[REVIEW] Sharp AQUOS LC-24MX1 – Bluetooth smartphone-compatible LCD “MX Series” TV

[REVIEW] Sharp Aquos LC-24MX1 - Bluetooth smartphone-compatible LCD "MX Series" TV

From Sharp comes the latest from its AQUOS line with an emphasis on compatibility and coordination with smartphones – the MX Series LC-24MX1, due to be released on May 30. It comes in 3 colors: green, orange and silver.

Sharp announced the release yesterday and the LC-24MX1 was reviewed by ASCII.jp which I would like to share with you.

Strictly in terms of viewing specs, there is nothing special here. It’s a relatively small size 23.6 inch with standard 1366×758 dot resolution. There is 1 built-in tuner and is compatible with USB HDD and can record for a long period of time.

The best characteristic of the TV seems to be the built-in 2.1ch speaker. When the TV is in standby mode, they speakers can be accessed through the user’s smartphone and automatically come alive to play music from the smartphone.

The speaker unit is 5W+5W output, with a 10W subwoofer, built by Pioneer. When connected to a smartphone, it turns to “music mode” which will make better high pitch and low pitch sound than regular TV audio play mode, which helps make the TV audio better to listen to.

Also when playing Blu-ray, surround-sound mode can be employed.

So, despite its small size and and basic resolution, the viewing experience is fairly enjoyable.

Through its Miracast functionality, images from your smartphone can be wirelessy broadcast to the TV screen, and it can be used as a custom remote control device.

Another big feature of this TV is introduction of the specialized “AQUOS Connect” application. The TV screen and your smartphone screen can simultaneously show the same content.

It will automatically compensate for the horizontal TV screen interacting with the vertical smartphone screen to properly show content on both. And interaction of sound between TV and smartphone can be adjusted by waving the smartphone.

AQUOS Connect also gives “Keyword Search” functionality. Keywords related to a TV program currently on air are automatically extracted, and you can search further information by selecting a keyword you want to know about.

AQUOS Connect can be used through both wireless Miracast and wired MHL, but when you use wired MHL you need to have a wired internet environment.

AQUOS Connect provides an Android version and iOS version, however iOS devices are not compatible with Miracast or MHL. So in that case, a wired internet connection is needed for Miracast and HDMI output adapter is needed for MHL.

The bottom line assessment by Ascii is that it is useful for (mainly younger) people who are used to accessing and viewing content through their smart device and wanting to use the TV as a larger, viewing aid, with better audio, for their content.

Estimated price: 69,800 yen
Display: 24 inch (1,366 x 768)
Size: 56.5 × 17.5 × 41.8cm
Weight: 7kg
Tuner: Digital terrestrial broadcasting, BS/CS, analog broadcasting
Audio output: Max 20W (5W+5W+10W)

[REVIEW] Synology DiskStation DS713+ with DX513 expansion unit

[REVIEW] Synology DiskStation DS713+ with DX513 expansion unit

 

Introduction

A few weeks ago, Synology contacted us with the question “Have you spotted our latest 2-bay DS713+ and DX513 expansion unit?”. Honestly this model seemed to have slipped to capture our attention because we were thinking “Oh, it just has to be the old DS712+ upgraded with USB 3.0 ports…”.

Synology said no, it is a lot more than just the USB 3.0 ports. So we decided to try it, look at it and test it just like we did last year with the new 5-bay DX513 expansion unit. Didn’t put our hopes up too much, since the DS712+ was already a very decent unit putting down a solid performance ratio.

 

Synology’s DS713+ key features:

  • 202.3 MB/sec Reading, 135.84 MB/sec Writing Speed1
  • Dual Core CPU & Super-Speed USB 3.0 Ports
  • Dual-LAN Failover and Link Aggregation Support
  • Hassle-free Scalability Up to 7 Drives With Synology DX513
  • Extensive Surveillance With 20 HD IP Camera Capacity
  • VMware® with VAAI support, Citrix®, Microsoft® Hyper-V® compliant
  • Easy-to-Use Synology DiskStation Manager (DSM)

Synology is aiming for the budget minded SMB users who put cost-efficiency and high performance on their requirements list. That said, on paper it cranks up both read & write speeds, comes in the faster USB flavor, and doesn’t back down on expandability. With up to 20 surveillance cameras connectable, 5 extra disks (via DX513 unit) and all the high-end business compliancy you either love or hate (Citrix, VAAI, Hyper-V…) it looks a cracking device. Very promising!

 

System specs

  • CPU Frequency : Dual Core 2.13 GHz (Floating Point)
  • Memory : DDR3 1 GB
  • Internal HDD/SSD : 3.5″ or 2.5″ SATA(II) X 2
  • Max Internal Capacity : 8TB (2X 4TB  Hot Swappable HDD)
  • External: USB 3.0 Port X 2, USB 2.0 Port X 1, eSATA Port X 1
  • Size (HxWxD) : 157 x 103.5 x 232 mm
  • Weight : 1.69 kg
  • LAN : 2 ports Gigabit with support for Link Aggregation
  • Wake on LAN/WAN
  • System Fan : 92 x 92 mm x1
  • Wireless Support (dongle)
  • Noise Level : 19.2 dB(A)
  • Power Recovery
  • AC Input Power Voltage : 100V to 240V AC
  • Power Frequency : 50/60 Hz, Single Phase
  • Power Consumption : 30.72 W (Access); 17.88W (HDD Hibernation);
  • Operating Temperature : 5°C to 35°C (40°F to 95°F)
  • Storage Temperature : -10°C to 70°C (15°F to 155°F)
  • Relative Humidity : 5% to 95% RH
  • Maximum Operating Altitude : 6,500 feet
  • Certification : FCC Class B, CE Class B, BSMI Class B
  • Warranty : 3 Years

On the software side the most notable features are:

  • Max File System Size : 108TB
  • Max iSCSI Target # : 32
  • Max iSCSI LUN # : 256
  • iSCSI LUN Clone/Snapshot
  • Supported RAID Types : Synology Hybrid RAID (SHR), Basic, JBOD, RAID 0, RAID 1
  • RAID Migration : Basic to RAID 1
  • Volume Expansion with Larger HDDs : Synology Hybrid RAID, RAID 1
  • Synology Expansion Unit Support : DX513/DX213 (supports RAID-5, 6 and 10 with hot spares)
  • Max User Accounts : 2048
  • Max Groups : 256
  • Max Shared Folder : 256
  • Max Shared Folder Sync Tasks : 8
  • Max Concurrent CIFS/AFP/FTP Connections : 512
  • Windows Access Control List (ACL) Integration
  • VMware vSphere 4 and 5 with VAAI
  • Windows Server 2008 and 2012
  • Citrix Ready

The full specifications sheet is available here.

 

Design

The DS713+ has a lot in familiar with its predecessor. Actually, if it wasn’t for the removal of the Synology brand name in white, the differences are very hard to spot since the old and new model look visual twins.

The all-matte black-colored outer shell still consists of thin rolled steel; the front and back are made of PVC. Everything looks well built and lives up to the business appeal. The 2 drive bays are the exact same push-tray system used for most devices from the SMB series, all very durable and of “no-nonsense” approach. A nice feature is the twist-locking mechanism, avoiding the trays to snap out in case somebody would push them.

On the back of the unit the blue color on the USB ports reveal the upgrade to USB 3.0 ports. The fan still remains the 92mm model from the predecessor, equally kept intact is the ESATA connector for the expansion unit.

The power brick that comes with the DS713+ appears to be the same one as the old DS712+, however due to some eco-efficiency modifications to the new model this one should draw a few less watts through the wall plug.

The DX513 expansion unit’s design is a bit different than the old one. Glossy front, solid rolled steel in matte black give it a slightly more expensive look. Drive trays have been upgraded, last year’s model had snap-locks (a switch system, where you pushed in the disk, and pushed a little switch down to lock the whole disk tray), this year’s model uses the exact same twist lock as the DS713+. On the back of the new expansion unit you can probably spot the most visually differentiating item compared to the old one: removable fan-mounted brackets.

 

Acoustics

In the acoustics department the DS713+ does a pretty steady job. It doesn’t annoy you in standby/sleep mode, the 92mm fan on low-power or silent mode has thought itself how it can keep the user pleased by NOT trying to mimic an industrial grade server rack the size of a cookie box.

However it has to be said, there is a “thingy” with the fitting of the disk brackets in the DS713+, it might be only our test-dummy, but once the disk was mounted and plugged in the unit started making slight vibrations who became audible during long time operation.

So we fixed that… with an EPDM strip (yes, that’s what normal people call “a piece of pond liner”). We’ve seen this rattle issue before with a Shuttle OmniNAS, so this time we knew how to arm us against rattle. Fairly simply put: you apply a very tiny strip of EPDM rubber on the slider of both drive rails, causing a lot more friction between the tray and the drive cage = noise gone.

It has to be mentioned that the DX513 expansion unit used the exact same rail type, and is more silent than the DS713+. The new expansion unit comes with 2 user removable 80mm fans. Although when I first saw Synology’s choice/opt for 2x 80mm fans I was very skeptical. Why? When they could have easily went for a 2x 92mm or 1x 120mm more silent solution… Well It’s impressive, but the 2x 80mm are incredibly silent, the built quality of the expansion unit is very sturdy and well balanced (pretty heavy too, which is good for the purpose).

A separate note on the removable fans on the DX513 expansion unit: this is a GOOD improvement! I really liked to see how they allowed the fans to be replaced/removed/cleaned without having to power off the NAS and first remove all the drives, crack open the whole casing before you had access to the rear cooling fans. This time you can take out both fans by removing the bolts that hold them into place at the back of the unit.

Don’t forget to turn off the beep warning before you remove them from the power socket for cleaning, cause the NAS will turn on the alarm if it detects a fan being deactivated/failing.

 

A word on power efficiency

It has to be said that the upgraded DS713+ adds a lot more spice to the Synology recipe compared to the old model. Usually these units tend to consume less power with every generation, yet this time (for the DS713+) this is not the case. The power draw increased by 3w during operation, whilst the sleep mode power draw has remained intact. It is relatively fair to say that the increased capability of the USB 3.0 (being able to sport much more hungry devices) and the Intel Atom boost from 1.8Ghz to 2.16Ghz also elevated the power consumption. Though 3w is still considered fairly moderate for this type of highly capable networking device.

  • The new DS713+: 31w during operation, 18w in sleep mode
  • The old DS712+: 28w during operation, 18w in sleep mode

When looking at the DX513 expansion unit, it’s a totally different story. On the outside it might not have had an epic design makeover, but on the inside (logic board) the improvements are vast.

The DX513 gets away with 45w where the old DX510 required 30% more “juice” to get the same errands done. Another (and more impressive) fact is the support for deep sleep, which reduces the “sleep” power draw by a whopping 900%.

  • The new DX513: 45w during operation, 2w in deep sleep mode
  • The old DX510:  59w during operation, 18w in sleep mode

 

Surveillance, download, and various apps

Synology has always been down with the pack when it comes to apps and availability. Actually there are already so many apps out there for your devices that its becoming increasingly hard to feature something new in every review made. We know for example that they have introduced streaming video features, however this SMB unit doesn’t have a dedicated HMDI out for that, so we’ll focus on that part for a future device.

What we can highlight for the SMB user is that the business features have been tuned up, please give this link a read.

Particularly handy are the data backup & replication settings and integration with their native cloud services. Making it easier than ever to share your document in the cloud with yourself, your clients, or the people you value obtaining them in real-time.

Another great feature for Synology is the improved DSM. Installation right “out of the box” has never been this easy. With previous versions one had to download the latest DSM from their website, or use a potentially older version that came in the box (cd). Now the new system auto-detects a first-run and asks you if you’d like to install your own DSM, or use a version present by default on the NAS’s internal memory.

That’s a first for Synology. And its real easy, you just tell it to use the DSM present. After the installer has run you through the easy step-by-step configurator it will auto update to the latest DSM for you. Pretty convenient way to set everything up without losing too much time using the cd or manual DSM download.

 

Speed & performance

We are providing you with a simple table of file read/write actions we performed and which represents a more real world model of what users actually do with their NAS devices. These test are averages from Windows (SMB) and Apple (AFP) systems.

Description:

  1. A set of 100 HQ JPEG photos in folder
  2. A bulk of 1000 itunes audio files
  3. A 4GB folder containing mixed small files and folders
  4. A 8GB single file archive
  5. A 35GB folder with 10*3.5GB files inside
  6. An 800MB single file archive
  7. A 350MB episode

Table 1: Native 2 disk mirrored RAID. (RAID-1 without Expansion unit)

Synology DS713+Copy from NAS in MB/sec AVG – PEAKWrite to NAS in MB/Sec  AVG – PEAK
1 (100 JPEG)97 – 11148 – 71
2 (1000 MP3)51 – 7147 – 86
3 (4GB Folder)66 – 8875 – 117
4 (8GB Archive)81 – 98105 – 117
5 (35GB Folder)66 – 9792 – 116
6 (800MB File)72 – 118106 – 117
7 (350MB File)77 – 11799 – 115
ATTO record R5118/119 write @256Kb, 118 read @ 512Kb

Now compare these numbers with the results we got from last year’s DS712+ (the predecessor of the new DS713+, see table below). You can clearly notice up to 30% speed gain in Raid-1. It’s nearing the speed limit of the gigabit network adapter, which is a very solid improvement over the old model.

Previous model: DS712+Copy from NAS in MB/secWrite to NAS in MB/Sec
A set of 100 photos in folder95-10845-56
A bulk of 1000 itunes audio files55-7645-66
A 4GB folder containing mixed small files and folders60-7650-69
A 8GB single file archive80-9775-83
A 30GB folder with 20*1.5GB files inside75-10560-83
An 800MB single file archive80-8171-77
A 350MB episode90-11580-83

Particularly noteworthy to mention are the ATTO results on windows. This is one of the very few “moderately priced” NAS units we’ve tested that pushes forward a maximum speed of 118Mb/Sec in both read and write.

Table 2: RAID5 ( 3 disk mode, 2 native in DS713+, 1 disk in DX513)

Synology 713+ with DX513Copy from NAS in MB/sec AVG – PEAKWrite to NAS in MB/Sec  AVG – PEAK
1 (100 JPEG)67 – 7073 – 80
2 (1000 MP3)55 – 7762 – 92
3 (4GB Folder)66 – 11855 – 115
4 (8GB Archive)115 – 118111 – 117
5 (35GB Folder)110 – 118108 – 116
6 (800MB File)115 – 118106 – 115
7 (350MB File)113 – 115104 – 110
ATTO record R5118/119 write @512Kb, 118/119 read @ 512Kb

Comparing these results with last year’s model (see table below), we can again see a very solid speed boost in the write speed to the Synology DS713+. It has to be said that this 2-bay units really shows its performance potential when hooked up with the expansion unit.

Previous model: DS712+ with DX510Copy from NAS in MB/secWrite to NAS in MB/Sec
A set of 100 photos in folder60-6550-56
A bulk of 1000 itunes audio files110-11635-57
A 4GB folder containing mixed small files and folders74-9350-74
A 8GB single file archive117-11875-82
A 30GB folder with 20*1.5GB files inside110-11879-85
An 800MB single file archive116-11871-78
A 350MB episode100-11773-79

 

Upgrading hardware

The DS713+ isn’t the easiest unit to upgrade if you’re not a DIY nut but it’s not mission impossible either. Upgrading the RAM memory requires the removal of the rear PVC backplate and rolled steel cage, after that you have access to remove the logic board to replace the SODIMM module (default 1Gb, but can be replaced by a 2Gb or higher if required).

Personally we’ve seen over the years that Synology isn’t a big fan of users replacing or modifying their units. Just like this DS713+ they’re made to be purchased, plugged into the power socket, and “simply do their job”. People who own the latest 4 bay models will probably agree that the new approach towards click-together plastic outer shells clearly don’t want to be opened by non-authorized Synology technicians. So unless you read “Warranty void if opened” as “surprise inside”, best to let Synology handle your repairs or upgrades :-)

 

Final verdict

Last year’s version was already a solid device being well capable to deliver quality performance for most small business users out there. This year’s DS713+ spiced up the writing speeds by 30-40% depending on RAID configuration. Adding high speed USB3.0 to the plate, and an improved installation guide with DSM “built-in” makes the DS713+ again a killer bee.

Very possibly the only negative bit we can come up with were the internal acoustics when the hard drives were actively spinning, though this could be solved with some DIY tweaks. Power draw seems to be few watts higher, again not a point we can mock on as the DS713+’s specifications come up much more muscular compared to last year’s DS712+.

Although we’re supposed to be enlightened by the “main unit” (the Synology DS713+), we’d lie if the DX513 expansion unit left us cold. To contradict, I’d rather state the new expansion unit made quite a show for itself. How can’t it be? Dramatically improved energy efficiency, user-replaceable cooling fans on brackets and a more silent unit are all it needs to make the DX510 better and transform the old pumpkin into the new DX513!

The expansion unit doesn’t only bring speed gain to the already nice DS713+, it goes way beyond “just expansion”. A few examples why you too could benefit from getting an expansion unit:

–        Use the DS713+ as a mirror-RAID solution for work related, use the DX513 to create another RAID for all your home-related sharing/streaming/backups.

–        Use the DS713+ as a media device for home, use the DX513 for a RAID-5 array and create for all home/biz users their own network folder (or disk) for private backup and/or public sharing.

–        Use the 1st gigabit network output for a 24/7 Mirrored-Raid web server or FTP, use the 2nd gigabit network output to drive all your local home or business NAS features like sharing, iSCSI, backups, etc… by keeping the public web shared part on a completely separated network lane from your private data.

–        And so many more combinations…

 

Toshiba – First WQHD LCD Monitor touch panel Ultrabook – “Dynabook KIRA V832″

TOSHIBA - First WQHD LCD Monitor touch panel Ultrabook - "Dynabook KIRA V832"

Toshiba is releasing “Dynabook KIRA V832″ – the first 13.3 inch WQHD LCD Monitor touch panel Ultrabook – on April 24.

The screen features a 3.7 million pixel (2,560×1,440) high-definition LCD, which is better than full HD display. The battery life is 9.5 hours long. Intel Core i5-3337U processor, 128GB SSD, 8GB RAM, and keyboard with backlight are built-in.

Price: open price
Size: 316 x 207 x 9.5-19.8 mm
Weight: 1.35 kg
OS: Windows 8 64bit

The Saddest Robots in Japan Live Among the Sins of Sony


Google Me This: What Ever Happened to Sony’s Robots?
Okay, check it out: so there’s this massive, global technology company, and about 14 years ago they decide to make a few robots. Turns out they create some really smart, cutting-edge, super-tech devices: a doggy robot, and a toddler-sized android. But then they give up after only 7 years – in fact, last month marked the end of the giant corporation’s obligation to provide support, service, and parts for one of the most iconic robots ever created. Off-hand you might not know their names, but almost anyone with electricity will recognize these two:

On the left is Sony’s approximately 12-inch (29cm) tall AIBO robotic dog (Artificially Intelligent RoBOt). It went on sale in 1999, and the first run of 3000 sold out in less than an hour. According to their own figures, in total Sony moved about 150,000 AIBOs across 8 product iterations, which is not bad for a US $2000 robot toy.

To doggy’s right is the approximately 24-inch (60cm) tall android QRIO (Quest for CuRIOsity). This project began in 2000, and while it never went on sale, as a research & demonstration platform it was and remains one of the world’s most advanced bipedal robots. Only three years into the project, QRIO was able to run (defined by locomotion involving both feet simultaneously leaving the ground), thus besting Honda’s then already 10+ years of biped research (e.g., ASIMO and its precursors).

Sony developed a range of original software applications and hardware innovations for the completely unique and unprecedented robots. Both AIBO and QRIO could function autonomously, and their artificial intelligence suite included location awareness & autonomous navigation, personality development, speech, voice and facial recognition with recall, touch sensors, and multimedia collection and sharing capabilities. So yeah, well done, good work people! Right?

Termination
Well… ultimately it didn’t matter that Sony’s Intelligence Dynamics Laboratory had quickly and effectively developed two of the world’s most widely recognized and technologically advanced robots; it made no difference that with AIBO they’d created the most sophisticated consumer robot ever (and arguably best-selling), and it didn’t matter that, at relative super-speed, with QRIO they’d successfully demonstrated a state of art research & marketing android who was, according to their own promos, “Sony Group’s Corporate Ambassador.

The significance of IDL’s achievements was ignored; sadly, Sony’s unimpressed and apparently unmovable killjoy bean counters just weren’t feeling it. In what now seems an overzealous and short-sighted attempt to reign in costs and frivolous R&D diversification, on January 26, 2006 the press-release obituary went public: Sony’s advanced robotics projects were canceled indefinitely.

Why, Sony? Why?
With sales & profits at all-time highs, they were actually doing quite well at the time. But, that curmudgeonly British guy had been put in charge, and they’d already committed to some restructuring and fat trimming. Apparently the company’s robotics initiatives, despite their success and all-around awesomeness, were judged too chubby to keep around.

Quoted at the time, a Sony spokesperson said:
Our core businesses are electronics, games and entertainment, [AUTHOR’S NOTE: By the way, in the case of robotics that’s check, check, and check.] but the focus is going to be on profitability and strategic growth. [ANOTHER ONE: R&D costs money & takes time, sister! And strategic growth? Oh yeah, because that whole robots thing is just a fad.] In light of that, we’ve decided to cancel the Aibo line.” (QRIO research was chopped at the same time)

 

Sony robots do still exist. On YouTube, anyway. Oh yeah, and there was also the 2007 US $400 egg-shaped Rolly music player thingy. Rolly was a pseudo-robotic, fantastically useless, impossible-to-understand-why-it-was-brought-out-of-prototype money pit that nobody ever wanted. There you go.

So, How’d That Restructuring and Fixin’ Work Out, Sony?
Okay sure, the 20/20 of hindsight blah blah blah… but 7 years later we can now clearly see how essential eliminating their advanced robotics projects was to streamlining and revitalizing the fabulously profitable and innovative brand that is Sony… except for the fact that everything you just read is the complete opposite of reality. With the exception of TVs, cameras, and the PlayStation, these days we technodorky observers can but roll our eyes at nearly every product Sony plops out. They’ve pretty much been on a continuous slide since the robots were canceled. They actually lost over a billion dollars $US in each fiscal quarter of 2011. While last year’s losses probably won’t be nearly as bad (probably), that whole thing were a business actually makes money is not currently part of the Sony landscape.

So what we got here is this: Sony executed AIBO & QRIO in the midst of record revenue & profit, and that embarrassingly misplaced effort at austerity did effectively nothing positive. It did, however, very successfully destroy two highly advanced and respected robotics projects that even 7 years ago had as much potential as some of today’s most advanced work. Sony still bit the dust and has been eating dirt salad every since.

Would canceling the cancellation have done a whole lot to prevent Sony’s ongoing fiscal flaccidity? Probably not, but still – they axed two of the best robots in the history of history in favor of cranking out 26 more variations of the VAIO and continually investing in the weirdly fetisishistic PSP road to nowhere. Not well done, guys.

Unwanted & Probably Unqualified but FREE Advice to Sony from We Here in Realityland:
Hi, Sony. How’s it going? Yeah, I feel you. Okay, now shhhh. Here’s the thing: you gotta remember and respect that there’s a sweet spot between playing technological jazz and straight-up reading the music. Until you get that figured out again, here are all the answers you need – and you’re welcome in advance:

1. Murder the PSP and all associated software & hardware ASAP. Nobody wants that.
2. Cut the inexplicably bloated range of VAIO computers from 57 to 5. Nobody wants that either.
3. Focus on making just ONE good smartphone, and just ONE good tablet. We’ve all been waiting for you.
4. Memory Stick, UMD, DAT, and MD. Stop doing stuff like that, and begin divorce proceedings with Blu-Ray.

Now, with some of that huge stack of money you’ll save from taking the above to heart, go do magic – do what what Sony used to do – then get the band back together and make with the robots already.
_________

Reno J. Tibke is the founder and operator of Anthrobotic.com and a contributor at the non-profit Robohub.org.

 

 

SiliconSign – “SiOrchid” 1.9mm Super Fine Pitch LED Panel – Stack multiple panels vertically and horizontally to make massive LED displays

SiliconSign - "SiOrchid" 1.9mm Super Fine Pitch LED Panel - Stack multiple panels vertically and horizontally to make massive LED displays

SiliconSign had a very impressive display of its 1.9mm Super Fine Pitch LED Panel “SiOrchic” at the Display 2013 (9th International FPD Expo) section of the 23rd FINETECH JAPAN at Tokyo Big Sight yesterday.

The super fine LED panels can be stacked together vertically and horizontally with visual graphics data coordinated between the panels to provide super massive video displays at very high resolution.

The panels that we saw at FINETECH JAPAN were 165 inch Full HD (1,920 x 1,080) with 1.9mm dot pitch, 207,008 dots per square meter, with a refresh rate of 1920Hz.

Our video does not do it justice, but the visual experience was clear, natural and spectacular.

SiliconSign is based in Yokohama, Japan.

Sony – 4K LCD “BRAVIA KD-X9200A” – “Triluminous Display” technology and magnetic fluid speakers – Am I really in my living room?

Sony - 4K LCD "BRAVIA KD-X9200A" - "Triluminous Display" technology and magnetic fluid speakers - Am I really in my living room?

Sony is releasing 2 new models (65 inch and 55 inch) of their 4K compliant LCD “BRAVIA KD-X9200A” series on June 1.

Because of the high color vividness of Sony’s newly developed “Triluminous Display” technology and use of its Magnetic Fluid Speakers, adopted for use in TVs for the first time, Sony says that its “BRAVIA KD-X9200A” delivers such a vivid sensory experience that you may forget that you’re really not there. “Am I really in my living room…?”

Its 4K image resolution processor enables images with several different levels of resolution to convert to 4K resolution images.

In terms of connecting to a smart device, there are some interesting functions like “One-touch mirroring function” to mirror the screen of NFC compliant Xperia smartphones or tablets to the TV screen, or “TV SideView” so that you can use your smart device as the TV’s remote control.

KD-65X9200A(65 inch)
Estimated Price:  750,000 yen
Dimensions (without a stand): 168.2 × 87.5 × 10.0cm
Weight: 45kg

KD-55X9200A(55 inch)
Estimated Price: 500,000 yen
Dimensions (without a stand):  146.3 × 74.9 × 10.0cm
Weight: 33.1kg

Japan’s Creepiest Robots (and why they’re not)



We’re rolling, and 3, 2, 1 – ACTION:

“Gee-whiz Bob, those crazy Japanese robot guys are at it again, how about a ridiculous soundbite and poorly executed pun, and hey, here’s an unoriginal one-liner, ha, ha, ha, those Japanese and their raw fish and creepy weirdo robots, what’ll they think of next? Well, here’s Tom with the weather!”
And… Cut to commercial.

What is that? Is it that when presented with news of projects that are so advanced, and somewhat non-intuitively, so very practical, we lack a common language for describing them? Is there really no room for a context that would qualify the profound, ground-breaking nature of so much of Japan’s robotics research? Well, to counteract this, with inspiration from last week’s announcement of Tsukuba University students’ robotic Riaju Coat (fulfillment coat), which “makes the feeling like girlfriend hugs,” it seemed a good time to visit and contextualize a few of the so-called weird, creepy, and bizarre robots of Japan.

Now to be fair, upon first encounter with what above appears to be a melty wax figure, some disembodied buttcheeks, and a slack-jawed robotic ghost baby, even the most hardcore geektastic socially awkward labcoat pocket-protector brigade member might be disturbed, unsettled, and perhaps consumed by laughter – and those feelings would likely be amplified among the non-sciencey general public. Such reactions are kinda understandable; in disposable yet easily digestable snack-pack media coverage devoid of context and drowning in sensationalism, it’s not unreasonable to shrug and think “Yep, the Japanese make creepy robots for no good reason, boy o’ boy they’re just so weird.”

Context is key. With little if any qualification, many of Japan’s fantastically interesting and highly advanced projects are given a brief pony show and then dismissed as weird, bizarre. uncanny, eerie, freaky, terrifying, even nightmarish. And okay, we all need pageviews, in fact some of us delight in blasting our audience with a catchy hook and a good dose of technosnark (which is rapidly becoming all that separates us from quickly improving AI journalists), but without swinging back around and contextualizing the subject matter, rather than informing we’re just barking for attention.

So, here’s a contextual girlfriend hug to three of Japan’s somewhat misunderstood robotics projects:


“Geminoid F: The creepily lifelike singing fem-bot”
-The Week
Hiroshi Ishiguro’s lab is responsible for a handful of Japan’s most advanced robots, among which are the Geminoid series and the variably sized Telenoid torsobots. In addition to being research platforms, the Geminoid robots travel to professional and educational venues and have even taken the stage in a robot theater production. Professor Ishiguro’s doppelganger, the female Geminoid F, and the very realistic duplicate of Professor Henrik Scharfe of Denmark’s Aalborg University are not grandiose, narcissistic exercises to impress and/or play practical jokes on geeky friends. These increasingly lifelike machines represent cutting-edge research and exploration into understanding the subtleties not only of teleoperation, but also parsing and duplicating the essence of human presence. There is no other project like it.

“Robotic butt is even stranger and creepier than it sounds” -ABC News
First of all, shiri means “butt” in Japanese. Imagine if English-speaking researchers made a robotic butt and just called the project “BUTT.” Scientists… not so much with the marketing. Now, we might, no, we totally do laugh and poke fun, so to speak, at robotic buttcheeks. But are they creepy? Not really. An endless well of difficult-to-resist adolescent jokes? No doubt. Butt you see, someday soon markets for the above Geminoid and other realistic humanoid androids will begin to ramp up, and the young Dr. Takahashi, who alone pioneered this responsive, appropriately articulated, lifelike, and anatomically necessary artificial body part, will be laughing all the way to the bank with pockets full of buttcheek money. Sure, it’s easy to find humor here, but robots are someday going to need the fruits of Dr. Takahashi’s labor. There is no other project like this.

“Awww, eerie CB2 child-bot is growing up” -CNET
The CB2 project has been ongoing for more than six years, and its work toward replicating the developmental cognitive behavior of a toddler is unprecedented in scope and length. Is the robot a little hard to look at? Yeah, okay, this one’s pretty easily described as creepy, actually human children are creepy enough without being robots – but there’s so much more going on here! Early childhood development shapes human beings for our entire lives, and somewhat parallel to the truism of never really knowing your own language until you learn another, perhaps we’ll never truly know ourselves until we can replicate a reasonable facsimile of our most formative years. So okay, we might open with “WOW, creepy!,” but we should qualify that this kind of long-term, simultaneously robotic and psychological research is in fact unique and entirely unprecedented. So again – no other project like it.

In 2011, what Japan lacked in practical everyday rescue and recovery robots they were more than making up for in world-class exploration of the potential implications of robotics in everyday human life. In time, these ongoing projects will form much of the foundation for our future understanding of social robotics, and they might even teach us a bit about ourselves. So, the next time you catch some flippant or condescending coverage of an unexpected standout robot from Japan, bear in mind that the notion of something being “creepy” is very much a matter of context, precedent, and perspective, and be careful – with that discreet little adjective one might be ignoring the fascinating story of an important and vital step toward both realizing and understanding the super-advanced machines of the future.

Honorable Mention Robotic Awesomeness Addendum:
Equally welcome here is Paro the therapeutic baby seal, Kagawa University’s robotic mouth/throat project, the Showa Hanako 2 dental training robot, and a last-round alternate, the Suzumu SushiBot. What are we missing? What are your favorites? Let us know down below!
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Reno J. Tibke is the founder and operator of Anthrobotic.com and a contributor at the non-profit Robohub.org.

 

 

Sony – NEC built-in home theater audio system featuring Sony’s unique “9 sound modes” – HT-CT660

Sony - NEC built-in home theater audio system featuring Sony's unique "9 sound modes" - HT-CT660

Sony is releasing an NEC built-in home theater audio system “HT-CT660″ on June 1. It consists of 2 units (speaker and subwoofer). It can connect wirelessly to Bluetooth compliant devices and plays music saved in the devices.

The speaker part has 2 tweeters and newly-built 2 units for medium/high frequency, and the wireless subwoofer has 16cm large-sized units to make expansive low frequency sound.

It features Sony’s unique 9 sound modes: “Game”, “Movie”, “Music”, “Sports”, “News”, “Drama”, “Standard”, “Stereo”, and “Portable Audio Enhancer”. You can enjoy not only movies and music but also video games in a powerful sound. HT-CT660 is recommended by Sony especially for gaming.

Estimated price: About 40,000 yen
Size: Speaker with stand (1030 × 109 × 94), Speaker with no stand (1030 × 95 × 107), Subwoofer (271 × 404 × 271)
Weight: Speaker 3.5kg, Subwoofer 8.6kg

Panasonic – LUMIX DMC-GF6 – NFC/Wi-Fi built-in compact digital camera with high speed boot/AF function

Panasonic - LUMIX DMC-GF6 - NFC/Wi-Fi built-in compact digital camera with high speed boot/AF function

Panasonic is releasing new model “DMC-GF6″ in its LUMIX series on April 24. It features a 1.6 million pixel Live MOS sensor and LUMIX’s unique image processing engine “Venus Engine” that improves resolution, so you can take a high-quality photo/movie in a dark area.

NFC and Wi-Fi is built in.

3 models will be out on April 24 with 3 different colors (white, black, red):
DMC-GF6 – Camera only
DMC-GF6X – Camera with electric-powered zoom lens
DMC-GF6W – Camera with standard/tele lens

LCD touch panel has adjustable angle; 180-degree to upper direction and 45-degree to down direction. It takes only 0.5 seconds to be able to shoot after turning the camera on, so you can release the shutter right after you find an object you want to take a picture of. Speed of continuous shooting is 4.2 times per second.

It has an improved version of the “Omakase iA” feature that helps the user choose the best shooting mode depending on the target object and it has added a food recognition function to make pictures of dishes look delicious.

There are several other functions to enable you to enhance photos, including 19 different kinds of filter functions.

Size: 111.2 x 64.8 x 38.4mm
Weight: 323g
Camera: 4/3 inch Live Mos senser, 1.6 million effective pixels
ISO: ISO160-25600

Japan’s Robot Cars: Where’s this Road Going?


Optimus Prime, Hot Rod, and Ultra Magnus. These are all robot cars from the Transformers franchise rooted in early 1980s Japan. Somewhat disappointingly, here in realityland it looks like Japan’s real robot cars will have names like Nissan, Toyota, Fuji Heavy Industries, Honda, Mazda, and Hitachi.

Assume gravelly cowboy voice:
“Hitachibots, transform and roll out!”
Yeeaaah… umm, nope.

Okay, sadly Japan’s big automakers aren’t yet churning out sentient, anthropomorphized, purely good or purely evil all-male robot warriors. But they are very hip to developing and deploying practical versions of so-called robot cars in cooperation with domestic government agencies (Ministry of Land, Infrastructure, Transport and Tourism – MLIT), one another, and given their global reach, international partners as well. Domestically, the current aim is to deploy highly autonomous, self-driving cars on freeways within 9-10 years. If the system proves successful, a global brand like Nissan or Toyota would surely find additional markets in other, much larger national freeway systems (ex: the massive national networks of China and the United States).

Concepts and proposals for robotic automobiles have been around for almost 80 years, and functional experimentation has been ongoing since the early 1980s. Actually, when breaking it down by individual features, 0ne can see that cars have been gradually roboticizing for a long time, e.g., power steering, power windows, power mirrors, anti-lock brakes, etc., etc.

So naturally, big J-Auto’s development of self-driving, partially autonomous, and arguably robotic feature sets isn’t novel. The 2003 Toyota Prius (Japan only), for example, was the first car available with a sonar-based Intelligent Parking Assist System (IPAS) wherein the driver operates the brake and the car calculates optimal steering angles for automated parallel parking (this option didn’t make it to the U.S. until 2009). Robotic features aren’t limited to driving, as here with the 2006 Mazda Miata’s Transformer-like power sunroof:

So what else is there with the Japan/robot car special connection situation? Well, geography, as it is so often want to do, must also insert itself into this macro-cultural equation. Insofar as: Japan’s approximately 130 million residents are shoehorned onto a mere 30% of the country’s land area – and not by choice, the other 70% is either too unstable, rugged, or topographically crazy to be inhabited. So, if one imagines all those people in contiguous urbanization on an island nation about the size of the U.S. state of Ohio, or just a bit larger than Portugal, one can appreciate the extreme population density and everyday challenge of very close-quarter driving and parking.

Another big deal for robotic cars here is the very long-term continuous habitation of the habitable areas. See, when one gets off the modern, 1st world-standard, highly developed roadways, in most cases one will quickly find oneself winding through very narrow streets with little if any standardized configuration. Human beings have been living along the same trails-that-became-roads-that-became-streets for many hundreds, if not thousands of years – long before there was much regard for large-scale municipal planning or an even vague anticipation of the motor vehicle. The analog compensation here is that nearly every non-arterial, non-grid-like intersection in Japan has an array of fish-eye mirrors at each corner, and drivers either use them or risk having no idea what’s coming. A networked robotic car, however, would be able to “see” around the corners, which would be nice when navigating this Tokyo neighborhood:

And then there’s the demographics. We mentioned assistive robots’ role in Japan’s aging society a few weeks back; this country has a big-deal labor shortage coming up in a generation and a half or so. In addition to the role robotics will very likely play in augmenting a dwindling human services labor force, a day spent in any Japanese city futilely looking for taxi or bus driver under 45 will clearly reveal another pending labor shortage. Who’s going to fill those jobs in 25 years? Yep.

Japan is approaching a perfect-storm state of necessity for practical robots, and if proven effective, reliable, and safe, increasingly robotic automobiles are likely to get an early foothold here. Besides, piloting a car in Japan is objectively difficult, licensing and compulsory driving schools are quite expensive, and despite its world-class public transportation system, Japan does experience considerable roadway congestion (networked, self-driving cars are anticipated to greatly reduce traffic jams and the effects of human error). Add in safety benefits, a potentially positive environmental impact, and POW: if it can, big J-Auto will put J-robots on the road ASAP.

Japan’s current repertoire doesn’t include anything ready for public consumption, but there are some very advanced and promising projects underway. Nissan’s modified Leaf, introduced last October as the NSC-2015, as in the year 2015, is an ambitious and innovative offering – complete with smartphone connectivity:

Toyota is also keeping pace with the Lexus-branded Advanced Active Safety Research Vehicle that debuted at CES in January:

Bringing things down to the personal, Hitachi recently unveiled their latest version of the Robot for Personal Intelligent Transport System – Ropits. This autonomous, obstacle-avoiding, user-friendly personal transport is intended to one day assist the elderly or disabled:

Japan’s MLIT was scheduled to produce an update to their ongoing robo-car feasibility studies by the end of last month. While not yet public, it’s safe to assume that their assessments and directives probably won’t result in big J-Auto’s production of a transforming robot car that will protect you, your family, and the galaxy from those other, eeeevil robots – but within a few decades, it’ll probably be reasonable to expect one’s very own private chauffeur to be… well, basically just software.

For now and the near future, think of robotic cars as you might think of powered robotic exoskeletons, i.e., they’ll help you do what you need to do with greater strength, precision, and efficiency, but they aren’t going to walk out to the driveway and help you up the stairs all by themselves.

The robots are coming, but for now and a while to come, humans are still going to have to push a few buttons.
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Reno J. Tibke is the founder and operator of Anthrobotic.com and a contributor at the non-profit Robohub.org.