Hasta La Gadget!

Sony recently teased its high-end CineAlta brand and ‘TheNewF,’ implying a high-end PMW-F3-like camcorder could be coming at an October 30th event. It’s now taken some of the suspense out of the announcement on Facebook, saying the upcoming camera will have 4k resolution, broadcast-level 50Mbps data rate, 4:2:2 color space and high frame-rates. That means it’ll likely be a professional product on par with the last F-model, but we’ll have to wait and see if it’ll retain features like the PL lens mount and $16k price tag. We’ll be there on the 30th for the full scoop, so stay tuned.

Filed under: Cameras, HD, Sony

Sony teases ‘4K, HFR’ F-series pro camcorder for October 30th event originally appeared on Engadget on Tue, 23 Oct 2012 06:27:00 EDT. Please see our terms for use of feeds.

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It’s not every day that a digital SLR manufacturer releases a new full-frame camera — in fact, it’s not even every year. Sony’s last top-end model, the A900, was first released four years ago, so you better believe its successor offers an overflowing boatload of enhancements. The Alpha A99 is a flagship if ever there was one, crushing every other Sony still camera in terms of capability, both when it comes to stills, and in the HD video realm as well. With this $2,800 behemoth, the company is targeting both professional photographers and leading filmmakers, with plenty of features that will appeal to both. The centerpiece is an all-new 24.3-megapixel Exmor sensor (nope, it’s not the rumored 36MP chip you might be expecting), which features an increased photodiode area for boosted low light quality (up to ISO 102,400). The camera also features what Sony’s calling the “world’s first dual-AF system,” which includes two different phase-detect AF systems, including the same 19-point system on the A77, plus an additional 102 points on the imager itself.

Video shooters will find 1080/60p and 24p options with AVCHD 2.0, including uncompressed output through HDMI (with simultaneous output to a monitor) and phase-detect focus support in video mode. There’s also a 6 frames-per-second burst mode, 14-bit RAW output for stills, the same 921k-dot Xtra Fine twilt-and-swivel LCD included with the A77 with WhiteMagic and TruBlack, and the same OLED viewfinder found on the A77, NEX-6 and NEX-7, that offers slightly boosted functionality thanks to the full-frame sensor, letting photographers snag a realtime depth-of-field preview without dimming the finder. It also offers a 34-degree viewing angle and color tone adjustment control. Because the A99 offers a translucent mirror, Sony was able to eliminate the pentaprism to keep the size and weight at bay, making the DSLR lighter than the Nikon D800 and Canon 5D Mark III. Jump past the break for our hands-on.

Continue reading Sony reveals the Alpha A99, its first full-frame flagship since 2008’s A900 (hands-on)

Filed under: Cameras

Sony reveals the Alpha A99, its first full-frame flagship since 2008’s A900 (hands-on) originally appeared on Engadget on Wed, 12 Sep 2012 00:01:00 EDT. Please see our terms for use of feeds.

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Well, that’s a mouthful of a headline. Going a bit more in-depth, a new professional solution from Sony allows broadcasters to capture side-by-side 4K video at, say, a sporting event, then use a standard camera zoom device to select small portions of each feed for 720p or 1080i output. On the receiving end, you’ll see a live image that looks indistinguishable from something you’d capture with a moving camera, with a few extra benefits to boot. Sony demonstrated the system using feeds from an F65 4K camera earlier this year at NAB, but was only able to present a simulation at that point, with pre-recorded output cropped from larger-format footage.

Now, as we saw today at IBC in Amsterdam, the technique works in realtime, so an adjustable smaller portion of the video is pumped out seamlessly and instantaneously. The 4K video can also be recorded at full resolution simultaneously, letting you change the framing long after an event takes place. Sony only had the demo configured to pull live video from the left portion of the feed, but eventually the entire capture will be enabled, giving producers access to an entire football field, as you’ll see in the hands-on video after the break. We wouldn’t expect this solution to replace human camera operators anytime soon, but it’s certainly a viable method for adding angles and placing a bit more control in the hands of production teams, even after the fact.

Continue reading Sony Stitch merges footage from two 4K F65 cameras to create zoomable panoramic with HD output (video)

Filed under: Cameras, Displays, HD

Sony Stitch merges footage from two 4K F65 cameras to create zoomable panoramic with HD output (video) originally appeared on Engadget on Fri, 07 Sep 2012 10:41:00 EDT. Please see our terms for use of feeds.

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Just before Halloween in 2009, Canon announced its most powerful DSLR to date. The $5,000 full-frame EOS-1D Mark IV was the company’s answer to Nikon’s market-leading D3S, which rang in just shy of $5,200. On the basis of price alone, Canon won that round. Then, after two years of silence, the company launched its new flagship, the 1D X. The date was October 18th, 2011 — roughly 10 (or “X”) years after the very first model in the series was announced, way back in 2001. A decade ago, Canon priced that introductory 1D at $5,500 — a princely sum considering the 4.15-megapixel CCD on board. Now, the 1D X, which is arguably the most powerful sub-five-figure camera available, commands 6,799 of your hard-earned dollars, or $800 more than the D4, Nikon’s $6,000 equivalent. All this talk of price may seem to skirt the camera’s long list of lust-worthy features, but when the cost of any piece of hardware approaches a year’s tuition at a public university, a purchase decision deserves thorough consideration.

A camera in this league is absolutely to be used as a professional tool. And while deep-pocketed amateurs may pick one up — in the way folks with cash to burn may build a collection of overpowered two-seaters — the vast majority will live in $30,000-plus kits, where they’ll reach six-figure shutter counts, and will likely change hands several times before their eventual retirement. Right now, you’re probably researching the 1D X as exhaustively as you would a new car — in fact, you may have even lined up a test drive, through the company’s Canon Professional Services group. Many months after it was first announced, we’ve had an opportunity to take the new eXtreme model for a spin ourselves, and it’s every bit as impressive as its price tag suggests. Canon’s top model isn’t any smaller or lighter than its predecessors, the 1D Mark IV or 1Ds Mark III — but is all that bulk justified, despite strong contenders like the workhorse 5D? Buckle up and join us in the field (ahem, after the break) to find out.

Continue reading Canon EOS-1D X field review

Filed under: Cameras

Canon EOS-1D X field review originally appeared on Engadget on Fri, 24 Aug 2012 11:00:00 EDT. Please see our terms for use of feeds.

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After a brief tease earlier this summer, AMD just announced pricing and availability for its new market-leading FirePro W9000 graphics processing unit — the $3,999 GPU is available now through AMD resellers, and is compatible with Supermicro SuperWorkstations. Joining that “world’s most powerful” rig are the W8000, W7000 and W5000, which sell for $1,599, $899 and $599, respectively, and can each power six 30-inch 4K displays. Power-hungry pros will want to opt for the top-of-the-line model in order to take advantage of four TFLOPs single precision or one TFLOP double precision, along with 6 gigs of high-speed GDDR5 RAM. The W8000, on the other hand, offers 3.23 TFLOPs single precision and 806 GFLOPs double precision, followed by the W7000 with 2.4 TFLOPs / 152 GFLOPs, both with 4 gigs of RAM, along with the W5000, which packs 1.27 TFLOPs single and 80 GFLOPs double, with 2 GB of GDDR5 RAM.

Design pros with slightly more modest demands may find the FirePro A300 APU more in line with their budgets — we don’t have precise pricing to share, since third parties will ship their own configs, but terms like “entry-level” and “mainstream” make it clear that you won’t be drawing in more than a couple zeros in the checkbook to make your purchase. The integrated solution utilizes AMD’s Turbo Core tech, supports Eyefinity and Discrete Compute Offload, and can power horizontal display arrays of up to 10,240 x 1,600 pixels. You’ll find all the nitty-gritty in the pair of press releases after the break.

Update: Our pals over at HotHardware have just pushed out a review of the W8000 and W9000, but found the results to be a bit of a letdown. Hit up their post for the full skinny.

Continue reading AMD announces $4k FirePro W9000 GPU, entry-level FirePro A300 APU for CAD and graphics pros

Filed under: Desktops, Gaming, Peripherals

AMD announces $4k FirePro W9000 GPU, entry-level FirePro A300 APU for CAD and graphics pros originally appeared on Engadget on Tue, 07 Aug 2012 00:01:00 EDT. Please see our terms for use of feeds.

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