Aereo streamlines pricing plans by axing annual and daily options

Aereo has restructured their pricing plans for their antenna television and DVR service. Plans will now start at $8 per month, which gives you access to the service with 20 hours of DVR storage. $12 per month will see your DVR storage bumped up 40 hours to a total of 60 hours of DVR time. Furthermore, there’s no contract to sign, allowing you to sign up for the service essentially risk-free for a whole month.

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Aereo is also giving new customers one month free when they sign up, and since there aren’t any contracts or commitments to sign your life away, new users could basically use that first free month as a free trial if they’d like. This is certainly a smart move on the company’s end, as it gives potential users the opportunity to try out the service in depth without paying any money at first.

By moving down to just two plans, Aereo got rid of three of its previous options, including the one hour free trial, as well as the $1 per day plan and the $80 per year annual plan. The annual plan allowed to save more money by committing for a year, but the new plans give you more incentive to upgrade to the $12 per month plan, which offers 60 hours of DVR time, as opposed to just 40 hours.

The $8 per month plan stays the same, and you’ll get free month of service instead of just an hour of trial time. Overall, the plans are a lot more simplified, but they aren’t all that much better or cheaper. The only big difference is that the $12 plan gives you 20 hours more of DVR storage, which Aereo is hoping that most people will opt for. The new plans officially go into affect on May 15.

If you haven’t heard of Aereo before, or aren’t really sure what it’s all about, it’s essentially a service that brings live broadcast television to users over the internet by taking regular antenna signals and streaming them online for customers. The company has been in some heat with television networks, claiming that Aereo is taking away viewers illegally. However, Aereo remains to stay for now, and it’s continuing its expansion across the northeast US as well speak, just recently hitting Boston.


Aereo streamlines pricing plans by axing annual and daily options is written by Craig Lloyd & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Hitachi – New model for LCD TV “Wooo N1″ series – 50 inch full HD “L50-N1″

Hitachi - New model for LCD TV "Woo N1" series - 50 inch full HD "L50-N1"

Hitachi Living Systems, Ltd. is adding a new 50 inch model “L50-N1″ to their LCD TV “Wooo N1″ series in June.

So far, 19, 29 and 39 inch models have been released for the Wooo N1 series. TVs in this series have tuners of digital terrestrial broadcasting/BS/CS built-in and the company says that they have good color representation and noise-reduction effects.

“L50-N1″ has 2 USB terminals that make it possible to connect 2 hard disks at the same time. For example, if you connect 2 USB hard disks with 2TB capacity, you can record around 500 hours of digital terrestrial broadcasting TV shows.

Size: 115.5 × 73.7 × 23.7cm (including stand)
Weight: 18.2 kg (including stand)
Effective pixels: 1,920×1,080
Speakers: 2 x (4.1cm x 12.2cm), 7W+7W

NHK and Mitsubishi develop the first H.265 encoder for 8K video

NHK and Mitsubishi develop the first H265 encoder for 8K video

NHK’s 8K Super Hi-Vision is an extremely bandwidth-heavy format — so much so that earlier tests used gigabit-class internet links rather than traditional TV broadcasting methods. Thankfully, both the broadcaster and Mitsubishi have developed an encoder that could keep data rates down to Earth. The unassuming metal box (above) is the first to squeeze 8K video into the extra-dense H.265 (HEVC) format, cutting the bandwidth usage in half versus H.264. Its parallel processing is quick enough to encode video in real time, too, which should please NHK and other networks producing live TV. We’ll still need faster-than-usual connections (and gigantic TVs) to make 8K an everyday reality, but that goal should now be more realistic.

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Source: NHK (translated)

Toshiba to launch TVs with DivX Plus Streaming certification

DNP Toshiba to launch TVs with DivX Plus Streaming certification

Just in case you didn’t have enough content options from the likes of Roku and your cable set top box, Toshiba has partnered with Rovi to integrate the DivX Plus Streaming codec into a new line of TVs. The streaming format promises enhanced multimedia controls like multi-language subtitles, resumable playback across devices and Dynamic Resolution Scaling, which should be good for those with fluctuating bandwidth. However, there aren’t that many services behind the format just yet, though Knowhow Movies by Dixons Retail in the UK has pledged its support. Still, one can never have enough ways to entertain the kids.

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IT Crowd bonus “Final Episode” promised for 2013

Though it’s not as good a another full season, the creator of the cult-classic geek comedy “The IT Crowd” has promised one more episode for the fans. This comedy ran for a total of four seasons starting back in 2006, starring Chris O’Dowd, Richard Ayoade, Katherine Parkinson, Matt Berry, and for a single season (with some guest appearances throughout), Chris Morris. Each of these comedians have found relative success since the end of the original series run.

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It was at the German re:publica digital conference that a Q&A session saw The IT Crowd writer and original creator Graham Linehan announce a final episode. This final episode was promised to be a lovely 40 minutes long – right around twice the length of a standard episode – and will contain at least the main four members of the cast.

According to Linehan, the script for this Very Special episode was prepared over a year ago but was delayed until now due to a collection of reasons, pregnancy to alternate obligations. The final episode is set to be filmed in three weeks time, according to Bleeding Cool, and may not end up appearing in any sort of final form until quite a bit later this year.

Since appearing in The IT Crowd, Richard Ayoade has appeared in Bunny and the Bull (in 2009, during the series), Noel Fielding’s Luxury Comedy, Full English, and the made-for-America comedy movie “The Watch.” Matt Berry is perhaps best known for his appearances in other cult-classic British television shows like The Mighty Boosh and Snuff Box, but has ramped up appearances in titles like Snow White and the Huntsman, Portlandia (TV series), and Svengali.

Katherine Parkinson appeared in The Great Outdoors, The Old Guys, Whites, and The Bleak Old Ship of Stuff in extended runs on television and popped up in several movies in the past few years as well. You’ll find Parkinson in Easy Virtue, Pirate Radio, and How to Lost Friends & Alienate People as well.

Chris O’Dowd has perhaps seen the biggest amount of success on television as well as the silver screen, having appeared in the Kristen Wiig comedy movie Bridesmaids in 2011, television shows such as Family Guy (voice), Moone Boy, Girls (yes, that Girls), Family Tree, and Monsters vs. Aliens (voice). He appeared in the film This is 40 and is part of a set of films coming out in the next couple of years: Hippie Hippie Shake, Epic (voice), Cuban Fury, Calvary, St. Vincent de Van Nuys, The Coward, and Thor: The Dark World!


IT Crowd bonus “Final Episode” promised for 2013 is written by Chris Burns & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

BitTorrent downplays Netflix’s claim of lower torrent traffic

A few days ago, Netflix’s chief content officer, Ted Sarandos, claimed that there was a correlation between the piracy rate in a given region and the availability of Netflix in said region. He says that torrent traffic goes down whenever Netflix comes to town. However, BitTorrent has spoken on the matter and says that Sarandos is woefully ill-informed.

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BitTorrent says that two of Sarandos’ statements are not true, the first being that the BitTorrent application is a synonym for internet piracy, and the second being that BitTorrent traffic drops when Netflix arrives in new markets around the world. BitTorrent says that neither of these statements is true.

BitTorrent says that it’s an excusable mistake to connect internet piracy with BitTorrent, but the company claims that it’s addressing the public’s concern with piracy. However, BitTorrent says that many companies use BitTorrent to “preserve terabytes of data,” including Facebook, Twitter, Blizzard, Eve Online, genetic researchers, and even CERN.

As for the piracy correlation that Sarandos mentioned, BitTorrent says that they are not competing with Netflix, and Netflix shouldn’t have to compete with BitTorrent. The company says that they are “actually finding ways to support companies like [Netflix], content creators, studios, and other rights-holders directly.” BitTorrent went as far as saying that they’re “getting ready to roll out an Alpha program” that they believe could drive more traffic to movie streaming services.


BitTorrent downplays Netflix’s claim of lower torrent traffic is written by Craig Lloyd & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

Samsung acquires MOVL to bolster its multi-screen TV efforts

Samsung acquires MOVL to bolster multiscreen TV apps

Samsung’s desire for deep integration of TV services was painstakingly obvious when it unveiled the Galaxy S 4’s WatchON feature. However, that may prove to be just the tip of the televisual iceberg: it’s buying MOVL, the developer of Samsung’s own SwipeIt media sharing as well as the MOVL Connect Platform and KontrolTV. We don’t know exactly how the two sides will mesh, but MOVL expects to merge its connected TV savvy with the “scale and innovation” of its new overseer, according to a company statement at TechCrunch. The only safe prediction is that existing support for generic Google TVs and iOS will likely take a back seat.

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Source: TechCrunch

Netflix: piracy rate goes down when we arrive

Media companies have been in a constant battle with piracy for several years now with no end in site. However, Netflix chief content officer Ted Sarandos thinks that the best way to fight piracy isn’t through legislation or trying to catch people and throw them in jail, but rather to offer legal services that are reasonably priced.

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Sarandos says that there is a correlation between Netflix launching in a certain country and BitTorrent traffic slowing down in that same region. It’s quite easy to see why, as well. Netflix offers unlimited streaming of a large collection of TV shows and movies for only $7.99 per month. Other streaming services, like Spotify and Rdio for music, also offer similar features for a low monthly cost.

Sarandos says that “people are mostly honest,” and a big reason why users illegally download content is because they can’t get it any other way conveniently and cheaply. For instance, you can buy and rent movies and TV shows from a variety of services, but they’re usually caked with DRM, which is a turn-off to any media junkie.

As for Netflix’s commitment to 4K streaming, there isn’t one just yet. Sarandos says that Netflix will wait until 4K evolves into a format where it can be streamed logically, at which point the company may look into it, but for now they’re only keeping their eye on it to see how 4K unfolds over these next few years.


Netflix: piracy rate goes down when we arrive is written by Craig Lloyd & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.

How Star Wars Got Its Own Holiday

Star WarsMay the 4th is a very special day for those who are fans of Star Wars. Just like the common phrase in the movies "May the Force be with you", the phrase has since been adapted to "May the Fourth be with you", making this day into an international holiday for a movie IP.

Eric Schmidt: “the future is now” for YouTube

Google says that the fight between television and YouTube is over, and they say that the internet video streaming service has won indefinitely. During a recent presentation to advertisers, Google Chairman Eric Schmidt said that the outcome of whether or not YouTube will overtake television has “already happened.”

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Schmidt said that “the future is now” for YouTube, and the company has been set on reinventing television by getting dozens of major media brands and celebrities to launch their own channels for more exclusive content on the streaming video website. However, Schmidt says that YouTube isn’t a replacement for TV, but simply “a new thing…to program, to curate and build new platforms.”

Robert Kyncl, YouTube’s global head of content, says that while television is one-way communication, YouTube goes both ways, and he says that the streaming service is all about engagement rather than simply trying to reach as many people as you can like with television. YouTube likes to hone in on their demographics and go from there.

Google just recently claimed that more 18- to 34-year-olds watch YouTube than any cable network. DreamWorks Animation’s even purchased Awesomeness TV for $33 million, which is a teen-focused YouTube Channel. Cable television has been going downhill for a while now, and streaming videos are taking its place, with many people ditching their cable and hooking up their devices to their TVs to watch streaming content.

[via NPR]


Eric Schmidt: “the future is now” for YouTube is written by Craig Lloyd & originally posted on SlashGear.
© 2005 – 2012, SlashGear. All right reserved.