Hasta La Gadget!

With the Olympus OM-D E-M5 you’ve got the manufacturer taking what was great about the original OM line of SLR units with a collection of fabulous add-ons that work perfectly well in the digital world. In this 4.8 x 3.5 x 1.69-inch beast that weighs in at just under a pound (supposing you’ve not added on tons of accessories), you’ve got a great combo. It’s a device that’s set out to bring you awesome image and video quality in a tiny package that’s as powerful as it is cute.

Hardware

Looking down on the camera you’ll see a “main dial” to the right of the main hump, then another sub-dial to the right of that around the shutter release. On the left of the hump you’ve got an exposure mode dial as well. The right-side dials are made to be accessed by your thumb and your index finger, while the one on the left is made to be accessed by your thumb on your left hand. Each of these dials are extremely easy to work with.

The three buttons up top of the device are also easy to use, one for your shutter, one for video recording, and a third labeled Fn2. This third button is programmable and can be tied to a set of operations such as auto exposure lock, ISO, and white balance.

As far as that big hump in the middle; you’ll be using it if you’re not interested in working with the giant display on the back for a viewfinder, but the main bulk of the bump is made to house your accessories to attach to. So it’s an Electronic Viewfinder (EVF), accessory port, and hot shoe all in one. You can plug in a bluetooth module, a microphone adapter, or a lovely gigantic lamp, all of which will fit snug.

There’s a rubbery thumb-grip up on the back right and of the device, otherwise you’re working with hard plastic. Olympus does offer a HLD-6 grip and battery extender, this accessory made not only for those of you who plan on being in the filed for an extended time, but for a better grip for the large-handed and sweaty-palmed. Those of you that’ve got giant hands or trouble gripping small cameras, you’ll want to seriously consider this $300 accessory. This could be a bit of a bummer for those of you looking to stay in the $1300 range (that being the price of the kit that includes the lens we’ve tested as well,) but it’ll be worth it in the end.

The lens we’ve got is the M.Zuiko Digital ED 12-50mm 1:3.5-6.3 zoom lens, and it’s a fabulous little number other than the quick-release for the mechanical zoom. You can either set it to auto or manual zoom by loosening the ring in the center – it’s a bit too easy to do for my taste. That said, it is nice to be able to do this on the fly, just so long as you’re not tossing the thing around and getting sand in the gears (never a good idea anyway!)

Another item that this reviewer isn’t that fond of is the sensor that detects when you raise the camera to your eye. This sensor works fine for those that are willing to take the time to get used to it, but if you’re switching from camera to camera when those other cameras don’t have the sensor in place, you’ll be just a bit annoyed when your screen is flipping on and off. I’ve had similar feelings about recent Android phones that do similar things as well – I’m certainly more of a manual sort of guy.

You can also decide to use the display or the EVF interchangeably outdoors – with the display being OK in the shade but not so perfect for the brightest of brights in the middle of the day.

You’ve got multiple exposure capabilities in this device, Art Filters and effects that you might never use, and the ability to preview these effects before you shoot. When you’ve gotten past the fun bits, you’ll find that the Olympus OM-D E-M5 is one heck of a high quality photo shooter. Compared to other micro four thirds cameras we’ve seen and tested, this device is right near the top if not the best overall.

You can shoot photos at 9fps, you’ve got 5-axis stabilization (that’s the sound you’re hearing when you’re focusing in), and the ability to shoot photos with your shutter release or by tapping the touch-screen right up front and center. As you may have realized already; this camera may look retro, but its abilities are anything but.

The software you’ll be able to use with this camera for processing Raw files is just a bit more limited than some might like. Though Adobe Lightroom and Corel AfterShot Pro, and of course Photoshop will work fine, Apple’s products are less lucky. Both iPhoto and Aperture have no ability to support this camera’s Raw files. Don’t worry though, the JPEG shots this device shoots are more than high quality enough for everyone other than the most hardcore photographer.

Photo and Video Quality

Have a peek at an example of some shots taken with the camera to get an idea of how powerful this shooter is. Below the gallery you’ll also see an example of some basic video footage taken with the camera as well.

The video below is taken at full resolution on a bright, sunny day. Pay special attention to the on-the-spot focusing and light changes as well as the subtle sounds of summer.

Wrap-Up

With such knock-out features like 5-axis stabilization in such a tiny body as this, you’ve got one heck of a mobile-minded shooter on your hands. This device is great for those of you out there looking to amp up your game with your old OM, and with Olympus dedicated to the future of this line, as they always are, you can rest easy knowing you’ll be able to pick up accessories galore along the way. This camera certainly isn’t made for rough-and-tumble photographers as its display on the back being on hinges, but you’re a careful shooter, right – go for it!

You can pick this device up for $1000 with the body only or for $1300 as a kit with the 12-50mm 1:3.5-6.3 zoom lens, that being the setup you’re seeing above (with all photos being taken with that lens as well. Grab if from your favorite retailer today!

Olympus OM-D E-M5 Review is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Summer in Paris — you can’t walk a block on Champs-Élysées without locking eyes with at least one camera-equipped tourist. But Steve Mann’s shooter wasn’t dangling from his shoulder and neck; it was mounted on his head, with a design strikingly similar to Google’s Project Glass. Unlike that mainstream Mountain View product, however, Mann’s version has reportedly been around in one form or another for 34 years, and was designed with the objective of aiding vision, rather than capturing stills and video or providing a bounty of database-aided readouts. It’s also street-ready today. While on vacation with his family, the Ontario-based “father of wearable computing” was sporting his EyeTap as he walked down the aforementioned French avenue, eventually entering a McDonald’s to refuel after a busy day of sightseeing. He left without his ranch wrap, but with seriously damaged hardware.

What allegedly occurred inside the restaurant is no doubt a result of the increasing presence and subsequent awareness of connected cameras, ranging from consumer gear to professional surveillance equipment. As Mann sat to eat, he writes that a stranger approached him then attempted to pull off his glasses, which, oddly, are permanently affixed to his skull. The man, at that point joined by one other patron and someone that appeared to be a McDonald’s employee, then pushed Mann out of the store and onto the street. As a result of the attack, the eyewear malfunctioned, resulting in the three men being photographed. It wouldn’t be terribly difficult for police to identify those involved, but this encounter may have greater implications. McDonalds has since launched an investigation into the matter and seems to be denying most of the claims, but it’ll be some time yet before the full truth is uncovered. Still, the whole ordeal got us at Engadget thinking — is the planet ready for humans to wear video recorders, and will it ever shake a general unease related to the threat of a world filled with omnipresent cameras? Join us past the break for our take.

Continue reading Editorial: Engadget on EyeTap, Project Glass and the future of wearable cameras

Filed under: Digital Cameras, Displays

Editorial: Engadget on EyeTap, Project Glass and the future of wearable cameras originally appeared on Engadget on Wed, 18 Jul 2012 13:41:00 EDT. Please see our terms for use of feeds.

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When we were first introduced to Samsung’s MultiView series with last year’s MV800, we were certainly intrigued by the original design — the LCD flips up to face directly forward, resting just above the main camera module and enabling front-sided operation, for self-portraits and the like. What the camera appeared to offer in ingenuity, however, it lacked in image quality — shots looked quite mediocre during PC-based reviews, and when viewed on the low-res capacitive touchscreen display. This year’s iteration, the MV900F, promises improvements down the 800’s list of shortcomings, ranging from an f/2.5-6.3, 25mm 5x optical zoom lens to added WiFi, which brings the model’s social feature set in line with other Samsung SMART cameras. There’s also a 16.3-megapixel backside-illuminated CMOS sensor on board, along with that 180-degree MultiView display, this time equipped with a 3.3-inch WVGA AMOLED panel. Physically, the camera is similar in appearance, but it’s noticeably larger, to accommodate that larger touchscreen (the MV800 included a 3-inch display).

We were able to take an early look at the MV900F, and the display improvements were immediately noticeable. We weren’t permitted to review sample shots on a computer, but with so much room to grow from its predecessor, it’s safe to say that this lens/sensor combo should yield a noticeable image quality boost. The front-facing display is certainly the star of the show, even enabling gesture controls — you can zoom in and out or capture a shot just by waving your hand (there’s a tutorial on-board, but the movements aren’t difficult to master). There’s also a handful of WiFi options, including Facebook integration, along with instant uploading to sites like Picasa and YouTube, and integration with Samsung’s other products, including TVs and Galaxy smartphones. Video capture has also been boosted from 720p to 1080p, letting you take full advantage of HDTV playback, while a variety of photo and movie filters let you get creative in-camera, including a twilight mode that combines three sequential frames in order to snap steady shots in low light. The camera is set to ship in late August for $349.99, and will be available in black and white, so if you were considering the MV800 but opted to hold out while Samsung worked out the kinks, this may be the time to jump. Catch the MV900F in action, including those nifty gesture controls, in our hands-on video after the break.

Continue reading Samsung updates MultiView camera lineup with MV900F point-and-shoot for $350, we go hands-on

Filed under: Digital Cameras

Samsung updates MultiView camera lineup with MV900F point-and-shoot for $350, we go hands-on originally appeared on Engadget on Wed, 18 Jul 2012 10:00:00 EDT. Please see our terms for use of feeds.

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In 2010 the Panasonic LX5 was a glorious pocket camera—it still is. It offers full manual controls for enthusiast photogs that want them, superb image quality, and beautiful Leica-styling to boot. Though it sticks with the slick look, the new Panasonic Lumix DMC-LX7 is more than a spec-bump; it’s a faster, more evolved iteration of its 2010 predecessor. More »

If you were ever curious to find out what the size of your phones and cameras’ sensor, the guys behind CameraSize have made SensorSize. It shows what your camera is really packing underneath those materials and whips ’em out to compare it with other devices too. More »