Hasta La Gadget!

In amongst the deluge of new cameras at Canon’s press event here in Cologne, Germany was this looker. It’s the PowerShot SX160 IS, a nice-looking, if somewhat beefy mid-range superzoom point-and-shoot. The company was showing off three different colors — the black, silver and red, and we spent the most time with the latter, the most eye-popping of the bunch. In spite of its large size — the majority of the front taken up by the lens, plus a bit of a bump up top for the flash — the camera’s pretty light. It also doesn’t feel particularly solid in the hand.

On top, to the left of the pop-up flash, you’ll find a settings wheel, power button and the knob for that 16x optical zoom, all positioned atop a textured black backing. On the back of the SX160 is that three-inch LCD, with buttons for recording, playback, menu, display and settings like macro and flash, to pop up the big bulb on top. The camera’s not particularly quick on the snaps — roughly what we’d expect from a mid-range point-and-shoot. It’ll be hitting stores this month for $230, so for more of our impressions, check the video after the break.

Continue reading Canon PowerShot SX160 IS appears at Photokina, we go hands-on (video)

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Canon PowerShot SX160 IS appears at Photokina, we go hands-on (video) originally appeared on Engadget on Mon, 17 Sep 2012 10:25:00 EDT. Please see our terms for use of feeds.

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Late last month, Canon added yet another model to its Cinema EOS line — the C100 captures 1080p video, rather than the 4K clips enabled with the C500, but it also costs a heck of a lot less, at just shy of eight grand. It also offers some other nifty features, such as a pair of built-in mics and a duo of XLR inputs at the front of the top handle, SD card slots on the rear and a new autofocus button — it’s not a continuous solution, offering only single-shot, but it sure beats not having the feature at all.

The camera is surprisingly lightweight, given its size and capability, and can be held quite comfortably with a single hand, as we did during our hands-on at Photokina earlier today. With a modular design, the camera featured a 3.5-inch 920k-dot LCD in its current configuration, and offers the standard suite of ports, including HDMI output with embedded time code. It also includes an ISO range of 3200 to 20,000, a maximum shutter speed of 1/2000 second and a built-in ND filter. The C100 is expected to hit stores in November for $7,999, but you can take a closer look right now in our gallery below and the hands-on video just past the break.

Continue reading Canon Cinema EOS C100 hands-on (video)

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Canon Cinema EOS C100 hands-on (video) originally appeared on Engadget on Mon, 17 Sep 2012 09:57:00 EDT. Please see our terms for use of feeds.

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Nikon just announced its D600, a $2,100 DSLR with a full-frame sensor. Now, just four days later, we have a similar (and identically priced) offering from Canon. Coincidence? Not likely. Industry backchannel conspiracies aside, however, it’s only to our advantage to have a choice — if you’re looking to upgrade your digital SLR without taking out a second mortgage, you can now pick Nikon’s model, or the EOS 6D from Canon. The latter flavor, which offers built-in WiFi (the D600 requires an adapter), packs a 20.2-megapixel CMOS sensor, and it’s 20 percent lighter than the 5D Mark III, which will remain on the market, targeting professional users. The camera features a sensitivity range of ISO 100 through 102,400, it can shoot 4.5 fps stills and offers 1080/30p video capture. It also has an optical viewfinder, paired with a 3-inch 1.04-million-dot LCD on the rear, which looks just as sharp as you might expect.

What really blew us away, though, is the new camera’s size and weight. It’s more compact than the 5D and even the 7D, an APS-C camera, weighing in at 690 grams — a 20-percent decrease from that larger pro model. 20 percent may not sound like a tremendous improvement, but it’s certainly noticeable, boosting the 6D’s versatility, and making it an ideal choice for street and travel photography. We haven’t had a chance to shoot with the new high-end DSLR just yet, but it felt quite solid in hand, despite the more compact design and significant weight drop. Take a closer look in our gallery below, followed by our hands-on video after the break.

Continue reading Canon EOS 6D full-frame DSLR hands-on (video)

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Canon EOS 6D full-frame DSLR hands-on (video) originally appeared on Engadget on Mon, 17 Sep 2012 08:45:00 EDT. Please see our terms for use of feeds.

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We’ve been very impressed with Olympus’ first OM-D camera, the EM-5. That model’s 5-axis image stabilization and super-fast autofocus won us over, while the retro design appeased nostalgics as well. Now, it’s time for that speedy shooting to make its way to the company’s other Micro Four Thirds models — the E-PL5 and E-PM2. Both models, announced today, offer nearly identical specifications, with notable differences on the form-factor front. The E-PL5 is the premium model of this bunch, coming in at $700 with a 12-42mm f/3.5-5.6 lens or $650 for the body only, while the E-PM2 will run you 100 bucks less for both configurations. Both cameras include 16.1-megapixel Live MOS sensors, top ISO of 25,600, 3-inch 460k-dot touch-enabled LCDs, 1080i video and an 8fps continuous shooting mode. The EM-5’s five-axis stabilization is absent here, though a three-axis version should suffice in low light. Each model also includes an external flash and a rebate offer for a free Toshiba FlashAir 802.11b/g/n card, which enables connectivity with the OI Share apps for Android and iOS.

We had a chance to check both cameras out just before Photokina, and were quite pleased with the design, along with that OM-D-like focusing performance, which really is as speedy as Olympus claims. The camera focused instantaneously with almost all of the lenses we tried, though it was a bit sluggish, understandably, when paired with the 60mm f/2.8 macro. The displays were equally sharp, though the PL5 packs a nifty articulating version, which can tilt up, down or face forward for self-portraits. We also enjoyed shooting with the super-slim 15mm f/8 body cap lens, which features a tiny front element with a slide-over cover — while it’s limited on the aperture front and includes fixed focus, it’s arguably more useful than a traditional cap (Olympus hasn’t confirmed pricing for that optic, though it’ll likely come in below the $100 mark). That aforementioned dust-and-splash-proof macro will retail for $500 in early October, while a new 12mm f/2 lens will ship during the same time for $1,100. The “Mini” E-PM2 will be available in silver, black, white and red, while the E-PL5 will ship in silver, black and white — both versions will be available in October. You can take a closer look at each of the offerings in the gallery below, then jump past the break for the full rundown from Olympus.

Continue reading Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on)

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Olympus E-PL5 and E-PM2: Micro Four Thirds cameras with OM-D-like focusing, performance boosts (hands-on) originally appeared on Engadget on Mon, 17 Sep 2012 05:00:00 EDT. Please see our terms for use of feeds.

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Fujifilm has been making some really handsome, retro-styled shooters lately, and the latest is the XF1. It’s a compact camera that’s 4.2 inches wide, 2.4 inches across and a scant 1.2 inches deep, and comes covered in either black, red or tan faux leather. There’s a 2/3 inch 12-megapixel sensor inside with a retractable, manual zoom, 25-100mm f/1.8 – f/4.9 lens that’s optically stabilized. You turn the thing on by twisting and pulling out the lens (like its elder brother, the X10), and you can shoot 1080p 30fps video using the 3-inch 460,000 dot LCD on the back. The XF1’s ISO range is 100 – 12,800 and it’s got a pop-up flash for shooting in poorly lit locales. Additionally, the camera has a jog dial with a full manual setting, six buttons dedicated to primary functions and a separate, programmable key to tailor the UX to your liking. The XF1 goes on sale for $500 next month, though should you be unable to wait that long, head on over to Cologne, Germany and you can see one in person at Photokina later this week.

Continue reading Fujifilm’s XF1 digicam is a $500 point-and-shoot with manual controls and a faux leather exterior

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Fujifilm’s XF1 digicam is a $500 point-and-shoot with manual controls and a faux leather exterior originally appeared on Engadget on Mon, 17 Sep 2012 01:00:00 EDT. Please see our terms for use of feeds.

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