For years, man has been trying to build a jetpack which would actually be safe and cheap enough to be used by anyone other than Lee Majors on the title sequence of The Fall Guy. It turns out that we’ve been doing it wrong. Instead of starting with a pack and adding on the jet, we should have torn the giant engines from a plane and strapped them to some poor schmuck. This is what the New Zealand Martin Aircraft Company did, resulting in the Martin Jetpack.

The jetpack is made from carbon fiber, with a touch of kevlar in the rotors, and generates 600 pounds of thrust. Because the center of gravity is below the “center of thrust” (a notional point between the engines), it is self-righting: If the pilot lets go of the controls, he hovers steadily in one spot. Unlike other sci-fi vehicles, the jetpack doesn’t require plutonium or even garbage for power. Instead, it runs on ordinary gasoline, chugging down around 10 gallons per hour (a full tank of five gallons will give you half an hour of flight time, enough to get you to the office).

Martin’s jetpack is classed as an ultralight aircraft, so you don’t need a pilot’s license fly it. Martin will force buyers to undergo training first, though. As its FAQ so rightly points out: “to attempt to fly any aircraft without professional instruction is extremely foolhardy.” There are some safety features, though. If the engine dies, a parachute pops out like an airbag in a car, so the only thing you need worry about is crashing into passing planes.

Want one? Of course you do. Right now you’re looking at a 12-month wait, and you’ll have to pay 10 percent upfront, but at just shy of $90,000 — the same as a fancy sports car — it’s actually a pretty good deal. And just imagine landing this thing on the forecourt of the local gas station.

The Martin Jetpack [Martin]

The Future Is Here: Jetpacks Now Commercially Available [Wired: Geek Dad]

Sony’s PlayStation 3 may have gotten off to a rocky start in the most recent round of console wars, but according to a new report by analyst group, Strategy Analytics, the PS3 will beat out both the Nintendo Wii and Xbox 360 in the long run.

The report suggests that Wii sales have peeked and will decline after next year. Both the Xbox and PS3 will continue to grow, according to the report, with the PS3 moving 127 million units by 2013, compared to the Wii’s 103 million.

“Uncertainties clearly surround each of the major platforms,” the report adds, “particularly relating to the new services and upgrades planned by Sony and Microsoft. Natal on the Xbox could be more beneficial to 360 sales than expected, and Sony’s own motion controller, together with its plans to upgrade all PS3s to 3D capabilitiy [sic], also represent potential for upside to our core forecasts.”

We’d heard that the NFL would be bringing the RedZone channel to phones this season, and it looks like Verizon was the highest bidder: NFL Mobile will launch on Big Red next month with the draft, complete with live streaming video of the event, on-demand video analysis from NFL Network, a pick-by-pick draft tracker, and other content. Once the season starts, customers will get RedZone, live streams of Sunday night and Thursday night games, on-demand video highlights and analysis, live home and away radio broadcasts, fantasy info, and the usual nasty ringtones and graphics. That’s a ton of content, and it certainly makes Sprint’s NFL package seem a little light in comparison — we’ll have to see what pricing is like and what devices this’ll run on closer to launch, however. Bring on the draft!

Update: We just confirmed that NFL Mobile will be exclusive to Verizon for the next four years, which means Sprint customers are out of luck. Verizon paid a pretty penny for the rights: the Wall Street Journal values the deal at $720 million.

NFL Mobile comes to Verizon with livestreaming RedZone channel originally appeared on Engadget on Tue, 09 Mar 2010 10:09:00 EST. Please see our terms for use of feeds.

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The renowned MIT Media Lab is a place where every project is an amazing, unbelievable glimpse into humanity’s technological future. Now, thanks to a massive $90 million extension, the architecture can match the wondrous excitement created within.

In case you haven’t had the opportunity to swing by this particular block in Cambridge, Massachusetts, here’s what the old Media Lab looks like. It’s still there. In fact, you can see the extension under construction, and marvel at the stark contrast in design.

Mensa Tetris

The six-level, interconnected extension, the work of the famed, award-winning architectural firm Fumihiko Maki and Associates, is like an immense Tetris puzzle. Every piece represents a functional element that is tightly connected to others, giving anyone inside the feeling of being inside a finished puzzle. Maki, himself the winner of a Pritzker Prize, was on hand over the weekend to officially open the MIT Media Lab. (It’s technically been in operation since December.)

As he described it, each piece of this six-level building connects to the next. Balcony offices overlook open air labs and work spaces. Colorful stairways bisect the central atrium, their red, blue and yellow coloring inspired by Piet Mondrian’s Composition with Yellow, Blue and Red.

Color aside, the trait hitting visitors in the face before they even walk through the door is glass. Cambridge building codes prevented a 100% glass exterior, so Maki came up with a loophole: bamboo. Inspired by translucent Japanese bamboo screens, Maki covered the remaining exterior with a mix of glass and aluminum tubes.

The result is at the same time beautiful and energy efficient, but also functional. We’re constantly reminded that this is one incredibly open, collaborative working environment.

From the street, especially at night, passers-by can literally see lab work happening within. Maki called this “filtered views,” inspired by the work of the pointillist artist George Seurat (lots of dots!). MIT played a part too, having provided Maki with an image of the Visible Man to further drive home the point that this lab space be open.

But enough architecture? What kind of world-changing stuff can we expect this multimillion dollar, 163,000-sq. ft. incubator to pump out in the future?

Well, if the past is any indication, plenty. The place that saw the beginnings of Guitar Hero, e-ink displays, OLPC and Lego Mindstorms is still driving much of the stuff that gets the Gizmodo editors, at least, sweating profusely in their blogging sweatpants.

The Media Lab will help “plumb the depths of how technology can have a greater impact on industry, society and business,” said Media Lab director Frank Moss.

To net denizens and geeks like you and me, that boils down to robotics, prosthetic limbs, AI and the obligatory Minority Report UI reference that any article mentioning 3D interfaces must include.

Fluid Media

As part of the opening, I was lucky enough to get a tour or some, but not all of the departments at the Media Lab. Departments like Biomechatronics, Cognitive Machines, Fluid Interfaces, Molecular Machines, Personal Robots, Smart Cities, Synthetic Neurobiology. It reads like Stephen Hawkings’ shopping list.

In any event, Fluid Media was one of the labs I got to tour first.

If you know Arduino, you’d be at home here, alongside the luminescent wallpaper, smart fabrics, “sewable computing” and inexpensive 3D fabricators that had me waxing nostalgic about Cory Doctorow’s Makers.

Above: No, not coasters or doilies. Sewable computers. If you aren’t wearing your mp3 player now, you will be soon.

Kindergarten Kids, Forever

The sense of play felt throughout the Media Lab’s open spaces owes itself to the students, of course, but it’s certainly assisted by the design. Moss called the atmosphere “serious fun,” in a building where bright minds “design by serendipity.” It’s pretty spot on. One lab leads into the other, encouraging social and professional interaction. Artists huddle with biomechanical engineers. Sometimes the union is short-lived, and sometimes it’s Guitar Hero.

But it’s serious fun: There’s a mission here, one that’s produced limbs for soldiers maimed in war; helped children learn robotics with crazy new Lego software; and created a paint brush, simply called I/O, that captures the essence of whatever you point it at—visual, musical or otherwise.

Even so, the fun, relaxed environment is apparent in this lab that director Moss says will change our futures. He and others, like Lifelong Kindergarten Department grad student Karen Brennan, were genuinely having fun while working with these high concepts and brain-bending experiments. The future, wild as it will be, looks pretty fun. Seriously.

Image credits: The Visible Man is a well-known see-through anatomy model from Craft House Corp. Composition in Yellow, Blue and Red from Wikipedia.

The only way to be truly prepared for every alcoholic emergency is to always carry a bottle opener with you, but this is, of course, impractical and easy to forget. So what about building an opener into something that you do always carry with you? That’s exactly what the Happy Hour Watch is for.

The quartz timepiece has a bottle opener in the buckle, keeping spraying beer away from the watch itself, which is fashioned from alloy with a stainless-steel back. The watch has two faces, one LCD and the other with traditional hands, and only marked with one hour (beer O’clock).

This only takes care of beer bottles (and if you have two bottles of beer, you have a beer opener anyway), so it’s more suited to tailgating than to romantic picnics. On the other hand, you should be buying screw-top wine anyway: no cork-taint and no corkscrew required. The Happy Hour Watch is $50.

Happy Hour Watch [Happy Hour Timepieces via Uncrate]