Hasta La Gadget!

Special editions with ridiculously expensive extras must be all the rage among well-to-do gadget fans — that’s the only real explanation we can imagine for Harrods’ new Olympus PEN Art Edition. The kit includes two PEN E-P5s (one hand-painted), but it also bundles prime lenses, accessories, a training session… and a customized Vespa scooter. You’ll have both the gear you need for amateur photography and the transportation to your photo shoots. Mind you, we’d expect nothing less when the Art Edition costs £16,000 ($24,814) — more than some cars. If you’re eager to acquire both a new camera and a new ride in one fell swoop, though, the limited-run PEN bundle is available from Harrods today. Check out a photo of the Vespa after the break.

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Via: Pocket-lint

Source: Harrods

Last spring, we trekked two hours north of Vancouver to the bustling ski town of Whistler. Olympus, we were told, would be making a very significant announcement, and we needed to make our way to British Columbia to check it out. The product sample we walked away with, the OM-D E-M5, was indeed worth the trip — we quickly recognized the potential, and later dubbed the mirrorless shooter the “company’s best camera yet.” Its image quality, unique five-axis image stabilization and shockingly fast autofocus represented just some of the device’s most impressive features — we were smitten. So, when Olympus reached out with a similar teaser last month, we didn’t hesitate to make the same journey yet again to spend a day with this year’s MFT master.

It’s the PEN E-P5, and you probably knew it was coming. Details and even a few product shots leaked to the web last week, revealing a gorgeous, classic design, and some pretty impressive specifications, many of which have made their way from the E-M5. There’s a 16-megapixel sensor with five-axis stabilization, 1080/30p video, a 1.04M-dot 3-inch touchscreen that tilts up and down, a 1/8000-second maximum shutter speed (enabling more shallow depth of field in sunlight), an ISO range of 100-25,600, a 0.5-second start-up time and OM-D-like autofocus speeds that let the camera adjust for a subject quickly regardless of the lighting conditions. It’s plenty impressive on paper, but how did it hold up during our test? Read on to find out.

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Panasonic has just announced a new mid-range Micro Four Thirds camera, the Lumix G6, that brings a solid list of specs for a mid-range camera. The 16-megapixel shooter can fire at a respectable 7fps in burst mode, has a top sensitivity of ISO 25,600 and like the recently launched Lumix GF6, has WiFi and NFC for device syncing. It also sports a 1,440K-dot OLED LVF, 0.5 second startup time, 3-inch, 1,036K-dot touchscreen with a 180 degree swivel and 270 degrees of tilt, new Venus image engine and full-area touch AF. It’ll likely cheer hard-core video fans as well since it packs a similar sensor to the popular GH2 / GH3 models, along with 1080/60p video, AVCHD or MP4 recording, stereo audio, live autofocus and Touch AF that allows “professional-like rack focusing.” There’s no pricing or availability yet, but expect it to cost considerably less than the flagship Lumix GH-3‘s $1,500 sticker — which may pose a quandary for shoppers on the fence about that model.

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Panasonic’s latest entry-level Micro Four Thirds cam appears to follow the design language (and perhaps usability) of its GF predecessors, but at least it’s got WiFi, right? We’ll hold out on passing further judgement until we have the camera in hand, but if past models are any indication, you’ll definitely want to try the Lumix GF6 on for size in a retail store before handing over a cool 600 bucks. That said, there are some major improvements here — there’s NFC and WiFi functionality, as we mentioned, and the 1,040k-dot LCD is certainly a step up from the GF5, as is the top sensitivity of ISO 25,600. There’s also a dedicated mode dial (always a plus), a pop-up flash and a bundled manual-zoom 14-42mm f/3.5-5.6 lens. The new MFT camera, which was announced for Japan just last week, will be hitting US retailers in June.

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A sub-$1,000 price tag makes any product a relative steal on the floor of NAB — impressive specs and industry standard compatibility are just icing on the cake. If such figures are any indication, however, Blackmagic’s new Pocket Cinema Camera, which leaked earlier today and ships in July, is potentially a very solid buy at $995, with a Super-16 Cinema 1080HD sensor with 13 stops of dynamic range, CinemaDNG RAW recording, SD card storage, Micro HDMI monitoring and a Micro Four Thirds lens mount. We got an early look at the shooter on the showroom floor, and the compact size is truly striking — the body is comparable in size to any other mirrorless camera, though it definitely pushes the limits of what we’d consider pocketable. The design is very similar to Blackmagic’s larger Cinema Camera launched at last year’s NAB, with the same Micro Four Thirds lens mount. There’s a very sharp built-in matte LCD for viewing footage and adjusting settings, and the build is quite solid — it’s significantly heavier than you’d expect.

Naturally, the camera isn’t as capable as Blackmagic’s pricier NAB model, the Production Camera 4K, which also made its debut today and ships in July. With that flavor, $3,995 buys you a Super 35 sensor with native Ultra HD and 4K support, a built-in SSD recorder, compressed CinemaDNG RAW and compatibility with EF lenses. We spent a few minutes with that model as well, and were equally impressed. The screen was very bright, sharp and not at all reflective, and the camera includes your standard array of inputs and outputs, including dual mic jacks, an SDI port, power and control. Both models are very competitively priced, as you might expect from Blackmagic, and with this wide range of appeal, there’s now a little something for everyone. Be sure to head past the break to check out our hands-on video as we take a closer look at both models.

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