A Tribute to Creepy Guys Taking Pictures of Pretty Girls (NSFW)

Today we celebrate the unsung hero of the trade show, the creepy guy who stops at nothing to acquire the perfect shot of a girl who probably hates him.

The creepy SLR guy always carries a camera—often two or more—and uses amatuer cosplayers and paid models alike as some part of a bizarre mating ritual involving using a zoom lens (his not so indiscreet phallus) from three feet away.

So from now on, every time you browse some shady forum looking at a girl dressed up as a Final Fantasy character while showing a tad too much cleavage, know that this is how it really happened. Her legs aren’t glistening in the light; they’re covered in second hand sweat and geek pheromones. And a single hot shower can’t undo that viscous coating. Sources: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20

A special thanks to Erica Ho for trudging through some truly nasty waters to acquire these shots.

Lego Toys With the Idea of a Camcorder

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Lego, the toymaker that cemented colorful plastic bricks into our childhood memories, is growing up into a gadget manufacturer.

At the Nuremberg Toy Fair this week, Lego showed off a prototype of a digital camcorder sporting the Lego aesthetic. The camcorder isn’t composed of actual Lego bricks, but the company is considering the possibility as it continues to test prototypes, according to Hobby Media.

The company is clearly responding to rampant Lego fanaticism in the tech community. On Wednesday a hot item was a cellphone from Alcatel featuring a colorful plastic case, which could be switched with other case colors as easily as you’d snap on a Lego piece.

Several electronic hobbyists have used Legos to construct gadgets, too. One of our favorites was a model of a Mac Pro composed of 2,588 Lego bricks (below). On top of the Apple stem stood a Lego man resembling Steve Jobs.

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Photos: HobbyMedia, Gizmodo

More New Lenses From Nikon This Year

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Nikon’s new 35mm DX lens, released this week, is not the last lens announcement Nikon will be making this year. "This is not the last lens announcement we’ll be making this year." said Robert Cristina, Nikon’s head of pro products in Europe.

Speaking to the excellent DP Review, Cristina and his colleague Ludovic Drean outlined the reasons for releasing the rather odd and seemingly specialist 35mm ƒ1.8 DX lens. Summary: The 50mm is insanely popular and this new 35mm lens brings a fast, 50mm-equivalent lens to DX owners, and it does it on the cheap.

But of course we’re more interested in the new lenses hinted at here. What will they be? Nikon seems to be on a roll right now, knocking out crowd-pleaser after crowd-pleaser. In which case I’d like to offer some suggestions from the crowd — us.

I want more fast and cheap-ish prime lenses. I love primes because they have wider maximum apertures than zooms and therefore give a sweet, shallow depth of field. The trouble is, these are usually specialty lenses and cost a lot of money. My hope is for a range of ƒ1.8 objectives, from 35mm up to around 100mm. and I want them full frame, FX, not cropped frame DX. Nikon now has three FX cameras and the full frame lenses available are all getting old now. Added bonus — you can use these full frame lenses on the DX cameras, which is not true in reverse.

What about y’all, readers? Lens wishes in the comments. Weird and wonderful suggestions are especially encouraged.

35mm F1.8 for DX? What is Nikon up to? [DP Review]

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How To Shoot Close-Up With Any Lens

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Did you know that almost every SLR lens you own is a macro lens? Sure, you might actually have a specialty, close-focusing objective, usually a zoom of some kind which will allow you to take shots a few inches from your subject. If so, great. Go snap some pics.

If not, you can press pretty much any lens to the task. All you need to do is to unscrew it, flip it 180º and hold it in front of the camera’s lens-hole. That’s it. Of course, there are a few extras tips to make things easier, but the principle is simple — mount the lens backwards and it will focus to within a few inches of the front end.

Before we get onto the more substantial hacks, there are a few
precautions you need to take. The biggest problem will be dust. With
film cameras this wasn’t a problem — the "sensor" was renewed every
time you wound the film to a new frame. With digicams dust can be a
real problem so make sure you blow the front and back elements of the
lens clean before each reversal, and avoid dusty and drafty places.

Second, and only  a problem for those who stay in program mode all the
time, is the exposure. The easiest way is to take the exposure reading
with the lens still mounted on the camera and enter those settings in
manual mode. If you have a camera which can use the aperture ring for
setting the aperture, enable this — you’ll then be able to actually
make use of the light meter when the lens is de-coupled.

Last is focus. Fancy, purpose made reversing rings may include a
bellows for changing the distance between lens and camera to enable
focusing. For us, with our ghetto hacks, the easiest way is to move the
camera. Get in close and look through the viewfinder. Slowly move back
and forth and you’ll see parts of the image snap in and out of focus.
At these distances, and with your lens wide open, the depth of field is
tiny and accurate focusing is critical. It also makes for pretty
dramatic shots.

So, the hold-the-lens-in-front-of-the-camera method works great. But if you want something a little more stable, try this great little hack from the excellent DIY Photography. It uses a body cap (the plastic cover that came with your camera) and a filter ring (with the glass punched out):

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Cut a hole in the body cap, glue the filter ring to the front and you’re done. One side will mount on the camera, the other screws into the filter thread on the lens. This will keep out the dust and leave your hands free, but remember to be careful with the rear element of the lens, now out in the air.

So, go ahead. Unless you’re getting fancy, you can try this right now without even a strip of gaffer tape (although that would work, too). the picture at the top of the post was taken with a Nikon D700 with a 50mm, ƒ1.8 lens held in front. The slightly blurred picture below is of a bowl of seeds in the kitchen.

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You can easily see the shallow depth of field here. In fact, I made this even worse by actually tilting the lens in front of the camera. It’s hit or miss, but you can get passable tilt-shift effects when you’re lucky.

And one further tip — set the camera to show the images on the LCD screen immediately and automatically. I didn’t and I had to keep hitting the button with the tip of my nose.

Post the results to the Gadget Lab Flickr group

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Panasonic and Canon Issue Firmware Updates

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Firmware updates are the technological inverse of a credit card — pay now, get the goods later. While we like to get extra functions added to our toys after we’ve been playing with them for a while, camera manufacturers usually use them to fix problems they missed while rushing the hardware from factory to store.

Today, it is the turn of both Canon and Panasonic, tweaking the G10 and the G1 respectively (and simultaneously showing the fun ambiguities of camera model numbers).

The compact G10 gets a fix for a rather rare but quite drastic problem, only reproducible if you align the stars just so. If you are shooting RAW (and you should be) at the continuous setting, at ISO 1600, only the first frame of the burst will come out right. Subsequent pictures will have a heavy magenta cast. The Version 1.0.2.0 update fixes this, but check your serial number to see if you need it (instructions in the link, but if the fifth digit is either 1 or 0, you need the update).

Panasonic’s update for the DMC-G1 is a little more mundane, fixing some white balance issues, a problem with flash reliability when shooting in cold places and the actually rather useful ability to write pictures back to the memory card from a computer via USB cable (this last is Europe-only — apparently it already worked everywhere else. Links below. Sorry there aren’t any cool new toys in there.

G1 Update [Panasonic]
G10 Update [Canon]

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Nikon D700 Thrashes Competition, Wins Best Camera of the Year Award

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Nikon’s D700 has won an award. The gong comes from the UK’s Amateur Photographer magazine, a long running and highly respected publication, despite its reputation being slightly dented in the 1970/80s by an insistence on running soft porn "glamor" photography pieces.

If you need a reminder as to what is so good about the D700, just Google it — every review has been awash with complements. Start with our write up, as it is quite clearly the most objective and entertaining. In short, it feels great, works great, uses the amazing full frame sensor of its big brother the D3, and does this all for around half the price.

The camera’s official title, according to AP, is "Product of the Year", but the camera also:

scooped high-end DSLR of the year, [and] beat two competitive models with higher pixel counts, Canon’s EOS 1DS MARK III and the Sony Alpha 900.

Well, done, D700! Why don’t you celebrate with a nice cake?

Nikon D700 wins Best Product Title [Amateur Photographer]

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Nikon Announces Hot, Fast 35mm “Standard” Lens

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Things in the camera world are hotting up before the PMA photography show in March, and Nikon has thrown another stick of dirty, reconstituted coal into the Offenheizung with the AF-S DX NIKKOR 35mm f/1.8G. Let me decode that for you.

The AF-S means that it has a "silent wave" autofocus motor inside, so that it will work with the newer Nikon DSLRs which lack a motor and spindle to drive older lenses (D40, D60). The DX means that it is compatible with Nikon’s non full-frame bodies, and with the crop factor of the smaller sensor, er, factored in, you get a "standard" 50mm lens.

The ƒ1.8 is just hotness. That lovely wide aperture means both better shooting in low light (more light gets into the camera) and sweet, shallow depth of field for throwing the background out of focus while keeping the subject sharp. And the "G" means no manual focusing aperture ring.

It’s clear what Nikon is doing here. The 50mm lens has been hugely popular amongst the new wave of DSLR photography enthusiasts. It is cheap, it offers a fast maximum aperture and it is small. On a DX camera, though, it ends up acting like a 75mm lens — perfect for flattering portraits but a little long for everyday use.

This new 35mm aims to give the "standard lens" experience of old to the digicam user. Even the seven leaf, curved blade diaphragm (the re-sizable hole inside the lens) is designed to give a good "bokeh" at wide apertures. This means that Nikon is listening to customers and watching the market. Even the price is keen, at a mere €200/$200, shipping in March.

Product page [Nikon]

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Video: How to Make a 3D Stereo Camera

We’re pretty used to amazing special effects — even the phone in your pocket can likely produce some pretty fancy 3D graphics. But despite this, there is a rather surprising feeling of childlike wonder whenever we view real 3D images. For many of us, the first experience was with the Viewmaster, a plastic toy which contained a disk of tiny photographic slides.

These would present two slightly different views of the same scene, taken a few inches apart, approximately the distance between our eyes. Because these images are presented separately to each eye, a 3D effect is produced.

And that’s exactly what is happening in this Wired video, featuring artist Carl Pisaturo of the nerd-robot studio Area 2881. Pisaturo’s devices are beautifully intricate, comprising a couple of 35mm film SLRs (remember those?) clamped to a stand. But what a stand. The camera bodies slide in tandem on a spacing bar and everything is designed to keep things in sync, from the three position click-stop zooms to the single shutter-trigger which fires both cameras simultaneously.

And that’s before we get to the viewers. The 35mm slides are huge compared to those in a Viewmaster, and the viewing devices reflect that. The engineering is precise, but what gets us is the look of these things — somewhere between steampunk and a kid’s toy playset. Beautiful.

How to Shoot (and View) 3-D Photos [Wired Video]

Samsung Memoir: First 8MP Camera Phone in the US

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Is this a camera or a phone? The answer is, of course, both, although it certainly looks more like the former. Samsung’s new 8 megapixel Memoir is to be carried by T-Mobile, and is the touchscreen successor to the Samsung Behold, itself a passable 5MP shooter.

In fact, apart from its sleek good looks and three million extra pixels, the T929 (Memoir) isn’t much different from the T919 (Behold). It uses the same TouchWiz interface and also has a Xenon flash (not really a flash — more of a flashlight), a 16x digital zoom (like all digital zooms, best avoided) and an autofocus lens. The camera/phone also comes with a rather splendid piece of marketing bunk:

With the 8-megapixel Samsung Memoir, T-Mobile customers can capture and share little slices of life in all their vibrant brilliance.

Oh, yes. Slices of brilliance.

Press release [Gizmodo]

Nikon Stereo Microscope for DSLRs

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Nikon doesn’t just make cameras. The company is split into some rather more scientific divisions, one of which makes microscopes and scientific imaging equipment. The latest from Nikon Vision is this stereo microscope which can be hooked up to a camera — a previous version worked with compact cameras but this is the first to pair with a DSLR.

Essentially the ‘scope — named the "Fabre Photo EX" — is a beefed-up version of the previous Fabre Photo: bigger, heavier and possibly more productive. The $1200 microscope will work with both DX and full-frame (FX) Nikon cameras, and offers a magnification of up to 20x. Available February 20th.

Digital SLR Camera Fits Into Nikon’s Microscope [Tech-On. Thanks, Annazilla!]