Kindle for BlackBerry e-reader app now available

Amazon is today adding BlackBerrys to its stable of Kindle-compatible devices and also taking the opportunity to remind us that it’s working hard on Mac and iPad versions of its software. The app is a freebie download for Americans (sadly it’s not international just yet) and should offer the same functionality as its PC and iPhone brethren — namely automatic syncing via Whispersync and what Amazon hopes will be a seamless reading experience from one device to the next. There’s also an in-app book store, as well as the ability to create bookmarks and view annotations from other portable Kindle readers. Go download it at the Amazon link if you care, or move right along if you don’t.

Kindle for BlackBerry e-reader app now available originally appeared on Engadget on Thu, 18 Feb 2010 03:22:00 EST. Please see our terms for use of feeds.

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HP to undercut iPad price, iPad to undercut Amazon e-books prices, Courier to rule them all?

Today’s Apple rumor roundup is brought to you by the word “money.” First up is a piece carried by the New York Times citing no less than three people familiar with provisions that would require publishers to discount best seller e-book prices sold on Apple’s iPad. In other words, below the $12.99 to $14.99 price dictated by the new agency model — prices Amazon is being strong-armed into accepting. Apple’s prices could be as low as Amazon’s previously magical $9.99 price point for some titles just as soon as they hit the New York Times best-seller lists. Discounted hardcover editions could be priced at $12.99 even if they do not hit the best-seller list.

The Wall Street Journal, meanwhile, has a pair of sources saying that HP will be meeting with its US and Taiwanese partners to “tweak prices and features” on its upcoming Slate. The move is meant to capitalize on a recent uptick in tablet interest with hopes of undercutting the $629 price of the similarly spec’d 3G-enabled iPad. Although it was introduced before the iPad, HP deliberatly held back on announcing a ship date or pricing so that it could tweak the Slate accordingly.

Also noteworthy is renewed attention given to Microsoft’s Courier. The WSJ says that Microsoft continues work on its two-screen Courier tablet at its Alchemy Ventures incubation laboratory in Seattle. However, it’s still unclear whether Microsoft will launch the device.

HP to undercut iPad price, iPad to undercut Amazon e-books prices, Courier to rule them all? originally appeared on Engadget on Thu, 18 Feb 2010 02:05:00 EST. Please see our terms for use of feeds.

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Why (and How) Apple Killed the $9.99 Ebook

Publishers joining Apple’s iBooks store are turning their back on Amazon and its vision of the flat $9.99 ebook. Apple forced the music industry to charge 99 cents per song, so why are they helping publishers set their own prices?

To screw Amazon.

The difference between Amazon and Apple is this: Amazon is very much in the ebook business to sell ebooks. They want you attached to their platform. That’s why the Kindle Reader is on both PC and iPhone, as well as the eponymous e-ink device. Ebooks are huge for them. They sell six ebooks for every 10 physical books. That’s why they want to own the market. Apple, on the other hand, sells content in order to sell hardware. The iTunes Store, the App Store and the brand-new iBooks Store exist so you’ll buy iPods, iPhones and iPads, which is where Apple really makes money. iTunes revenue is just a bonus, though an ever fatter one with the explosion of the App Store.

You can see that the two companies place far different values on the content they sell. A more illustrative example: Amazon has been selling books at a loss—paying $15 for a hardcover bestseller, only to turn around and sell it for $10 on the Kindle. Apple would never, ever sell content at a loss. They make a decent bit of change, but apps and music are really just a way to fill up your iPhone.

Do you remember three years ago, when Apple was battling with the record labels for control over (legal) digital music? Apple still owns 69 percent of the market and sell 1 out of every 4 songs, period—in other words, they owned the market, which deeply frightened the labels, who were afraid of losing control. Universal, the biggest label, flipped out, and even tried to build the anti-iTunes. That failed, so the music business bit the bullet (or the poison pill) and went DRM-free, not with Apple at first, but with Amazon. It became a (sorta) credible competitor to the iTunes monster, long enough to give the labels just enough extra negotiating power. When iTunes music downloads went DRM free, many of them—particularly hit singles—suddenly cost $1.29.

The situation is remarkably similar, except this time, Amazon’s wearing the market-maker pants. Some estimate Amazon’s share of the ebook market to be 90 percent, but I’ve heard from people in the publishing industry say it’s closer to 80 percent. But that’s nitpicking. At this moment, Amazon owns ebooks. The book publishers’ fears are the same as the record labels with iTunes: They’re paranoid about losing control over pricing, and their own digital destiny. They’re worried that books are being undervalued, and that once people have the mindset that the price of an ebook is $9.99, and not a penny more, they’re doomed. They needed an insurgent player: Apple.

Apple has advantages that Amazon didn’t have with music: Scale and technology. iTunes has just moved 3 billion iPhone apps. Apple’s sold over 250 million iPods. By contrast, Amazon’s sold an estimate 2.5-3 million Kindles since it debuted 2 years ago. Analysts predict Apple will sell twice as many iPads this year alone.

In terms of technology, e-Ink looks old and busted and slow next to the iPad’s bright, color display. (Even the fact that the written word is much easier to stare at for long periods of time when presented on e-ink won’t save the current Kindle.) An iPad can do more than books: Beautiful digital magazines, interactive textbooks, a dynamic newspaper. Oh, and it’s a computer that does video, apps, music. Amazon’s scrambling now to make a multitouch full color Kindle after betting on E-Ink, but that kind of development takes at least a year. Even if they churn out a full color reader that is somehow better than the iPad, it likely won’t matter: It would just be a very nice reader to iPad’s everything else, and it would be 9 months too late.

The print industry is swirling down the toilet, and apocalypse-era publishers minds’ dance with hallucinations of digital salvation via iTunes for print. It’s the iPod for books. What Amazon was supposed to deliver, but now maybe never will.

With that contrast in mind, all the publishers needed was a little push. All Apple had to whisper was, “Hey, we’ll let you set your own prices for books. You should control your own destiny. We’d love to have you. You know, $12.99 is a really good price for a beautiful color version of your amazing books. BTW, why are you letting Amazon undersell you?” It doesn’t matter that publishers make less absolute money through the agency model used by Apple—Amazon might’ve given them $15 for a book it sold for $10, but under the agency model, the seller takes 30 percent off the top. They wanted to feel in control, and that their books are worth something more. Steve gave them that, even as he’s probably got his fingers crossed behind his back.

Amazon knew what it was doing by insisting on $9.99 as the price for ebooks. A flat, easy-to-understand rate—one that’s notably cheaper than its analog counterparters—is a paradigm that works, especially when you’re trying to essentially build a whole new market. It plays into the part of our brains that like easy things. That likes the number 9. (No really, 9 is a psychologically satisfying number.) Amazon believed in it so strongly, as I said before, they sold books at a loss to keep it up. (I’m not suggesting, BTW, that Amazon would be any more benevolent to the industry than Apple. They wouldn’t.)

Price would’ve been Amazon’s major advantage over Apple too—being able to undercut Apple by setting whatever price they needed to compete would’ve been its ace in the hole against the iPad’s flashy color screen, and everything else it can do. And now that’s poofed. Apple will be able to sell you ebooks for the exact same price as Amazon. By turning the publishers against Amazon, they’ve effectively dicked the Kindle over. Why? To fill out another bullet point as to why you should buy an iPad. The real question is how long it’ll take publishers to realize that’s all they are to Apple: one little bullet point.

Hachette Book Group also pulls away from Amazon

It looks like the tide is starting to turn decisively against Amazon’s $9.99 e-book publishing model — first MacMillan fought back and won, then HarperCollins dragged Bezos and Co., back to the negotiating table, and now Hachette is beating on the door. That’s at least the word according to a leaked memo from Hachette Book Group CEO David Young, in which he says the “agency” pricing model favored by MacMillan — and used by Apple new iBooks store — is the way to go. Ultimately this all comes down to power and control, and we’re getting the feeling the publishers have realized that they have to exert it in order to keep it — and oddly enough, it seems like Apple and the iPad are the leverage they’ve been waiting for. Get ready for the shakeout.

P.S.- Charlie Stross has a nice breakdown of the differences between the Amazon model and the agency model, if you’re interested in the nitty-gritty.

Hachette Book Group also pulls away from Amazon originally appeared on Engadget on Fri, 05 Feb 2010 13:01:00 EST. Please see our terms for use of feeds.

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Hello Kindle Touch: Amazon Buys a Little Multitouch Company

Ker-BOOM. That’s the thundering explosion of Amazon purchasing Touchco, a little company that makes incredibly cheap, infinitely multitouchable displays, and merging it into their Kindle division. Kindle Touch. It actually sounds kind of nice.

Touchco’s touchscreen tech is designed to be cheap—under $10 a square foot—using a resistive display tech called interpolating force-sensitive resistance. What makes it more special is that unlike most resistive touchscreens, it’s pressure sensitive, and can detect an infinite number of simultaneous touches. Plus, it’s totally transparent (old school resistive touchscreen layers dim brightness and dull colors) and designed to work with full color LCD screens. (Bits has more on Touchco.)

You know, the kind of gorgeous screen that’s perfect for magazines, textbooks, and interactive content. The stuff that E-Ink Kindles can’t do right now, but that a certain other reader announced last week can. So! A full color Kindle Touch. Just think about it.

Like we’ve been saying: The Great Publishing War is just getting started. [NYT]

Amazon pulled Macmillan titles due to price conflict — confirmed (update: they’re back!)

Macmillan’s US CEO, John Sargent just confirmed that Amazon pulled its inventory of Macmillan books in a powerful response to Macmillan’s new pricing demands. Macmillan offered the new pricing on Thursday, just a day after Apple announced Macmillan as a major publishing partner in its new iBookstore — a revelation that certainly factored into the discussions along with Skiff and other emerging e-book distribution and publishing models. During the meeting with Amazon in Seattle, Sargent outlined what he calls an “agency model” that will go into effect in early March. Under the terms offered, if Amazon chose to stay with its existing terms of sale then it would suffer “extensive and deep windowing of titles.” Amazon’s hardball response was to pull all of Macmillan’s titles from its Kindle site and Amazon.com by the time Sargent arrived back in New York.

Macmillan claims that its new model is meant to keep retailers, publishers, and authors profitable in the emerging electronic frontier while encouraging competition amongst new devices and new stores. It gives retailers a 30% commission and sets the price for each book individually: digital editions of most adult trade books will be priced from $5.99 to $14.99 while first releases will “almost always” hit the electronic shelves day on date with the physical hardcover release and be priced between $12.99 and $14.99 — pricing that will be dynamic over time. So when Steve Jobs said that Apple’s and Amazon’s prices would be the same, he was almost certainly referring to the $12.99 to $14.99 e-book pricing originally rumored by the New York Times — not the $9.99 price that Amazon customers have been enjoying so far. Funny how Jobs, the man who once refused to grant the music labels’ request for variable pricing on digital music so that Apple could maintain a low fixed $0.99 price per track, is suddenly the best friend of a new breed of content owners. Guess the old dog just learned a new trick, eh?

Update: Amazon has conceded, but not willfully. It has decided to give the consumer the option of paying too much for a bestseller, and frankly, that’s the right thing to do. Let ’em vote with their wallets, we say. The full response is after the break.

Continue reading Amazon pulled Macmillan titles due to price conflict — confirmed (update: they’re back!)

Amazon pulled Macmillan titles due to price conflict — confirmed (update: they’re back!) originally appeared on Engadget on Sun, 31 Jan 2010 04:06:00 EST. Please see our terms for use of feeds.

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The iPad Is The Gadget We Never Knew We Needed

Now that we’ve seen the iPad in the light of day, there’s a lot of chatter about what it can’t do. But Apple is now a massive threat to anything not a PC or smartphone. Here’s why:

Generally speaking, the iPad’s goal is not to replace your netbook, assuming you own and love one. It’s not about replacing your Kindle either, assuming you cashed in for that as well. We have reviewed plenty of both, and know there’s plenty to like. If you derive pleasure out of using either, then Apple might have a hard time convincing you to switch to the iPad. But for the millions of people who aren’t on either bandwagon, yet have the money and interest in a “third” device between the phone and the computer, the iPad will have greater appeal.

250 Million iPods Earlier…

When the first iPod came out, its goal was not to grab the customers who Creative and Archos were fighting over, with their dueling 6GB “jukeboxes.” It was to grab everyone else. I remember listening to arguments about why Archos had a better device than Creative or even Apple. Lot of good that early-adopter love got them in the long run. The pocket media player market exploded, with Apple eating over half the pie consistently for almost a decade.

When the iPhone came out, BlackBerry users were like, “No flippin’ way.” And guess what, those people still buy BlackBerries. (And why shouldn’t they? Today’s BlackBerry is still great, and hardly distinguishable from the BB of 2007.) The point is, the iPhone wasn’t designed to win the hearts and minds of people who already knew their way around a smartphone. It came to convince people walking around with Samsung and LG flip phones that there was more to life. And it worked.

iPhones now account for more than half of AT&T’s phone sales. You can bet that WinMo, Palm and BB combined weren’t doing that kind of share pre-iPhone. Globally, the smartphone business grew from a niche thing for people in suits to being a 180-million unit per year business, says Gartner, eclipsing the entire notebook business—about 20% of which, I might add, are netbooks. The iPhone isn’t the sole driver of this growth, of course, but its popularity has opened many new doors for the category. Just ask anyone in the business of developing/marketing/selling Droids or Palm Pres.

You could say, “Those were Apple’s successes, what about their failures?” In the second age of Steve Jobs, there aren’t a whole lot. Apple TV is the standout—quite possibly because Apple discovered, after releasing the product, that there wasn’t a big enough market for it, or any of its competitors. Apple TV may be crowded out by connected Blu-ray players, home-theater PCs and HD video players, but Apple TV’s niche is, to this day, almost frustratingly unique.

So how do you know if a market exists? You ask the “other” Steve, Microsoft CEO Steve Ballmer.

It’s Business Time

There’s a famous Ballmerism, one he’s even said to me, that goes something like, “A business isn’t worth entering unless the sales potential is 50 million units or more.” 50 million. That’s why Ballmer is happy to go into the portable media player business and the game console business, but laughs about ebook readers. Microsoft may not sell 50 million Zunes, but it’s worth being a contender.

You can bet Apple thinks this way. You can easily argue that, despite its sheen of innovation, Apple is far more conservative than Microsoft. Apple TV is a bit of an anomaly, but with no major hardware refreshes and a few small-minded software updates, you can hardly accuse Apple of throwing good money after bad. Presumably Apple TV was a learning experience for Jobs & Co., one they’re not likely to repeat.

With that in mind, let’s look at these popular in between sized devices, particularly at netbooks and ebook readers.

Like Notebooks, Only Littler

Netbooks are cooking, but it’s well known they’re cooking because notebooks are not. A netbook was originally conceived as something miraculously small and simple, running Linux with a warm fuzzy interface that dear old gran could use to bone up on pinochle before Friday’s showdown with the Rosenfelds. But instead of growing outward to this new audience (always with the grandmothers, it seems), it grew inward, cannibalizing real PC sales.

The Linux fell away, mostly because it was ill-conceived, and these simply became tiny, cheap, limited-function Windows PCs. They may have been a 40-million-unit business last year, according to DisplaySearch, but they only got cheaper, and the rest of the business was so depressed nobody was happy. (And just ask Ballmer how much he makes on those XP licenses, or even the “low-powered OS” that is Windows 7 Starter.)

Point is, nerds may love their netbooks, but the market that the netbook originally set out to reach is too far away, running farther away and screaming louder with every blog post about what chipset and graphics processor a netbook is rumored to have, or whether or not it is, indeed, a netbook at all. Clearly the audience is cheap geeks, and while that may be a good market to be in (just read Giz comments), it’s definitively not Steve Jobs’ market.

Easy on the Eyes

Now, about that Kindle. Best ebook reader out there. Every time we say that, we say it with a wink. We totally respect the Kindle (and I for one have hopes for Nook once it pulls itself out of the firmware mess it’s in), but we think e-ink is a limited medium.

Its functionality is ideal for a very specific task—simulating printed words on paper—and for that I have always sung its praise. The Kindle is ideal for delivering and serving up those kinds of books, and as a voracious reader of those kinds of books, I am grateful for its existence. But there are other kinds of books of which I am a consumer: Cookbooks, children’s books and comic books. (Notice, they all end in “book.”) The Kindle can’t do any of those categories well at all, because they are highly graphical. E-ink’s slow-refreshing, difficult-to-resize grayscale images are pretty much hideous. No big deal for the compleat Dickens, but too feeble to take on my dog-eared, saffron-stained Best-Ever Curry Cookbook.

So, e-ink’s known weaknesses aside, let’s talk again about Ballmer’s favorite number, 50 million. Guess how many Kindles are estimated to have been sold ever since the very first one launched? 2.5 million. Nobody knows for sure because Amazon won’t release the actual figures. Guess how many ebook readers are supposedly going to sell this year, according to Forrester? Roughly 6 million. In a year. Compare that to 21 million iPods sold last quarter, along with 9 million iPhones.

I am not suggesting that the iPod or iPhone is a worthwhile replacement for reading, but I am saying that, for better or worse, there are probably at least 2.5 million iPod or iPhone users who read books on those devices.

Are you starting to see the larger picture here? I am not trying to convince you to buy an Apple iPad, I am trying to explain to you why you probably will anyway. As the Kindle fights just to differentiate itself while drowning in a milk-white e-ink sea of God-awful knockoffs, you’ll see that color screen shining in the distance.

Sure the iPad may not be as easy on the eyes as a Kindle. But you will be able to read in bed without an additional light source. You will be able to read things online without banging your head against a wall to get to the right page. And, once the publishers get their acts together, you will be able to enjoy comics, cookbooks, and children’s books, with colorful images. Even before you set them into motion, dancing around the screen, they’ll look way better than they would on e-ink. (I haven’t even mentioned magazines, but once that biz figures out what to do with this thing, they will make it work, because they need color screens, preferably touchscreens.)

Tide Rollin’ In

So we have this new device, carefully planned by a company with a unique ability to reach new markets. And we have two types of products that have effectively failed to reach those markets. And you’re going to bet on the failures? The iPad has shortcomings, but they only betray Apple’s caution, just like what happened with iPhone No. 1. Now every 15-year-old kid asks for an iPhone, and the ones that don’t get them get iPod Touches.

We can sit here in our geeky little dorkosphere arguing about it all day, but as much as Apple clearly enjoys our participation, the people Jobs wants to sell this to don’t read our rants. They can’t even understand them. My step-mother refuses to touch computers, but nowadays checks email, reads newspapers and plays Solitaire on an iPod Touch, after basically picking it up by accident one day. That’s a future iPad user if I ever saw one.

Jobs doesn’t care about the netbook business, or the ebook business. He’s just aiming for the same people they were aiming at. The difference is, he’s going to reach them. And the fight will be with whoever enters into the tablet business with him. Paging Mr. Ballmer…

PS – If I’ve gotten to the end of this lengthy piece without telling you much about the iPad at all, it’s because other Giz staffers have already done such a handsome job of that already. If you missed out, here are the best four links to get you up to speed:

Apple iPad: Everything You Need To Know

Apple iPad First Hands On

Apple iPad Just Tried to Assassinate Laptops

8 Things That Suck About Apple iPad

Apple reveals iBookstore and app for the iPad

Put this down as something else rumored that’s come to fruition today. Apple’s just announced iBooks, an e-reader app and bookstore (called iBookstore) for the iPad, using the ePub format. We’re seeing prices around $12.99 to $14.99 so far… looks pretty slick! We’re sure Jeff Bezos and Co. are none too pleased to see this one, but we’ll have to see for ourselves what reading’s like on a non-E Ink screen. There’s a gallery after the break.

Be sure to hit up our hands-on right here!

Continue reading Apple reveals iBookstore and app for the iPad

Apple reveals iBookstore and app for the iPad originally appeared on Engadget on Wed, 27 Jan 2010 13:57:00 EST. Please see our terms for use of feeds.

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Mustek MER-6T is another Twilight-loving touchscreen e-reader

Mustek isn’t in the business of making out-there products, but maybe it’s changing its tune by slapping the Twilight cover on its MER-6T e-reader. Just another 6-inch, e-ink reader sans a content ecosystem or wireless connectivity, we can only imagine that they want you to stab the MER-6T right in the SD card slot in a fit of vampire e-reader-hating rage. Ah, but then when the blood is slowly dripping off its .4-inch thick body and into its 3.5mm headphone jack, you to realize that it’s got a touchscreen, built-in music player, and that it comes with a luring wrist strap all which make you want to ravish the device forever into the night. You sick bastards, Mustek. There’s no pricing on the MER-6T, but the experience seems pretty priceless.

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Mustek MER-6T is another Twilight-loving touchscreen e-reader originally appeared on Engadget on Tue, 26 Jan 2010 15:50:00 EST. Please see our terms for use of feeds.

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Pondering The Apple Tablet’s Print Revolution

The Apple tablet could change everything. That’s what people are hoping for, revolution. But revolutions don’t actually happen overnight, especially if you’re talking about turning around an entire diseased, lumbering industry, like publishing.

The medium is the message, supposedly. The iPod was a flaming telegram to the music industry; the iPhone, a glowing billboard about the way we’d consume software. The Apple tablet? Possibly no less than the reinvention of the digital word. If you look very generally at the content that defined the device—or maybe vice versa—the iPod danced with music, the iPhone’s slung to apps and, as we were first in reporting a few months ago, the tablet’s bailiwick might very well be publishing.

Since then, the number of publishers—of newspapers, magazines and books—reported to be talking to Apple has exploded: NYT, Conde Nast, McGraw Hill, Oberlin, HarperCollins, the “six largest” trade publishers, and Time, among many others, are making noise about splaying their content on the tablet. A giant iPod not only for video, photos and music, but for words. That’s what they’re lining up to make ritual sacrifices for. Publishers want this, whatever it is.

I say “whatever it is,” because, for all of the talk and pomp and demos, they haven’t seen the Apple tablet. They don’t know what it’s like. They don’t know how to develop for it. As Peter Kafka’s reported, neither Conde Nast (publisher of Wired) nor Time will be ready to show anything for the tablet on Wednesday, much less a mindblowing reinvention of the magazine, because Apple’s keeping them at arm’s length. (Why? Secrecy, which matters far more than launch partners. All the leaks about the tablet have come out of third parties, like the goddamn publishers, so Apple’s not telling them much more than they are the rest of us.)

The sole exception, that we know of, is the New York Times. The Gray Lady has a team of three developers embedded in Cupertino. This makes a certain kind of sense, given the content the tablet is framing, and which publisher is currently best suited to delivering that content in a new experience.

When it comes to experimenting with the display and digestion of the digital word, the NYT has aggressively been the most innovative major publication on the web: Just look at the incredible infographics, the recently launched NYT Skimmer and the NYT Reader. Logically, they’re the print publication perhaps most able to realize the early potential of a device that’s essentially a window for displaying content. And it doesn’t hurt that Apple loves the NYT.

The tablet might just be a big iPhone, but the key word is “big.” What defines the tablet in opposition to the iPhone is the screen size, less than any kind of steroidal shot to processing muscle. A 10-inch screen will hold 10 times the screen real estate of the iPhone’s 3.5-inch display. That’s room for ten fingers to touch, navigate and manipulate, not two. Real estate for full web pages, for content apps that are so much more than news repackaged for a pocket-sized screen. The ability to really “touch what you want to learn about” is an “inflection point for navigation,” that is, the potential to truly “navigate serendipitously,” as the NYT’s media columnist David Carr put it to me.

Think of it as a more tangible version of the force that drives you from a Wikipedia page about gravity to one about the geological history of the planet Vulcan, touching and feeling your way through everything from a taxonomy for Star Wars fanboys to the Victoria’s Secret catalog.

The Wikipedia example might be particularly apt, actually. If we use iPhone history as a guide, given that the tablet is likely to be an evolution of the iPhone software and interface, it’s likely these publications will be content “apps” that will be islands unto themselves: So it might be easy to wander all over the NYT’s island via the tips of your fingers, but not so easy to float off to the WSJ’s abode. At least to start, we assume it’ll much like iPhone apps. For all of the very whizzy Minority Report wannabe demos from Sports Illustrated, we don’t know what the content apps are actually going to look like, or what they’ll be able to do on the tablet. In particular, what is it they’ll be able to do that they couldn’t do on the web right now, given how powerful the web and web applications have become over the last couple of years? (Look at everything Google’s doing, particularly in web apps.) The question, as NYU Journalism professor Mitch Stephens told me, is whether the tablet’s capabilities can “actually get the Times and Conde Nast to think beyond print?”

If you think the newspaper and magazine industry is slow, the book industry is prehistoric. As whipped into a fervor as HarperCollins and McGraw Hill may be about jumping aboard the full color Apple tablet express to carry them into a new age of print with “ebooks enhanced with video, author interviews and social-networking applications,” past the Amazon schooner, they take years to move. And they’re likely in just as in the dark as everybody else.

There’s also the macro issue that it just takes time for people to figure shit out. Think about the best, most polished iPhone apps today. Now try to remember the ones that launched a week after the App Store opened. It’s a world of difference. New media, and how people use them, aren’t figured out overnight. Or fade back to the internet circa 2006. Broadband wasn’t exactly new then, but so much of the stuff we do now, all the time—YouTube, Twitter—wasn’t around.

The apparent readiness to yoke the fortunes of the sickly publishing industry to Apple, and its tablet, oozing out of info scraps and whispers, like a publishing executive telling the NYT that, versus Amazon, “Apple has put an offer together that helps publishers and, by extension, authors,” is deeply curious. The publishing industry wants the iPod of reading, but they’ve clearly forgotten the music industry’s traumatic experience when they got theirs. Apple basically wrested control of legal digital music, and the music industry got far less than they wanted to make up for it. Hollywood, in turn, played their hand far differently, scattering bits of movies and TV shows across tons of services, so no one had any leverage, especially not Apple. (Hence, Apple’s negotiations for a subscription TV service with Disney or CBS always seem delicate at best.) I don’t know why Apple would be any more magnanimous with publishers than record labels, given the chance to be gatekeeper.

The gatekeeper matters, because it dictates the answer to publishing’s current crisis: “How we gonna get paid?” The NYT is bringing back metering to its website; book publishers weep over the fact that Amazon has decided books are worth precisely $9.99. Publishers want to control their financial destiny. Apple wants to control every element of the experience on their devices. (Apparently, they’ll get to.) I want to be able to read the NYT, WSJ, The New Yorker, Penthouse and Wired, in all of their dynamic, interactive, multitouch glory easily and cheaply. Ads might be the secret to making that possible. Ultra targeted, innovative ads designed just for the tablet. At least, in the future—Apple’s acquisition of mobile ad firm Quattro, and its CEO’s ascension to VP, have happened too recently to bear much fruit yet.

Point being, there’s a lot of stuff publishers have to figure out, from the big stuff to the little stuff. Apple hasn’t exactly sped up the process by giving them much to work with, either, but for one publisher that we know of—and maybe a couple we don’t. The tablet might change the digital word the way the iPod changed digital music. But it’ll take some time.

Thanks to Joel for that awesome render; original CC printing press image from JanGlas/Flickr