Four Thirds cameras, the borderline for what we’d call good ISO performance is around ISO 800. In the original D3, it was ISO 3200, orders of magnitude better.

The D3s doubles the low-light performance of the D3: ISO 6400 photos look just about as clean ISO 3200 photos taken with the D3 (they look good), and ISO 3200 photos are whistle clean to all but the most trained eye, especially if they’re down-res’d to web or print size. ISO 12,800 is the new ISO 6400—the outer limit of acceptably printable. In short, the D3s is the best low-light camera we’ve ever used, a leap beyond last-generation’s low-light killers. You can basically shoot in any lighting condition. That’s incredible.

It’s Built for Photographers

The D3s is built for war zones, and being slung in the mud at 40mph. It weighs nearly 3 pounds, without a lens. Yet it’s well-balanced and supremely comfortable to hold, with the best ergonomics in its class—Canon’s 1D Mark IV feels surprisingly awkward by comparison—so we could shoot for hours on end in the closest thing to gadget blogging’s war zones, CES and the iPad launch, and slug people who got in our way. (The dual CF card slots and ginormous battery help with shooting for hours. We didn’t quite reach the 4,200 shots it’s spec’d for, but we definitely shot a couple thousand photos per charge.)

It feels like what a pro camera should feel like, with almost all of the controls you need at your fingertips—the addition of a dedicated live view button versus the original D3 definitely helped there, though a more natural way to change the ISO setting while using the camera’s vertical grip would be nice.

It is a photographer’s camera, though, to be sure. Even as it shoots a crazyfast 9 frames per second at full-resolution RAW and its 51-point autofocus proved fast and accurate for us at trade shows, Nikon continues to lag behind Canon when it comes to video, with it feeling more tacked on than any of Canon’s shooters—it’s still 720p video using the bleh Motion JPEG codec—it’s functionally better than the D300s, though, with improved autofocus in live view mode. That said, given that Nikon’s announced its first 1080p-shooting camera, we’re hopeful for the seemingly inevitable D700s on the video front, anyway.

Most of our testing took place at CES and the iPad event, which are marked by shitty and ever-changing light conditions, and we’ve never felt more comfortable shooting handheld without a flash or tripod. It’s truly liberating. Light is your bitch—you can shoot wherever, whatever you want. (Especially with a fast lens, but even “slow” lenses suddenly feel eminently more usable.) While auto white balance was never quite perfect, the pop and saturation of the D3s’s colors are just about unbeatable. It’s the ultimate gadget-shooting-in-crappy-conditions camera. Here’s some of posts we used the D3s to shoot:

• iPad Hands On
• iPad Liveblog
• Slayer Espresso
• E-Ink Is Dead, Pixel Qi Just Killed It
• Ballmer CES Keynote
• CES We’re Here

(You can also check out our previous hands on with a pre-production unit for more samples. And for a more technical review, DPReview’s got you covered.) A note: You’ll notice I don’t have a ton of sample photos, and that’s because somehow hundreds of them completely poofed from my hard drive.

The D3s doesn’t operate under any new philosophy, but it does remarkably take the game a step further, revealing with more clarity a world where camera performance doubles roughly every two years. Much like processors, where the tradeoff is more power or more efficiency, the choice is more megapixels or better performance. (But newspapers and monitors are only so big.)

We’re running through Canon’s answer to the D3s, the 1D Mark IV at this very moment, so we’re intensely interested to see who’s wearing what pants at the end of this. Either way, it shows that competition is a very good thing: Everybody wins.

The best low-light camera we’ve ever used

Fast and accurate 51-point AF to go with its 9FPS rapid fire

Solid ergonomics

Would prefer a more accessible ISO button

There’s still a major disconnect with video, which lags behind Canon quality and otherwise

It’s $5000, so this amazing low-light performance is out of reach for most people for a few more years (not really a knock against the camera, just a general frowny face)

[Nikon]

With Wi-Fi-enabled TVs finding an audience, it was only a matter of time before someone took that one step further and built in video calling. Samsung and Skype announced two upcoming HDTV lines that will offer embedded Skype software. The Samsung LED 7000 and 8000 series will allow customers to place video and voice calls directly through their sets.

The video camera isn’t built-in, unfortunately, so buyers will need to attach a low-profile FreeTalk TV camera for Samsung created by In Store Solutions. The camera will be available from the Skype online store, but isn’t there yet. To make a call, you’ll use the remote to log into your account and navigate the Skype interface. Skype video calls will be free, as will Skype-to-Skype voice calls. The sets are shipping in Korea now and will ship worldwide in the first half of the year.