Sony NEX-VG30 camcorder images leak alongside rumor of $1,800 November arrival

Sony VG30 camcorder images leak alongisde rumor of $1,800 November arrival

The streetwise kids at SonyAlphaRumors say they’re in possession of legit, leaked images of a forthcoming Sony NEX-VG30 camcorder, which they received from an unnamed tipster. The images themselves reveal very little about what’s new in this model, and even the tipster seems to mainly confirm specs that are already present in the VG20 — such as the big, 16-megapixel Exmor APS-C sensor (although it may have been upgraded), plus 24p and 60p recording at 1080. However, the top-down picture after break does reveal a new, healthy-sized zoom control on the grip, plus there’s the happy possibility of an OLED XGA viewfinder. The official announcement may well reveal other changes under the hood, but in the meantime the tipster reports a November release with a $1,800 price tag — which could either be a price drop or a hike depending on whether it’s body-only.

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Sony NEX-VG30 camcorder images leak alongside rumor of $1,800 November arrival originally appeared on Engadget on Thu, 06 Sep 2012 06:04:00 EDT. Please see our terms for use of feeds.

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Nokia admits PureView Lumia 920 video fake (but OIS does work)

Nokia has confessed to faking the eye-catching PureView demo video for the freshly announced Lumia 920, admitting it manufactured the stabilization demo but insisting the real thing is just as capable. The “floating lens” 8-megapixel camera on the new Windows Phone 8 flagship was billed as a ground-breaking advance in mobile photography, but closer examination of Nokia’s initial demo footage raised doubts as to its authenticity. Now, Nokia has released a second video, showing exactly what PureView OIS on the Lumia 920 is able to do.

“In an effort to demonstrate the benefits of optical image stabilization (which eliminates blurry images and improves pictures shot in low light conditions), we produced a video that simulates what we will be able to deliver with OIS. Of course, hindsight is 20/20, but we should have posted a disclaimer stating this was a representation of OIS only. This was not shot with a Lumia 920. At least, not yet. We apologize for the confusion we created” Nokia statement

According to Nokia, the error was one of giddy confusion rather than an actual intent to mislead would-be Lumia 920 buyers, but it’s another black mark in the score column for what turned out to be a mixed event in NYC yesterday. Although the Lumia 920 and Lumia 820 were widely received as decent hardware, the absence of any pricing or specific availability information – beyond both phones launching “later in the year” – left Nokia looking unprepared.

Meanwhile, over-enthusiastic video pimping isn’t the only crime Nokia is accused of. Former Helsinki resident Youssef Sarhan took issue with the stills in Nokia’s original PureView video as well, arguing that the defractions around the bright light sources in the photos are simply impossible to capture with the Lumia 920′s f/2.0 camera.

He points to the expansive defractions around street lighting in the PureView promo (on the left in the image below) versus the more diffuse defractions seen in a sample shot from a Lumia 920 prototype that Nokia itself shared (click for larger version):

Nokia has released the following video – shown as part of its presentation yesterday – demonstrating the PureView OIS system at work on an actual Lumia 920 prototype device. It certainly looks good, though we’ll wait until we can review the WP8 smartphone before we pass any broader judgement.


Nokia admits PureView Lumia 920 video fake (but OIS does work) is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Fujifilm outs the all new X-E1 a new 16.3Mpix interchangeable Lens Camera

Fujifilm outs (Japan and USA) its second compact system camera of this year with the FUJIFILM X-E1 a premium interchangeable lens camera system that truly exemplifies the high quality and extraordinary image resolution that the X-Series is known for among professional photographers. The FUJIFILM X-E1 follows in the tradition of the award-winning FUJIFILM X-Pro1 and utilizes the same proprietary 16.3 Megapixel APS-C X-Trans CMOS sensor and the same X-Mount for use with FUJINON XF lenses, all in …

Fujifilm X-E1 mirrorless compact gets official

Retro shutterbugs rejoice! Fujifilm has outed its latest interchangeable lens compact camera, and if your life is buoyed by knurled dials and classic aluminum style, the X-E1 may be the model for you. Packing a custom 16.3-megapixel APS-C X-Trans CMOS sensor and compatible with Fujifilm’s X-Mount lens system from the X-Pro1 rangefinder, the Fujifilm X-E1 comes in at 30-percent smaller than its chunky sibling while still, the company insists, producing stills and video that can rival full-frame DSLRs.

Stills are captured with an ISO range of 100 – 25600, and Fujifilm has implemented a special color filter array that does without the typical optical low pass filter while still ridding shots of moiré and false colors. The distance between the sensor and the lens mount has been shaved away, too, down to just 17.7mm.

Video, meanwhile, is recorded at up to 1920 x 1080 Full HD, at 24fps, and there’s an external stereo microphone input and support for the integrated Monochrome and Film Simulation modes. Photography can also use a multiple exposures mode, shooting two images at once while showing them both for review.

On the back, there’s a 2.36m dot OLED viewfinder and a 2.8-inch 460k dot LCD for framing and reviewing shots. The X-E1 also gets a pop-up flash and a battery good for 350 shots on a charge, while the whole camera weighs in at 12.35oz.

As for lenses, there are two which Fujifilm is pushing: the new XF14mm (21mm) F2.8 single focal length lens and XF18mm-55mm (27-84mm) F2.8-4 lens. The former is an ultra-wide angle lens with particular strengths in low-light photography, while the latter is the same bokeh-happy model with optical image stabilization we’ve seen before.

The Fujifilm X-E1 will go on sale in November, priced at $999.95 for the body only. It will be offered as a kit with the XF18mm-55mm lens for $1,399.95, while that lens alone will be $699.95. The new XF14mm lens will be $899.95 alone.

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Fujifilm X-E1 mirrorless compact gets official is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Fujifilm grows X-series mirrorless lineup with 16.3-megapixel X-E1

Fujifilm grows Xseries mirrorless lineup with 163megapixel XE1

Didn’t jump at the chance to own a Fujifilm X-Pro1? Considering the camera’s relatively massive footprint and $1,700 body-only price tag, we can hardly blame you. Fortunately, things are looking up for the company’s high-end X-series of mirrorless cameras — a new model just stepped into town. The X-E1 features the same 16.3-megapixel APS-C X-Trans CMOS sensor as the much pricier X-Pro1, but in a body that’s 30 percent smaller. Better yet, this latest flavor, which will ship in two-tone black and silver or solid black “classic designs,” will carry a body-only retail price of $1,000. A cool grand will buy you an interchangeable lens camera with a sensor that, according to Fujifilm, is “capable of delivering resolution that is superior to other APS-C sensors, and equal to even some full frame sensors found in popular DSLR cameras.” (Sayonara, Canon EOS-1D X.)

Like its larger sibling, the X-E1 ditches the low-pass filter typically found in DSLRs in favor of a color filter array, which serves to minimize moire while yielding more accurate colors. A 2.36-million-dot OLED EVF is included for eye-level framing, or you can use the 2.8-inch 460k-dot LCD. The camera boasts a sensitivity range of ISO 100-25,600, packs a pop-up flash, it can capture 1080/24p video and includes a microphone input so you can add external audio sources. The camera is compatible with M lenses using an optional M Mount Adapter, or you can take advantage of Fujifilm’s current selection of three X-mount primes. There will also be two new lenses launching alongside the X-E1 in November, including an XF 18-55mm f/2.8-4 and a 14mm f/2.8 prime, priced at $900 and $700, respectively — you can save $500 by snagging that first lens in a kit with the camera for $1,400. Head past the break for the full PR.

Gallery: Fujifilm X-E1

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Fujifilm grows X-series mirrorless lineup with 16.3-megapixel X-E1 originally appeared on Engadget on Thu, 06 Sep 2012 01:00:00 EDT. Please see our terms for use of feeds.

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Samsung’s split personality patent conjures up a camera with detachable media player

Samsung's split personality patent conjures up a camera with detachable media player

Samsung recently added some serious smarts to its point-and-shoot lineup with the Galaxy Camera, which — if you’re so inclined — can also double as a personal communicator and multimedia player. As we discovered during our hands-on with the device, however, its bulky size could deter many who might’ve hoped to carry it at all times. A patent just granted to Samsung might change all that, however, which describes a camera that also acts as a multimedia player, only with one curious difference: the PMP unit is detachable. Naturally, this component houses the display and its own separate storage, but also contains the multimedia module that’s necessary for the camera to record movies. Samsung applied for this patent back in 2007, which suggests this particular setup may never see the light of day. Then again, if such a split personality camera ever appears, there’s a good chance that it’ll carry the Samsung name.

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Samsung’s split personality patent conjures up a camera with detachable media player originally appeared on Engadget on Wed, 05 Sep 2012 21:45:00 EDT. Please see our terms for use of feeds.

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PureView rebooted: Nokia shows why Lumia 920 camera is special

Nokia’s new Lumia 920 may not be PureView as we’ve known it, but that doesn’t mean it’s not some darned clever camera technology all the same: think springs in your smartphone for a start. A new side-by-side video demo of the stabilization system in play – which you can see after the cut – shows another string of PureView’s catch-all camera bow, relying not on masses of megapixels but on how a more average sensor does its business.

The 808 PureView uses oversampling to construct incredibly detailed, accurate pictures. Each pixel of its roughly 5-megapixel final stills is made up of the combined data from seven pixels on the sensor itself: by averaging out the results, and discounting anything which is obviously an outlier, Nokia can create a more impressive image than you’d get from, say, a regular 5-megapixel (or even 8-megapixel) traditional camera-phone.

In contrast, the Lumia 920 has just that: a regular 8-megapixel sensor. What’s special is how it’s mounted, with what Nokia calls “floating lens” technology, putting it on a set of actual, physical springs inside the 10.7mm thick chassis. As you can see in the video below, the difference is marked: video is smoother, as if your Lumia 920 is mounted on a tiny Steadycam, while stills should show an improvement in low-light performance, as exposures can be longer without introducing blur from shaky hands.

Update: Nokia has admitted that the video demo it put together was not filmed with the Lumia 920, and that it was only intended to simulate what the OIS system could do. The second video, however, shows an actual side-by-side comparison filmed on the new smartphone.

Unfortunately, what it also means is that none of the 808 PureView’s other ambitious enhancements are present: you don’t get lossless zooming on the Lumia 920, and there’s no sign of Rich Recording for higher quality audio in video clips. Whether the market has heard enough about the 808 to know what they’re missing on the Lumia 920 is questionable, though.

Still, as Nokia’s imaging chief Damien Dinning said earlier in the week, there’s more to PureView than just big sensors. We’ve been waiting for Nokia to show us how it will differentiate its Windows Phones from those of other OEMs – in more ways than just software – for some time, and it’s good to see the Lumia 920 finally deliver on that promise.


PureView rebooted: Nokia shows why Lumia 920 camera is special is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Contour+2 packs rugged 1080p and smartphone remote app

Wearable sports camera company Contour has revealed its latest model, the Contour+2, complete with Full HD video recording and integrated GPS. The waterproof camera – which can survive up to 60m dips into the blue stuff – mounts onto bikes, helmets, cars, or other hardware, and can use a smartphone as a remote control for framing and starting recording.

The familiar barrel shape is still present, toughened to make sure dust, bumps or drops aren’t an issue, while physical controls remain straightforward. There’s no power button, just an “Instant On-Record” switch on top – slide that over, and recording begins.

Up to 120fps footage is possible, albeit only in 480p mode, or you can opt for higher resolution with 1080p support. The lens rotates 270-degrees for easier mounting, and there’s an external microphone input. Settings include white balance, contrast, sharpness, exposure, and metering.

In the box there’s a 4GB microSD card, though you can obviously slot in a larger one for more recording time; alternatively, the camera will squirt out HD video via its mini-HDMI port. Pricing is $399.99.


Contour+2 packs rugged 1080p and smartphone remote app is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Contour+2 review: the best consumer helmet camera on the market

DNP Contour2 review the best consumer helmet camera on the market

It’s been a little while since the two major players in the helmet cam industry, Contour and GoPro, refreshed their wares. Contour launched its Contour+ and Roam models last summer, while GoPro delivered the HD Hero2 late last year. As our extensive testing can attest, both companies put out great cameras, but with Sony about to get in the game with its $199 Action Cam, the pair need to raise their games — and that’s exactly what Contour is doing with the Contour+2.

This logically named follow-up to the Contour+ is a big step forward on many levels, still delivering 1080p recording while offering many design and software improvements, including the ability to use your smartphone not just as a viewfinder, but to start and stop recording, too. Plus, at $400, it’s $100 cheaper than last year’s offering — and that’s despite coming with a fully waterproof case. Join us as we put it through its paces.

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Contour+2 review: the best consumer helmet camera on the market originally appeared on Engadget on Wed, 05 Sep 2012 09:01:00 EDT. Please see our terms for use of feeds.

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Editorial: Android cameras — could Samsung’s Galaxy gamble save the point-and-shoot industry?

WiFi in a camera. No matter the practicality or the cost of adding wireless functionality, it’s become a must for high-end point-and-shoots, and if they don’t pack it now, they soon will. But access hasn’t become as prolific as protocol prophets once preached — we’re at the mercy of pay gates, passwords and bandwidth limitations, even today. Our smartphones, on the other hand, are always connected. There’s no need to fuss with hexadecimals or other cryptic keys — assuming we haven’t crossed an international border, getting online is as convenient as taking a breath. As the world’s most prolific smartphone maker, Samsung is very much invested in cellular. Sure, there were gasps from the crowd at last week’s Unpacked, but built-in 4G makes perfect sense, and while WiFi and a Micro SIM may make the Galaxy Camera an instant winner, it’s Android that completes the package, as the glue that cements this latest category’s promise. Samsung may be the pioneer, but should other manufacturers be scrambling to shift roadmaps, ready to embrace this new digital direction? Tap past the break for our take.

Continue reading Editorial: Android cameras — could Samsung’s Galaxy gamble save the point-and-shoot industry?

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Editorial: Android cameras — could Samsung’s Galaxy gamble save the point-and-shoot industry? originally appeared on Engadget on Wed, 05 Sep 2012 08:30:00 EDT. Please see our terms for use of feeds.

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