Canon unveils EOS 6D DSLR: full frame sensor and WiFi for $2,099 in December

Canon unveils EOS 6D DSLR full frame sensor and WiFi for $2,099 in December

Used to be, to get a full-frame sensor in a Canon camera, you had to shell out big bucks for a pro rig like the 5D Mark III or 1D X. No longer. Canon’s just unveiled its EOS 6D, the smallest, lightest and cheapest full-frame DSLR it’s ever made. Weighing 690g, the 6D is 20 percent lighter than the 5D Mark III, and at $2,099, it’s a full $1,400 less than its heftier stablemate — which also puts it directly in line with Nikon’s recently released full-frame shooter, the D600. In addition to that mammoth sensor, the 6D’s the first EOS camera to have built-in WiFi. When paired with the company’s free iOS and Android apps, you can use your phone to change the 6D’s settings, take and geotag photos using the live remote function, and even transfer those shots to your handset wirelessly.

The 6D packs a 20.2-megapixel CMOS sensor and DIGIC 5+ image processor that shoots stills at 4.5fps, does HDR (though it only saves the composite image, not the individual shots), and 1080p 30fps video in 29 minute 59 second clips. Its sensitivity runs from ISO 100 up to 102,400 (extended) and has an 11-point autofocus system with an EV -3 sensitivity rating for better low light performance. There’s a 3-inch, 1.04 million dot ClearView LCD on the back to supplement the optical viewfinder, plus it’s got a stereo mic jack to ensure the audio matches the quality of your HD videos. To store your imaging masterpieces, the 6D has a single SD card slot that’s SDHC and SDXC compatible. When it goes on sale this December, the 6D will be sold in two configurations: $2,099 for the body only, and a kit that throws in a 24-105mm f/4L USM zoom lens for $2,899.

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Canon unveils EOS 6D DSLR: full frame sensor and WiFi for $2,099 in December originally appeared on Engadget on Mon, 17 Sep 2012 04:00:00 EDT. Please see our terms for use of feeds.

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Canon adds the G15, S110 and SX50 HS to its PowerShot lineup

Canon adds the G15, S110 and SX50 HS to its PowerShot lineup

Canon already outed a pair of superzoom cameras prior to Photokina 2012, but it turns out the company wasn’t done adding to its PowerShot family. First, we have the PowerShot G15, which has a 28 – 140mm wide angle f/1.8 – f/2.8 lens, 12.1 megapixel sensor and Canon’s DIGIC 5 image processor. Its sensor has a max 12,800 ISO, shoots RAW stills and records 1080p video, and you can view your subjects using the optical viewfinder or the 3-inch, 922,000 dot LCD on the back. It replaces the G12 in Canon’s lineup when it goes on sale for $500 this October.

The PowerShot S110 replaces the S100, and like that camera, it’s got a 12.1-megapixel sensor, max 12,800 ISO and an f/2.0 lens. Unlike its predecessor, however, its got a 3-inch, 461,000 dot capacitive touchscreen on the back and ditched GPS in favor of WiFi. That wireless capability lets the S110 pull GPS data for geotagging from Android or iOS devices using Canon’s CameraWindow app and share photos and videos on the web. It does RAW shooting, has a 10fps burst mode and records 1080p 24fps video as well. It’ll come in both black and white versions that run $450 when it goes on sale next month.

Lastly, there’s the PowerShot SX50 HS superzoom camera. It packs a 24-1200mm, f/3.4 – f/6.5 lens and optical image stabilization to ensure clear shots even when using the camera’s full 50x zoom capability. Like the SX40 HS is replaces, it has a hotshoe and a 12.1-megapixel sensor. It has a max 6,400 ISO and like its new PowerShot mates, it has a 10fps burst mode, shoots RAW photos and 1080p video. The SX50 HS can be had in October for $480.

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Canon adds the G15, S110 and SX50 HS to its PowerShot lineup originally appeared on Engadget on Mon, 17 Sep 2012 04:00:00 EDT. Please see our terms for use of feeds.

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Fujifilm’s XF1 digicam is a $500 point-and-shoot with manual controls and a faux leather exterior

Fujifilm's XF1 digicam is a $500 pointandshoot with manual controls and a faux leather exterior

Fujifilm has been making some really handsome, retro-styled shooters lately, and the latest is the XF1. It’s a compact camera that’s 4.2 inches wide, 2.4 inches across and a scant 1.2 inches deep, and comes covered in either black, red or tan faux leather. There’s a 2/3 inch 12-megapixel sensor inside with a retractable, manual zoom, 25-100mm f/1.8 – f/4.9 lens that’s optically stabilized. You turn the thing on by twisting and pulling out the lens (like its elder brother, the X10), and you can shoot 1080p 30fps video using the 3-inch 460,000 dot LCD on the back. The XF1’s ISO range is 100 – 12,800 and it’s got a pop-up flash for shooting in poorly lit locales. Additionally, the camera has a jog dial with a full manual setting, six buttons dedicated to primary functions and a separate, programmable key to tailor the UX to your liking. The XF1 goes on sale for $500 next month, though should you be unable to wait that long, head on over to Cologne, Germany and you can see one in person at Photokina later this week.

Continue reading Fujifilm’s XF1 digicam is a $500 point-and-shoot with manual controls and a faux leather exterior

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Fujifilm’s XF1 digicam is a $500 point-and-shoot with manual controls and a faux leather exterior originally appeared on Engadget on Mon, 17 Sep 2012 01:00:00 EDT. Please see our terms for use of feeds.

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Olympus E-PL5 & E-PM2 Interchangeable Lens Cameras Leaked

It’s been quite a month for leaks and the announcement of new cameras by various manufacturers. This week, a pair of new Olympus interchangeable lens compact cameras leaked as well. A few scant details of the cameras were also offered along with the leaked photos.

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The black camera you see is said to be called the E-PL5, with the silver camera called the E-PM2. As you can clearly tell, both offer interchangeable lenses and look very similar. At first glance you could almost mistake them as two different colors of the same camera. However there are slight differences, such as the black camera having a knurled knob on the top, likely a manual control of some sort.

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Rumor has it that both cameras will use the same sensor as found in the Olympus E-M5. The cameras also should have the same image processing engine called TruePic VI. Both of the cameras are also said to have touch screens on the back. The silver camera is said to sell for €399 (~$523 USD) with the black camera going for €599 (~$785 USD). Both prices reportedly include 14-42 mm kit lenses. Expect more details in the coming weeks.

[via 43rumors]


Olympus E-PL5 and E-PM2 interchangeable lens cameras leak into view

Olympus

Secrets have been hard to keep in the camera world lately, and now Olympus has undergone its second leak in as many days, but this time with a couple of higher-profile actors — the E-PL5 and E-PM2 mirrorless cameras. Both will use the Olympus E-M5 sensor with TruePic VI image engine and touchscreen, and are reported to be priced at €399 ($520) for the E-PM2 with a 14-42mm kit lens (in silver, below the break) and €599 ($780) for the E-PL5 with the same lens, shown above. That follows earlier leaks from Sony, Fujifilm and others, along with two upcoming lenses from Olympus that were also outed ahead of time. Hopefully, there’ll still be a couple of surprises left when Photokina rolls around next week.

[Image credit: Digicam Info]

Continue reading Olympus E-PL5 and E-PM2 interchangeable lens cameras leak into view

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Olympus E-PL5 and E-PM2 interchangeable lens cameras leak into view originally appeared on Engadget on Fri, 14 Sep 2012 07:17:00 EDT. Please see our terms for use of feeds.

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Olympus E-PL5 and E-PM2 digital cameras leak

This has been quite a week for digital camera leaks and unveils. Earlier this week, the rumored Sony RX1 full-frame digital camera was unveiled with a massive price tag to go with it. The little camera sells for almost $3000 and doesn’t have interchangeable lenses. Olympus has now had a couple of its coming compact digital cameras that do have interchangeable lenses leak.

The black camera you see is the Olympus E-PL5 and the silver camera is the E-PM2. The two cameras look so similar you could almost believe they are simply different color versions of the same digital camera. However, if you look closely you’ll notice that the black camera has a slightly different design and a larger knob on top than the silver.

We don’t have an abundance of details on these two cameras right now since these are leaked images. The few details that did leak along with these photographs include that the cameras both use the same Olympus E-M5 sensor that features the TruePic VI image processing engine. Both of these cameras are also said to have touchscreen LCDs on the back.

Pricing for the silver E-PM2 is said to be €399 including a 14-42 mm kit lens. The black E-PL5 is tipped to sell for €599 including a similar 14-42 mm kit lens. There are some indications that both cameras could go official early next week. That’s all we really know about these two leaked Olympus offerings at this point.

[via 43rumors]


Olympus E-PL5 and E-PM2 digital cameras leak is written by Shane McGlaun & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Panasonic LUMIX GH3 makes premature appearance

Panasonic has stolen its own thunder with the LUMIX GH3 micro four thirds camera, pre-announce posting a video of the new model and spilling its 16-megapixel sensor and 72Mbps video recording. The GH3 inclues a new Venus image processing engine and is clad in a magnesium alloy casing that, Panasonic says, is dust- and splash-proof.

The headline ability might be video recording, though details from the video are still scant. There’s HD recording at up to 72Mbps, an impressively high bitrate for a micro-four-thirds camera, and a 60p mode; it’s not clear whether that’s at full 1920 x 1080 resolution, however, or at a lower setting like 720p.

Controls look to include a flip-out LCD display as well as the usual clusters of buttons, and the lens – which we’re assuming is the standard kit lens – is an f/2.8 12-35mm.

We’ll undoubtedly know more when Panasonic makes the LUMIX GH3 official, which is likely to happen imminently if this video’s arrival is anything to go by. We’ll be keeping an eye out.

Update: The video was taken down, but there’s a new copy here:


[via Engadget]


Panasonic LUMIX GH3 makes premature appearance is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Nikon D600 24.3MP DSLR official with remote phone/tablet control

Nikon has revealed its latest DSLR, the 24.3-megapixel D600, its smallest and lightest full-frame camera to-date, with Full HD video recording and a new 39-point AF system. Tipped as the perfect trio-completion with the D4 and D800, the FX-format camera supports ISO 100-6400 (extendable to 50 and 25,600) and has a scene and face recognition system that analyzes 2,016 pixels for brightness, colors, and other information, to help set autofocus and auto exposure.

The same technology is used for 3D subject tracking, which Nikon says is also improved for smaller subjects. The Multi-CAM4800 AF system – borrowed from Nikon’s D4, just like the D600′s EXPEED 3 image processing engine – can be set to 9-, 21-, or 39-point coverage, and can handle a combined aperture up to f/8 with detection down to -1 EV. Meanwhile the 100-percent coverage viewfinder adds selection of different AF modes, so that you can keep the camera to your face but still see which you’ve selected.

Scale-wise, the 700 comes in at 760g (sans-battery, mind) and has magnesium alloy top/rear covers with weather-seals like the D800. It can shoot around 900 shots on a full charge, and takes twin SD cards (supporting SDXC and UHS-I), while there’s USB and HDMI outputs along with an optional WU-1b Mobile Adapter for shuttling off images wirelessly and remotely-controlling the D600 from your phone or tablet.

On the back there’s a 3.2-inch 921k-dot LCD with automatic brightness control, handy for using the D600′s integrated HDR photo mode and other in-camera editing tools. Full HD 1080p video can be recorded in 24p, 25p, and 30p, with the option of 60p, 50p, and 25p in 720p mode; clips are capped at 29 minutes 59 seconds, and there’s a stereo microphone input for audio.

The Nikon D600 DSLR goes on sale later this month, priced at $2,099.95 in the US and £1,955.99 in the UK body-only; it will also be offered as a kit with the AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR lens for $2,699.95 in the US and £2,443.99 in the UK. The WU-1b, meanwhile, will be $59.95 in the US and £64.99 in the UK.

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Nikon D600 24.3MP DSLR official with remote phone/tablet control is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.


Sony Cyber-shot RX1 camera debuts

When it comes to the world of digital cameras, it is safe to say that we are more or less spoilt for choice. After all, there are plenty of manufacturers out there with a gamut of offerings to choose from, that the uninitiated will definitely lose their way around unless they have different sites to help guide them select the camera that best suits their needs and requirements. Without much further ado, here we are with the Sony Cyber-shot RX1 that will boast of a 35mm full-frame image sensor and wide aperture f/2 lens, where it is touted to be the first full frame point-and-shoot digital camera in the world. Anyone else beg to differ? Let us check out just what the Sony Cyber-shot RX1 offers in the extended post.

As tipped earlier, the Sony Cyber-shot RX1 comes with an advanced 35mm full-frame 24.3-megapixel Exmor CMOS sensor and exceptional Carl Zeiss T*t 35mm f/2.0 fixed lens, being carried on a highly portable, lightweight camera body. Tipping the scales at just slightly more than a pound, it is by far and large smaller and lighter than any full-frame DSLR without sacrificing image quality, HD video quality or manual control. Of course, there is a price to pay for that, but we will get to the pricing details at the end.

With its unified lens and body design, the Sony Cyber-shot RX1 delivers performance which few interchangeable lenses are able to match, boasting a near-silent in-lens shutter and is far more compact than comparable lenses of interchangeable design. Full manual control options as well as an intuitive user interface make life easier for photographers to adjust all settings quickly and easily.

With the 35mm full-frame sensor within, the Sony Cyber-shot RX1 more than doubles the area of APS-C sensors commonly found in much bulkier DSLR cameras, letting it take in far more light when shooting. This means the camera’s sensitivity range is a generous ISO 100 – 25600, letting you shoot as low as ISO 50 in expanded sensitivity mode.

The asking price for the Cyber-shot RX1? A rather wallet burning $2,800. Any takers?

Press Release

[ Sony Cyber-shot RX1 camera debuts copyright by Coolest Gadgets ]


Sony Alpha A99 full-frame DSLR totes revolutionary dual-AF

Sony‘s last new camera of the day is arguably the most mainstream, the Alpha α99 full-frame DSLR, though it does use the firm’s translucent mirror tech and pack an impressive new Dual AF system. The 24.3-megapixel A99 flagship delivers a 19-point AF system that pairs its eleven cross-sensors with a 102-point focal plane phase-detection AF sensor; together – and for the first time in a full-frame Sony camera, with the translucent mirror system – they add up to faster, more accurate autofocus, Sony claims, with tracking supported even for objects that move out of the 19-point frame.

That’s not the only thing that’s special about the A99. There’s a new BIONZ processor version, with ISO 50-25600 support, and 6fps burst mode (or 10fps in Tele-zoom high-speed mode). AF-D continuous autofocus, selectable AF range (handy if you really don’t want the camera to lock focus on something close-up), and a wealth of effects and style modes are present too.

As for video, that can be recorded at 24p/25p/50p/60p Full HD, again with continuous autofocus, and there’s real-time HD output via HDMI together with simultaneous storage to the twin memory card slots. Exposure compensation, ISO sensitivity and metering method, shutter speed, aperture and audio record levels can all be controlled during video recording, via a new “silent” multi-controller on the front of the A99, and there’s a headphone jack and optional XLR adapter box.

On the back, meanwhile, you get an XGA OLED Tru-Finder digital viewfinder with 100-percent coverage and a 1.2m LCD with three-way tilt. The body is weather-resistant and there’s support for remote operation and real-time image transfer.

As for lenses, there’s a new 400mm f2.8 G SSM II lens with zoom, and a new wide-aperture Carl Zeiss A-mount prime Planar T* f1.4 ZA SSM expected to debut in Spring 2013. Sony also offers a VG-C99AM vertical grip which can accommodate two extra batteries to augment that in the A99 itself; they can be swapped during video recording with no interruption to the clip.

The Sony Alpha A99 will drop in November, priced at $2,799.95 body-only.

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Sony Alpha A99 full-frame DSLR totes revolutionary dual-AF is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.