After hitting up Suzuki Affice, we wandered on over to check out Toast Girl’s live performance. Not quite sure how to describe it, but if Kahimi Karie worked in a bakery, had baguettes for hands, wore vacuum cleaners as shoes, and strapped toasters to her head, it might just look like this.

Here’s a photo of the performance:

Sorry for the bad quality of video. UStream on an iPhone 3G isn’t the best on a non-jailbroken handset.

You check out Toast Girl’s CD/DVD release party at Super Deluxe on April 10th. I highly suggest catching her performance any time though.

Motion blur! It doesn’t just ruin photos. It’s also something that can be used for artistic effect, when done properly. And for the results of this week’s Shooting Challenge, we’ve got 117 photographers who did just that.

First Runner Up

This is my favorite Korg, and I thought this would be pretty cool to capture “In motion!”
I used a Canon Rebel T1I
f/25
20 Second Exposure
18-55mm Lens (shot at 27mm)
ISO 100
Developed in Lightroom2
And my lighting was a small fluorescent tube light, the size you would put in a closet and such… -Marcel Maynard

Second Runner Up

Camera:Canon EOS REBEL T1i
Lens: 18-55m F/3.5
Exposure:3.2
Aperture:f/22.0
Focal Length:28 mm
ISO Speed:100
Exposure Bias:-1/3 EV
-Shant Meguerdichian

Winner

Camera: Canon S90
Shutter Speed: 0.81 sec
Aperture: F/8
Focal Length 6mm
ISO: 80
Exposure Compensation: -0.7 step
-David McGibbon

Some people really hate being photographed, so much, in fact, that they’ll run, jump, tight rope walk or even teleport away. Seriously! Here are 30 such getaway shots from this week’s Shooting Challenge, including the winners:

Second Runner Up: ‘Don’t Fall!’

Technique: Pre-Step 1: Walk to beach. Step 1: Set camera on railing Step 2: Set 2 second timer to take 2 pictures Step 3: Press shutter Step 4: DON’T FALL! Equipment: Nikon D5000 with a 35mm f1.8 lens. Picture Details: 1/250 sec. at f/8. Nerd Details: Camera set to program auto (lazymode), ISO 200, custom picture style, auto white balance, no flash. Confession 1: Picture was actually taken 4 seconds after the shutter was pressed because the timer was set to take 2 pictures, each after 2 seconds. 2 seconds was nowhere near enough time to get into the frame, so the second picture was chosen. I’m not a tightrope walker, I can’t move THAT fast on that rail! Picture was taken in Emerald Isle NC. And yeah, it really was foggy. Like could not see more than 100 yards foggy. Like everything was moist foggy. Oh and sorry if you don’t like the word moist.
-Cory Efland

Runner Up – ‘Tight Rope Walker’

I shot this image tonight on a roof top in Chicago. I setup a single strobe (Calumet 7B) synced to my 5D Mark II on a tripod, set the timer and leaped from one roof top to the other! 5D Mark II with a Canon 17-40 f/4; Exposed for 8 seconds at f/5.6; Strobe at half-power; ISO 200; Mirror locked up. It was a fun shoot, little did I know, the rooftop that I was jumping onto was someone’s apartment. After about 5 test jumps I heard some screaming and ignored it, after getting this final image the neighbors were throwing eggs up on to the roof at me.
-Josh Billions

Winner – ‘Teleport’

For this shot, I used my Canon XSi on the 2sec timer with a Canon 50mm at f/1.4, ISO 100, and 15sec. I set the camera to shutter speed priority at 15s. I then ran from my camera holding a flashlight for about 10 seconds, then light painted my body for the rest of the exposure.
-Kinta Maeda

I absolutely love that we started with such a simple idea—running from your camera—and ended up with so many entries I could have never anticipated. Even more worthwhile shots in the full gallery:

Thanks again for your participation!

We don’t get it. At all. That said, we’re totally enamored with this Artopz Minitopz, which manages to both be an impressively-specced Atom and Ion-based nettop, and simultaneously a completely confounding piece of “art.” Apparently it’s supposed to be perceived as a lamp, but we’d say that stretches the limits of imagination. But it stretches them in a good way, that’s all we’re saying. Oh, and the Minitopz costs $2,250, just in case you thought you’d penetrated this fog of luxurious gadget oddity to the point of pulling out a wallet. Maybe the video after the break will help clear some things up? Nope, not really.

Continue reading Artopz Minitopz Ion-based nettop lamp rains down confusion, wonder

Artopz Minitopz Ion-based nettop lamp rains down confusion, wonder originally appeared on Engadget on Sat, 19 Dec 2009 23:58:00 EST. Please see our terms for use of feeds.

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James Cameron‘s Avatar required many technical miracles, including next-gen 3-D cameras and motion-capture, but it also needed years of sketching and brainstorming from a platoon of concept-artists and designers. We talked to five designers, and learned Avatar‘s secret design history.

We interviewed creature designers Wayne Barlowe and Neville Page, plus concept artists James Clyne, Ryan Church and Daphne Yap, about creating a whole new universe from scratch. Plus we’ve got some stunning concept art, from the new book The Art Of Avatar. In a year that’s seen some amazing books of movie concept art, The Art Of Avatar features 106 pages of lush full-color paintings, interspersed with the industry’s greatest design minds geeking out about every little aspect of Avatar‘s creation.

So here are a few things you didn’t know about the design of James Cameron’s Avatar:

Avatar Started As A Four-Month, Late-Night Jam Session At James Cameron’s House

“[We’d be] working late at Jim’s house, and having him come back after a three week spell of being down at the freaking Titanic, and having him tell us a story [about being on the ocean floor].” Read the rest of the story.

Pandora’s creatures were partly based on cars

Early on in the process, James Cameron “mentioned the core idea” of having Pandora’s creatures be “superslick and aerodynamic, and be like a race car with racing stripes,” says creature designer Neville Page. Read the rest of the story.

Those crazy color schemes are from the ocean floor — and Art Nouveau

“In the real world, we didn’t invent these colors. They exist on animals today. We didn’t invent a whole new palette. I think the problem is — the challenge is — you don’t often see large creatures with this much color on them.” Read the rest of the story.

The human hardware, including those crazy battlesuits, is all based on real stuff

“One thing I worked on big interior for the mech suits, and the whole interior had to have a reason and function for why the suits were lined up the way they were, and how they could work on them like a pit-stop at an F1 race. It had to have that functionality.” Read the rest of the story.

Avatar concept art from The Art Of Avatar (Abrams 2009)