Fujifilm axes select Fujichrome film as digital eats photography

The decline of film photography continues, with Fujifilm announcing the discontinuation of several of its films including Velvia 100F. “Due to decreasing demand globally we have to announce the withdrawal of some formats of Velvia 100F and Velvia 50″ Fujifilm product manager for professional film Gabriel Da Costa said of the company’s decision. “It is an unfortunate consequence of of digital capture, that some of the slower selling silver-halide lines will drop off the radar.”

Affected films include Fujichrome Velvia 100F in 35mm, 120 and 4”x5” formats, along with Velvia 50 in 4”x5” and 8”x10” formats. Fujifilm says that the last shipment of these films into the UK will be in December this year, though actual stock availability will depend on distributors supplies and the demand from consumers.

However, it’s not the end for film altogether, with Fujifilm arguing that it will merely become more niche over time. “Fujifilm will continue to manufacture a wide range of film” Da Costa said, “and the increasing support for our Choose Film group illustrates there is still a passion for film photography across the world.”

Choose Film launched back in 2008, a Fujifilm-led initiative that was nonetheless open to users of all brands of film. A combination of a social network for film enthusiasts and a showcase tool for their galleries, Choose Film currently has around 6,500 members.

If you want to stock up on some last-minute Fujichrome supplies, you can buy online here.

[via PhotographyBLOG]


Fujifilm axes select Fujichrome film as digital eats photography is written by Chris Davies & originally posted on SlashGear.
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Leaked EOS M photo looks like Canon’s long-awaited mirrorless camera

Leaked EOS M photo looks like Canon's longawaited mirrorless camera

At this point, after strong hints and even patents, a Canon mirrorless camera is all but certain. The only question is what it’ll look like and how it’ll compete with other Micro Four Thirds and APS-C shooters like the Olympus E-M5 and Samsung’s NX range. The image above may at least help to answer the first part of that question, if it isn’t a masterful photoshop. It was reportedly leaked by retail sites and captured by Digicame-info, and it appears to show an unknown model called the EOS M (shown in the top left corner) — which does indeed look like a thin and lightweight mirrorless ILC. MirrorlessRumors also notes the presence of an entirely new mount: the EF-M — which may mean that Canon is moving away from the inbetween sensor size it used in the G1 X and possibly towards full APS-C. An official announcement is expected on July 23rd, so we’ll know plenty more then.

Update: Some more pictures have surfaced, this time not glossy press photos, but some IRL shots. Check ’em out below and at the more coverage links.

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Leaked EOS M photo looks like Canon’s long-awaited mirrorless camera originally appeared on Engadget on Fri, 20 Jul 2012 03:03:00 EDT. Please see our terms for use of feeds.

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Samsung MV900F create best portraits from any angle, share anytime!

Samsung Electronics announced the latest addition to its range of Wi-Fi enabled Smart Cameras, the MV900F. Following the success of Samsung’s MV800, the MV900F also features Samsung’s innovative 180 degree Flip-out display, making it easy to capture and share creative self-portraits from any angle, at any time.
Incorporating Samsung’s Wi-Fi features with beauty-perfecting creative functions, it is ideal for creating a polished self-portrait. Making beautiful capture possible even in low light …

Panasonic Lumix DMC-G5 Micro Four Third Camera Drops Into View

Panasonic just unveiled a new mid-level Micro Four Third camera, the Lumix G DMC-G5. It’s the successor to the popular G3 and packs some cool new features. These kinds of cameras take impressive photos, while being easier to lug around than a full-sized DSLR.

panasonic lumix dmc g5 micro four third

The DMC-G5 has a 16MP sensor, and is capable of recording video up to 1,920 × 1080 at 60p full HD video in AVCHD Progressive with stereo sound. The camera can record stills up to 6fps at a maximum ISO of 12,800. The G5′s display capabilities looks great, with a high-res live viewfinder offering an equivalent 1.4 million pixels of resolution, and a large 920k tilting LCD screen.

panasonic lumix dmc g5 micro four third top

The camera’s OS has 16 different filters, allowing you to to create Instagram-style photos even if you’re not on your smartphone. The camera will be available in black, silver or white, and will go on sale this August. Pricing has yet to be announced.

panasonic lumix dmc g5 micro four third back

[via FarEastGizmos]


Editorial: Engadget on EyeTap, Project Glass and the future of wearable cameras

Editorial Google may be ready for wearable cameras, but what about you

Summer in Paris — you can’t walk a block on Champs-Élysées without locking eyes with at least one camera-equipped tourist. But Steve Mann’s shooter wasn’t dangling from his shoulder and neck; it was mounted on his head, with a design strikingly similar to Google’s Project Glass. Unlike that mainstream Mountain View product, however, Mann’s version has reportedly been around in one form or another for 34 years, and was designed with the objective of aiding vision, rather than capturing stills and video or providing a bounty of database-aided readouts. It’s also street-ready today. While on vacation with his family, the Ontario-based “father of wearable computing” was sporting his EyeTap as he walked down the aforementioned French avenue, eventually entering a McDonald’s to refuel after a busy day of sightseeing. He left without his ranch wrap, but with seriously damaged hardware.

What allegedly occurred inside the restaurant is no doubt a result of the increasing presence and subsequent awareness of connected cameras, ranging from consumer gear to professional surveillance equipment. As Mann sat to eat, he writes that a stranger approached him then attempted to pull off his glasses, which, oddly, are permanently affixed to his skull. The man, at that point joined by one other patron and someone that appeared to be a McDonald’s employee, then pushed Mann out of the store and onto the street. As a result of the attack, the eyewear malfunctioned, resulting in the three men being photographed. It wouldn’t be terribly difficult for police to identify those involved, but this encounter may have greater implications. McDonalds has since launched an investigation into the matter and seems to be denying most of the claims, but it’ll be some time yet before the full truth is uncovered. Still, the whole ordeal got us at Engadget thinking — is the planet ready for humans to wear video recorders, and will it ever shake a general unease related to the threat of a world filled with omnipresent cameras? Join us past the break for our take.

Continue reading Editorial: Engadget on EyeTap, Project Glass and the future of wearable cameras

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Editorial: Engadget on EyeTap, Project Glass and the future of wearable cameras originally appeared on Engadget on Wed, 18 Jul 2012 13:41:00 EDT. Please see our terms for use of feeds.

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Samsung updates MultiView camera lineup with MV900F point-and-shoot for $350, we go hands-on

Samsung updates MultiView camera lineup with MV900F pointandshoot for $350, we go handson video

When we were first introduced to Samsung’s MultiView series with last year’s MV800, we were certainly intrigued by the original design — the LCD flips up to face directly forward, resting just above the main camera module and enabling front-sided operation, for self-portraits and the like. What the camera appeared to offer in ingenuity, however, it lacked in image quality — shots looked quite mediocre during PC-based reviews, and when viewed on the low-res capacitive touchscreen display. This year’s iteration, the MV900F, promises improvements down the 800’s list of shortcomings, ranging from an f/2.5-6.3, 25mm 5x optical zoom lens to added WiFi, which brings the model’s social feature set in line with other Samsung SMART cameras. There’s also a 16.3-megapixel backside-illuminated CMOS sensor on board, along with that 180-degree MultiView display, this time equipped with a 3.3-inch WVGA AMOLED panel. Physically, the camera is similar in appearance, but it’s noticeably larger, to accommodate that larger touchscreen (the MV800 included a 3-inch display).

We were able to take an early look at the MV900F, and the display improvements were immediately noticeable. We weren’t permitted to review sample shots on a computer, but with so much room to grow from its predecessor, it’s safe to say that this lens/sensor combo should yield a noticeable image quality boost. The front-facing display is certainly the star of the show, even enabling gesture controls — you can zoom in and out or capture a shot just by waving your hand (there’s a tutorial on-board, but the movements aren’t difficult to master). There’s also a handful of WiFi options, including Facebook integration, along with instant uploading to sites like Picasa and YouTube, and integration with Samsung’s other products, including TVs and Galaxy smartphones. Video capture has also been boosted from 720p to 1080p, letting you take full advantage of HDTV playback, while a variety of photo and movie filters let you get creative in-camera, including a twilight mode that combines three sequential frames in order to snap steady shots in low light. The camera is set to ship in late August for $349.99, and will be available in black and white, so if you were considering the MV800 but opted to hold out while Samsung worked out the kinks, this may be the time to jump. Catch the MV900F in action, including those nifty gesture controls, in our hands-on video after the break.

Continue reading Samsung updates MultiView camera lineup with MV900F point-and-shoot for $350, we go hands-on

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Samsung updates MultiView camera lineup with MV900F point-and-shoot for $350, we go hands-on originally appeared on Engadget on Wed, 18 Jul 2012 10:00:00 EDT. Please see our terms for use of feeds.

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Panasonic unveils three new Lumix in North America and Europe with the DMC-G5, DMC-FZ200 and DMC-LX7

Panasonic has announced today three new Lumix camera in North America/Europe with the DMC-G5, DMC-FZ200 and DMC-LX7.
The First model the DMC-G5 is a nice little Micro FOur Third Camera and replace the actual G3 and comes with a 16Mpix sensor offering a 1080/60p video mode as well as a very convenient 6fps burst mode. The G5 comes with a 12,800 Max iso speed and the usual iA+ or Intelligent Auto Plus mode from Panasonic as well as a 3.0-inch free-angle LCD on top of the usual Electronic …

Panasonic’s Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots

Panasonic's Lumix lineup grows DMCG5 Micro Four Thirds, DMCFZ200 superzoom and DMCLX7 handson and sample shots

It’s been nearly half a year since Panasonic’s Lumix series of cameras got any new members, but today the company is introducing three more shooters to the family. First up is the DMC-G5, the latest addition to the company’s Micro Four Thirds lineup. It’s the successor to the G3 and packs a 16-megapixel sensor capable of shooting 1080p videos at 60fps and stills in up to 6fps bursts at a max 12,800 ISO at full resolution. The G5’s LVF has a proximity sensor to automatically switch between it and the camera’s 920,000-dot capacitive screen depending on which one you’re using to frame your shots. When the G5 goes on sale next month, you’ll have your choice of black, silver and white models.

In addition to the G5, Panasonic’s also introducing a new superzoom camera, the DMC-FZ200 and a high-end DMC-LX7 point-and-shoot. The FZ200 replaces the FZ150 and pairs a 12-megapixel sensor with a 25-600mm constant f/2.8 aperture Leica Elmarit lens with nano surface coating to reduce flare and ghosting. It has a 24x optical zoom and shoots 1080p video at up to 60fps along with stills in up to 12fps bursts, though its max ISO is only 6,400. Meanwhile, the LX7 has arrived sporting a 10-megapixel sensor and a 24-90mm, f/1.4-2.3 Leica Summilux lens with the same nano surface coating as the FZ200. Like its Lumix brethren, it shoots 1080p video at 60fps, and shares the same maximum 12,800 ISO as the G5. It’ll be available in black and pearl white when it ships in August. We got to spend some time with all three, so join us after the break to learn a bit about what its like snapping pics with this trio of Panasonics.

Continue reading Panasonic’s Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots

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Panasonic’s Lumix lineup grows: DMC-G5 Micro Four Thirds, DMC-FZ200 superzoom and DMC-LX7 hands-on and sample shots originally appeared on Engadget on Wed, 18 Jul 2012 01:25:00 EDT. Please see our terms for use of feeds.

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Samsung reduces EX2F point-and-shoot price to $499 before August arrival

Samsung drops EX2F pointandshoot price to $499 before August arrival

Samsung’s EX2F camera isn’t even on the market yet, but it has a brand new feature that you’re bound to appreciate: a lower price. If you’ll recall, we recently went hands-on with Sammy’s kit, which features an f/1.4-2.7, 24-79mm lens, a 12.4-megapixel 1/1.7-inch CMOS sensor and a 3-inch AMOLED display. Most recently, Samsung confirmed that consumers can snag this point-and-shoot camera at just $499, which is a full $50 less than we’d previously known. The EX2F is still on track for an August debut, and with the new, lower price, you’ll now have a nice excuse to replace your memory card at the same time.

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Samsung reduces EX2F point-and-shoot price to $499 before August arrival originally appeared on Engadget on Tue, 17 Jul 2012 02:19:00 EDT. Please see our terms for use of feeds.

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2012 iPhone’s maybe-finished front appears with center camera, may straighten our FaceTime chats

2012 iPhone's possibly finished front turns up with center camera, may straighten out crooked FaceTime chats

A claimed test sample of the 2012 iPhone’s complete body has already made the rounds, but it was using a rough front panel that wasn’t supposed to be wholly representative of the finished work. Frequent part leaker Apple.pro has uncovered a sample which might be closer to the real deal: the white example shows the space for the taller screen that we’ve come to know, just with a conspicuously shifted FaceTime camera that now sits above the speaker. It’s a small change, but it suggests Apple is going for much more of a family resemblance this time around — a previously claimed 2012 iPod touch panel was merging the fourth-generation iPod’s already centered camera with the taller display. While there’s still room for this to be a creative fake or an interim design, the consistency hints that Cupertino is keen to shake things up a bit for the iPhone’s fifth birthday.

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2012 iPhone’s maybe-finished front appears with center camera, may straighten our FaceTime chats originally appeared on Engadget on Mon, 16 Jul 2012 10:53:00 EDT. Please see our terms for use of feeds.

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