Neil deGrasse Tyson took to Twitter last night to offer up his thoughts—largely scientific—on the sci-fi stomer Gravity
How does the saying go? "A journey of a thousand vertical feet begins with a single step?" Hollywood has certainly taken that maxim and run with it, regularly incorporating vertigo-inducing shots into modern films. The editing team at Plot Point Productions has assembled more than 50 examples of people falling through empty space from the past century of cinema.
1939’s The Wizard of Oz is the standard bearer of cinema’s Golden Age. The live action fantasy classic has become an integral part of the pop culture lexicon, endlessly parodied, referenced, and retold in everything from children’s books to ultra-porn. And now it is coming back—to an even bigger silver screen.
If you’re a history buff, or a cinema buff, or a science buff—any kind of buff, really—you will love this comprehensive tour of the evolution of color film and photography.
Last night, Star Wars: Episode VII cinematographer Dan Mindel announced that the J.J. Abrams-directed movie will be shot on 35mm film, as opposed to digital video. The decision symbolizes the changing of the guard from the reign of George Lucas, and hopefully adds some much-needed vigor to the beloved franchise.
With Red Camera’s industry footing now quite solid, CEO Jim Jannard is relinquishing his position at the helm. Jarred Land, the company’s president, will become the new face of Red. Jannard announced the leadership change in a post today over at Reduser, the forum he’s used to announce everything from a lawsuit against Sony earlier this year to a DSLR replacement that never quite saw the light of day, way back in 2008. Today’s thread, titled “My Final Post,” details Jannard’s nearly eight years at the company he founded, which began with the NAB 2006 debut of Red One and ran through shipping the Dragon upgrade, the component that essentially served to make “Obsolescence Obsolete.” What’s next for Jim? Retirement might be in order, and with upwards of $2 billion in the bank following his sale of eyewear and apparel maker Oakley, he certainly has the financial footing to back some pretty posh R&R.
Filed under: Cameras
Source: Reduser
If you’ve pre-ordered one of the two Blackmagic cinema cams announced at NAB this year, there’s good, not-so-good and bad news coming out of a Blackmagic event yesterday. First the good: Blackmagic’s Pocket Cinema model, which stunned observers with its 1080P RAW specs and sub-$1,000 price tag, should start shipping in a few days. That’s close to the July 25th date promised for both cameras, although there could be a not-so-good caveat. John Brawley (who showed off the Pocket Cinema’s first pristine images) told forum users that it would likely only have ProRes 422 support, and not RAW, at first — though Blackmagic told us they “couldn’t confirm” that. As for the bad part, those who laid down the most cash ($4,000 or so) will have to wait for the Production Camera 4K. The company told event-goers it wouldn’t arrive until early September now, but when we reached out for clarification, it gave the following statement:
With regards to the Production Camera 4K there is still several weeks of work to do before this enters full production manufacturing, however we expect to ship the first quantities of this model before the end of August.
Still, given the company’s track record of delays with the original Cinema Camera, you may want to avoid relying on that info for any time-specific projects.
Filed under: Cameras
Via: NoFilmSchool
Source: Ogy Stoilov (Twitter), dvinfo.net forums
This supercut is a celebration of cinema appearing in the cinema. It’s so meta I think my head might explode—but it’s oddly compelling at the same time.
Yesterday, much ado was made
DreamWorks has been working on its WikiLeaks film, The Fifth Estate, for a while now—and this trailer reveals that Benedict Cumberbatch plays a hugely convincing Julian Assange.