Researchers at Panasonic’s imaging division have found a way to increase the sensitivity of digital camera sensors, which in turn equates to almost double the brightness in photos taken in low light conditions. But the discovery has nothing to do with the sensor itself; instead, the company’s improved the color processing filter placed in front of it. More »
Lomographic Society International has reached a 500k Facebook Like milestone, and to celebrate this it will be giving away voucher codes in the next five days starting today. If you’re looking for a film camera now is the time to jump on the Lomographic bandwagon.
Back in 2007, Lindy Scallan went to Hawaii for a vacation and took her camera along. After putting the camera in its underwater housing, she went scuba diving but unfortunately lost her camera. Thinking it was gone forever, the camera was incredibly found thousands of mile away in Taiwan six years later. The pictures she took from that 2007 vacation are still on the camera. More »
Take a look at ten of the best applications available for your Android phone or tablet. Here you’ll find image editors, organizers and other excelent tools for the mobile photographer.
Have you ever experienced that you found a new dent or scratch on your car when you came back to your parking spot? Thanko’s new security camera automatically starts recording a movie for a few minutes after detecting an impact to your car.
It’s ready to start recording after you attach the camera to the front window and connect the power cable to the cigarette lighter socket. Three minutes after the engine is stopped, it automatically enters monitoring mode and only when it …
Your smartphone’s LED flash is better than nothing if you find yourself needing to take a photo in the dark. But the results are usually harsh and uneven. So if you find yourself in need of better lowlight shots but refuse to buy a real camera, the Pocket Spotlight is a reasonable compromise. More »
Ready to hear about some mid-range Fujifilm point-and-shoots? Let’s do this. The FinePix XP200 looks like the more exciting model of the bunch, so we’ll start there. Available with red, purple, yellow, green, blue and orange glossy finishes, this ruggedized camera packs a 16-megapixel CMOS sensor with image stabilization, a 28-140mm lens, 3-inch, 920k-dot LCD, a 10-frames-per-second continuous shooting mode, 1080/60i video and built-in WiFi for pushing pics to a companion app. It’s a ruggedized cam, so that means it’s waterproof to 50 feet, freezeproof to 14 degrees Fahrenheit (-10°C) and shockproof to 6.6-foot drops.
The other flavor is a superzoom model, or a “bridge camera,” as manufacturers are calling them these days. The lens is the focus here, and this one’s got a 24-1,056mm, 44x optic with a maximum aperture range of f/2.9 to f/6.5. There’s also optical image stabilization and a Super Macro mode that lets you shoot subjects that are just 0.39 inch from the lens. There’s a 16-megapixel BSI CMOS sensor, sensitivity through ISO 12,800, 1080/60i video capture, a 10 fps continuous shooting mode and WiFi. You can preview images on the 3-inch, 460k-dot LCD or the 201k-dot electronic viewfinder. This model, the FinePix S8400W, comes in black and ships in May for $350. The XP200 will also ship in May, priced at $300. Read up on both in the PR after the break.
Filed under: Cameras
How do you justify splurging for a pricey point-and-shoot when your smartphone takes “good enough” pictures on its own? A 20x lens, for starters. Canon’s new PowerShot SX280 HS is small enough to tuck away in a pocket, yet it packs a 25-500mm f/3.5-6.8 lens. That’s old news for SX260 owners, though — last year’s model offered an identical range. There’s plenty of new features, however, including a 12.1-megapixel CMOS sensor, built-in WiFi, a DIGIC 6 processor, 1080/30p and 60p video capture, a sensitivity range of ISO 80-6400 with significantly improved image quality in low light, a 14 fps Burst HQ mode and a 260-shot battery rating in Eco Mode (compared to 210 shots under normal conditions). Those features are joined by a 3-inch 461k-dot LCD and GPS, both of which shipped on the SX260.
During our hands-on, we quickly noticed the SX280 HS’ significant speed boost — it’s 50 percent faster than its predecessor when it comes to focusing and shutter lag, and it definitely shows. The Burst HQ mode was also quite impressive, though you’re unfortunately limited to just seven consecutive shots. The camera has a solid feel, though it’s not terribly heavy. A very slim pop-up flash on the top, compact dedicated mode dial on the rear and a slightly extended front grip help to distinguish this model from lesser-equipped point-and-shoots, though both the red and black matte finishes convey a premium look on their own. You can catch both colors in person when the camera hits stores in April with a $330 MSRP, or you can sneak a peek right now in our hands-on gallery attached to this post.
Gallery: Canon PowerShot SX280 HS hands-on
If you haven’t already come to grips with the fact that Canon won’t be releasing a mirrorless camera with DSLR-like performance, you might as well cut your losses now. Instead of replacing the sluggish EOS M with a compelling shooter, the company has decided to focus on shrinking its DSLR. The result, the EOS Rebel SL1, is the world’s smallest Digital SLR. SL stands for “super lightweight,” which seems appropriate, given that it tips the scale at just over 14 ounces, yet the camera still accommodates EOS lenses, such as the new EF-S 18-55mm IS STM optic that ships in the box. There’s an 18-megapixel APS-C CMOS sensor, DIGIC 5 image processor, a 1.04M-dot fixed touchscreen, a new hybrid autofocus and standard 9-point AF. It offers sensitivity ranging from ISO 100-25,600, can capture 1080p video at 30 or 24 fps, and it includes a built-in mono mic, along with a stereo mic input jack on the side. Jump past the break for our hands-on.
Gallery: Canon EOS Rebel SL1 and T5i hands-on
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