Hasta La Gadget!

It was just over a year ago when Nikon first dipped its toe into mirrorless waters with its first two 1 System cameras, the V1 and J1. Now, the company has released the V1’s successor, the aptly named V2. Like its elders, the V2 has a 1200fps slo-mo capture mode, a 3-inch LCD display on the back, a high-res (1.4 million dot) electronic viewfinder, and does 1080/30p and 1080/60i video capture (Alas, 4K recording capability didn’t make the cut). Unlike the V1, the V2 comes in only black or white and uses an upgraded 14.2-megapixel CMOS sensor with an ISO range of 160-6,400. It also packs a new Expeed 3A image processor in tandem with Nikon’s Advance Hybrid AF to deliver higher speed shooting. That autofocus system is comprised of 73 phase detect sensors and 135 contract detect sensors, which enables the V2 to capture stills at up to 15fps for 45 continuous frames — and it can shoot 60 frames continuously using fixed focus.

The camera itself looks quite a bit different from its brethren, with a magnesium chassis, a bulked up grip and a built-in flash, plus command and shooting mode dials up top. It’s a layout not unlike Sony’s NEX-7, with one dial enabling easy switching between auto and manual exposure modes and a second providing access to secondary shooting controls like exposure compensation. The camera also has a stereo mic on board along with an external mic jack for recording audio. Would-be V2 owners can grab one with a 10-30mm kit lens for $899.95, and Nikon will add 30-110mm glass to that package for $250 more when it goes on sale in late November. Want to know more? Check out our hands-on with the V2 to see the new shooter in action, and Nikon’s full PR awaits after the break.

Continue reading Nikon 1 V2 unveiled: 14.2 megapixel ILC shoots 15fps stills for $899.95 in November

Filed under: Cameras, Nikon

Nikon 1 V2 unveiled: 14.2 megapixel ILC shoots 15fps stills for $899.95 in November originally appeared on Engadget on Wed, 24 Oct 2012 00:01:00 EDT. Please see our terms for use of feeds.

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Part suppliers sometimes telegraph their customers’ plans months in advance: when you’re the only provider for a key piece of technology, it’s not hard for others to read the tea leaves. Aptina might have just given us one such peek into the future by unveiling its 1-inch AR1011HS camera sensor this week. As the Nikon 1 series is one of the few current, mainstream camera lines to use Aptina’s 1-inch sensors, it’s quite possible that we’re looking at a template for one or more of Nikon’s tiny interchangeable-lens shooters. The 10-megapixel CMOS sensor and low-light sensitivity aren’t surprises. We’re more interested in the wild levels of video capture support — the AR1011HS can record 1080p footage at 120 frames per second, oversample movies at that resolution or scale up to quad HD. There’s no guarantee any or all of the features will make the cut, especially given a dearth of 4K TVs, but it’s not hard to imagine Nikon playing to the 1’s high-speed strengths with an even quicker upgrade. Mass production starts in the first quarter of 2013, and while neither Aptina nor Nikon has confirmed any plans, Aptina’s emphasis on top-tier companies in the “performance-oriented” mirrorless camera world leaves few other choices for a partnership.

Continue reading Aptina unveils 1-inch sensor with 1080p video at 120FPS, we suspect Nikon wants 1

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Aptina unveils 1-inch sensor with 1080p video at 120FPS, we suspect Nikon wants 1 originally appeared on Engadget on Sun, 23 Sep 2012 00:21:00 EDT. Please see our terms for use of feeds.

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The Lunar has landed — at Photokina, at least. Hasselblad was showing off a slew of different designs for the forthcoming camera — and while we were told that its still in prototype mode (both from company reps and signage on the device itself), the camera seemed to be in mostly working order. The first thing you’ll notice, once you get past the space-age design, is the fact that the camera really does feel like a rebranded Sony NEX device slipped into a new shell, and as such, it takes those Sony e-mount lenses. And on the back, you’ll find that similar collapsible display.

That said, it really does feel quite nice in the hand — the device we played with had a leathery grip — there are a number of carbon fiber and wood options available, as well. All of this is punctuated by a metal top with large metallic knobs, and inside you’ll find an APS-C 24.3 megapixel sensor. The Lunar will start at €5,000 when it launches in Q1 of next year. And in case that’s not rich enough for your blood, you can tack a “significant” amount onto that by getting the models decked out in pricier materials.

Filed under: Cameras

Hasselblad Lunar mirrorless camera hands-on originally appeared on Engadget on Tue, 18 Sep 2012 10:00:00 EDT. Please see our terms for use of feeds.

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The bar’s pretty high when your company is behind the first camera in space. Hasselblad’s looking to build on that theme with its new Lunar mirrorless, which according to the company “revives the timeless charm” of 1957’s 500c — and if nothing else, the camera’s got a curvy, space age body, built out of high grade aluminum with either a carbon fiber (available in black, silver or titanium colors) or wood (beech, olive, pear or mahogany) grip.

Inside, you’ll get a Bionz processor and an APS-C 24.3 megapixel sensor. The Lunar has a 10 frames per second burst mode, full HD recording and sports a 100 to 16000 ISO range. On the rear, you’ll find a swiveling three-inch display. All of that’s packed into a body that weighs roughly a pound.

Update: While we didn’t quite realize it at first, the layout of the camera and its specs are clearly that of a rehashed NEX-7. As SonyAlphaRumors points out, the shooter accepts Sony’s e-mount lenses and is part of new partnership between the two photography giants — looks like we’re soon to have even more Sony cameras re-purposed as Hasselblad’s, similar to Leica and Panasonic. While the NEX-7 itself will run you roughly $1,100 to 1,200k (body-only vs. with a kit lens), SAR has the Lunar pegged at $5,000 Euro (about $6,530, or six NEX-7s). That’s almost $1k more than Leica’s utilitarian M-E and about as much as an M9 for, those keeping count — but hey, at least the lunar can shoot video, right?

Joe Pollicino contributed to this post.

Filed under: Cameras

Hasselblad announces Lunar mirrorless camera, fancies up Sony’s NEX-7 for 5,000 euros originally appeared on Engadget on Tue, 18 Sep 2012 08:37:00 EDT. Please see our terms for use of feeds.

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Sure the XF1’s nice to look at, but the real star of Fujifilm’s 2012 Photokina lineup has to be the X-E1. The X-Pro1’s little sibling offers up most of the functionality of its bigger, pricier brother — save for its inclusion just an electronic viewfinder — into a body that’s roughly a third smaller. That said, this is hardly a compact mirrorless — the X-E1’s still got a bit of girth and weight to it, compared to some of the smaller entries in the field. Still, it feels nice in the hand and isn’t likely to weigh down your shooting — particularly for those accustom to using a larger DSLR. It’s also worth pointing out, right off the bat, that the retro-styled interchangeable lens camera is significantly cheaper, running you $700 less than the X-Pro-1.

Flip the camera over and you get a 2.8-inch 460k-dot LCD. Just above the display is a devoted button that will pop up the retractable flash directly above. The X-E1 will be hitting stores in April, carrying a $1,000 price tag. Buy a kit with a lens and you’ll still come in $300 under the X-Pro1’s $1,700 price tag, making for a full-featured and great looking little mirrorless for a lot less money.

Filed under: Cameras

Fujifilm X-E1 hands-on originally appeared on Engadget on Tue, 18 Sep 2012 05:46:00 EDT. Please see our terms for use of feeds.

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