Canon unveils EOS 6D DSLR: full frame sensor and WiFi for $2,099 in December

Canon unveils EOS 6D DSLR full frame sensor and WiFi for $2,099 in December

Used to be, to get a full-frame sensor in a Canon camera, you had to shell out big bucks for a pro rig like the 5D Mark III or 1D X. No longer. Canon’s just unveiled its EOS 6D, the smallest, lightest and cheapest full-frame DSLR it’s ever made. Weighing 690g, the 6D is 20 percent lighter than the 5D Mark III, and at $2,099, it’s a full $1,400 less than its heftier stablemate — which also puts it directly in line with Nikon’s recently released full-frame shooter, the D600. In addition to that mammoth sensor, the 6D’s the first EOS camera to have built-in WiFi. When paired with the company’s free iOS and Android apps, you can use your phone to change the 6D’s settings, take and geotag photos using the live remote function, and even transfer those shots to your handset wirelessly.

The 6D packs a 20.2-megapixel CMOS sensor and DIGIC 5+ image processor that shoots stills at 4.5fps, does HDR (though it only saves the composite image, not the individual shots), and 1080p 30fps video in 29 minute 59 second clips. Its sensitivity runs from ISO 100 up to 102,400 (extended) and has an 11-point autofocus system with an EV -3 sensitivity rating for better low light performance. There’s a 3-inch, 1.04 million dot ClearView LCD on the back to supplement the optical viewfinder, plus it’s got a stereo mic jack to ensure the audio matches the quality of your HD videos. To store your imaging masterpieces, the 6D has a single SD card slot that’s SDHC and SDXC compatible. When it goes on sale this December, the 6D will be sold in two configurations: $2,099 for the body only, and a kit that throws in a 24-105mm f/4L USM zoom lens for $2,899.

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Canon unveils EOS 6D DSLR: full frame sensor and WiFi for $2,099 in December originally appeared on Engadget on Mon, 17 Sep 2012 04:00:00 EDT. Please see our terms for use of feeds.

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Canon Adds Two New Cameras To The Cinema EOS System with the The EOS C500 4K And The EOS C100

Canon introduced today in the USA the EOS C500 4K Digital Cinema Camera and the EOS C100 Digital Video Camera. The C500 will take its place as the flagship camera model in Canon’s Cinema EOS System while the C100 provides another option for beginning filmmakers working on a budget. The C500 is Canon’s high-end professional 4K (4096 x 2160-pixel) cinema camera capable of originating uncompressed RAW output for external recording to meet the demands of premium cinematic productions …

Canon announces EOS C100 cinema camera, confirms October shipping for the C500

Canon announces EOS C100 cinema camera, confirms shipping for the C500

Canon already gave those looking for a full-frame DSLR plenty to think about recently, and now it’s stirring up the movie-maker’s pot. It’s just announced a new member to its EOS digital cinema collection — the EOS C100 — and given us a better idea of when we can expect that C500 to land. The C100 essentially offers a new prospect for those with pockets not quite so deep. Unlike its 4K sibling, the C100 offers 1,920 x 1,080 AVCHD via its Super 35mm 16:9 CMOS sensor, has an ISO range of 320 to 20,000 and sports the EF mount system. Other features of interest include a push auto iris function, one-shot auto focus, a multi-angle 3.5-inch LCD and a locking HDMI output. The C500, meanwhile, has now been tipped for an October debut with that princely $30,000 price-tag. But, if the C100 sounds more your jive, then you can scoop one up in November for a slightly less tax-deductible $7,999. Canon also took the opportunity to offer up two new cinema lenses: the CN-E15.5-47mm T2.8 L S/SP wide-angle and the CN-E30-105mm T2.8 L S/SP telephoto. Care to know more? Focus on the PR after the break.

Continue reading Canon announces EOS C100 cinema camera, confirms October shipping for the C500

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Canon announces EOS C100 cinema camera, confirms October shipping for the C500 originally appeared on Engadget on Wed, 29 Aug 2012 04:55:00 EDT. Please see our terms for use of feeds.

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Canon EOS-1D X field review

DNP Canon EOS1D X field review

Just before Halloween in 2009, Canon announced its most powerful DSLR to date. The $5,000 full-frame EOS-1D Mark IV was the company’s answer to Nikon’s market-leading D3S, which rang in just shy of $5,200. On the basis of price alone, Canon won that round. Then, after two years of silence, the company launched its new flagship, the 1D X. The date was October 18th, 2011 — roughly 10 (or “X”) years after the very first model in the series was announced, way back in 2001. A decade ago, Canon priced that introductory 1D at $5,500 — a princely sum considering the 4.15-megapixel CCD on board. Now, the 1D X, which is arguably the most powerful sub-five-figure camera available, commands 6,799 of your hard-earned dollars, or $800 more than the D4, Nikon’s $6,000 equivalent. All this talk of price may seem to skirt the camera’s long list of lust-worthy features, but when the cost of any piece of hardware approaches a year’s tuition at a public university, a purchase decision deserves thorough consideration.

A camera in this league is absolutely to be used as a professional tool. And while deep-pocketed amateurs may pick one up — in the way folks with cash to burn may build a collection of overpowered two-seaters — the vast majority will live in $30,000-plus kits, where they’ll reach six-figure shutter counts, and will likely change hands several times before their eventual retirement. Right now, you’re probably researching the 1D X as exhaustively as you would a new car — in fact, you may have even lined up a test drive, through the company’s Canon Professional Services group. Many months after it was first announced, we’ve had an opportunity to take the new eXtreme model for a spin ourselves, and it’s every bit as impressive as its price tag suggests. Canon’s top model isn’t any smaller or lighter than its predecessors, the 1D Mark IV or 1Ds Mark III — but is all that bulk justified, despite strong contenders like the workhorse 5D? Buckle up and join us in the field (ahem, after the break) to find out.

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Canon EOS-1D X field review originally appeared on Engadget on Fri, 24 Aug 2012 11:00:00 EDT. Please see our terms for use of feeds.

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Canon recalls 68,200 EOS Rebel T4i DSLRs, says rubber grips can lead to skin rash

Canon recalls 68,200 EOS Rebel T4i DSLRs, says rubber grips can lead to skin rash

We’ve covered our fair share of product recalls over the years, but this one almost certainly takes the cake when looking at pure zaniness. Canon has recalled its EOS Rebel T4i — some 68,200 units — “due to a risk of allergic reaction.” You read that right. As the story goes, a chemical used in the camera’s rubber grips “can result in a reaction that changes the grips from black to white and poses a risk of skin irritation to the consumer,” and while the company has only received a single report of a consumer developing a “minor rash” after contact, that’s obviously enough to issue to recall. It involves T4i units with a 12-digit serial number that contain a second digit that is a “3” or “4” and a sixth digit that is a “1.” If that’s you, you’re advised to stop using the camera and ping Canon USA to have replacement rubber grips installed free of charge. Specifically, you can ring 855-902-3277 and be prepared to be placed on hold for the better part of your adult life.

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Canon recalls 68,200 EOS Rebel T4i DSLRs, says rubber grips can lead to skin rash originally appeared on Engadget on Tue, 14 Aug 2012 13:52:00 EDT. Please see our terms for use of feeds.

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Canon EOS 7D v2 firmware tested: increases burst capacity, gives manual audio control

Canon EOS 7D v2 firmware tested increases burst capacity, gives manual audio control

You don’t get to unbox anything or have that new-camera smell, so how much does the Canon 7D v2 firmware really transform the now three year-old model? The answer depends a bit on what you do with it, but for most users the Japanese maker deserves kudos from bringing new functionality to the model. Two changes stand out in particular, the first being a bump in the number of burst RAW images from 15 to 25, a boon for action shooters. The other biggie is manual audio level adjustment, saving videographers from the whims of automatic audio levels. Other tweaks include in-camera rating, resizing and editing of images; a max auto ISO setting; GPS compatibility; file name customization; time zone settings; and faster magnification scrolling and control screen adjustment during playback.

To test the burst and audio functions, we got our own mitts on the firmware. Prior to updating, we put the rapid-fire 8 fps camera it through the wringer and grabbed about 16-18 RAW frames in a burst. With the v2 firmware we caught exactly 25 frames before it halted, and did it again numerous times with only an occasional stutter. As for audio, the new manual setting is still a far cry from dedicated sound level dials — on the 7D you’ll need to preset the audio before filming, and are stuck with that level until you hit ‘stop’ again. Still, it beats the previous automatic way, which was so unusable that it forced many pros into buying external audio recorders to get anything decent. A quick test confirmed the new adjustment worked well, giving usable audio in most conditions with both internal and external mics while requiring just a little fiddling beforehand to set levels.

While hardly turning your 2009-era beast into an all-new DSLR, the new functionality brings the software in line with newer models, and still keeps the 7D near the top of the APS-C heap in many categories. Swapping out the sensor would be the only way to bump the one area where it now lags, low-light performance — but you can’t expect everything from a $1,500 shooter.

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Canon EOS 7D v2 firmware tested: increases burst capacity, gives manual audio control originally appeared on Engadget on Tue, 07 Aug 2012 15:31:00 EDT. Please see our terms for use of feeds.

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Kipon preps Canon EF lens adapters for Micro Four Thirds, NEX cameras with electronic control

Kipon preps Canon EF lens adapters for Micro Four Thirds, NEX with electronic control, preserves your glass collection

Adapters to fit Canon’s EF lenses on Micro Four Thirds and NEX camera bodies most definitely aren’t new. Without any electronic link, though, that Lumix GX1 or NEX-F3 owner has had to focus by hand, sometimes without any aperture control — what year is it, 1930? Kipon wants to make sure you’ll never have to stoop to that level again through a pair of new adapters that keep the electronic controls working. As always with these parts, there’s likely to be catches: we don’t know the prices and ship dates, for one, and lens conversion can still hurt the autofocus speed. Even so, anyone who’s been hoarding (or simply envious of) Canon glass now doesn’t have to eye an EOS-M just to get a mirrorless camera with the lens adapter they crave.

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Kipon preps Canon EF lens adapters for Micro Four Thirds, NEX cameras with electronic control originally appeared on Engadget on Wed, 25 Jul 2012 01:45:00 EDT. Please see our terms for use of feeds.

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