Hasta La Gadget!

Noted Blackmagic Design shooter John Brawley has released the first footage from the company’s upcoming $995 Pocket Cinema Camera that might leave your DSLR green with envy. Though it’s always tough to judge compressed web footage, to our eyes it looks completely untouched by the moire, aliasing and compression artifacts that tends to plague other digital cameras. While not specifying whether he used the compressed RAW setting or not, Brawley said he shot it using a Panasonic 12-35mm f/2.8 Micro Four Thirds lens with image stabilization turned on, meaning that feature’s likely to be enabled on the camera when it arrives in late July. He also said he was “literally grabbing shots whilst I was shopping,” which bodes well for serious filmmakers with a bit more time to spare. Head past the break to admire the video.

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Via: DVXUser

Source: John Brawley

Looking for a hearty new camera rig to spice up your next indie film? Start saving: Sony finally went live with pricing for its PMW-F5 and PMW-F55 CineAlta PL-mount cameras. Following an LA screening of professionally shot 4K and HD footage, Sony mentioned that the high-end camcorders can be had for $34,900 and $19,400, respectively. The steeper priced PMW-F55 has a sharper edge, of course, and can natively shoot 4K, 2K or HD footage through a global shutter. The (comparatively) less expensive F5 can handle 4K video too, but needs the help of the AXS-R5 RAW recorder (a $6,300 add-on) to pull it off — it also has a narrower color gamut and a rolling shutter. Roll on past the break for a full list of prices and accessories.

Continue reading Sony unveils price for PMW-F55 and PMW-F5 CinaAlta 4K camcorders

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Having seen some of its high-end cinema camera thunder stolen by the likes of Red and Arri, Sony has just launched a pair of CineAlta PL-mount cameras with brand new Super 35mm sensors: The PMW-F5 and PMW-F55. Though both pack 4K CMOS imagers, there are some major differences — the higher-end PMW-F55 has a global shutter, wider color gamut and can capture 4k, 2k or HD video internally, while the PMW-F5 records 2k and HD natively with a rolling shutter (4k requires an optional RAW recorder, as discussed below).

Depending on the level of quality you want, there are several ways to capture video to each camcorder. MPEG-4 H.264 video or Sony’s SR MPEG-4 SStP can be recorded onto Sony’s new SxS PRO+ media, or if RAW quality is desired, there’s the new AXS-R5 Access Memory System for 2K / 4K RAW capture — which will also work with the current NEX-FS700. Using the latter system, the PMW-F5 is capable of grabbing up to 120fps slow motion RAW HD video, while the PMW-F55 can capture 240fps at 2k, putting it squarely in Epic-X territory. The new camcorders will arrive in February 2013, and while Sony hasn’t outed pricing yet, it’ll likely be well under the flagship 4k CineAlta F65‘s formidable $65k sticker. Check the PR after the break to get the entire technical skinny.

Continue reading Sony goes Red-hunting with PMW-F55 and PMW-F5 pro CineAlta 4K Super 35mm sensor camcorders

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Sony goes Red-hunting with PMW-F55 and PMW-F5 pro CineAlta 4K Super 35mm sensor camcorders originally appeared on Engadget on Tue, 30 Oct 2012 02:06:00 EDT. Please see our terms for use of feeds.

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It’s been a while since we heard about a future upgrade of the K-5 Series and today the company announced its latest achievement with the K-5 II and K-5 IIs. Both models comes with a 16.28Mpix CMOS image sensor, with an ISO Speed ranging from 100 to 12,800 in its standard setting or from 80 to 51,200 in its expanded mode. Shutter-wise Pentax announce a 100,000 shutter release durability with a top speed of 1/8000 seconds and a 30fps burst mode. The K-5 II and K-5 IIs comes with …

Sony is continuing to build out its NXCAM video camera line with the new interchangeable lens NEX-EA50EH, a surprise entrant that’s aimed firmly at the run and gun professional crowd. It sports the same APS-C Exmor CMOS sensor as other cameras in the NEX line, and has notably added a rocker-style zoom lever for its brand new SEL18-200PZ 11x E-mount Servo Zoom Lens. That item is one of the first large sensor servo zooms we’ve seen, and packs continuous variable isis, auto focus and “Optical Steady Shot” active image stabilization. Another eyebrow-raiser is the model’s still photo talent, with the ability to shoot 16MP RAW stills, a mechanical shutter with its own release button and a flash hot-shoe all squeezed in. Video is recorded up to 60fps at 1080P in AVCHD 2.0, presumably at 28 or 17 Mbps, to SD/SDHC/SDXC cards, Sony Memory Sticks or Sony’s dedicated external SSD unit, which attaches to the camera. All that is topped off by an onboard shotgun microphone, a shoulder mount form factor and $4,500 price point (which has already changed twice on B&H). That means a lot of pros who want large sensor results — without all the DSLR foibles — may be sorely tempted. See the PR and video after the break for all the details.

Continue reading Sony unveils NEX-EA50EH pro camcorder with nary a dog or pony (video)

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Sony unveils NEX-EA50EH pro camcorder with nary a dog or pony (video) originally appeared on Engadget on Sat, 18 Aug 2012 03:31:00 EDT. Please see our terms for use of feeds.

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