Why I Think E-Ink Readers Are Dumb

The future of media isn’t on paper. And a device just dedicated to replicating dead trees is a waste of time. Let me show you why electronic ink’s virtues don’t matter as much as its weaknesses do.

Click through the gallery for a blow-by-blow of e-ink’s strengths and failures:

E-ink is a great digital tool for emulating what books were. But a horse with rollershoes can’t keep up with the automobile, so why should we expect a digital book to keep up with modern media habits?

I fell in love with the Kindle last year, but I think you’re a fool to buy one now—let alone any of its lesser competitors—when so much new technology is about to hit over the next six months. I’m giving up on it. I am waiting for a tablet. Same size, different priorities. And unless you love novels and non-fiction more than TV, movies, cookbooks and glossy magazines all together, you should, too. [Fantastic rendering above by Rob Beschizza]

Celebrity Nerds: Lil’ Wayne’s got a modded Xbox

Celebrity Nerds confirms what you always knew, deep in your heart of hearts: that stars are nerds like us. Send in your own confirmations of this fact right here.

Now, we don’t have photographic evidence of this one, so Wayne, if you happen to be a reader, feel free to snap a pic of yourself with the console. Either way, we have enough proof to proudly classify Lil’ Wayne a… you know, nerd. GTR has published a video of the New Orleans-born rapper having a conversation with KRS-One during which he says he’s got an “Xbox that has every game from A-Z, Atari, Nintendo, pong, movies & even porn.” Whoa. Where can we get one of those? Wayne claims that the Xbox was a gift… but we bet he hacked it himself. Video is embedded after the break.

[Via Joystiq]

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7 Gadgets That Fulfill All Of Your Sad Emotional Needs

Adam’s disturbing adventure with the Fleshlight (NSFW) this week got me thinking about the flipside of sex with machines. What about our emotional needs?

German designer Stefan Ulrich’s Funktionide is like a body pillow best friend (or lover as this video suggests).

Based on EAP-technology “Funktionide” is a concept for an emotional robot that substitutes human contact. In a future where technology will play a huge part in our lives it is very likely that some day it will shift from satisfying our basic functional needs to include our emotional needs as well.

Can a man love a blob made from plastics? Rosanne Barr was married more than once, so I suppose anything can happen. [Project Page]
Let’s say you actually have a flesh and blood “girlfriend,” but you met on the internet, she has never seen a real picture of you and she barely speaks English. Mutsugoto can break down all of those physical and geographic barriers to create a genuine intimate experience with light.

the device was designed to communicate intimacy and to offer an alternative to text and e-mail messaging. While lying on their beds miles away from each other, the couples wear touch-activated rings visible to a camera mounted above them. A computer vision system tracks the movement of the ring as one of the device’s users passes it across their own body, or bed. At the same time these strokes are transmitted to and projected in beams of light on the body of their partner. The lines change color if they cross.

Plus, this way she won’t feel how fat you are.
Experience Twitter on a more personal, emotional level with this DIY Guardian robot.

Meet the Guardian Robot: This friendly little fellow stands on your desk and monitors your Twitter feed for “happy” and “sad” posts by your friends on your Twitter feed. But unlike conventional alert systems, this robot encourages you to interact with the posts it finds.

For example, when it finds a “happy” post, the Guardian Robot raises its head and arm in triumph. It holds the pose until you give it a “high five” by pushing the switch in its raised hand. Once you do that, the robot pass the high five on to your buddy via a reply Tweet.

Likewise, when the Guardian Robot comes across a sad Tweet, it lowers its head in despair. You cheer it up by giving it a hug, which it will forward on with another reply Tweet.

[Link]
Lonely people often turn to pets to fill the void, but not everyone is cut out for the responsibility. Perfect Petzzz offer a solution with a robot that looks and breathes like a real dog or cat during a slumber that is interrupted only by an on/off switch or the death of a D battery. It’s all of the fun of owning a dog that’s in a coma without all of the hassle. [Perfect Petzzz via Link]
Tired of coming home to an empty house every night? The Expected Curtain makes it appear from the outside as though you have several friends just hanging out in your home, enjoying a motionless staring contest for hours and hours on end. [Link]
One of the saddest products on this list has to be the girlfriend pillow. But look at the guy in the photo—he seems content with a soft, uni-breasted torso. Plus he has the option of picking up a lap pillow for more intimate moments. Also available in a boyfriend version.
Thanks to 64 strategically located actuators, this jacket from Philips reacts with scenes from movies—heightening your emotional reaction. For example, it might hug you repeatedly during a Lifetime movie or pulse like a heartbeat during a tense scene in a horror flick. [Link]

Four Old Gadgets We Love (and Four We Hate)

Anna Jane Grossman is the author of Obsolete: An Encyclopedia of Once-Common Things Passing Us By. She has compiled a special short list for Gizmodo: Four old gadgets we love and we’ll really miss, and four we’re glad are gone:

Technology is all about what’s new and what’s next—today’s iPhone is just tomorrow’s paperweight. What about the things that were “new” and “next” yesterday or the day before? We live in a time of so much change and progress that there’s nostalgia for things that kinda still exist. Here are a few that, for better or worse, are fading fast.

Got any more dead innovations you want to lament or wish good riddance? Chances are Anna Jane covered them in her book, but until you pick up a copy, you might as well comment about it below.

Anna Jane Grossman is the author of Obsolete: An Encyclopedia of Once-Common Things Passing Us By (Abrams Image) and the creator of iamobsolete.net. Her writing has appeared in dozens of publications, including the New York Times, Salon.com, the Associated Press, Elle and the Huffington Post. She has a complicated relationship with technology, but she does have an eponymous website: AnnaJane.net. Follow her on Twitter at @AnnaJane. [ Photo of Anna Jane by Amber Marlow Blatt, from Hey Brooklyn]

This Is Not Your Ordinary Family Photo

This is the Duke family. The father, Charles Moss Duke, Jr. born October 3, 1935. The mom, Dorothy Meade Claiborne. The two sons, Charles and Thomas. They are probably in their garden, sitting on a bench. They look so happy.

And they should be, because Charles Moss Duke was the lunar module pilot of Apollo 16 in 1972. He landed with mission commander John W. Young at the Descartes Highlands, which is what makes this photo so special: It’s still there, untouched, unperturbed, exactly in the same position as he left it before taking this snapshot with his Hasselblad 70mm film camera.

I didn’t know about this fantastic photo until a couple of days ago, ignorant that I am. Following the advice of my friend Adán—who is a space exploration fanboy like me—I bought an amazing book called Full Moon. It shows the trip to the moon through 128 brunch-bacon-crispy photographs, many of them giant four-page spreads containing fascinating panoramas. All clean, pitch black background, no text. Like the silence of space.

Full Moon is not a new book: It was curated and published in 1999 by Michael Light. It contains the first and only digital scans of the Apollo missions’ original camera film. See, when these images returned from space, NASA copied each of the photos, then stored the original film right away for future scanning. Every lunar photo you have seen out there are copies made from copies of the originals.

The vaults were opened for Light and this book for the first time. He went through all of the original transparencies, selected what he thought were the best, scanned them using the best digital equipment available, created the spread panoramas when needed, and printed this book. The quality is so perfect, and the selection so good, that I can’t recommend it highly enough.

So there I was, sitting in amazement, slowly flipping through the amazing views, and then I found this. It instantly caught my attention. The idea of leaving such a happy photo in the surface of such a inhospitable place filled me with a mix of happiness, sadness, and much, much nostalgia. I instantly remembered another image like that. Surely, that image must have been inspired by Duke’s original shot:

You can buy Full Moon here. Actually, you must.

Why the FCC’s Got AT&T and Verizon Scared Shitless

Remember net neutrality? Over a year after Comcast’s torrent-killing ways turned it into a rallying cry for chest-slapping geek solidarity, it’s back. But this time, it’s got AT&T and Verizon scared shitless—and it might actually screw us over.

A quick refresher: Net neutrality is, simply, the principle that all data gets treated the same by an ISP or service, whether it’s incoming email or HD videos of dudes getting socked in the nuts by a 4-year-old on YouTube. A real-world example of very non-neutral behavior would be what got Comcast slapped by the FCC: specifically sabotaging torrents.

Theoretically, this could go beyond policing piracy, for instance if, say, Time Warner competitively blocked or slowed down Hulu, or if Verizon struck a deal with Google to give its data priority over traffic from Bing, so people using Google would get a way better experience than people using Bing. Streaming video is a not-so-coincidental theoretical example, since the explosion of video traffic is what the ISPs say is swallowing up all of the internet.

The end result of the threat of government-mandated net neutrality regulations for ISPs was a mixed “win” for consumers: AT&T, Comcast and Time Warner all responded with monthly data caps on their internet service in at least some of their markets. (Comcast limited it in all markets.)

As for the FCC telling ISPs to be more explicit about network management practices, Comcast started straight-up telling people heavy internet users would have their entire connections slowed down. While they suck for consumers, these are all “net neutral” practices, since no particular kind of data is discriminated against. The net neutrality debate fizzled down, though in some ways people were worse off than before.

With a new president, comes a new FCC chair, Julian Genachowski. Unlike his predecessor, who regularly reamed the cable industry but was a little too snuggly with the telecoms and against “hard and fast” net-neutrality rules, Genachowski is all about rules for everybody. Including the wireless carriers.

As you’re probably well aware, mobile broadband is treated way differently than the internet that’s piped into your house. It’s considered fragile. There’s far less of it to go around, with a less developed infrastructure and limited wireless spectrum to use. The rules for using it are tighter, like dating a nun. Restrictions abound, like no p2p. You don’t want the network to break, after all. That’s why, for instance, AT&T previously blocked Skype and SlingPlayer from running on 3G on the iPhone—and continues to block Sling—and why Apple rejects every torrent app that even tries to cross into the App Store.

In the past weeks, Genachowski has made it clear that he thinks that should change, that openness should “apply to the Internet however accessed.” He’s not saying they shouldn’t be able to manage the network to make sure it runs smoothly, to be clear. But if you were scratching your head about why AT&T conceded and opened their network up to VoIP on the iPhone, look no further than this nugget from Genachowski, from a speech he gave three weeks ago:

We’ve already seen some clear examples of deviations from the Internet’s historic openness. We have witnessed certain broadband providers unilaterally block access to VoIP applications (phone calls delivered over data networks)…”

AT&T very much does not want the government to tell it how to run its networks, particularly the mobile one. AT&T Mobility CEO Ralph de la Vega this week responded pretty clearly to the FCC’s plans:

“Before we begin ‘fixing’ what isn’t broken, we need to be thoughtful about the consequences. We believe the marketplace today is vibrant, and there is no need to burden the mobile Internet with onerous new regulations.”

So what’s going to happen?

Well, the FCC is clear about what it thinks. This week, at a wireless telecom conference, Genachowski reiterated that net neutrality should apply to mobile broadband too. If those regulations pass, we’ll likely see the same thing we saw with the landline providers: Caps (not just on 3G cards like there are now) and “transparent” network management. Goodbye unlimited mobile broadband like the iPhone has. You will pay for every ounce of data that you use. And if you’re “crowding” the network by downloading a bunch of stuff, you’re gonna get slowed down because that’s the easy “net neutral” way to keep users in check. How much better is that, really?

So iPhone users, enjoy your “unlimited” wireless connections now. Pay-per-byte data—for both wired and wireless broadband networks—may well be the road we’re going down. Verizon is the last major landline broadband provider who has held back from capping or throttling its services (looove my FiOS), but even its CTO says that eventually, “we are going to reach a point where we will sell packages of bytes.”

Hopefully those packages will come cheap.

I Had Sex With Furniture: The Shameful (NSFW) Fleshlight Motion Review

The Fleshlight Motion is like an ottoman with a fake vagina on the side. You have sex with it. I did the deed with an inanimate object so you don’t have to, and these are my results. I feel dirty.

I’m actually reviewing two different products from Fleshlight: the Fleshlight Motion ($90-$150) and the Sex in a Can ($40). But they’re both just different versions of the same rubber vagina. The Sex in a Can puts that fake vagina in a big fake beer can, while the aforementioned Fleshlight Motion gives you a leather-encased box to hold on to while you do your thing.

In theory, there’s nothing wrong with using an object to help out your solo stimulation. After all, ladies have all sorts of fun toys that they use, and it’s pretty acceptable. But the male sex toy has never really caught on. Now that I’ve used one, I can see why.

What You’re Getting Yourself Into, Literally

When it gets down to it, these things just don’t feel right. They’re made of a rubbery material that feels absolutely nothing like anything resembling a human body part. They try to make up for that by instructing you to soak them in warm water first and then using a shitload of lube, but really, you’re still fucking a piece of rubber, and there’s nothing you can do to trick your body into thinking otherwise.

And do you seriously want to go through the process of soaking a fake vagina in water, lubing it up and then going to town on it? And have you thought about what happens when you’re done? This is no kleenex cleanup, my friends. You need to go to a sink and rinse out your rubber vagina and its plastic case. Imagine doing that, and imagine how you’d feel about yourself at that moment. Got that picture in mind? It’s worse than that. Trust me.

Surviving the Shame

If you were really interested in these things, however, I can see how the Sex in a Can could be justified. It’s pretty discreet, and it’s one of those things that could easily be hidden in the back of a sock drawer. And far be it from me to tell you what feels good and what doesn’t. But the Fleshlight Motion, well, that’s just too much.

Seriously, where are you supposed to put this thing? The best you could do to hide it would be to put it in a closet, and even then it would take up a ton of room. A gigantic leather sex toy is the ultimate dealbreaker if a potential mate comes over. I mean, how can you really justify a huge box with a vagina? At least if you have a creepy sex room with all sorts of wedges and swings it shows that you’re into having sex with another person. This just shows an extreme dedication to a party where only you and your penis are invited.

And if you’re able to stay aroused when you look down and see this thing beneath you, you’re a better man than I. Seriously, there’s nothing that kills a boner faster than the self-awareness that comes from being balls deep in a piece of furniture.

At the end of the day, these Fleshlights just made me appreciate the classic standby of jerking off with your hand. I mean, it’s so perfect. It fits well, you can adjust the tightness, it’s always at human-body temperature, it’s free and there’s no need to hide it. You just can’t improve on that. [Fleshlight]

Will never turn you down


Certainly a different sensation than you’re used to


Feels like you’re having sex with a CPR doll


Extremely embarrassing if discovered by friends, family or potential mates


Really gross to clean up

Giz Explains: When (Not) To Use Your Camera’s Flash

What is photography’s greatest scourge? Cellphone cameras? MySpace self-portraiture? Neither even comes close to the insidious, creeping threat that is your camera’s built-in flash. Here’s when and how you should—and more importantly, shouldn’t—use a flash.

Avid photographers, you already know the score, and this isn’t a guide for you. Nor is it for the dude with the brand-new 5D Mk II with an external flash gun, or the weekend strobist. This is a reference to be passed around as a public service; a quick guide for the aquarium-flashing, face-flushing, baby-blinding friends and family you all know and tolerate love.

When You Shouldn’t

At Large Events
Every time I go to a nighttime sporting event or concert, I see hundreds of starry flickers coming from the stands. When I see them, I die a little inside. For your average point-and-shoot, the effective range of your built-in flash is about 15 feet. You might stretch this to 20 feet if you jack up your camera’s ISO settings to 800 (or God forbid 1600), but under no circumstances will your camera’s flash reach down to the field or stage.

Every little flash you see in the photo above represents a failed photo, unless the intention was to get a well-lit out-of-focus shot of the dude sitting two rows forward. Shooting artificially lit events may be hard, but letting your camera’s automatic flash have its way won’t help. Shut it down.

Through Glass
Walk into any aquarium for a classic flash infraction: Shooting through glass. People press their cameras up to the fish and everybody goes blind. This almost never works—ever notice that giant white explosion where the fish was supposed to be? We don’t have an aquarium in our office, so I put Kyle, our new intern, in a glass conference room for a similar effect. He now has a glowing orb for an eye. Thanks, flash.

Shooting Gadgets, or Anything With a Screen
This one may be a bit of a tech blogger pet peeve, but please, turn off the flash before taking pictures of your gear, especially if it has a screen. Even the brightest, matte-est screens act as flash mirrors, as do all manner of plastic and metal finishes. It’s nearly impossible to take a good photo of a gadget with your flash on, and there’s rarely a reason to: Gadget generally won’t move unless you tell them to, so find a way to stabilize your camera and treat your subject to a nice, loooong exposure. On point-and-shoots, this usually requires nothing more than manually turning off your flash and staying in auto mode—the camera will figure out the rest.


On Anything That Isn’t Moving
Know what I said about shooting gadgets? Honestly, it applies to all inanimate objects, and even animate objects, assuming you get get them to sit still enough. Set your camera on the table, prop yourself against a tree, make an improvised monopod out of a lamp—if your subject is still, the only person to blame for not turning off your flash is yourself.


On Humans
It’s not a hard rule, but it’s a good guideline: built-in flash units emit whitish xenon light, and generally make your subject look like a malnourished villager from medieval Europe, often with horrifying red pupils. If you can help it, avoid the flash. (If you can’t, we’ve got some tips below for making your shots look less ghostly.) Photo by Flickr user busbeytheelder

In a Baby’s Face
Because as adorable as this overdramatic baby is, flashing blindingly bright light into your newborn’s pupils seems like bad parenting. And babies don’t usually move too fast.

When You Should

In Daylight
Counterintuitively, one of the only times your camera’s built-in flash is genuinely useful is when it’s bright and sunny out, and you’ve got a shadow problem. Ideally you should try to illuminate a subject with natural light, but in the event that your photo is lit from behind or above, like this here cat, knocking out a few shadows is a reasonable excuse for using flash. Why? Because the mix of ambient and flash-bulb light is much less harsh than straight flash. Photo by Hoggheff aka Hank Ashby aka Mr. Freshtags

When It’s Totally Dark
Because you have no other choice.

How to Avoid It

Stabilize Your Camera
Keeping your camera still isn’t always easy. If carrying a tripod or Joby-style stabilizer isn’t an option, you can always do it yourself. From our piece on hacking together camera accessories on the cheap:

Shooting long exposures without something to prop your camera on is a pain in the ass, not to mention a blurry mess. So is carrying a tripod. This video shows how to build a pretty effective foot-looping camera stabilizer out of some string, a bolt and a washer. The results are surprisingly good.

And another! Here’s what I call the David Pogue Special, and it’s great: Many lampshade mounts share a diameter and thread size with the tripod mount screw on the bottom of your camcorder, point-and-shoot or DSLR, providing quick and dirty stabilization in a bind.

If You Absolutely Have To

Reduce the Flash’s Intensity
Many cameras will have a setting for flash intensity. Find it. This will essentially just turn down the brightness of your flash, which will avoid overexposing your subjects’ faces, albeit at the expense of range.

Improvise a Diffuser
External flash units turn out better photos because they have bigger, better bulbs, mostly, but also because they’re often fitted with a diffuser. These accessories soften your flash’s harsh glow, but they’re both expensive and generally impossible to fit onto your mom’s point-and-shoot.

Luckily, you can fashion them yourself, sometimes in a matter of seconds. Again, from the DIY camera accessory roundup:

A coffee filter held in front of a flash, a translucent film canister with a notch cut into it, a simple piece of A4 paper or even a piece of matte Scotch tape over the flash lens will measurably improve your drunk party photography.

Tricks like this tend to take a little trial and error, but you’ll love the results. Top image via SharperFocus

Still something you wanna know? Can’t get your brother to stop flashing himself in the mirror? Send questions, tips, addenda or complaints to tips@gizmodo.com, with “Giz Explains” in the subject line.

Life Without Cable or Satellite TV Is Easier Than You Think

I only watch a handful of the 200+ DirecTV channels I pay for. To see whether I could survive without the pricey service, I simply went without it. I soon wondered why we all don’t just turn off traditional TV.

As illustrated in a few of our surveys, many of you have already made the jump, catching fresh TV via broadband instead of actual channels or even DVR. But the vast majority of us are still watching TV the old fashioned way—paying for packages from cable or satellite providers. But from what I’ve seen in my own house lately, I suspect that it won’t be long before this practice is as archaic as owning a landline. Many of you refuse to pay for a phone twice, so why are you paying for two or three different ways to see your favorite TV shows?

There are, of course, drawbacks to a life without a broadcaster-friendly set-top box, so I spent a month trying to find out whether or not these drawbacks were significant enough to justify the huge additional cost.

The Experiment

Since this is Prof. Dealzmodo, you already know the impetus for this experiment was money. In particular my 12-month introductory package runs out soon, and the same channels will soon cost me nearly $80 per month. But why? The channel lineups are bloated and padded with filler—a veritable hot dog of entertainment where the real meat is mixed in with a lot of hooves and snouts. I mean, 70 music channels? Really? Isn’t that what services like Pandora—and about 100 others—are for? Speaking of services, I decided to play it straight. I didn’t get shows via BitTorrent. For a month, I simply used easily accessible, generally legal alternatives like Netflix, Hulu Desktop and network websites, plus Windows Media Center, which comes “free” with most PCs these days. The idea here is to prove that you don’t need to spend tons of money, use complicated software or go to extreme measures to watch what you want.

Hardware

First let’s talk about hardware. I don’t see the point in spending money on niche players like Apple TV , Vudu, and Roku to get internet content onto your television. These players only handle a fraction of what any home theater PC can deliver. Also, sticking with a computer makes it easier to roll with new services and software platforms as they’re released. (Hulu isn’t on any set-top box yet, but it’s available to every Mac and PC, in several ways.)

You don’t need something elaborate here—an HTPC’s main purpose is to browse the web and stream video. Just about any computer will do—including the old laptop you’re thinking about replacing anyway. Back in the day, I used to attach my laptop to the TV with a simple S-video connection, but a lot of today’s laptops and home-theater PCs make things extremely easy with an HDMI port.

If you don’t have an HDMI port, there are simple workarounds. For older computers in general, there are DVI-to-HDMI (video only) and VGA-to-component cables are also doable for older PCs, and if you already have some video cables, there are adapters out there that might do the trick for less money. Owners of new Macs have to fudge a bit with Mini DisplayPort-to-HDMI converters, but even those, from Monoprice and others, are getting better.

There are plenty of products out there designed for the home-theater market that cost less than $500—including the Asus’ EEEBox line and the Lenovo IdeaCenter Q700. Plus, there is always the option of buying refurbished or upgrading a cheap PC yourself to control costs.

If you want to cheat and record broadcast shows, you still don’t have to pay for cable—you can get an over-the-air HD TV tuner. Generally, a USB dongle TV tuner or PCI card like those from Hauppage will cost $100 or so, and they work reasonably well, though you may need an external antenna for best results. You don’t have to pay for service, and you can be assured of local news and other local programming, if that’s important to you. Just don’t come crying to us if you can’t get your rabbit ears into just the right position.

No matter what computer and accessories you use, the added cost will probably pay for itself pretty quickly when you start canceling all those expensive subscriptions. As I mentioned earlier, going broadband-only will save me about $80 a month in satellite fees—in 8 months, I will have recouped my $600 home-theater PC investment.

In the end, my entire monthly TV entertainment budget runs about $60—that’s $50 for basic broadband plus $10 for Netflix. Compare that to the $140 I would have paid starting in February for the combination of all that plus DirecTV. (As a sports fan, there are online programs that I do pay extra for, but you get what you pay for—as you’ll see below.)

How To Manage and Control Your TV Content

You will have to sacrifice the basic (if not exactly pretty) UI you are used to. Fortunately, things are getting better. Hulu Desktop looks more like what you would find with a broadcast set-top box, and with Windows Media Center, having Netflix and other plug-ins makes finding and watching on-demand shows a whole lot easier. And there’s at least one new website, Clicker that is taking a crack at organizing internet content into an easy-to-use programming guide.

Fortunately, I managed to keep the number of remotes on my coffee table to a minimum. I have a Windows Media Center remote to handle Netflix, DVDs, Hulu Desktop and downloads. Mac users have their own little white remote which handles much of this functionality, too. (A wireless keyboard and mouse are essential for more intricate navigation and many PC functions, but those can stay out of sight for the most part.)

iPhone/iPod Touch apps like Air Mouse and iTunes Remote have made my iPhone an all-in-one solution for controlling my computer and its software.

Watching Your Favorite Shows

I’m not a TV addict by a long shot, but there are shows that I watch religiously. These shows include 30 Rock, Lost, Family Guy, Californication and Dexter. The following graph illustrates the pluses and minuses of viewing a handful of different shows—not just my favorites—from popular networks.

The newest episodes of many of these shows are on Hulu, which mostly hosts fresh content—there isn’t a huge back catalog of shows. The catch with new shows, on Hulu or on network websites, is that you usually have to wait a day to see them. (For many DVR devotees, that’s not a big deal anyway.)

It’s also important to point out that certain networks tease their new seasons in many locations online—NBC has been offering free HD downloads of many new shows on iTunes, in hopes you’ll buy the season pass for $40 or more.

Netflix is another place where networks promote new shows: I was able to see the first episode of Californication and Dexter on Netflix during their limited time Watch Instantly preview. Speaking of that, Showtime shows, if available at all, do tend to appear on Netflix, but mostly only in re-runs.

As you can see, not everything streams in HD quality, although this appears to be changing. ABC is already streaming in HD, and others like Hulu and Netflix are dabbling, so it’s only a matter of time before HD content is widely available for streaming online.

What’s Not Online

CBS, HBO and Discovery: I’m talkin’ to you. I couldn’t care less about CBS programming—though it’s the #1 rated network, so clearly somebody does. CBS.com (and TV.com) offers a handful of full episodes (CSI and NCIS), and some of those show up in Netflix too, but until CBS decides their agenda, you may have to wait for new seasons of Big Bang Theory to show up on DVD, or try to record over-the-air broadcasts (see above).

I love History Channel and Discovery Channel, and these guys are also reluctant to accept reality, move away from old revenue models and look towards the future. Nonetheless, I still get my fix though Netflix. Early seasons of some of my favorite shows (Deadlest Catch, Man vs Wild) are available for streaming via Watch Instantly, and more recent seasons are available for rental. I have the patience to wait for some of my favorite shows to arrive on DVD or Blu-ray—it’s a virtue that could save you lots of money.

Let’s Talk Live Sports

Traditionally, one of the major drawbacks of internet TV is a lack of live sports. Again, I don’t know what sports and teams you are interested in, but for me it is all about football. For example, a few days ago I checked out the Steelers/Chargers game on NBC Sunday Night Football online. The streaming content is “HD” quality (at least it’s in the realm of HD) and the service offers a viewing experience that is actually deeper than a standard broadcast. Users have access to DVR style controls, four separate camera angles, highlights and live analysis.

I also have the privilege of access to my beloved out-of-market NY Giants games each week with DirecTV’s online Supercast service. It broadcasts all of the Sunday Ticket NFL games over the internet, but access to the online content requires DirecTV service and the full SuperFan package that runs a ridiculous $400 per year (Manhattan residents can access Supercast without DirecTV service). However, if you know someone with a Supercast account, you can piggyback.

If baseball is your thing, MLB.com offers a service similar to Supercast for around $100 per year depending on the package—although it only includes out-of-market games. Live golf can be viewed for free on PGATour.com; college sports, baseball, tennis, soccer and more is free on ESPN360 (if you are affiliated with an ESPN-approved broadband provider) and streaming sites like Justin.tv offer plenty of free sports viewing options, including live ESPN. Windows Media Center owners can also get SportsLounge, with Fox Sports.

The Future?

This is still the wild west, and things are apt to keep changing. I already mentioned services like DirecTV’s Supercast and streaming games from MLB.com. Little by little, you will start to see primetime shows or packages offered a la carte online too. I hope we don’t get to a point where we are paying more for access to online content than we now pay for cable content, but there has been serious talk by executives from Time Warner (HBO), CBS and Hulu (Fox, NBC, Disney) about that very thing: Either charge subscribers for premium content on demand, or simply verify that they are already paying customers of cable and satellite, and grant them access to stuff others can’t see.

If the broadcasters have their way, you’ll pay for it one way, or you’ll pay for it another. Still, technology has a way of keeping pace with the dreams of media execs, and the experiments conducted by YouTube and Hulu and others with advertising may lead to some kind of compromise, too. It is really all up in the air, but for now…

What You Should Think About

When all was said and done, I found my experience without standard cable television to be more liberating than anything else. Sure, streaming video isn’t always HD quality, not all of my favorite shows are readily available, and I have to search around a bit more for the things I want to watch—but I didn’t suffer and I didn’t feel like I was missing out. The added expense was not justifiable—especially when I was paying for a bunch of things I never watched. The best part is that I was able to get pretty much everything I needed with a basic set of tools that anyone with a computer can take advantage of right away.

Not everyone shares my taste in television but, at the very least, you should take a good look at your cable or satellite bill and ask yourself if it’s really worth all that money.

44 PlayStation 3 Ads Too Offensive For Even Sony To Use

Sony has a penchant for making questionable or offensive ads. But man, nothing they’ve done comes close to some of the stuff you guys came up with. You’ve been warned; no whining about being offended allowed.

First Place—Brian Garten

Second Place—Jairo Filho

Third Place