Bigger is definitely better: shooting with Sony’s Alpha 7 and 7R full-frame mirrorless cameras

Sony's Alpha 7 and Alpha 7R showing off their full-frame sensors

See those gorgeous twins up there? The ones with retro-styled magnesium bodies and massively megapixeled sensors? Known as the Alpha 7 and Alpha 7R, they’re the latest objects of desire from Sony’s imaging wizards, and I got to spend a few days shooting with both of them.

Sony’s betting big on its mirrorless camera business. The company helped to grow the market for these compact Interchangeable Lens Cameras (ILCs), releasing regular (and significant) NEX updates since their introduction a few years back. To date, those compact models have been limited to APS-C sensors — image quality was quite good, but the camera maker recently began pushing the limits, sprinkling much bigger, full-frame sensors elsewhere into its lineup. Now, it’s finally time to meet Sony’s new full-frame ILCs. But are they worthy of our affection, particularly when you consider that the 24.3-megapixel A7 will cost $1,700 and the 36.4-megapixel 7R will go for $2,300 (both prices for the bodies only) when they hit stores next month? Read on to find out.

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Nikon Df Is The Latest In That Last Refuge Of The Standalone Camera – Retro Chic

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Nikon has introduced a new full-frame camera, and it’s no slouch on paper; with a 39-point AF system, with nine cross-type sensors, burst mode of 5.5 frames per second, a 16.2 megapixel FX0format CMOS sensor and EXPEED 3 image processing, the Nikon Df will keep up with the big boys in terms of image quality. But its most noteworthy feature, and the one Nikon is playing up, is its retro good looks that call to mind Nikon’s classic “F” series 35mm film cameras.

Nikon’s new DSLR is its smallest and lightest with a full-frame sensor, which is a similar refrain to what we’ve been hearing from camera makers lately. Sony only just recently introduced its own full-frame smallish cameras, the A7 and A7R. Where those were mirrorless cameras, this is a true DSLR, however, which explains why it’s a slightly bigger and bulkier affair.

The body-only version of the Df comes in at just shy of $2,800, which is a pretty penny to spend on a camera, but it’s also quite close to the sticker price of the higher-end Sony A7R. Retro cameras in general seem to be commanding a premium, with Fujifilm seeking $1,300 for its fixed-lens X100s, for instance. All of these share a similar rangefinder-style design with ample manual controls on the face.

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Nikon’s camera seems to aim for high-end pros more than the others, calling out to old-school photogs with its pyramid viewfinder hump and dedicated dials for just about everything, including ISO, exposure compensation, shutter speed, release mode and exposure mode. It has a threaded shutter release button for use with soft shutter releases and shutter release cables, too, and it works with Nikon’s existing speedlights, FX and DX lenses. It’s shipping with a new AF-S Nikkor 50 mm f/1.8G lens, which should appeal to photographers looking for a classic rangefinder experience in both body and optics.

Camera makers know that the smartphone is eating away at their market share in the general consumer category – the heyday of the pocket camera is gone. The Nikon Df is a prime example of what happens when dedicated camera manufacturers look to their past to find out what they might be able to offer camera buyers that is both special and unique. That also happens to be something they appear willing to pay a premium for.

Standalone cameras won’t die, but they’ll become the province of hobbyists, enthusiasts and specialists, and it’s actually very impressive to see manufacturers like Nikon dip back into their roots to capitalize on that trend, rather than simply ridding the consumer market to extinction.

Is Nikon About to Release a New Small Full-Frame Camera to Rival Sony?

Nikon has been teasing the photography world lately with a series of seductive videos that hint at some amazing cool camera on the horizon. Will this thing actually be what people expect, and can it rival the recent Sony powerhouses?

Read more…


    



Sony Unveils Beastly And Beautiful A7 And A7R Full-Frame Mirrorless Cameras

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Sony has announced a couple of new cameras early this morning, including the A7 and A7R, both mirrorless interchangeable lens cameras with a twist that’s unprecedented for that type of device – a full-frame sensor is housed within each. That makes these the smallest, lightest full-frame cameras with swappable lenses to boast full-frame power, and with a 36.4 megapixel sensor on the A7R, and a 24.3 megapixel one in the A7. Of course, it’s the sheer size of those sensors that makes all the difference here.

Full-frame blows away the APS-C and micro four thirds sensors found in most MILC systems, like Sony’s existing NEX line or the Olympus OM-D models, in terms of their ability to capture light and deliver better over all image quality through accurate and rich color and contrast capture. The new Sony A7R also omit an optical low pass filter, which results in better resolution and detail rendering. Both of these new cameras have a new BIONZ X processor, a hybrid AF system that uses both phase and contrast detection for quicker focus, an OLED Tru-Finder hybrid optical viewfinder and a 3-inch rear screen that can be tilted, another first for a full-frame.

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Both camera models also boast both NFC and Wi-Fi for easy pairing and direct transfer of photos to devices, and they’re built for pros, with dust- and moisture-resistant magnesium alloy cases. They take a new full-frame E-mount lens, of which Sony is release five in time for launch, and they also work backwards with standard E-mount lenses designed for the NEX series, albeit with some cropping. There will also be an adapter for Sony’s A-mount lenses, which work with their non-mirrorless DSLR range.

The A7R and A7 will both go on sale in December, for $2,300 and $1,700 for body-only, respectively. There will also be kits available with some of the new lenses. Sony’s new full-frame interchangeable powerhouses aren’t cheap, but they aren’t crazily expensive, either – on par with the new lower cost line of full-frame DSLRs, in fact. Sony has been absolutely blazing a trail through the digital photography world these past few years, with its RX- line of powerful pocket cameras, and even the innovative (if odd) Q- series cameraphone lens attachments. The A7R and A7 look to be a continuation of that trend, but we’ll reserve final judgement until we get some hands on time with these new photographic monsters.

Sony A7 and A7r: Mirrorless Cameras Have (Finally!) Gone Full-Frame

Sony A7 and A7r: Mirrorless Cameras Have (Finally!) Gone Full-Frame

Mirrorless interchangeable-lens cameras have come a long way in only a few years. And after gradually layering on new features and capability, they’ve finally reached an apex in Sony’s new A7 and A7r models, both of which sport that big and beautiful bastion of image quality—the full-frame sensor.

Read more…


    



Sony DSC-RX1R: Camera Tuned For Maximum Resolution

Sony has officially announced the Sony DSC-RX1R, a special version of the high-end “full-frame” DSC-RX1 with the low-pass filter (anti-aliasing, or AA) physically removed from the camera. The RX1 has won awards for its size/performance ratio, so why remove the […]

Like It , +1 , Tweet It , Pin It Original content from Ubergizmo.

    

Canon EOS 6D Hands-On Review

Canon EOS 6D Hands On ReviewSince I’m at Imaging Week in Seoul/Korea this week, I thought that I would spend some hands-on time with the Canon EOS 6D that was announced recently. I use a Canon 50D on a daily basis, so it’s nice to see how far Canon has gone since I bought the 50D back in the days. The Canon EOS 6D is quite different: it’s a full-frame DSLR, which makes it a much more affordable full-frame option when compared to its EOS 5D Mark III cousin. At the same time, it integrates elements from the Canon EOS 60D when it comes to the controls and overall layout, so this makes it a DSLR worthy of attention. (more…)

By Ubergizmo. Related articles: Canon EOS Rebel SL1 Hands-On Review (EOS 100D), Canon EOS Rebel T5i Hands-On Review (EOS 700D),

Canon’s New Full-Frame Video Sensor Can Shoot Clear HD Footage In Exceptionally Low Light

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Canon today announced the successful creation of a new full-frame CMOS sensor, designed exclusively for shooting video. The new sensor can capture full-HD video with extremely low noise in settings where it has been hard for traditional cameras to even operate at all in the past. The sensor will have immediate benefits for astrophotography and for use in security systems, but the developments here could eventually help improve the quality of professional and consumer cameras, too.

The new sensor from Canon features large pixels, each of which measure around 7.5x those found on the sensor Canon uses in its EOS-1DX DSLR. The larger pixels are paired with new noise reduction technologies that counteract the added noise effect of using larger pixels, which allows for full HD video shooting in environments as dark as an outdoor setting with just a crescent moon providing illumination. That means it can capture video with fully visible objects even in situations where the human eye would be hard-pressed to make out any definite shapes.

Canon has already built a prototype device to test out the new sensor, and captured things like footage from a room where only lit incense sticks provided any light, the Geminid meteor shower and other night sky scenes. The prototype would be most useful in the immediate future for astronomical and nature photography, medial research and security implementations, but through “further development,” Canon imagines similar CMOS sensor tech will also be able to greatly improve other more creative pursuits.

Low light video is already an impressive feature of full-frame DSLR cameras, but a sensor like this that takes things to the extreme could take nighttime video capture to a whole new level. Imagine greatly reducing the cost of filming at night, for instance, or, depending on how things progress, bringing similar improvements to mobile and smartphone shooters. We’re still a long way off from that, but this is a very impressive first step, as you can see from the sample video available on Canon’s own site.

Hands On With The Canon 6D, An Affordable Full-Frame With Wi-Fi On Board

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Besides spending some time with the Canon EOS M, I also got to test out the Canon 6D, a new full-frame offering from the camera-maker that’s set to arrive later this year. The $2,099 DSLR lowers the barrier to Canon full-frame ownership, and actually has a few tricks up its sleeve that the more expensive and extremely capable 5D Mk III doesn’t even offer.

The big one is Wi-Fi built-in, which is only possible with the 5D3 via an add-0n transmitter that costs nearly $800. Using the 6D’s Wi-Fi, you can transmit images to an Android app, which Canon’s Chuck Westfall demoed at the event, in order to browse through your pictures, transfer photos to your device and even change camera settings. An iOS app is coming soon, which, like the Android app, will be a free download. Eventually, the plan is also to make it so that the 6D can communicate directly with Canon’s Wi-Fi-enabled printers, too, meaning you’ll be able to print from camera without using any intermediary.

While Wi-Fi makes post processing a much easier task, the 6D really shines when you’re shooting, too. The silent shutter mode is absolutely whisper quiet, and while still audible in a silent room, nature and street photographers, and those hoping to be less auspicious in a crowd will definitely appreciate the significant difference between it and the standard shutter sound on any DSLR.

The 6D also feels incredibly solid, even though it isn’t quite as rugged and weather-resistant as the 5D3, and with the attached Canon EF 24mm f/1.4L II lens it wasn’t overly heavy, but definitely has a premium, weighty feel compared to the 60D and 7D. The control layout is slightly tweaked from the 5D3, and should make it much easier for those stepping up to a full-frame DSLR from entry-level devices like the Rebel line.

When this camera was initially announced, my only qualms about putting down a pre-order were around the AF system. Now, based on my experience, those qualms are gone. The 6D may only have one center cross-type AF point, compared to the 41 cross-type points on the 5D3′s AF system, but Westfall actually said that AF speed on the 6D could potentially outperform the 5D3 in low-light situations using that single cross-type. With image quality, too, Westfall said that the 6D should be on par with the 5D3 at lower ISOs, but should outperform at higher ISOs, thanks to larger pixels on the full-frame sensor.

I didn’t get much chance to check out the 6D’s video-shooting capabilities, but it seems to perform well enough there, too. I’m a still shooter at heart, however, and the 6D seems to be an amazing camera for photography in every respect, especially for those graduating to full-frame after lots of experience on more affordable APS-C entry-level DSLRs.

The Canon 6D is scheduled to hit retail shelves by December, though I’m told Canon is pushing to maybe bring it out even earlier. This would definitely make a great stocking stuffer for the prosumer crowd, so hopefully we’ll see it sooner rather than later.










Sony Alpha A99 DSLR sample shots and video, plus comparison with the RX1 full-frame compact

Sony Alpha A99 fullframe DSLR sample shots and video

Sony’s A99 marks the first time in years that the company has built a full-frame pro rig to compete with the big boys from Canon and Nikon. The hardware impressed when we got our hands on one a month ago, but the proof, as they say, is in the pudding — or in the photos in this case. So, we jumped at the chance to spend some time shooting with an A99 equipped with a 24 -70mm f/2.8 Carl Zeiss Vario Sonnar T Zoom Lens. Want to know how Sony’s latest and greatest performed? Head on past the break to find out.

Continue reading Sony Alpha A99 DSLR sample shots and video, plus comparison with the RX1 full-frame compact

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Sony Alpha A99 DSLR sample shots and video, plus comparison with the RX1 full-frame compact originally appeared on Engadget on Thu, 11 Oct 2012 14:38:00 EDT. Please see our terms for use of feeds.

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