Neuros has earned significant kudos with techies for its hackable OSD media player / recorder and its commitment to open source software. It’s no surprise then to see the company reaching out to its loyal community for input on what should be found in the third generation of the device. Yes, technically the OSD 2 isn’t even out of the developer kit stage yet, but Neuros is planning well ahead of time, with the 3.0 model unlikely to be seen for another 18 months. Founder Joe Born has confirmed a continuing partnership with Texas Instruments on an ARM-based unit, which should be able to play and record at 1080p / 60 with support for all the relevant formats and containers. There’ll be a minimum of 2GB DDR3 RAM, as well as a HTML5- and Flash-compliant browser, but the rest of the specs are up to you — if there’s some killer feature you simply must have, hit the read link and let Neuros know.
It seems like Cablevision and others have been trying to roll out “remote storage” network DVRsforever, and now that the Supreme Court has decided against hearing the appeal of the Hollywood studios looking to block it, they should finally be able to deliver as soon as this summer. Of course, there’s benefits to having a locally stored copy of I’m A Celebrity Get Me Out of Here, but just in case we forgot to queue up a recording, the power went out or suffered some other manner of catastrophe, we’d still have access to all the Lou Diamond Phillips anyone could ask for, and there’s really no way the highest court in the land could get in the way of that.
We’ll go ahead and hurt the feelings of those in Asia, North America and the Cook Islands: this here set is bound for the European market only (for now, anyway), but hey, at least we know the technology is here. Over in the UK, one Cello Electronics has issued the first HDTV that records OTA (Freeview) content directly to an SD card, giving users an easy option for shuffling recorded content to portable players. The set itself boasts twin TV tuners, a built-in EPG, split-screen functionality and an integrated DVD player; as for sizes, you’ll find it in 22-, 26- and 32-inch flavors. Sadly, you’ll be stuck with “just” 1,440 x 900 pixels and no HDMI socket, but those who couldn’t care less can take ownership starting next month for TBD, £399.99 ($661) or £469.99 ($777) in order of mention.
It’s been a long, messy road, but now that TiVo’s beaten a victory out of EchoStar in that seemingly-endlessDVR patent lawsuit it sounds like the company is trying to exert some muscle — it’s already in talks to bring its service to Time Warner Cable, and sources have told Bloomberg the ultimate plan is to eventually collect royalties from every pay-TV provider in the US. That might sound bullying and even a little trollish, but keep in mind these patents have withstood pretty much everylegalchallenge EchoStar could throw at them, so TiVo’s operating from a position of some certainty here — especially since it’s got license agreements with huge players like Comcast and DirecTV to use as leverage in negotiations as well. Of course, none of this solves any of TiVo’s actual problems with its products, and the company’s topsy-turvy balance sheet has some analysts thinking its ripe for a buyout by one of the bigs, so things could change dramatically at any minute, but for right now it sounds like your chances of getting the TiVo interface on your cable or satellite company DVR just went up, and that’s almost certainly a good thing.
It’s the case that never ends — the U.S. Court of Appeals for the Federal Circuit has issued a temporary delay of of the injunction and fine handed down yesterday in the EchoStar / TiVo lawsuit while it considers an appeal, meaning that DISH owners with older DVRs won’t have to worry about losing their pause-and-rewind functionality at least for now. That pretty much means we’re back in stasis with this one, with even more delay to come if the appeal is granted. That’s cool, we needed a nap anyway.
The jury’s still out on whether inbuilt DVRs are good for HDTVs, but LG’s obviously hot to trot on the whole idea. Nearly a year after first introducing sets with an integrated Time Machine, the outfit is hitting back with two new big-screen plasmas that each posses a 160GB internal hard drive. The X Canvas 50PS70 (50-inch) and 60PS70 (60-inch) panels also boast 600Hz dejudder technology and can record overflow onto external drives connected via USB 2.0. Additional details (price, screen resolution, availability, etc.) are scant, but we’ll be sure to keep an ear to the ground.
We all want the same thing right? The ability to watch any show we want, whenever we want, and wherever we want. Sounds easy, but even in this day and age to achieve this easily isn’t possible. Currently there are a few ways this might happen down the road, and one that looks to be coming our way sooner rather than later is Cablevision’s Network DVR. While a traditional DVR has a hard drive in it to store your shows, the Network DVR wouldn’t. Instead it would stream the content from a centralized data store, like VOD. You’d still have to pre-schedule your recordings and presumably you’d still have a set limit, but ordering DVR service wouldn’t require a new box and best of all, you should have access to all the same content in any room of the house. This has been in the making for a long time now — three years actually — but Hollywood has been tying it up in court. Luckily the courts have been on Cablevision’s side, but it does appear that the consumer may still get the shaft. That’s because it seems there’s a chance that the Network DVR won’t let you fast forward through commercials, which would obviously make it a show stopper for most.
We love DVRs, but sweet crackers, why must they be all the same? Same look, same features, same UI. Thank jeebus someone is approaching DVR a little differently. Check out what Moxi has been cooking up. From reviewer, Terrence Russell:
Digeo’s Moxi HD DVR sports a slick, Emmy-winning (seriously) user interface and all the commercial-skipping accouterments of competitors like TiVo. It even ditches a monthly bill in favor of flat pricing. And due to a recent firmware update, the Moxi also grants access to online video and music.
But the big difference is the UI. That aforementioned Emmy? Totally deserved. Digeo outfitted the Moxi with a stunning full-HD user interface, full of slick transitions and responsive performance. Unfortunately, sleek visuals don’t conquer all. Basics like surfing through the program guide (or accessing a previously recorded show) took a lot of hunting and pecking through a menu tree. Though we never truly got lost in the Moxi’s dazzling menus, there are a few tasks that grew tiring. Finding pre-recorded shows and getting them to play took searching, highlighting, selecting Play, confirming that you selected Play, and then finally watching.
Okay, so there’s good news and bad news. Given that we just love to tease, we’ll start you off with the positives. HDMI 1.4 was just revealed, bringing with it an HDMI Ethernet Channel (HEC) that enables data transfers of up to 100 Mbps between supported connected devices. Put simply, this could allow a “broadband-connected television using its HEC-enabled HDMI port to provide internet connection sharing with another HEC-enabled device such as a game console or DVR.” Furthermore, the spec’s Audio Return Channel (ARC) enables broadcast audio to be easily streamed back to an external amplifier, and the Automatic Content Enhancement (ACE) provides support for “future 3D video standards, increased resolution support (up to 4,096 x 2,160 pixels at up to 30Hz), and content recognition that promises to automatically optimize the TV’s picture settings based on content type.”
The bad news? HEC will only work with new HDMI 1.4 spec cables, and those will be graded into two separate levels of performance: low- and high-data rate. We needn’t describe to you what kind of ball Monster Cable is going to have with that one, but even outside of that, we’re baffled by the decision to add one more complexity to a cable that should seriously be doing everything in its power to not be overshadowed by DisplayPort. At any rate, we’re told that Silicon Image is hoping to ship chip samples to manufacturers in Q2 2009, while HDMI 1.4-enabled products could arrive as early as next year. We aren’t holding our breath, but we’ll gladly eat crow if need be.
People are always eager to point out cool technologies that America ignores, but what about the ones that we—and only we—use? Enough with the grousing: Here’s what we’ve got that they don’t.
TiVo For a long while, TiVo was the undisputed king of TV recording. Other DVRs have come a long way in the last ten years, but they’re all late to the party, and still playing catchup: The TiVo name is now permanently tattooed into the public’s consciousness, synonymous with recording shows and backed up by still-impressive hardware.
But the fact that TiVo has attained a near-Kleenex level of brand recognition in the US doesn’t mean a thing overseas. As of writing, the service is only available in a few other places—Canada, the UK, Mexico, Taiwan and Australia—where it has been met with limited enthusiasm. While the US, with its huge, old, fragmented cable industry, offers a fantastic opportunity for a meta-service like TiVo, smaller countries with one or two dominant pay-TV providers—which have their own increasingly formidable DVR alternatives—are tougher nuts to crack.
The Kindle This choice might seem odd—or at least inconsequential—on account of the steady stream of new e-reader hardware available all over the world, but Kindle exclusivity is actually a technological feather in America’s cap. Why? Because the source of the Kindle’s importance isn’t its hardware, but its connectivity and the service it’s tied to.
Anyone can slap a case around a panel of E-Ink and add an off-the-shelf Linux OS—and plenty of companies have. But being linked wirelessly to a massive library of legal downloads, bestselling books, magazines and newspapers, is what will make a reader great. For now, the only mainstream reader that can claim such a feature is the Kindle, and the only country that can claim the Kindle is the US. Not that it can’t go global—similar services for music and TV, like the iTunes store, have found ways to deal with tricky licensing and gone global—it’s just that it probably won’t for a while.
Push-to-Talk Without a doubt, this is the technology that feels the most American on this list. Intended primarily for the workplace, push-to-talk technology has tragically seeped into the mainstream, subjecting millions of innocent mall shoppers to that incessant, inane chirping, and the shouting at the handset that accompanies it. Who hasn’t been inadvertently pulled into the middle of a heated, long-distance argument about novelty Jimmy Dean breakfast sandwiches flavors while waiting in line at Walmart? Well, pretty much anyone who doesn’t live in America—and not just because they don’t have Jimmy Dean, or Walmart.
As it turns out, PTT’s Amerophilia can be explained by little more than poor marketing. According to ABI Research:
In other world regions MNOs have failed to market PTT successfully to business users or have opted to market to consumers, and it just hasn’t taken off.
Nextel, which was inherently crippled by a proprietary network technology that wasn’t built out in any other country but the US, found success with PTT by pitching handsets to businesses as turbocharged Walkie-Talkies, not by marketing them directly to consumers, most of whom would have trouble imagining a more efficient way to make themselves look like brash assholes.
Video On Demand iTunes has gone worldwide and services like BBC’s iPlayer have brought the Hulu model overseas, but America still has the best VOD situation in the world, bar none. The problem is simple: Even countries with a healthy entertainment industry import a tremendous amount of American TV, often well after it was originally broadcast. This regional disparity seems kinda stupid in the age of the internet and VOD, but it’s just as severe as it ever was.
European or Asian viewers have to wait for painful weeks or months for a domestic channel to license, schedule and dub international American hits like Lost or Mad Men, and hope, assuming their stations have a VOD service, that the show eventually finds its way online. As an ad-supported service and a product owned by the networks who profit from the above arrangement, Hulu’s reluctance to stream content to countries is understandable, but the despair is deeper than that: You can’t even pay for TV if you want to. People without American billing addresses are barred from VOD services like Amazon’s Unbox, and will find their iTunes video selections sorely lacking.
Satellite Radio Since is smells distinctly like a waning technology, satellite radio might not do much to stir your techno-patriotism, but goddernit, it’s ours. The US has far more satellite radio subscribers than the rest of the world combined, all through the remains of Sirius and XM, now merged under the lazy moniker of “Sirius XM”. Why? We have lots (and lots) of cars.
Satellite radio actually has roots as a proudly international service—after all, it is broadcast from frickin’ space—having been developed in part by a humanitarian-initiative company called 1Worldspace, which was established to broadcast news and safety information to parts of the globe without reliable terrestrial radio infrastructure. They still exist today, but they broadcast to fewer than 200,000 subscribers, mostly in India and parts of Africa. Satrad’s American success can be solely credited to our auto manufacturers, who eagerly installed satellite units in new cars for years, healthily boosting subscription numbers (but not necessarily car sales). With no comparably pervasive car culture to take advantage of anywhere else in the world, satellite radio is a tough sell.
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People are always eager to 
TiVo
The Kindle
Push-to-Talk
