This giant colorful honeycomb is called the SOL Dome. Made from thousands of interconnected fiber optics, the structure responds to its environment as if it were a living, breathing plant.
Paris is the city of love. It’s a city of style. A city of taste. It’s a city where life ballets itself around you. Now imagine that dreamy Paris without any people. Without any life. Without any love. Scary! Claire and Maxime of Menilmonde filmed Paris and deleted people, cars and life from the footage and came with this deeply unsettling short.
During the 1960s, a woman named Corita Kent transformed a tiny art department in a Hollywood Catholic school into a global center for design and printmaking. She was buddies with Buckminister Fuller and counted IBM as a client. Oh yeah, and she was a nun!
I’m sure you’ve bought fruit or had some at home when it was still wrapped snugly in the box in its foam rubber packaging. I remember my cousins and I fighting over who got the stretchy, accordion-like stuff whenever an adult would grab an apple or pear from the box, because it was a toy to us, not trash.
Getting inspiration from this same packaging is Japanese designer Keisuke Fujiwara.
I’m sure his chair’s designs look more than familiar to you, because they resemble that stretchy fruit packaging I was just talking about. The structure, the way the fibers cross and intersect with one another, and the shape of the chair screams “I was inspired by the foam rubber packaging that protected your fruit while it was in transit!”
Apparently, they also feel like the rubbery packaging too, because the chairs are described as being “pillowy soft” and “moldable.” They’ll also “wrap around” anyone who sits in them, making for a very comfortable piece of furniture.
“Do Not Touch” is a bummer of a directive to give to curious kids. So when designer Scott Garner was selected for a Tough Art residency at the Children’s Museum of Pittsburgh, he opted to create something that encouraged engagement with the piece itself, as well as with the people surrounding it.
It’s not uncommon to see $4 million worth of art in a museum. It’s less common to see $4 million worth of solid gold bricks in a museum. It’s called Tower of Power, and it will require a 24/7 security guard as long as it remains at the New Museum as part of a retrospective on its maker, the artist Chris Burden.
Starting this afternoon, international graffiti know-it-all Banksy begins his newest and greatest art exhibit to date: the entirety of New York City, New York. What you’ll find is the artist connecting with citizens and visitors of the city with cell phone technology the same way indoor art exhibits work with headphones and purchase-at-counter guide packs. […]
Has anyone ever told you that you’ve always got your head in the clouds? Daydreaming isn’t a bad thing because it stimulates your imagination, just as long as you don’t lose sight of reality.
If people stopped dreaming, they’d stop thinking outside of the box and unusually amazing art installations like Cloud Pink wouldn’t come to be.
Using fabric and digitally imposed images of clouds, Korean creative agency Everyware’s Cloud Pink installation gives people the chance to “touch” clouds and literally stick their heads into them.
The best thing about the installation is that it allows visitors to actually interact with it. The projected clouds can be manipulated by touch, so you can move and generate clouds on its digital canvas. Check it out in action in the video below:
[via TAXI]
If you’re an artist or designer with an iPad, chances are you have come across Paper
“A 1.5 kilogram clump of fatty tissue which is located in our head.” That’s how curator Marius Kwint describes the enigmatic subject of Brains: The Mind as Matter, a new exhibition at Manchester’s Museum of Science & Industry. The reality, of course, is infinitely more complex—and this not-for-the-squeamish show displays some of the more fascinating experiments, interventions, and artworks produced with our minds in mind.