‘Machine vision’ MFT cam arrives for robotics, remote photography, special effects

SVSVistek outs industrial M43 cam for robots, aerial photography, crashcams

If you’re asking yourself “where’s the shutter button on that thing?” then a new machine vision camera from SVS-Vistek, the SVCam-evo “Tracer” is probably not for you. However, it may spark tinkerers or other niches as the boxy look belies its capabilities. For starters, it packs a micro four thirds mount with a Truesense CCD sensor, opening the door to lenses a cut above the usual industrial fare. You’ll also get frame rates of 146, 85, 40 and 21 fps at 1, 2, 4 and 8-megapixels, respectively, along with auto gain; exposure, focus and electric zoom control; PC software for basic image capture; and a GigE Vision interface. The latter — along with a Windows and Linux SDK — will make the device ideal for those who don’t mind digging into code for applications like robotics, aerial and remote imaging or even “special effects and unique POV” cinematography. The rest of us won’t be able to just fire it up and take pictures, however, and as for the price? There’s no word yet on that or availability, but don’t expect a consumer-friendly figure.

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Via: 4/3 Rumors

Source: SVS-Vistek (pdf)

Sigma unveils three new MFT and Sony E-Mount lenses

Sigma reveals three new MFT and Sony EMount lenses

Despite the raves that recent micro four-thirds and Sony E-Mount cameras have received of late, there’s still a dearth of lenses for the fledgeling systems compared to their more entrenched counterparts. Luckily, Sigma‘s just added to the pool of autofocus-equipped models for each system: updated 19mm F2.8 DN and 30mm F2.8 DN models along with an all-new 60mm F2.8 DN telephoto lens. Each Japan-made model has a “telecentric” optical design to minimize CMOS color issues, a metal exterior with silver or black color options, and a linear autofocus motor that Sigma claims is quiet enough to use for video. Meanwhile, the imaging outfit also announced an updated 30mm, F1.4 DC HSM model for Canon APS-C, Nikon DX and its own Sigma mount. All that’s great news, though we’re still waiting for an AF/electronic F1.4 or faster lens for E-Mount (there’s only one on MFT as well) — though this might tide us over, in the meantime. See the PR after the break for more info.

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Sigma Corporation announces four new lenses at CP+ Camera and Photo Imaging Show 2013
January 29, 2013

Sigma Corporation announces four new lenses at CP+ Camera and Photo Imaging Show 2013

APS-C format, E-Mount and Micro Four Thirds lenses feature sleek new ‘Art’ product line design

YOKOHAMA, Japan – Jan. 29, 2013-Sigma Corporation of America a leading researcher, developer, manufacturer and service provider of some of the world’s most impressive lines of lenses, cameras and flashes, today announced the release of four new lenses for the ART product line, including three lenses for mirrorless interchangeable lens cameras and one lens for DSLR cameras with APS-C size sensors. This announcement comes at the start of the CP+ Camera and Photo Imaging Show 2013 this week in Yokohama, Japan.

The new and updated Sigma lenses include the 30mm F1.4 DC HSM, which will be available in Sigma, Canon and Nikon mounts, and the 30mm F2.8 DN, 19mm F2.8 DN and 60mm F2.8 DN lenses, which are available for both Micro Four Thirds and Sony E-Mount camera systems. Pricing and availability on all of these lenses has yet to be announced.

The 60mm F2.8 DN lens is entirely new to the Sigma lineup, while the 30mm F1.4 DC HSM and the 30mm F2.8 DN and 19mm F2.8 DN lenses are existing focal lengths that have been redesigned with enhanced optical performance and included as part of Sigma’s new Global Vision category restructuring. All three DN lenses incorporate telecentric optical designs and a linear, auto focusing motor that ensures accurate and quiet focusing for video recording. They also boast metal exteriors and a simply shaped focus ring, with varying textures to distinguish each part of the lens. In addition, DN users can choose between a black or silver finish to match their favorite equipment.

“We’re really proud of the super sharp lenses we’ve produced in the past year and these new Art lenses will continue to impress our fans and critics alike. They’re ideal for the landscape, portrait, still-life, close-up and casual photographer who values creative, dramatic outcomes above compactness and multifunction,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “The lenses are entirely made in Japan and they boast the new product line’s sleek design and enhanced quality control. We’re quite proud of these changes – and additions – to our lens lineup; they’re further evidence of Sigma’s forethought in this fast-moving industry.”

Here are more details on these new lenses from Sigma:

· 30mm F1.4 DC HSM Sigma’s new USB Dock, which will enable firmware updates and focusing adjustments, is expected to be available in coming months.- Sigma pioneered the large-aperture, APS-C format, standard lens category with its 30mm F1.4 lens in 2005. With new optical configurations of nine elements in eight groups, as well as rounded aperture blades, this updated lens delivers pleasing sharpness and a beautiful bokeh background. Its angle of view is equivalent to 45mm on a 35mm camera (which is similar to that of human vision), its minimum focusing distance is 11.8 inches and its maximum magnification ratio is 1:6.8. The lens’ optimized power distribution helps to minimize field curvature, prevent a loss of image quality at the edges of photographs and produce outstanding image quality. Its double-aspheric lens minimizes spherical distortion, astigmatism and coma, and its rear focus system prevents focus-dependent variation in aberration. Together, the new optimized auto focus (AF) algorithm and rear focusing system ensure smooth and accurate focusing. The new 30mm F1.4 is also compatible with Sigma’s new USB Dock, which will enable firmware updates and focusing adjustments, is expected to be available in coming months.

· 60mm F2.8 DN- Featuring the natural perspective of mid-range telephoto lenses, together with a shallow depth of field, this lens allows the photographer to capture a single part of a subject with great bokeh effects. It has an angle of view equivalent to 120mm on the Micro Four Thirds system and 90mm on the E-mount system (35mm equivalent focal length). The minimum focusing distance is 19.7 inches; the maximum magnification is 1:7.2. This lens also contains Special Low Dispersion (SLD) glass, which helps minimize axial and transverse chromatic aberration.

· Sigma 19mm F2.8 DN – This high-performance, wide-angle telephoto lens has an angle of view equivalent to 38mm on the Micro Four Thirds system and 28.5mm on the E-mount system (35mm equivalent focal length). As a wide-angle lens with excellent mobility, it is ideal for studio photography, architecture and starry skies. Its minimum focusing distance is 7.9 inches and its maximum magnification is 1:7.4.

· Sigma 30mm F2.8 DN – This high-performance, standard telephoto lens has an angle of view equivalent to 60mm on the Micro Four Thirds system and 45mm on the E-mount system (35mm equivalent focal length). This lens, which is perfect for casual and formal portraiture, documentary photography, travelogues and everyday shooting, includes a double-sided aspherical lens that enhances its optical performance. Its minimum focusing distance of 11.8 inches and its maximum magnification is 1:8.1.

For information about Sigma Corporation of America, visit www.sigmaphoto.com. For the full press releases for each of these new lenses, visit Sigma’s news section at www.sigmaphoto.com/sigma-news.

About Sigma Corporation
For more than 50 years, Sigma Corporation’s expertise and innovation has driven the company’s core philosophy of “knowledge, plus experience, plus imagination,”with anemphasis on producing high-quality, high-performance photographic technology. This family-owned organization is the largest, independent SLR lens manufacturer in the world, producing more than more than 45 lenses that are compatible with most manufacturers, including Sigma, Canon, Sony, Nikon, Olympus, Panasonic and Pentax. Sigma Corporation also produces digital SLR cameras and high-definition digital compact cameras. The company is headquartered in Japan, with offices strategically located throughout Europe, Asia and North America. For information, please visit www.sigmaphoto.com.

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Via: Sony Alpha Rumors

Panasonic teases 42.5mm f/1.2 and 150mm f/2.8 MFT lenses, slated for release by 2014

Panasonic teases 425mm f12 and 150mm f28 MFT lenses, slated for release by 2014

Panasonic further reinforced its commitment to the Micro Four Thirds form factor when it released the Lumix GH3 mirrorless camera today, but the company also announced the development of a pair of prime lenses, set to ship next year or in 2014. Details are spotty at this point (limited to what you see in that slide above, in fact), but you can expect a 42.5mm f/1.2 optic (85mm equivalent) and a 150mm f/2.8 lens, which offers a 35mm equivalent of 300mm. There wasn’t even a hint of pricing, but we’d expect both of these offerings to be quite costly, though they’ll likely be significantly less expensive than DSLR equivalents.

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Panasonic teases 42.5mm f/1.2 and 150mm f/2.8 MFT lenses, slated for release by 2014 originally appeared on Engadget on Mon, 17 Sep 2012 07:47:00 EDT. Please see our terms for use of feeds.

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Panasonic video reveals Lumix GH3 Micro Four Thirds camera: 16MP, magnesium alloy, 60p video

Panasonic video reveals GH3 mirrorless Micro Four Thirds camera

Though the GH3 has yet to be formally introduced to the world, a video has just appeared on an official Panasonic YouTube channel that has either been posted accidentally or is deliberately intended to build hype in the run-up to Photokina. It mainly shows off the GH3 in a range of picturesque shooting situations, but the clip also spills a few key specs, including the presence of a 16-megapixel sensor, a new version of Panny’s Venus Engine processor, a splash- and dust-proof magnesium alloy build and high-definition filming at up to 72Mbps and 60p — although it’s not clear if it handles full 1080 at that high frame-rate. We also see a a flip-out LCD that looks much the same as the GH2‘s, an f/2.8 12-35mm lens attached instead of the 14-42mm or 14-140mm glass that came bundled with that predecessor, and so far only evidence of a traditional black color scheme. Click onwards for the video!

Update: …and just like that, the video has vanished.

Continue reading Panasonic video reveals Lumix GH3 Micro Four Thirds camera: 16MP, magnesium alloy, 60p video

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Panasonic video reveals Lumix GH3 Micro Four Thirds camera: 16MP, magnesium alloy, 60p video originally appeared on Engadget on Fri, 14 Sep 2012 03:22:00 EDT. Please see our terms for use of feeds.

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