Casio joins the self-portrait LCD ranks with the €350 Exilim EX-ZR1000, we go hands-on (video)

Casio joins the selfportrait LCD ranks with the &euro350 Exilim EXZR1000, we go handson video

Watch out, Samsung MV900F, there’s a new self-portrait cam in town. Many camera manufacturers may not consider high-end models from Casio to be a threat to their own market share, but the company’s new Exilim EX-ZR1000 has more that a few tricks up its €350 barrel. First and foremost is the 180-degree swiveling LCD, which, like Samsung’s MultiView flavor, flips all the way forward to simplify composition for self-portraits, but it also offers some nifty gesture controls, letting you wave briefly to trigger a two-second countdown, for example. The camera also includes features that should appease more-advanced users, such as a dedicated mode dial, a versatile lens ring control, a top ISO sensitivity of 25,600 and a 6 frames-per-second burst mode. There’s also a 16.1-megapixel CMOS sensor and Casio’s Exilim Engine HS 3 on board to handle processing.

We caught up with the snappy shooter at Photokina, and were pleasantly surprised with its looks and performance. Its body construction may not make it feel like a premium shooter, despite the decidedly high-end price tag, but performance was speedy and the 3-inch LCD looked quite nice, even when viewed at an angle. As we mentioned, that display flips up and faces forward, but it can also tilt at various other angles, enabling below-the-waist or overhead shooting, too. The mode and lens dials had a reasonable amount of resistance, and the camera focused quickly and accurately. We can’t speak to image quality, unfortunately, but shots we captured appeared to be sharp and properly exposed based on what we were able to gather from the display. Overall, the Exilim EX-ZR1000 seems to be a pretty capable shooter, and we’re eager to see how it performs after it makes a formal debut this November. Catch our hands-on gallery below, followed by a video walkthrough after the break.

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Casio joins the self-portrait LCD ranks with the €350 Exilim EX-ZR1000, we go hands-on (video) originally appeared on Engadget on Wed, 19 Sep 2012 04:52:00 EDT. Please see our terms for use of feeds.

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Sony’s PlayStation Vita gets a blue and red-hued makeover, we take a closer look (eyes-on)

Sony's PlayStation Vita gets a blue and redhued makeover, we take a closer look eyeson

After the new PS3s had their moment in the spotlight at Sony’s pre-TGS press event, the company also announced color variants for the PS Vita. We weren’t able to fondle the pair just yet, the key difference is quite obvious: “cosmic red” and “sapphire blue” exteriors. Both of the new models share the same glossy coating as the original model, so they’re sure to attract your fingerprints. These two round out the paint schemes at four when you include the “crystal white” version that’s already been unveiled. While we snag a spot in line for a hands-on at the Sony booth, take a peek at the gallery that follows for a quick look at the duo.

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Sony’s PlayStation Vita gets a blue and red-hued makeover, we take a closer look (eyes-on) originally appeared on Engadget on Wed, 19 Sep 2012 02:47:00 EDT. Please see our terms for use of feeds.

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Sony PlayStation 3 (2012) up close and personal (eyes-on)

Sony PlayStation 3 2012 up close and personal eyeson

Just after their pre-TGS announcement, we were able to snag a closer look at Sony’s new slimmed-down PlayStation 3 consoles. While we weren’t able to put our grubby mitts on the pair, we did get a peek at some of the exterior differences. Aside from the obvious color variations (at least in the white model that’s definitely headed for Japan), the first change that immediately jumps out is the absence of the visible disc slot on the console’s front. We surmise that discs now load via a sliding tray mechanism of some sort — a feature that we’ll definitely take a closer look at when we grab a full hands-on on the show floor. There’s also a grooved design up top, which makes a departure from the smooth casing from the previous models. From the display we took a gander at, an attachable base is included to secure the unit when used vertically. Want a closer look for yourself? Dive in to the gallery below to do just that.

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Sony PlayStation 3 (2012) up close and personal (eyes-on) originally appeared on Engadget on Wed, 19 Sep 2012 02:09:00 EDT. Please see our terms for use of feeds.

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Polaroid XS7, XS20 and XS100 Sports Cameras run $69 and up, we snap away at Photokina (sample video)

Polaroid may not be the first name that comes to mind when you think of adventure-friendly video cams — Contour and GoPro own that space, with Sony now making a heavy push of its own — but the insta-film maker turned camera manufacturer now has a rugged lineup of its own. First off the assembly line is the XS7, a $69 cam that packs a waterproof housing (rated to 10 meters), 720p video capture and a 2-inch touchscreen. This model is as entry level as they come, and Polaroid reps said to expect to see it in stores like Toys ‘R’ Us. If you’re slightly more serious about image quality, you might opt for the XS20, which packs a “professional” CMOS sensor, 720p shooting, a waterproof housing (20 meters) and a battery that’s rated for up to 3 hours of use. It also includes a fixed lens with a 120-degree viewing angle that’s surrounded by eight LCDs, for shooting in the dark. Finally, The XS100 is what you might consider to be Polaroid’s flagship, with support for 1080p video, an adjustable frame rate, a 170-degree lens, an orientation sensor for auto rotation and a $200 price tag. All three cameras use microSD cards, but the XS100 also includes 32MB of internal storage, letting you store a small collection of 5-megapixel stills.

The sports-shooting trio may not blow you away spec-wise, and we also weren’t floored by the design, but they weren’t created to lead the market from a performance perspective — Polaroid is playing up the cost angle here, and we don’t blame them. Based on our quick test of the XS7, image quality was passable, but you’re not going to want to use it for close-up shots as we did here. Even with the underwater housing removed, frames were either under or overexposed, generally unsharp and audio wasn’t terribly clear. It’s worth noting that we played with a pre-production sample, that’ll run you just shy of $70 when it does hit stores. That said, if quality is key and you don’t mind dropping a few hundred bucks, you’ll probably be happier with a more established model. Because we’re at a photo show and Polaroid was generous enough to let us take the XS7 for a spin, we figured there’s no better way to demonstrate this camera’s capabilities by using it to film our hands-on — you’ll find that video tour just past the break.

Continue reading Polaroid XS7, XS20 and XS100 Sports Cameras run $69 and up, we snap away at Photokina (sample video)

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Polaroid XS7, XS20 and XS100 Sports Cameras run $69 and up, we snap away at Photokina (sample video) originally appeared on Engadget on Tue, 18 Sep 2012 12:46:00 EDT. Please see our terms for use of feeds.

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Impossible Instant Lab iPhone photo booth hands-on (video)

Life’s hard when you’re an analog enthusiast in the early 21st century. Thankfully, however, you’re not alone in this world — there are fellow travelers like the folks behind The Impossible Project, folks who bought a Polaroid factory to continue production on the company’s famed instant film. As we noted roughly a week ago, the company’s also launched a Kickstarter to create an iPhone-friendly gadget to go along with it. It’s since handily met its goal and is still chugging along at around $440,000 (from a proposed $250,000), with a full 19 days to go. The company also made an appearance on the show floor here at Photokina to show off what its been working on.

The Impossible Instant Lab is still in the prototype stages, as with a number of devices we’ve seen here today — though it’s fully operational. We got a demo of the thing from one of the folks at Impossible — just load the film into the rollers on the bottom, extend the old timey accordion top, choose the proper settings in the company’s iPhone app and place it in the holder.

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Impossible Instant Lab iPhone photo booth hands-on (video) originally appeared on Engadget on Tue, 18 Sep 2012 12:29:00 EDT. Please see our terms for use of feeds.

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Vox jams guitar amps into Audio-Technica headphones, dubs them Amphones (ears-on)

VOX jams 'guitar amps' into Audio Technica headphones, dubs them Amphones  keep the shredding to your ears for $100

Guitarists and Bassists have many tools at their disposal for practicing fresh news licks without disturbing others around them. One of our favorites is Vox’s AmPlug — a guitar amp-modeling dongle that plugs into your instrument’s 1/4-inch jack, allowing you to connect headphones and an MP3 player to practice privately. Building on the idea, Vox worked with Audio-Technica to simply embed the AmPlug in a new line of headphones, dubbing them Amphones. The company quietly put the cans up on its site recently, and it’s now officially ready to shout out loud about them.

Guitarists can choose from AC-30 (British crunch), Lead (hi-gain) and Twin (clean) variants, and bassists can snag the Bass version, which is based on Vox’s AC100. Just like the AmPlug, each Amphone features volume dials — sadly, these don’t go to 11 — for setting gain, volume and tone, along with a fourth for a built-in effect (compression for the Bass and reverb with the AC30, for example). A duo of triple AAs power the cans and, as you’d expect, the ‘phones have a 3.5mm jack for hooking in external sources as well as a 1/4 adapter to plug into your axe. These Vox-styled units will be available in the US sometime in October for $100 a pop (double the cost of an AmPlug). Hungering for more already? We were able to give a pre-production version of the AC30 model a brief run, and you’ll find our initial impressions after the break.

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Vox jams guitar amps into Audio-Technica headphones, dubs them Amphones (ears-on) originally appeared on Engadget on Tue, 18 Sep 2012 11:00:00 EDT. Please see our terms for use of feeds.

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Hasselblad H5D brings the megapixels to Photokina, we go hands-on (video)

Oh, and if the Hasselblad Lunar isn’t quite rich enough for your blood, why not take a look at the H5D medium format camera? The device looks a good deal like its predecessor, maintaining a similar video camera-esque form factor, with an optical viewfinder that extends from the front of the body to the back, above a larger, brighter, easier-to-read display. You’ll also find a smaller, monochrome display on the top of the camera to the right of the optical viewfinder. The H5D’s also a bit more ruggedized than its predecessor, with improved waterproofing and larger controls — and it certainly does feel like a big, sturdy camera.

As with the Lunar, the version we played with is still in prototype stage and wasn’t quite functioning perfectly, much to the chagrin of the Hasselblad rep. When the camera hits in December (functioning properly, no doubt), it’s going to start at a (perhaps not surprisingly) pricey €13,000 here in Europe, going all the way up to €30,000, depending on whether you opt for the 40-, 50, or 60-megapixel variety — because hey, what’s another €17,000, right?

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Hasselblad H5D brings the megapixels to Photokina, we go hands-on (video) originally appeared on Engadget on Tue, 18 Sep 2012 10:22:00 EDT. Please see our terms for use of feeds.

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Hasselblad Lunar mirrorless camera hands-on

The Lunar has landed — at Photokina, at least. Hasselblad was showing off a slew of different designs for the forthcoming camera — and while we were told that its still in prototype mode (both from company reps and signage on the device itself), the camera seemed to be in mostly working order. The first thing you’ll notice, once you get past the space-age design, is the fact that the camera really does feel like a rebranded Sony NEX device slipped into a new shell, and as such, it takes those Sony e-mount lenses. And on the back, you’ll find that similar collapsible display.

That said, it really does feel quite nice in the hand — the device we played with had a leathery grip — there are a number of carbon fiber and wood options available, as well. All of this is punctuated by a metal top with large metallic knobs, and inside you’ll find an APS-C 24.3 megapixel sensor. The Lunar will start at €5,000 when it launches in Q1 of next year. And in case that’s not rich enough for your blood, you can tack a “significant” amount onto that by getting the models decked out in pricier materials.

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Hasselblad Lunar mirrorless camera hands-on originally appeared on Engadget on Tue, 18 Sep 2012 10:00:00 EDT. Please see our terms for use of feeds.

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Lensbaby Spark delivers selective focus for 80 bucks, we go hands-on (sample images)

Lensbaby Spark delivers selective focus for 80 bucks, we go handson sample images

What do you see when you look through a Lensbaby? Well, take a gander for yourself — that image just above was shot with the company’s new Spark. The $80 selective-focus optic is available for Canon and Nikon mounts, and brings f/5.6 shooting with a 50mm focal length, and, of course, that trademark Lensbaby bokeh. We caught up with the new lens at Photokina, and unlike many of the cameras we’ve seen so far, we were permitted to shoot some sample images.

Snapping with any Lensbaby takes a fair amount of practice and patience, but the Spark is designed to simplify the process somewhat, with an interior barrel that prevents you from venturing too far past the focal plane, along with a more straightforward design — simply frame your shot, focus and bend the lens towards your subject to blur out any other elements in the scene. Calculating exposure with the Spark can take some work, so we tweaked and cropped our sample images just a bit — besides that, what you see is what you get, so click through our gallery below to see the Spark, shot by another Spark. So meta.

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Lensbaby Spark delivers selective focus for 80 bucks, we go hands-on (sample images) originally appeared on Engadget on Tue, 18 Sep 2012 09:22:00 EDT. Please see our terms for use of feeds.

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Leica V-Lux 4 superzoom hands-on (video)

Image

Yep, one more Leica camera to tell you about from this year’s Photokina show floor. It’s the V-Lux 4 — a big new superzoom addition to the company’s line. Though its got a similar name to the V-Lux 40, the camera’s body is a good deal larger — closer in size and shape to a small DSLR, but still reasonably lightweight. As with the smaller model, the V-Lux 4 features an all black design, with a bright red Leica logo on the front — in this case, just next to the curving textured handle. Also on top is a pop-out flash that you trigger with a devoted button.

The V-Lux 4 is capable of continuous f2.8 zoom, accessible via two buttons — one on top and the other next to the lens. Also on the rear, you get two viewfinders — optical on top and a swiveling electronic three-inch display. The camera is available now in Europe for a pricey €699.

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Leica V-Lux 4 superzoom hands-on (video) originally appeared on Engadget on Tue, 18 Sep 2012 09:08:00 EDT. Please see our terms for use of feeds.

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