Sony RX1 camera leaks with full-frame sensor in compact body, laws of physics slightly bent

Sony RX1 camera leaks with fullframe sensor in compact body, laws of physics slightly bent

Here’s something you probably didn’t expect: a compact Sony camera with a full-frame sensor. While Photoprice.ca was uncovering a treasure trove of leaked press shots that include the Alpha A99 and NEX-6, it also came across images of the RX1, whose body looks borderline pocketable yet stuffs in the same kind of sensor (and likely image quality) you’d normally reserve for pro-grade models. Several extra details reveal themselves right from the start. The RX1 is carrying a 35mm, f/2.0 lens with no apparent button to detach the lens — the included glass is probably as good as it’ll get. However, the RX1 is most definitely tuned for experienced shooters, with a toggle for macro focusing as well as dedicated controls for aperture and exposure compensation. We’re also liking that there’s a pop-up flash, a standard hot shoe for accessories and three custom settings on the mode dial. The slip doesn’t include mention of a release date or a price, but talk during the A99 slip mentioned a September 12th unveiling that wouldn’t shock us if it included multiple cameras — and we would be equally unsurprised if the RX1 carried the same high price commonly associated with other full-frame bodies.

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Sony RX1 camera leaks with full-frame sensor in compact body, laws of physics slightly bent originally appeared on Engadget on Sun, 09 Sep 2012 13:44:00 EDT. Please see our terms for use of feeds.

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Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K

Blackmagic MFT

Blackmagic Design has thrown its Cinema Camera MFT into the Micro Four Thirds arena, but it will only work with lenses that have manual iris and focus capability. The shooter is otherwise identical to the original Cinema Camera, with a 2.5k, sub-MFT sensor; CinemaDNG RAW, ProRes and DNxHD capture formats; built-in SSD; capacitive touchscreen; and an included copy of DaVinci Resolve color correction software. That means cineasts already on board that format will have another mount for their glass, and MFT’s mirrorless aspect will also permit other lens formats, like PL or Nikon, to be added with third party adapters. So, if the relatively low price, claimed 13 stop dynamic range, higher-than-HD resolution and new mount is enough to push your “start” button, check the PR for the entire skinny.

Continue reading Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K

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Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K originally appeared on Engadget on Sun, 09 Sep 2012 06:11:00 EDT. Please see our terms for use of feeds.

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Sony Alpha A99 poses for someone else’s camera, no optical viewfinder in sight

Sony Alpha A99 poses for another camera, no optical viewfinder in sight

Technical details of Sony’s rumored Alpha A99 have been overflowing. The actual camera, however, has been elusive until now. A press photo just spotted on Xitek (and passed along to Sony Alpha Rumors) is believed to be authentic and speaks volumes about Sony’s pro camera strategy: as shown, there’s no obvious space for an optical viewfinder, hinting that the company’s full-frame shooter is going with an OLED-based electronic eyepiece like that of its crop-frame A77 precursor. The image doesn’t show much more than that and a conspicuous orange ring to remind us that we’re gazing upon an Alpha, but it’s tough to ignore that more compact (and hopefully lighter) body. Whatever the cosmetics are like, rumors now assert that the 24.3-megapixel, translucent-mirrored A99’s early September release has been locked down to September 12th; if that’s true, it may give photographers as much reason to be happy that day as phone buyers.

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Sony Alpha A99 poses for someone else’s camera, no optical viewfinder in sight originally appeared on Engadget on Sat, 08 Sep 2012 20:08:00 EDT. Please see our terms for use of feeds.

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Red introduces $42K Epic-M Monochrome cinema cam, on sale October 1st

Red introduces $42K EpicM Monochrome cinema cam, on sale October 1st

Red Camera promised to stop hyping products that weren’t ready to ship, and true to its word, just announced the Epic-M Monochrome, surprising even its rabid user base. Packing an all-new black and white-only Mysterium-X sensor, the new cinema cam follows in the footsteps of the Leica M Monochrom still shooter, right down to a similar moniker. Red claims the dedicated CMOS sensor means no color debayering, yielding a one-to-one pixel count and 15-20 percent bump in effective resolution compared to its chromatic cousin. It also touted a sensitivity gain as another advantage, asserting that the Monochrome will have a native ISO of 2,000 (while using the retro-sounding “ASA” term), more than double that of the Epic-M or X. The camera will have a new low pass filter to account for the higher resolution, and buyers who plop down $42,000 to get one on October 1st will be upgraded, gratis, to a new Dragon Monochrome Sensor next year. Like the Leica, if you have to ask why you’d pay such a sum for a camera that doesn’t speak color, it may not be for you — but it is for David Fincher, says Red, who’s already shooting his next feature on one.

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Red introduces $42K Epic-M Monochrome cinema cam, on sale October 1st originally appeared on Engadget on Sat, 08 Sep 2012 12:35:00 EDT. Please see our terms for use of feeds.

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Hang on, Nokia’s Lumia 920 only records mono video?

Nokia’s Lumia 920 may be focused on photography with its PureView-branded camera, but the Windows Phone 8 handset’s Full HD video recording will only store mono sound, despite an advanced microphone array. Detailed specifications shown to SlashGear yesterday confirmed that the Lumia 920 has three of Nokia’s special High Amplitude Audio Capture (HAAC) microphones, co-developed by the company for the 808 PureView and delivering audio recording more akin to what the human ear can hear. However, according to Nokia’s photography chief, the Lumia 920 won’t actually record stereo sound.

Damian Dinning, lead program manager of Imaging Experience at the Finnish firm, revealed the odd decision on Twitter, saying that “in terms of audio recording, the difference is mono in the [Lumia] 920 vs 808 [PureView] which is stereo.” Questioned about the disparity, Dinning revealed that “the mic and HAAC and hi-fi quality is the same as the 808, but limited to mono.”

It’s unclear at this stage whether that means a new, mono-breed of Nokia’s Rich Recording technology, or if the company is skipping that branding altogether for the Lumia 920. Either way, it’s an unusual decision given the photography credentials Nokia is attempting to push with the new flagship phone, which uses a special “floating lens” system to deliver optical image stabilization, among other things.

The one saving grace could be the fact that software, not hardware, looks to be the reason for the mono recordings, and that means Nokia could potentially address that with new firmware. Dinning himself points out that his comments on the Lumia are “based on launch SW and are intended as a general summary” though he insists that “audio will most probably sound better than anything else” even in mono.

We’ve got a request in with Nokia for more details, and will update if we hear more. Meanwhile, check out our extended PureView play on the Lumia 920.


Hang on, Nokia’s Lumia 920 only records mono video? is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Nokia Lumia 920 “HAAC” Rich Recording microphones confirmed

All eyes may be on the Nokia Lumia 920′s PureView camera, but our ears may well be cosseted with the company’s Rich Recording high-quality audio, judging by what SlashGear has heard from sources at the firm. Nokia made no mention of Rich Recording, the broad-frequency sound capturing system that premiered on the 808 PureView, during its Lumia 920 launch, and nor does the Windows Phone’s spec sheet spill the goods; however, according to hardware details we have been informed about, the Lumia 920 does indeed have a trio of the special microphones Nokia co-developed especially for Rich Recording.

Those “High Amplitude Audio Capture” microphones can record a significantly broader range of frequencies than standard microphones: up to 140 dB in fact, whereas traditional phone microphones top out at 110 dB. Decibels use a logarithmic scale, so that 30 dB difference is vast.

“To cope with high sound pressure levels, Nokia has developed together with microphone suppliers a new microphone concept (High Amplitude Audio Capture) that can capture high sound pressure levels with perceptually no distortion to the audio. It is capable of recording up to 140 dB and higher Sound Pressure Levels, while that commonly used digital microphones can only reach 120 dBSPL without heavy distortion. As high amplitude audio levels are tolerated, there is no need to limit the frequency response. Hence full audio bandwidth to match to human hearing capabilities can be provided when capturing with HAAC microphones” Nokia

The end result is audio more akin to what the human ear can hear, without the distortion common to most smartphone camcorder functionality. The Lumia 920′s three HAAC microphones are in the correct place for the system to work, we’ve been told.

Rich Recording isn’t mentioned by name in the data sheets SlashGear has seen – we’ve been asked not to publish them – but the key software specifications apparently match with those of the 808 PureView as well. We’ll be pestering Nokia for specific confirmation, but until then there’s more on Rich Recording in Nokia’s white paper [pdf link].

Check out our extended hands-on with the Lumia 920 for more on PureView


Nokia Lumia 920 “HAAC” Rich Recording microphones confirmed is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Sony Stitch merges footage from two 4K F65 cameras to create zoomable panoramic with HD output (video)

Sony Stitch merges footage from two 4K F65 cameras to create zoomable panoramic with HD output handson video

Well, that’s a mouthful of a headline. Going a bit more in-depth, a new professional solution from Sony allows broadcasters to capture side-by-side 4K video at, say, a sporting event, then use a standard camera zoom device to select small portions of each feed for 720p or 1080i output. On the receiving end, you’ll see a live image that looks indistinguishable from something you’d capture with a moving camera, with a few extra benefits to boot. Sony demonstrated the system using feeds from an F65 4K camera earlier this year at NAB, but was only able to present a simulation at that point, with pre-recorded output cropped from larger-format footage.

Now, as we saw today at IBC in Amsterdam, the technique works in realtime, so an adjustable smaller portion of the video is pumped out seamlessly and instantaneously. The 4K video can also be recorded at full resolution simultaneously, letting you change the framing long after an event takes place. Sony only had the demo configured to pull live video from the left portion of the feed, but eventually the entire capture will be enabled, giving producers access to an entire football field, as you’ll see in the hands-on video after the break. We wouldn’t expect this solution to replace human camera operators anytime soon, but it’s certainly a viable method for adding angles and placing a bit more control in the hands of production teams, even after the fact.

Continue reading Sony Stitch merges footage from two 4K F65 cameras to create zoomable panoramic with HD output (video)

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Sony Stitch merges footage from two 4K F65 cameras to create zoomable panoramic with HD output (video) originally appeared on Engadget on Fri, 07 Sep 2012 10:41:00 EDT. Please see our terms for use of feeds.

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Blackmagic Cinema Camera MFT adds passive Micro Four Thirds lens support

Coveted high-quality video camera company Blackmagic has revealed its second Cinema Camera, this time adding support for passive Micro Four Thirds lenses. Sitting alongside the existing Blackmagic Cinema Camera (which will be renamed the “EF” version), the new MFT model supports any such lens with manual iris and focus, or can be used with other lens mounts by simply slapping an adapter ring in-between.

Otherwise the specifications are the same, so you get a 2.5K sensor, integrated SSD recorder for grabbing footage in CinemaDNG RAW, Apple ProRes and Avid DNxHD formats, and a Thunderbolt connection for offloading clips. Control is via a capacitive touchscreen, and there’s a full 13 stops of dynamic range to play with.

Most importantly for the target audience, the same 2.5K and 1080HD resolution capture in 23.98, 24, 25, 29.97 and 30 fps is present. Thanks to the SSD storage, uncompressed 2.5K footage can be stored in-camera, and then quickly shuttled off via the Thunderbolt connection or the SDI 3Gb/s port.

Like the original model, the new Blackmagic Cinema Camera MFT doesn’t come cheap: you’re looking at $2,995 when it hits shelves in December 2012. However the asking price also includes full copies of DaVinci Resolve for color correction and Blackmagic UltraScope software for waveform monitoring.


Blackmagic Cinema Camera MFT adds passive Micro Four Thirds lens support is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Claimed iPad mini shell reappears, now with more rear camera and less Mr. Blurrycam

Claimed iPad mini shell reappears, this time with less of Mr Blurrycam

The last time we saw the purported iPad mini’s aluminum backing, someone forgot to turn on a light. There’s no such murkiness with NetEase‘s fresh turn at pre-release photography. Its view of a WiFi model gives us both a much clearer look as well as some hints that Apple wants more than a basic slab at the iPad’s potential new entry level: there’s a conspicuous cutout for what’s likely a rear-facing camera, along with space in the top frame for a front camera. We’ve already seen the mini dock connector that fits in that hole at the bottom edge, of course. Nothing’s definite unless there’s either a smoking gun leak or an official event, but we may have just a month to wait to know whether or not the Kindle Fire HD 7-inch has some fresh competition.

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Claimed iPad mini shell reappears, now with more rear camera and less Mr. Blurrycam originally appeared on Engadget on Thu, 06 Sep 2012 22:24:00 EDT. Please see our terms for use of feeds.

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Fujifilm X-E1 Arrives With Interchangeable Lens

Fujifilm has announced the X-E1, the latest addition to its X-Series of cameras. X-E1 arrives with an interchangeable lens system and packs a 16.3 Megapixel APS-C X-Trans CMOS sensor. While it certainly has superior hardware compared to earlier releases in the X-Series, it has a body that is smaller, too. Compared to the X-Pro1, it is 30% more compact.

The company announced in a press release that the device will be available in two colors, two-tone black and silver, and solid black. The lens that will accompany the camera is XF18mm-55mm (27-84mm) F2.8-4 lens. If you have your eyes set on this one, wait till November which is when the camera will hit the shelves. (more…)

By Ubergizmo. Related articles: Fujifilm FinePix XP-Series Rugged Compact Cameras, Fujifilm X-S1 26X Long-Zoom Digital Camera,