Casio Computer Co., Ltd. today announced the release of new EXILIM compact digital cameras that come in a variety of colors and textures to match any lifestyle. The new EX-N1, EX-N10 and EX-N20 cameras all have rounded bodies that are easy to grip, and employ a CMF Design approach based on materials and finish in addition to color. These three elements are integrated to realize uniquely appealing designs, with a range of variations to appeal to the preferences of a broad spectrum of users. …
Canon just released a statement saying the front rubber grips of some Canon T4i DSLR cameras may cause an allergic reaction. The grips could also turn white after a short period of time, which combined with the possibility of allergies, is, uh, sort of a problem since you hold the thing to take pictures. More »
Rokinon 8mm Fisheye Cine-Lens Lightning Review: Extreme Wide Angle on a Budget [Video]
Posted in: Today's Chili The fisheye lens is a staple of anyone photographing skateboarding and BMX. Rokinon’s latest lens—the 8mm T3.8 Cine Lens—should please DSLR videographers looking to get in on the action footage. More »
Reuters cooks up remote camera rigs for 2012 Olympics, mounts them where humans can’t tread
Posted in: Today's ChiliSure, the 2012 Olympics may be gearing up for HD, 3D and even Super Hi-Vision broadcasts, but that doesn’t mean still photography has lost its appeal. In fact, Reuters photographers Fabrizio Bensch and Pawel Kopczynski are taking Olympic photography to the next level, perching remote-controlled camera rigs in stadium rafters. The system, which the duo has been developing since 2009, can turn, adjust focus and receive commands wirelessly. Once stills are snapped, they’re sent to an editing system and then off to distribution. The team is spending more than 12 hours a day installing the cams at different Olympic venues before the games kick off on July 27th. In the meantime, you can sprint to the source for photos of the setup.
Reuters cooks up remote camera rigs for 2012 Olympics, mounts them where humans can’t tread originally appeared on Engadget on Fri, 06 Jul 2012 05:58:00 EDT. Please see our terms for use of feeds.
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Nikon releases D4 firmware 1.02 with minor display, formatting, network stability improvements in tow
Posted in: Today's ChiliHave you managed to get your hands on Nikon’s elusive D4 full-frame DSLR? It should be smooth sailing from here, with the occasional firmware update being your only critical acquisition going forward. D4 firmware 1.02 brings a handful of minor fixes, but if you’re in need of any of the enhancements listed below, it’s surely a must have:
- Format memory card can now be added to My Menu.
- Gamut for Adobe RGB images displayed in the camera’s monitor has now been changed. This enables more vivid display of images.
- The stability of network connections when the FTP upload option is selected has been increased.
- When recording movies using a lens with an aperture ring in [P] or [S] exposure mode, and Aperture ring selected for Custom Setting f10: Customize command dials>Aperture setting, the minimum aperture was applied. This issue has been resolved.
- When a still image captured during movie recording with 1920 ×1080; 30 fps; crop, 1920 × 1080; 25 fps; crop, or 1920 × 1080; 24 fps; crop selected for Movie settings>Frame size/frame rate and Live frame grab selected for Custom Setting g4: Assign shutter button was displayed in Capture NX 2 or ViewNX 2, the position of the focus point displayed differed from actual recording position. This issue has been resolved.
- An issue that caused the camera to freeze when attempting to format a memory card (setup menu > Format memory card) while the camera was connected to a network in HTTP server mode has been resolved.
OS X and Windows users alike can hit up the source link below to get their download on.
Nikon releases D4 firmware 1.02 with minor display, formatting, network stability improvements in tow originally appeared on Engadget on Wed, 04 Jul 2012 21:01:00 EDT. Please see our terms for use of feeds.
Samsung has released the Samsung EX2F, a compact camera that comes with an f1.4, 24mm, lens which is the widest aperture in its class. On the inside, the light captured by the lens lands onto a 1/1.7” 12 Megapixel BSI CMOS sensor which is relatively large and very sensitive at the same time. The net result is a camera that should do extremely well in dim lighting. And because low-light is the new holy grail in consumer photography, this is a big deal. If you are not familiar with the focal length lingo, let’s just say that an f1.4 lens will capture four times as much light as an f2.8 lens, which is already considered to be very good. (more…)
By Ubergizmo. Related articles: Samsung WB850F Connected Camera, Samsung DV300F Dualview Camera,
Google patent filing would identify faces in videos, spot the You in YouTube
Posted in: Today's ChiliFace detection is a common sight in still photography, but it’s a rarity in video outside of certain research projects. Google may be keen to take some of the mystery out of those clips through a just-published patent application: its technique uses video frames to generate clusters of face representations that are attached to a given person. By knowing what a subject looks like from various angles, Google could then attach a name to a face whenever it shows up in a clip, even at different angles and in strange lighting conditions. The most obvious purpose would be to give YouTube viewers a Flickr-like option to tag people in videos, but it could also be used to spot people in augmented reality apps and get their details — imagine never being at a loss for information about a new friend as long as you’re wearing Project Glass. As a patent, it’s not a definitive roadmap for where Google is going with any of its properties, but it could be a clue as to the search giant’s thinking. Don’t be surprised if YouTube can eventually prove that a Google+ friend really did streak across the stage at a concert.
Google patent filing would identify faces in videos, spot the You in YouTube originally appeared on Engadget on Tue, 03 Jul 2012 15:11:00 EDT. Please see our terms for use of feeds.
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When Sony announced its RX100 pro compact last month, we ogled over the wide f/1.8 aperture, made possible largely in part by its spacious 1-inch sensor. Samsung is also entering this war with its EX2F, which sticks a f/1.4 aperture onto a 1/1.7-inch sensor (the same sized sensor found on many premium compacts). More »
Samsung’s been flaunting its WiFi-equipped Smart cameras throughout the last year, but with a generally significant tradeoff in image quality, we haven’t been terribly impressed. The EX2F, however, is a model we’re finally eager to get our hands on. This 12.4-megapixel CMOS shooter packs an f/1.4-2.7 lens — quite a feat for any point-and-shoot — along with a full-size hot shoe, dual image stabilization, a top ISO setting of 12,800 (extended), a 24-79mm 3.3x lens and a 3-inch swivel VGA-resolution AMOLED display. That’s in addition to the full manual shooting mode, RAW option, 1080/30p HD video capture and the standard plethora of WiFi options, including Remote Viewfinder and Auto Backup. Accessory add-ons include an optical viewfinder, external mic and a secondary flash (a smaller pop-up model is built-in, and retracts when not in use). There’s no hint of pricing or availability, but with that industry-leading f/1.4 lens, pro-level features and AMOLED display, we’re certain that the EX2F won’t come cheap. Full PR is after the break.
Update: It appears that the EX2F includes a 1/1.7-inch sensor, compared to the significantly larger 1-inch sensor on the Sony RX100. Samsung has also confirmed that the camera will be priced at $549, and is scheduled to hit stores in August.
Gallery: Samsung EX2F product gallery
Continue reading Samsung upstages Sony with f/1.4-equipped EX2F point-and-shoot for $549
Samsung upstages Sony with f/1.4-equipped EX2F point-and-shoot for $549 originally appeared on Engadget on Tue, 03 Jul 2012 10:33:00 EDT. Please see our terms for use of feeds.
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Now That High-Res Screens Make Cameraphone Shots Look Ugly, Will You Use an Actual Camera Again? [Chatroom]
Posted in: Today's Chili John Herrman over at Buzzfeed FWD astutely points out that all of the flaws of cameraphones (noisy sensors, poor focus abilities, artifacting, etc.) are being exposed now that we have large screens (both in size and resolution to display our images on). Going forward, is this enough of a reason to make you go back to carrying a proper, standalone camera? [FWD] More »