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Do you like the prospect of shooting 2.5K video with Blackmagic’s Cinema Camera, but turn pale at spending $2,995 for the privilege? We have good news: Blackmagic just dropped the pro video camera’s price to $1,995. While that isn’t exactly impulse purchase territory, it’s low enough to put the greater-than-HD shooter in the same price bracket as semi-pro DSLRs. Think of the discount as consolation for delays in launching the Production Camera 4K.

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Source: Blackmagic

Although there’s undoubtedly been improvements to low light videography, it’s still difficult or impossible for most cameras to record in near-total darkness. Canon has the solution with a video-only, 35mm CMOS sensor that can keep recording even when there’s virtually no visible light at all. The prototype’s pixels are about 7.5 times larger than in already light-sensitive DSLRs like the EOS-1D X, letting it get focus with as little as 0.03lux of illumination. The result is more than just the perfect camera for a horror movie — the sensor can capture the Geminid meteor shower and other astronomical phenomena without special tricks. Canon hasn’t said when it might ship a video camera toting the new imaging technology, but it’s planning to show the sensor at a security expo this week; we may well see the sensor in the field, even if most of its work happens beyond the public eye.

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Via: Impress Watch (translated)

Source: Canon (translated)

Blackmagic Design has thrown its Cinema Camera MFT into the Micro Four Thirds arena, but it will only work with lenses that have manual iris and focus capability. The shooter is otherwise identical to the original Cinema Camera, with a 2.5k, sub-MFT sensor; CinemaDNG RAW, ProRes and DNxHD capture formats; built-in SSD; capacitive touchscreen; and an included copy of DaVinci Resolve color correction software. That means cineasts already on board that format will have another mount for their glass, and MFT’s mirrorless aspect will also permit other lens formats, like PL or Nikon, to be added with third party adapters. So, if the relatively low price, claimed 13 stop dynamic range, higher-than-HD resolution and new mount is enough to push your “start” button, check the PR for the entire skinny.

Continue reading Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K

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Blackmagic launches Cinema Camera MFT with Micro Four Thirds mount, sans autofocus, for $3K originally appeared on Engadget on Sun, 09 Sep 2012 06:11:00 EDT. Please see our terms for use of feeds.

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The streetwise kids at SonyAlphaRumors say they’re in possession of legit, leaked images of a forthcoming Sony NEX-VG30 camcorder, which they received from an unnamed tipster. The images themselves reveal very little about what’s new in this model, and even the tipster seems to mainly confirm specs that are already present in the VG20 — such as the big, 16-megapixel Exmor APS-C sensor (although it may have been upgraded), plus 24p and 60p recording at 1080. However, the top-down picture after break does reveal a new, healthy-sized zoom control on the grip, plus there’s the happy possibility of an OLED XGA viewfinder. The official announcement may well reveal other changes under the hood, but in the meantime the tipster reports a November release with a $1,800 price tag — which could either be a price drop or a hike depending on whether it’s body-only.

Continue reading Sony NEX-VG30 camcorder images leak alongside rumor of $1,800 November arrival

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Sony NEX-VG30 camcorder images leak alongside rumor of $1,800 November arrival originally appeared on Engadget on Thu, 06 Sep 2012 06:04:00 EDT. Please see our terms for use of feeds.

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You can always count on Japan’s NHK to come up with new, exciting and innovative ways to bring us video coverage. The latest project? A wind- and solar-powered robot camera designed for situations such as natural disasters. Loaded with a 1,200 Ah battery, even if the elements don’t bless it with sun and air, it can keep filming for two to three days. The combination of wind turbine and solar panels obviously allow it to generate more power than either method on its own, with the turbine reportedly generating 1 kW at 11 m/s wind speeds. A special power-saving mode prevent it draining too fast when full functionality — such as the built-in wireless, cellular and satellite broadcasting systems aren’t needed. Currently the prototype is installed on a rooftop while battery and power-generation are fully tested, but it’s hoped that this could lead to further developments for disaster area broadcast equipment. Or — here’s hoping — power-cut-proof sports coverage.

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NHK developing hybrid renewable energy-powered video camera for use in disaster areas originally appeared on Engadget on Wed, 29 Aug 2012 18:56:00 EDT. Please see our terms for use of feeds.

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