Nikon D5200 hits US in late-January: We go hands-on

Nikon‘s D5200 DSLR has been floating around outside the US since November, but it’s only today that the camera company has confirmed a launch for US shutterbugs. Set to hit shelves later this month, the $899.95 DX-format shooter will be offered in black, bronze, or black – all with rather fetching metallic finishes – each offering 24.1-megapixel stills, Full HD video recording, and optional wireless.

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There’s also a new GUI on a tilting, rotating 3-inch LCD preview screen, which runs at 921k dots and has 170-degree viewing angles. Nikon also preloads a number of special effects, which can be applied to both stills and video; the range includes selective colors, a “miniature effect” faux-tilt-shift, night vision, and more. HDR stills are also supported.

Nikon D5200 overview:

Elsewhere, there’s a 39-point AF system with auto scene recognition, a 100-6400 ISO range (expandable to 25,600), and 5fps burst photography mode. Inside is Nikon’s EXPEED 3 image processing engine.

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Slap on the WU-1a Wireless Mobile Adapter, meanwhile, and you can remotely control the D5200 from an iPhone, iPad, or Android device. It also supports reviewing photos stored on the camera’s memory card, with up to 49 foot range.

The Nikon D5200 goes on sale in the US later this month, priced at five cents short of $900. The WU-1a Wireless Mobile Adapter is priced at $74.96.

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Nikon D5200 hits US in late-January: We go hands-on is written by Chris Davies & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Nikon D5200 to reach US photographers in late January for $900

Nikon D5200 hands-on

Americans wanting to leap into DSLRs with a Nikon D5200 have had no choice but to sit on pins and needles waiting for a release date. As of CES, we know that they’ll have a more comfortable seat very soon: the company has committed to bringing the advanced amateur camera to the US in late January for $900 with an 18-55mm lens in the box. Some of the D5200’s companion accessories should be available at the same time, including the $95 WR-T10 and $278 WR-10 wireless remotes, the $127 WR-R10 remote transceiver and the $75 WR-A10 wireless remote adapter. The D5200 isn’t the cheapest route into interchangeable lens cameras in the wake of these prices, but it potentially hits a sweet spot for those whose love of photography is just slightly more than a casual fling.

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Fujifilm Unveils New Long-Zoom, Fixed Lens Bridge Cameras, New All-Weather Compacts At CES 2013

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Fujifilm unveiled its new X-series of cameras, which admittedly made me tingle when I had some hands-on time, but they’re also showing off a bunch of new cameras aimed at more general audiences at CES this year. These include revisions of its rough-and-tumble all-weather line with the XP60, a variety of new “bridge” cameras (aka SLR gateway drugs), and the extremely long-zoom SL1000.

Fujifilm knows where the bread gets buttered in consumer digital cameras these days – it admitted as much during its press event today when it talked about where the camera market has been headed lately, with the major growth coming from smartphones and DSLRs. Consumers need something extra spicy in their standard compacts and fixed lens cameras, in order to help them sway those who’d rather keep things in their pockets.

The XP60 is Fujifilm’s latest waterproof, dust proof and shockproof go anywhere camera, which sports a new double-sealed battery door for added protection, and a 16MP 1/2.3-inch CMOS sensor with built-in IS for low-light shooting. It has a 5x zoom lens and a 10fps burst mode for high-speed shooting, and hits stores in March for $199.95.

The HS50EXR offers 42x zoom factor, and gets some help with the new EXR CMOS II sensor, which is what gives the X-series its fast new AF juice thanks to the addition of phase detection. Its 16 megapixel resolution and 11fps burst mode should really help it appeal to those who want DSLR quality without having to worry about the additional weight and size of a camera with swappable lenses. Focus peaking also makes its debut here with manual focus on the HS50EXR, and optical image stabilization is applied between F2.8 and F5.6, across the entire zoom range. It also drops in March, for $550.

If you’re looking for longer zoom and even faster autofocus, there’s also the new SL1000, which manages 50x zoom and AF locks in as little as 0.2 seconds, thanks to its 16 megapixel BSI-CMOS sensor. It ships in March as well (see the trend here?) for $399.95. There are also the S8200 and S8300, which are $299.95 and $309.95 respectively, boasting 40x and 42x zoom, and 16MP 1/2.3-inch BSI-CMOS sensors for good low-image quality capture, fast burst mode and quick AF. Arriving in… wait for it… March.










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Canon rolls out the EOS-1D C in Japan, will bring it to the US soon

Canon has launched its uber-expensive EOS-1D C in Japan, and will be following it up with a launch in the United States rumored to take place in the next couple days. The 1D is priced at $11,999 and offers 18 megapixels in addition to a host of other features. For now, Japanese photographers can pick it up from Canon.jp. You can check out a video shot by the 1D after the jump.

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The 4k EOS-1D C offers a full-frame CMOS sensor, and can record video at 4,096 x 2,160 (24fps) in Motion JPEG. Putting it in perspective, the 1D utilizes about 3.8GB for every 60 seconds of recorded video. There’s Super 35mm Crop Mode and Canon Log Gamma. In terms of hardware, the 1D offers an integrated headphone port and HDMI with time code. The unit boasts dual DIGIC 5+ processors.

While the 1D isn’t available to most consumers yet, it has made its rounds, and as a result, there are a handful of nice test videos and images floating around online. The video below displays a variety of shooting situations from Untitled Film Works. The video was made to “explore the exciting possibilities of motion image photography” using the 1D.

The 1D is Canon’s first DSLR that offers 4k and full HD motion imaging on Compact Flash. The body is similar in weight and design to the 5D Mark II. Says Canon, “The EOS-1D C is designed to go where other 4K cameras cannot go – into hostile environments, into very cramped spaces, mounted on the end of extended jib arms, or embedded on-set.”

[via Engadget]


Canon rolls out the EOS-1D C in Japan, will bring it to the US soon is written by Brittany Hillen & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

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