Vection Field controls traffic at SIGGRAPH, fictional cities from the future (video)

So, let’s set the stage. You’re walking down a semi-busy street in a semi-foreign city. You’re curiously hanging close to the middle of the sidewalk. You bust out your smartphone and figure out that your so-called engagement just got “Complicated.” Your gait has an irregularity. You look up and spot what appears to be a local, eerily perturbed and somewhat flummoxed by your current position. You dodge left. So does he. You dodge right, knowing full well that it’ll only complicate matters when he follows suit. Before long, you’re tiptoeing around a stranger while a full-on traffic jam builds up behind you. You’ve just ruined the universe, and that’s not doing anyone any good. The solution? The University of Electro-Communications’s Vection Field, which hones in on large moving visual cues that “induce a sense of self-movement.” Funny enough, the lenticular lenses pathway here at SIGGRAPH actually worked — we never expected an optical illusion to solve such a monumental issue, but we’ll take it. Vid’s past the break, per usual.

Continue reading Vection Field controls traffic at SIGGRAPH, fictional cities from the future (video)

Vection Field controls traffic at SIGGRAPH, fictional cities from the future (video) originally appeared on Engadget on Fri, 12 Aug 2011 09:22:00 EDT. Please see our terms for use of feeds.

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Designing Japan for Tomorrow

We recently attended the Disaster Relief Charity Talk Session held at Mori Art Museum titled, “Designing Japan for Tomorrow”. Amongst the panel who shared their visions on how they see Japan can rebuild itself out of the disaster were some of Japan’s most noticeable architectural names.

Kishin-no-kai

In the wake of the disaster in Tohoku a number of architects and designers have come together to form a group called the “Kishin no Kai”. On the panel from the group at the event were such names as Ito Toyo, Kengo Kuma, Riken Yamamoto, Naito Hiroshi and Kazuyo Seijima from Sanaa. A veritable who’s who of Japan architects all committed to helping rebuild Japan. The group spoke on some of their projects they are currently involved in which included town planning and relief housing design up in quake stricken Tohoku. “Local architects and craftsmen are the most important people to help in rebuilding the area, and vital to this is the use of local resources in the process”, commented Kengo Kuma during his frank presentation where he stressed that the group are not part of the government, who have been heavily criticized recently, but working together with the people in need.

The full session was broadcast on Ustream and translated into English:

Video streaming by Ustream

The International Congress of Architecture, UIA, will be held in Tokyo this year from September 25th to October 1st, described as the “Olympics of Architecture”. Designers and architects from around the world will gather to discuss this years main theme, ” “DESIGN 2050,” discussing the future of architecture and cities, no doubt focusing upon how Japan can rebuild in sustainable ways. CScout Japan will also be running archiTokyo immersions around the same time, not only exploring the hidden designs and secrets we have uncovered, but actually meet the most influential architects working in Japan today. Participants will have the chance to discuss the way architecture and design can play a part in the way our future environments are shaped, not only in Japan but on a global scale.

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Designs Aimed at Keeping the Peace

At Design Tokyo 2011 held earlier this year we came across an interesting piece on display from a team from Osaka University working under Dr Kazuo Kawasaki, the illustrious Japanese designer well known amongst other things as the designer of the glasses chosen by Sarah Palin. The “Vaccine Refrigerator” is a backpack style unit and parachute built in one, and part of Kawasaki’s Peacekeeping by Design (PKD) series which features a number of concepts aimed at “maximizing the power of design in a concrete tangible way”.

PKD-Vaccine-Refrigerator

The pack itself is a small refrigerator designed to hold different types of vaccines. The unit houses a built-in battery capable of keeping it refrigerated for three days. The whole piece weighs no more than 6 kg and the casing is built to be particularly durable so that it can be dropped from an airplane deploying the built in parachute in areas where there is conflict and disease is rife.

PKD Vaccine Parachute

Kawasaki has been Design Director in the past at a number of companies such as Apple, Fujitsu and Sony and his designs have earned him a place as one of “Japan’s most influential 100 people” according to Japan Newsweek. After being confined to a wheelchair for a period in his life following a traffic accident at the age of 28, he has focused a lot of his efforts since on designs that aim to benefit human life,. In 1989 Kawasaki designed a titanium framed folding wheelchair that was a revolutionary design of its time and now part of the New York MoMA’s permanent collection.

Kazuo-Kawasaki-Wheelchair-MoMA

Another of the concepts born out of Kawasaki’s experiences and designed for the Peace Keeping Design series is a folding disposable vaccine injection syringe kit. Helping to produce vaccines for kids in poverty stricken and remote areas. The simplicity in the design and the packaging itself are particularly striking, and shows Kawasaki’s awareness of not just form but function.

Peace-Keeping-Design-Syringe

Similarly simplistic in design but fantastic in concept are the set of triage tags that are color coded to rapidly identify patients’ treatment priority. The tags can be changed easily and are designed to be worn by patients where doctors are working in areas of severe pressure and tension in times of crisis.

PKD-Triage-Tags

It is interesting that with the recent events in Japan this type of innovation that Kawasaki originally designed for use in third world areas can actually be established to just as much effectiveness within his own country. Kawasaki himself noted that, “the designer must be a witness to the end of industrialism by placing oneself on the cutting edge of the times, foreseeing the future”.

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The Lost Origins of the Stopwatch: A Story of Racehorses and Scrappy Startups

Stopwatch. No big deal. You’ve got one on your wrist, or even on your phone. But it didn’t used to be like that. It took a very fast horse and an enterprising company to bring the super-accurate timepiece to America. More »

Researchers use children’s toy to exploit security hole in feds’ radios, eavesdrop on conversations

Researchers from the University of Pennsylvania have discovered a potentially major security flaw in the radios used by federal agents, as part of a new study that’s sure to raise some eyebrows within the intelligence community. Computer science professor Matt Blaze and his team uncovered the vulnerability after examining a set of handheld and in-car radios used by law enforcement officials in two, undisclosed metropolitan areas. The devices, which operate on a wireless standard known as Project 25 (P25), suffer from a relatively simple design flaw, with indicators and switches that don’t always make it clear whether transmissions are encrypted. And, because these missives are sent in segments, a hacker could jam an entire message by blocking just one of its pieces, without expending too much power. What’s really shocking, however, is that the researchers were able to jam messages and track the location of agents using only a $30 IM Me texting device, designed for kids (pictured above). After listening in on sensitive conversations from officials at the Department of Justice and the Department of Homeland Security, Barnes and his team have called for a “substantial top-to-bottom redesign” of the P25 system and have notified the agencies in question. The FBI has yet to comment on the study, but you can read the whole thing for yourself, at the link below.

Researchers use children’s toy to exploit security hole in feds’ radios, eavesdrop on conversations originally appeared on Engadget on Thu, 11 Aug 2011 11:40:00 EDT. Please see our terms for use of feeds.

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NL ruling on Apple vs. Samsung dispute due on 9/15, courtroom antics catalogued

Samsung v Apple

Apple has succeeded in getting the Galaxy Tab 10.1 blocked from import into most of Europe — but not the Netherlands. Today the initial proceedings in the legal dispute between the two companies there came to a close, an apparently entertaining show that saw Apple attempting to make the case that its design is being stolen. Apple presented online market research indicating that 80% of respondents found the iPad and Galaxy Tab 10.1 to be “identical” or at least “similar in general impression,” a study that apparently did not impress the judge. Apple also alleged infringement from the Galaxy S and the Galaxy Ace, while Samsung, for its part, said Apple’s claims were far too vague, enough so that any digital photo frame would be in trouble.

While Danny Crane sadly did not make an appearance the presiding judge still seemed rather amused, calling the various legal representatives “terriers” according to Andreas Udo de Haes, an editor at Webwereld who live-tweeted the proceedings. The judge finished by saying a ruling would come on September 15th and if indeed an injunction were coming it won’t appear until October 13th. So, tablet fans in the Netherlands, know that you have at least two months worth of worry-free shopping ahead of you.

[Thanks, Paul]

NL ruling on Apple vs. Samsung dispute due on 9/15, courtroom antics catalogued originally appeared on Engadget on Thu, 11 Aug 2011 10:53:00 EDT. Please see our terms for use of feeds.

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PocoPoco musical interface box makes solenoids fun, gives Tenori-On pause (video)

Think SIGGRAPH‘s all about far-out design concepts? Think again. A crew from the Tokyo Metropolitan University IDEEA Lab was on hand here at the show’s experimental wing showcasing a new “musical interface,” one that’s highly tactile and darn near impossible to walk away from. Upon first glance, it reminded us most of Yamaha’s Tenori-On, but the “universal input / output box” is actually far deeper and somewhat more interactive in use. A grand total of 16 solenoids are loaded in, and every one of ’em are loaded up with sensors.

Users can tap any button to create a downbeat (behind the scenes, a sequencer flips to “on”), which will rise in unison with the music until you tap it once more to settle it (and in turn, eliminate said beat). You can grab hold of a peg in order to sustain a given note until you let it loose. There’s a few pitch / tone buttons that serve an extra purpose — one that we’re sure you can guess by their names. Those are capable of spinning left and right, with pitch shifting and speeds increasing / decreasing with your movements. The learning curve here is practically nonexistent, and while folks at the booth had no hard information regarding an on-sale date, they confirmed to us that hawking it is most certainly on the roadmap… somewhere. Head on past the break for your daily (video) dose of cacophony.

Continue reading PocoPoco musical interface box makes solenoids fun, gives Tenori-On pause (video)

PocoPoco musical interface box makes solenoids fun, gives Tenori-On pause (video) originally appeared on Engadget on Wed, 10 Aug 2011 18:50:00 EDT. Please see our terms for use of feeds.

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Microsoft’s designing women want to dress you up in wearable tech love (video)

Microsoft’s no slouch when it comes to market expansion, with personal computing, mobile and even gaming under its Redmond wing — but fashion? Well, it’s time for pigs to fly because two of MS’ very own took home Best Concept and Best in Show for their Printing Dress creation at the 15th Annual International Symposium on Wearable Computers. The dress, created by MS Research’s Asta Roseway and the Xbox division’s Sheridan Martin Small, incorporates a laptop, projector, four circuit boards and laser-cut, typewriter-shaped buttons into a black and white rice paper design. Wondering what all the gadgetry is for? Stressing the need for accountability in our age of anonymous, digital communication, the duo’s winning entry aims to have us all wearing what we tweet — literally, as messages typed via the bodice-sewn keys display on the gown’s lower half. It might seem a far-fetched goal now, but these “eRenaissance women” hope to lure tech back from the “cold, unyielding” brink and into the warmth of a “human age.” Jump past the break for a video peek at this ethical couture.

Continue reading Microsoft’s designing women want to dress you up in wearable tech love (video)

Microsoft’s designing women want to dress you up in wearable tech love (video) originally appeared on Engadget on Tue, 09 Aug 2011 20:31:00 EDT. Please see our terms for use of feeds.

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Tokyoflash’s Kisai 3D Unlimited watch turns time into a colorful ice cube (video)

The folks over at Tokyoflash tend to come up with some pretty inscrutable watches, but their latest creation, the Kisai 3D Unlimited, looks refreshingly… simple. Its cube-like, “3D” time display may not be conventional, but its mirrored LCD doesn’t require a degree in cryptology, either (the time displayed above is 12:34. See it?). The watch also features a pretty sleek, stainless steel design, with a case measuring just 8.5mm thick, and a fully adjustable strap that can fit even the daintiest of wrists. If you’re interested in grabbing one, you can choose from seven different colors at the source link, for about $120. Otherwise, check out some more pics in the gallery below, or slip past the break for a couple of demo videos from Tokyoflash Japan.

Continue reading Tokyoflash’s Kisai 3D Unlimited watch turns time into a colorful ice cube (video)

Tokyoflash’s Kisai 3D Unlimited watch turns time into a colorful ice cube (video) originally appeared on Engadget on Tue, 09 Aug 2011 13:52:00 EDT. Please see our terms for use of feeds.

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The Terminal Harajuku 24H Creative Third Space

This post was written in collaboration with Ronald Jin Chu.

The grand opening of “The Terminal” in Harajuku was definitely a site of interest for those associated with the art-design scene in Tokyo. Young, hip and stylish atmosphere filled three spaces on different floors with mixing DJ’s, Brooklyn lager beers, food-art, retro-hip interior design, Vintage Chic-Geek look artists and 6 iMacs.

The Terminal Creative Space

The concept of The Terminal can be deemed as creative recreation, which they express as “work+study+eat+drink+play+24H”. The board members of The Terminal are not your average stern looking businessmen dressed in pinstriped suits: a stylist, fashion, graphic, and product designers, and architect are the masterminds behind this creation.

The Terminal Overlook

Respected designer, Masato Sekiguchi – the President of “Think Green Produce”, was the creative director in charge of the overall facelift of the place. His works (such as Tabloid) are known for revamping old locations with art, food, fashion and music. And this is exactly what he did at the opening event of “The Terminal”; by emphasizing the artistic atmosphere, Sekiguchi turned food into a showpiece with “Takibi Bakery”, book shelves into art installations, and a new concept of creative open working space into fashionable cultural hub.

The Terminal Decorations

On the opening night, people were rooming between the three floors which consist of an open space gallery, the internet lounge and a roof top floor for smoke and air brake. The main crowd consisted of young designers and creative freelancers, wearing 50’s vintage black framed glasses, striped button shirts, casually combined with a pair of suspenders, while browsing through the web pages of the installed iMacs or the recent issue of Monocle, placed among other magazines that would capture the interest of creative designers.

The Terminal Press Coverage

General manager Yusuke Kawamata said that the space name was derived from the idea to provide a “terminal” and community for people with various needs, with their main audience being those who worked or were interested in the creative sector, including nomad workers. Hence, the location of Harajuku makes sense given that it is one of the most unique fashion capitals of the world. Kawamata intends for The Terminal to be a welcoming space where visitors can “relieve the tenseness off their shoulders” (a common Japanese expression for relaxing) and will “become what it will become,” meaning that the customers are going to be the key shapers of this new development.

The Terminal Drinks and Sofa

What we could call a Third Space, the Terminal is truly a depiction of a new “lifestyle,” as telecommuting allows people not to be confined to offices, WiFi has brought the internet to the streets, and social gatherings are slowly moving away from meeting rooms and “izakayas” (Japanese bar restaurants). It acts as an anchor of community life and fosters creative interaction; deviating from your normal internet or manga cafes, found all around Japan. Absent of individual rooms and cubicles, here, the open space allows people to feel comfortable with each other, whether they are using the internet, lounging on the sofa and reading magazines or just exchanging inspirations while consuming beer.

The Terminal Couches

Visiting the Terminal once again following its opening party, the atmosphere was much different from our previous visit. Interesting enough, most of the customers brought their own laptops or iPads, demonstrating that the provided 6 iMacs were sufficient enough.

The Terminal Creative Space Laptops

The second you enter the Terminal (on its normal business hours), you are engulfed by a whole different atmosphere, with soothing background music selected by musicians from CUBISMO GRAFICO FIVE, a popular Japanese solo unit. A relaxing internet cafe would be an understatement: with four staff members catering to your every need from computer questions to the food/drink services, customers are provided with excellent service at a place similar to home, but with a more sociable crowd. With 2 semi-private meeting rooms that accommodate up to six people, it can be used for business purposes as well.

The Terminal Interior 2

The ground floor is set to be used as rental space for approximately 2000 US dollars for one full day. Although the floor could be used for anything ranging from a live studio to a film set, given the whole theme of the Terminal and its surrounding market, we expect it to act as an exhibition gallery displaying the work of Tokyo’s finest creative artists and designers.

The Terminal Ground Floor

Third spaces like The Terminal are simply rental spaces like karaoke boxes, love hotels, and izakayas, all of which the following activities can be done from home but chosen to be carried out in a more social and unique setting. Access to the Terminal requires membership, which can be acquired for approximately US $3. The $2 per half hour rates include unlimited refills at the drink bar (besides beer), access to their WiFi network, and a place to spend your productive creative time.

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