Sony Cybershot with Built-In Wi-Fi, Web Browser

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LAS VEGAS — Sony has invented the webcam. Or at least, it has put the web into a cam. At CES 2009, the company debuted Cybershot DSC-G3, the first camera to have built in 802.11 (b,g) Wi-Fi along with a web browser.

As a camera, it’s no slouch. Ten megapixels, a 10x zoom, a hi-res 921,600-dot 3.5 inch touchscreen and smile detection. There is a decent 4GB memory built in, but if you want more you will of course have to buy a Sony Memory Stick.

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Of course, the Wi-Fi is the interesting point here. You can hook up to any Wi-Fi point and using the browser you can also sign in to hotspots. From there, you can upload directly to Photobucket, YouTube, DailyMotion, Picasa and Shutterfly but, oddly, not Flickr.

The real gimmick, though, is the browser, and it is terrible. Buttons disappear half off the screen in forms, html links are tiny and hard to click (hence the plastic stylus on the end of the strap) and if you think you’ll be browsing your online photo collection you’re dead wrong. This is strictly html only, Web 1.0. No Flash, no Javascript.

You’re never going to have an iPhone-like experience here (except for the parity in the lack of Flash). In fact, its hard to see why Sony bother putting it in. In fact, if you need the uploading functions, just grab an Eye-Fi card instead.

Priced at $500, you can buy it now only at SonyStyle, coming to stores soon.

Product page [SonyStyle]





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Polaroid Stages Comeback With Instant Printing Digicam

Pogo

LAS VEGAS — Almost a year ago, Polaroid killed its iconic instant cameras when it stopped the production of the shake’n’develop film that fed it. It stumbled on with a range of mediocre digital point and shoots and the PoGo printer, which churned out crappy little pictures on the go.

Now, at CES 2009, that printer has been shoehorned into a camera, finally bringing the Polaroid proper to the digital age. You load the PoGo up with ten-packs of 3×2 "Zink" (Zero Ink) paper, which has heat-activated dye inside the paper itself. When you take a shot (or load up an SD card from another camera), you can choose the image and print. The camera heats the paper and in about a minute the picture slides, dry to the touch, from a slot in the side.

Sadly, it is also fully "developed", which means no shaking (even
though that never worked anyway). As you’d expect, having a printer
inside makes it a bit chunky, but not too much so. The camera side of
things is basic — a fixed focus lens, an unspecified sensor size
(seriously) and almost nothing else.

The picture below shows the film inside, and the picture below that is my rather hungover-looking mug, taken today on the PoGo (those red eyes are actually a pretty good likeness). The lighting is terrible, but the image quality is pretty poor anyway. There’s no way this will usurp its iconic predecessor.

The camera will be on sale in March for $200, plus around 35 cents a pop for pictures. These come in packs of 20, 50 or 80.

Press release [Polaroid]

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Canon 5D MkII Update Cures Black Spots

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Remember that troublesome "black dot" problem which afflicted Canon’s 5D MkII? The one you could only see if you put the resulting pictures under a microscope? Well, Canon has fixed it.

Reports from 5D MkII owners with over-sensitive eyes said that the camera was putting the tiny dots at the edge of over-exposed (or "blown") highlights. At the time, we speculated that this was a software problem and that Canon might swiftly fix it with a firmware update, which the company has duly done. Canon:

Firmware Update Version 1.0.7 improves and mitigates the following two
types of image quality phenomena that occur under certain shooting conditions.

  1. "Black dot" phenomenon (the right side of point light sources
    become black)
  2. Vertical banding noise


EOS 5D MarkII Firmware Update Version 1.0.7 [Canon]

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Sony Cybershot G3: World’s First Camera You Can Surf the Web On

The Cybershot G3 is a camera so special Sony Sir Howard Stringer himself did the honors: It’s the world’s first Wi-Fi camera with a built-in browser.

GALLERY







END Besides stealing your neighbor’s Wi-Fi, it has free access to any AT&T hotspot until 2012, but then it won’t matter since we’re all going to die then anyway when the world ends. It’s worded so it might mean you can only use AT&T spots for free to hit Sony’s Easy Upload Home Page (which provides quick access to sites like Shutterfly, Picasa and YouTube), not furries.meetup.com. But we’ll find out. Oddly unmentioned in the list of supported services is Flickr.

Still, it doesn’t really matter if it has a web browser, if the browser can’t render itself out of ASCII paper bag—we’re hoping it’s a WebKit dealio ’cause that would make it a quick call from the sidelines. But we’re not holding our breath on that (we are talking Sony, after all), so we’ll have to grab some hands on time to see how well it handles the real internet. Sony’s seeing this more as a flexible, fast way to dump and check your photos and videos online, direct from your camera, not so much as a way to compulsively watch YouTube videos or read Gizmodo, even though that’s exactly what we want, and will try to do, practicalities aside.

Oh hey! I think there’s a camera somewhere in there too. 10 megapixel sensor with 4x optical zoom, but it’s got 4GB of storage built-in (optional expansion is Memory Stick only, grrr), with a 921,600-dot, 3.5-inch touchscreen and photo browsing software integrated. Otherwise, it’s got typical Sony features like Intelligent Scene Recognition (automatically picks the best automatic scene setting, automatically), Face Detection, Smile Shutter (it snaps when people smile) and Dynamic Range Optimizer, which automagically balances contrast and detail.

It’s available rightnowomg for $500.

SONY UNVEILS WORLD’S FIRST WI-FI DIGITAL CAMERA WITH WEB BROWSER

Cyber-Shot Camera Lets You Share Your Memories in the Moment

LAS VEGAS (CES Keynote), Jan. 8, 2009 – With a focus on making photo sharing easier and more convenient, Sony today introduced the world’s first Wi-Fi® enabled digital camera that uploads photos and videos to Web sites through any public hotspot due to its built-in Web browser.

The new Cyber-shot DSC-G3 digital still camera answers one of the most pressing needs for photo enthusiasts: how to share those amazing photos and video clips of family, friends and events as soon as you shoot. The Cyber-shot camera makes it easy to upload images and video directly to popular photo and video sharing sites wherever a Wi-Fi connection is available.

“Research shows that our customers greatly value sharing images and video clips, but they often forget or don’t have enough time if they wait to get home to upload images,” said Phil Lubell, director of digital camera marketing at Sony Electronics. “Our new Cyber-shot DSC-G3 camera provides the simplicity and convenience of sharing in the moment, while the impulse is still fresh in people’s minds.”

The camera can wirelessly connect to any public hotspot, including hotels, restaurants, coffee shops and airports. Like a computer, the camera can connect to free or fee-based hotspots, as well as to secure and unsecured access points.

The new DSC-G3 model comes with complimentary AT&T Wi-Fi access to Sony’s Easy Upload Home Page until Jan. 31, 2012. It includes Wi-Fi access at thousands of AT&T hotspots across the United States, including participating coffee shops, selected book stores and major quick-serve restaurant locations, as well as hundreds of upscale hotels and airports.

“By collaborating with Sony to launch the first digital still camera with a built in Web browser and embedded access across the entire AT&T Wi-Fi service network, we’re enabling consumers to gain quick and convenient access to Sony’s Easy Upload Homepage through thousands of AT&T Wi-Fi hotspots across the country,” said Glenn Lurie, president of AT&T’s emerging device organization. “The wireless capabilities and cutting-edge features of the G3 camera with the reliable coverage of AT&T’s Wi-Fi network offers a unique consumer experience.”

Uploads Made Easy
The new camera makes it easy to connect to the Internet and upload images. By pressing the WLAN button on the camera, you can open its embedded Web browser.

After connecting to the Internet via wireless access points, the camera automatically navigates to the Sony Easy Upload Home Page, which includes direct links to photo sharing sites like Shutterfly™ and Picasa™ Web Albums; video sharing sites like YouTube™ and Dailymotion™; and a photo and video sharing site, such as Photobucket™. Also, the DSC-G3 camera allows you to access other sharing sites for uploading photos and videos through its Web browser.

Through the Sony Easy Upload Home Page, you can send e-mail notifications from the sharing Web sites to let friends and family know that you have posted new images and videos for viewing. This is perfect for sharing with loved ones that were not with you when you took the pictures or shot the videos.
When friends and family are nearby, you can use the camera to access photos you may have already uploaded to sharing sites and display them on its high resolution 3.5-inch LCD screen.

The camera supports DLNA (Digital Living Network Alliance) guidelines. By connecting to such DLNA-compatible devices as Sony BRAVIA® televisions via access points, photos in the camera can be played back with high-definition quality. In addition to BRAVIA TVs, the camera can connect to other DLNA-compatible devices, such as Sony VAIO® PCs.

Smart Camera
In addition to its wireless sharing capabilities, the new camera is built for high-performance imaging. The 10-megapixel camera is about three-fourths of an inch thin and includes a 4X optical zoom Carl Zeiss® Vario-Tessar lens. Although compact enough to fit in the camera’s slim dimention, this lens provides excellent sharpness and color accuracy.

The Intelligent Scene Recognition™ feature automatically identifies a total of eight types of scenes — backlight, backlight portrait, twilight, twilight portrait, twilight using a tripod, portrait, landscape and macro — and automatically optimizes camera settings for each challenging shooting situation, taking an additional shot in low and bright light scenarios.

With Sony’s Face Detection technology, the DSC-G3 camera detects faces in a scene and adjusts auto focus (AF), auto exposure (AE), flash and white balance accordingly. It can also distinguish between children and adults, allowing users to to prioritize faces according to their preference.

Combining the Intelligent Scene Recognition feature with Face Detection technology, the camera includes an anti-blink function that helps make closed-eye photos a thing of the past. The camera automatically takes two shots and then determines whether the subject(s) have closed eyes. It will record images with open-eyed subjects. If both pictures have subject(s) with closed eyes, the cameras will record one and display a warning so you can try again.

Sony’s Smile Shutter™ technology automatically captures a smile the moment it happens. You can use the adult or child priority setting when shooting scenes containing both adults and children, and the camera will distinguish one face from another.

The camera’s Dynamic Range Optimizer (DRO) determines the best exposure and contrast settings in almost any shooting environment, giving images a natural look with clearer details that match what you see with your naked eye. DRO also balances the contrast in scenes with strong highlight and shadow, recovering detail normally lost in shadow areas. Combining the benefits of Optical SteadyShot™ image stabilization with high sensitivity mode, Sony’s Double Anti-blur feature helps reduce camera shake blur, especially when there is low light.

Photo Library
The Cyber-shot DSC-G3 model is also a “photo album in your pocket” and has 4GB of internal memory that can store nearly 1,000 full-resolution or 40,000 VGA-quality photos. The 3.5-inch (measured diagonally) wide touch panel Xtra Fine LCD™ screen is perfect for photo-like viewing with high contrast and wide-angle viewing. This Xtra Fine LCD screen delivers high resolution images (921,600 dots) that is approximately four times higher than conventional LCDs.

The camera also makes it easy to sort thousands of images. While shooting, images are organized automatically in albums by date. All images in an album can be displayed simultaneously as thumbnails on the screen, and the desired image can quickly be selected.

There are four ways to view photos: standard folder view, date view, favorites and event view. Images can be stored and managed on both the camera’s 4GB internal memory and an optional Memory Stick® media card.

In addition to the in-camera organization and search functionality, bundled Picture Motion Browser (PMB) software allows you to quickly organize images on a compatible PC. The software lets you search and organize images by event or face, and you can display images in calendar or chronological views organized into folders.

Pricing and Availability
The Cyber-shot DSC-G3 camera is now available in black for about $500. The camera and a range of accessories can be purchased online at sonystyle.com, at Sony Style® retail stores (www.sonystyle.com/retail), at military base exchanges and at authorized dealers nationwide.

Samsung Packs 64GB SSD into Sleek Cylindrical Camcorder

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LAS VEGAS — Along with new stills cams, Samsung today announced a slew of new camcorders at CES 2009. The pick of the bunch is easily the HMX-H106 (trust me, when you’re covering a press conference, these names start to get very confusing).

The thing that readers will first notice is that the camera contains 2001’s HAL, clearly visible by his glowing red eye inside the lens. And it’s a decent lens to, coming from  Schneider Kreuznach.

But good looks and sharp optics aren’t (quite) enough to earn a place on Gadget Lab. So what’s the gimmick? A huge, 64GB solid state drive (SSD), that’s what. 64GB is enough to hold 12 hours of HD video, and the lack of a spinning platter means the drive only burns 1/8th the juice of a hard drive.

Still, the battery won’t let you do that. You’ll get three hours of recording at 1080p, which is encoded into h.264, saving even more drive space.

Wait. There’s more! Samsung has come up with a new touch screen user interface which will eventually be mirrored across devices. So, the UI you see today on the HMX-H106 will tomorrow be seen on TVs and stills cameras (with tweaks of course). In the camera incarnation, it means that you can simply touch to start and stop recording. Nice!

No prices yet, but as Samsung makes the memory that goes in there, it should at least be affordable.

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Samsung’s New Still Camera Picks its Own Exposure Mode

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LAS VEGAS — Judging by the pushing and shoving to get into the Samsung Press conference this afternoon at CES 2009, something big was going on, and we weren’t disappointed. Samsung took a hosepipe and metaphorically sprayed us to the back of the room with the amount of new products it announced.

The camera lineup consists of both camcorders and still digicams, although the differences between them appear top be shrinking as the stills cams can shoot video, too. In fact, the major differences appears to be the shape, with the movie cameras coming in sleek cylindical form.

Along with a couple of feature-bumped compacts from the SL range, the
standout new camera is the TL-100, seen above. Mostly it’s just sexy and
slim – 16.6m (0.65 inch) thick – but the 12.2 megapixel, 3X zoom camera
has a new feature called Smart Auto, which picks the exposure mode for
you depending on what the camera sees in front of it. So a picture of a
person switches in the portrait exposure mode and… you get the
picture.

It also comes with dual image stabilization, which shifts the lens and the sensor to stop things getting shaky. The price hasn’t yet
been announced, but it will be available in Spring.





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Eye-Fi Offers Direct YouTube Uploads

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LAS VEGAS –Eye-Fi, the innovative SD card maker, has announced yet another new feature for its Wi-Fi equipped cards. Announced at CES 2009, the update adds direct YouTube uploads to the range of services, meaning that videos snapped with your digicam can be beamed through the air and end up in front of a global audience before you have even realized what you have done.

This is possibly the scariest thing I have heard of since the birth of the cellphone video camera. It also has interesting ramifications for the citizen-journalist or the whistle-blower. You can now get video out quick-smart via Wi-Fi before the burly security ape can drag his knuckles across the street to stop you.

Eye-Fi video will even work with cameras that capture HD video, such as the Nikon D90. Just make sure you have a lot of Wi-Fi bandwidth.

Press release [Eye-Fi]

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Casio Crams High-Speed Shooting into Tiny Camera Body

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LAS VEGAS — Casio today launched a new, sleek Exilim compact camera at CES 2009 which brings the fancy high-speed shooting of previous models to the consumer range. It has the resplendent title of EX-FS10.

Last year Casio EX-F1 and the EX-FH20, the super high speed digicams which threw images at up to 60fps onto the memory card. While they’d also do high-speed video, the point was that the flurry of images taken in one burst would be guaranteed to contain the perfect smile, (or the perfect stupid, embarrassing expression).

The trouble? Big ugly cams. This year, Casio has squeezed this  gimmick, which it calls Dynamic Photography,
into a tiny Exilim body. The FS10 runs at at just 30fps, but it does
this at its full resolution. It will also actually slow down the image
on the rear LCD in real-time, giving a rather odd live slo-mo effect.

The other trick is the constantly running buffer mode, somewhat imaginatively called High Speed Technology. When you hit the shutter, frames before and after are captured, allowing you to actually go back in time to before you take the shot. It also lets you pick the sharp image from a burst of blurry low light shots.

There is another rather unusual feature. Shoot a video sequence – the demo involved somebody passing a gift – then shoot a still shot of the background without the subject. The camera automatically cuts out the moving subject, like matting in video production. Then, you can add this blue-screen-style cutout to another background.

The demo showed a hideous, Hallmark-alike e-card, complete with pink cake and cheesy grin. Also, look at this little girl! She’s actually moving on the background, which is itself a curiously photo-accurate rendition of a nearby Vegas hotel.

Exfs10

The quality of the extraction looks pretty good, though. Available March. More details as we get them, along with some close-op product pr0n shots.





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White-Balance Lens Cap. Possibly Pointless?

Whitebalancecap

White balance, the bane of digital photography. Or is it? The answer is mixed, just like the troubled lighting conditions it addresses. If you shoot with a pocket camera that records jpegs, then you should indeed be paying attention to the color of the light falling onto the scene, as it is tricky to adjust the balance afterwards.

But if you actually know about white balance, then you’ll probably have a DSLR. And if you have a DSLR, you should be shooting in the RAW format, in which case the color temperature of the lighting can be easily and quickly fixed in post with no loss in quality.

This is why the White Balance Lens Cap is getting this week’s Pointless Gadget Award. It is a $45-$65 (depending on size) lens cap with a light-transmissive dome on the front, like an old-fashioned light meter. With the cap still on, you snap a picture to set a custom white balance for that scene. You then continue as normal.

The advantage is supposedly that you don’t have to carry a neutral gray card with you, but as the fiddly menus of modern DSLRs make custom setting anything in-camera a pain, it’s still better to do this at home in the comfort of your favorite editing software. We also wonder if the cap will be fooled if you point it at a brightly colored wall.

Still, at least with this you have an excuse when you take a photo with the lens cap on.

Product page [PhotoJoJo via Life Hacker]

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Leaked Kodak Cameras Expected to Sweep ‘CES Ugliest’ Awards

Z980

Oops! More CES leaks, this time an official press release from Kodak. The company has a few treats in store — a new weather-resistant mini camcorder, and a pair of new stills cameras, clocking in at 10 and 12 megapixels.

All products have two things in common. They have terrible, letter-jumble names, and they are ugly. Really ugly. The Z980 (above) is the 12MP still camera. Stoundout features are the detachable vertical grip with second shutter release and a 24x optical zoom complete with image stabilization (for when you actually use that zoom). Price: $400, plus a few bucks for the paper bag to cover its ugly face.

The ZX1 is the name for the new ruggedized videocam, seen below. This toughened version of Kodak’s Zi6 will shoot 720p hi-def video at 60fps, save it to an SD card and do the whole thing on AA batteries. The Flip competitor is, however, even uglier than the Z980, somehow managing to riff on both the original 1980s Cylons plus Kitt from Knight Rider and still get it wrong. It will at least be cheap, at $150.

Kodak Z980, M380 and Zx1 [Photography Bay]

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