Samsung NX11 with Lens-Mounted Controls

Just before the January news-thaw turns the trickle of CES 2011 news into a flood, Samsung has announced a followup to its mirrorless, large-sensor camera, the NX10. Going by the updated spec-sheet, the NX10 was a success, as hardly anything has been changed.

The NX11 (you’d guessed the name already, right?) has one big new feature: It can use Samsung’s i-Function lenses. These lenses put the most used controls around the lens barrel, a rather excellent spot for oft-used buttons as your hand is likely right there on the lens already. Compatible lenses let you change between shutter-speed, aperture, exposure-compensation, white-balance and ISO by using a button or a ring on the lens. Olympus used to do this years on its film SLRs, putting a shutter-speed ring on the lens-mount.

Otherwise, almost nothing has changed. The finger-grip has been tweaked slightly, but the sensor (14.6MP), the video (720p) and the rear LCD (3-inches) remain the same.

It’s a pedestrian upgrade, but then, if you’ve got it right, why change things? (I’m looking at you, Panasonic GF2). It’s a shame Samsung opted for those controls on the actual lens, though, rather than on the camera. I guess it’s just a way to get people to upgrade lenses as well as bodies. And on that note, there are a pair of new lenses for the NX-cams: a ƒ2.8 20mm pancake and an ƒ3.5-5.6 20-50mm zoom.

The NX11 will be in stores in February 2011, bundled with the kit 18-55mm zoom for $650.

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Fujifilm Posts New Details of X100 Hybrid Viewfinder

Fujifilm has posted many, many more details about the innovative new hybrid viewfinder on its upcoming X100 rangefinder-style camera. As you may remember, the viewfinder combines both a straight-through optical ‘finder and an electronic viewfinder. Further, these can be combined to overlay histograms and other info onto the optical image.

The finder operates a lot like that of a traditional rangefinder: The image comes through a lens, passes through a prism and then hits the eyepiece. Meanwhile, another window in the front of the camera captures another image, passes it through a bright-frame (which adds framing lines) and reflects it into the side of the prism. Because the angle of this reflected image is linked to the lens’ focus mechanism, you focus the image by lining up overlapping images.

The X100 replaces this second section with an LCD panel. By blanking out the front viewfinder window and switching a live-view onto the panel, the photographer sees a 100% view, just like with any other EVF. Open the window back up, and the LCD panel can superimpose anything onto the optical view. I already mentioned the histogram, but you could also overlay focus points and exposure info. It can also lay over a bright-frame for composing, adjusted for parallax (essential when the viewfinder is above and beside the “taking” lens).

The rest of the details on the two new pages are rather technical (and also very interesting). The “Reverse Galilean” lens configuration, for example, uses a pair of simple spherical lenses, but employs high-refraction-index glass to keep things small. This the camera remains compact, but the viewfinder still has a comfortable 0.5x magnification and a 15mm eye-point, meaning even spectacle wearers can easily see the full-frame.

Full marks to Fujifilm for putting out this level of information ahead of the launch. It seems the company is pretty proud of this camera, and we can’t wait to try it when it finally shows up in the new year.

Finepix X100 Story, Viewfinder [Finepix]

Hybrid Viewfinder [Finepix]

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CCTV cameras help solve ‘six crimes a day’ in London, says Metropolitan Police

Been questioning the value of having omnipresent surveillance cameras tracking your every move? Well, if you’re an outlaw, you still won’t like them, but for the rest of us law-abiding types, London’s Metropolitan Police has a comforting stat to share: almost six crimes a day are being resolved with the help of CCTV footage. It’s being used primarily to aid the identification of perps on the run, and the number of suspects identified as a result has gone up to 2,512 this year. There is a bright light for criminals, however, as the Met admits digital recordings aren’t kept around as long as VHS ones used to be, meaning that if you slip the dragnet once, you’ll probably be alright. So good news for everyone!

CCTV cameras help solve ‘six crimes a day’ in London, says Metropolitan Police originally appeared on Engadget on Tue, 28 Dec 2010 05:37:00 EDT. Please see our terms for use of feeds.

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DIY third person camera rig allows you to pay attention to what’s most important: you

Now, this is a strange project to undertake, for sure — but that doesn’t make it uninteresting. And interesting it certainly is. Over at Instructables, you can currently find step-by-step instructions for how to create your very own camera setup, which will allow you to view yourself tooling around in the third person. Weird, right? The whole setup consists of a camera rigged at your back from a distance far enough to film you from behind, a pair of video goggles to wear as you gallivant about, and optionally, a radio transmitter, allowing a remote viewer to join in on the fun and watch along with you. How does it work? A bit disconcertingly if you ask us, but it’s something we’d certainly consider giving a try, if only once. Hit up the source for full instructions as well as impressions of the experience. There’s a video after the break.

Continue reading DIY third person camera rig allows you to pay attention to what’s most important: you

DIY third person camera rig allows you to pay attention to what’s most important: you originally appeared on Engadget on Mon, 27 Dec 2010 14:23:00 EDT. Please see our terms for use of feeds.

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8mm Vintage Camera is Hipstamatic for Video

IPhone photographers get all the retro-licious fun. Apps like Hipstamatic and Instagram let you mess with your pristine digital pics and make them look as if they came from a low-quality plastic camera from communist-era Eastern Europe. Now videographers can join in the image-degrading hijinks, with 8mm Vintage Camera.

The app does exactly what you’d expect. It adds dusty, speckly artifacts to your footage, and you can shoot through a variety of virtual lenses (flickering frame, light leak and color fringing, for example) and capture the video onto one of several “films”. You can also add random jitter and movement to the movie, as if the projector was having trouble keeping the film fed neatly through its gate.

All the effects happen in real time, so you see on-screen exactly what you are recording. There are modern touches, too: you can light up the iPhone’s flash whilst recording, and the familiar touch-to-focus feature is in there. Exporting options are good, too. ITunes sharing is supported, as is email and saving to the camera roll, but you can also send movies straight up to YouTube.

Best of all, the app is just $2. Sure, my $800 Micro Four Thirds camera might shoot great-looking, hi0def video, but this looks like way more fun.

8mm Vintage Camera [iTunes via iPhoneography]

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So You Got a Fancy New Camera: Here’s How to Use It [How To]

Congratulations! A loved one loves you back enough that they bought you a brand new fancy camera. Now what? More »

Credit-Card Sized Camera Has Too Many Features to Be True

Iain Sinclair’s Poco Pro is a tiny, credit card-sized (although not credit-card thickness) camera. Despite its pocket friendly design, it manages to pack in a rather ridiculous number of features, especially given its projected £200 ($307) price-tag.

The sensor is a way-too-large 14 megapixels, which will also capture 1080p video. The blurb on the site says that the camera has “excellent low light performance and can outperform much larger and bulky rivals.” I remain skeptical.

Round the back you’ll find a 2.4-inch AMOLED screen, with touch buttons arrayed around its edges, much like the four buttons on many Android phones. The buttons also give haptic feedback when pressed. See what I mean about feature overload?

Amazingly, this little slip of a camera also manages to squeeze in a mechanical shutter, the kind found in SLRs. This gives it the potential to have almost no shutter lag – the delay between pressing the button and taking the picture.

The Poco Pro doubles as an MP3 player, too, with a jack socket and built-in speaker, and media is stored on a microSD card, which might slow things down a little.

Want more? Sure. How about direct uploads to YouTube or Flickr (when connected to a computer, I assume, as there is no other connectivity). Or two LED flashes, not one, on either side of the lens. One thing you don’t get, though, is a zoom.

It seems hard to believe that a camera could have all this and also be well made for just $300. And to be honest, we’ll probably all forget about it before it finally ships in June next year, or possibly never ships, confined to the insides of a CAD application for the rest of its days.

Pico Pro product page [Iain Sinclair via Oh Gizmo]

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IOne Chip is All-in-One Android Phone and Camera

See that wafer of silicon above? That’s the chip that will turn Android phones into video and photo powerhouses, and cameras into mobile studios. The iOne system-on-chip, from Amabarella, is both image processor and Android CPU, and is designed to bring internet connectivity to cameras.

Inside, there is a Dual-core 1-GHz ARM CortexTM A9 CPU for running Android, and any apps that may run on top of it. For video and photography there is another 533-MHz ARM-11 chip which can support 3D graphics, process 5-megapixel images at 30fps, and decode 1080p video. And you also get the full suite of connections any modern cellphone deserves: WiFi (802.11n), GPS, Bluetooth, FM radio and mobile TV.

The specs are certainly impressive, but we’re more excited to see what people will do with it. A kick-ass camera-phone would of course be nice, but what about a proper camera with phone-like functions. You could live-stream video, send photos straight to Flickr and, best of all, if you didn’t like the crappy interface that [insert camera manufacturer here] has saddled you with this week, then you could just download a new one.

Amabarella release iOne image processing chip for hybrid cameras [Press Release]

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Magic Shutter for Long, Blurry Exposures on iPhone

Magic Shutter is an iPhone camera app that mimics the effects of shooting at slow shutter speeds, and of using flash to freeze a subject. Here it is in action:

The app actually does use some programming magic to achieve its effects. For instance, if you choose the “flash” modes, you can choose front and rear curtain-sync effects. Front curtain sync takes a sharp image and then records subsequent frames in a kind of still video, allowing those frames to build into a blur. The original, sharp image is laid over the top. Rear-sync does the same, but snaps the sharp photo at the end, making the light streaks appear behind a moving car, say, and giving a more expected effect.

Light-painting mode lets you snap a light-source and then wiggle the camera to draw shapes, as if the light were burning an image into a film while the shutter was left open.

Magic shutter looks like a lot of fun, and certainly makes the iPhone do some impressive new tricks. Output resolution is limited, though, to under a megapixel due to limitations that Apple sets on accessing the camera at full resolution for video.

An update early in the new year will boost the output resolution, but as the source video is no bigger, this won’t add much.

The app is ready for your blurry experimentation now in the app store, at a price of $3.

Magic Shutter app [iTunes via iPhoneography]

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Samsung Student’s Camera Saves Photos to Three Thumb-Drives

A clever designer at the Samsung Art and Design Institute has solved one of mankind’s peskiest problems: how to share photos with your friends.

In truth, this was answered long ago by the camera phone, and later, by direct uploads to Facebook. But should you be hanging out with some more old-school buddies, Jung Eun Park’s UCIM is for you. The concept camera features a trio of USB-ports. When taking snaps that you want to share, you collect up your friends’ thumb-drives and plug them in. Any photos you take are copied direct to all the sticks.

Teasing aside, this is a very nice feature, and easily avoids the two alternative scenarios: One, you take every picture three times, once with each camera. Only one of these photos will have everybody with their eyes open. Second, the person with a camera promises to email the photos, or burn them to a CD. Or something. Only they never send them, or if they do, then you get crappy low-res files, or a subset of all the pics taken. This solves the problem of lazy, lying friends.

The UCIM is also cute-looking, although the USB-ports could be put into any camera, not just this puffy, marshmallow-flavored case. I’m sold. Or I would be, if I hadn’t discovered a great new trick of my own. Borrow a friend’s iPhone, take my picture and then email it to myself. If you try this, always remember to mail the full-resolution version. It’s not your 3G bandwidth you’re using up, after all.

Take Picture, Share Picture [Yanko]

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