Vision Research’s Phantom v1210 and v1610 do slow motion in style (video)

No matter how fast that piece of Jell-O landed on the floor, you’ll be able to review the journey in all its slow motion glory with the newly announced Phantom v1610 and v1210 cameras. Vision Research is calling the latest entries in the Phantom line the “world’s fastest one megapixel digital high-speed cameras.” The v1210 is capable of capturing 12,000 fps to 16,000 fps, with its higher end buddy the v1610 capturing between 650,000 fps and one million fps, if you sacrifice resolution. Shooting 1280 x 800 widescreen images (at regular speed), the v1210 boasts 12GB, 24GB, or 48GB of segmented memory, while the v1610 can hold 24GB, 48GB, or 96GB of segmented memory. Other features include an image-based auto-trigger, ethernet port, SMPTE & IRIG timecode, genlock, 28 micron pixel size, 12-bit depth pixel depth standard, and an HD-SDI output. No word on pricing, but if you have a budget like NFL Films, let the epic sports montages and Truffle Shuffling commence. Check out some slow motion footage captured on the Phantom HD Gold after the break.

Update: pricing starts around a cool $100,000.

Continue reading Vision Research’s Phantom v1210 and v1610 do slow motion in style (video)

Vision Research’s Phantom v1210 and v1610 do slow motion in style (video) originally appeared on Engadget on Mon, 08 Aug 2011 22:27:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourceVision Research (1), (2)  | Email this | Comments

Cam-wielding RC car used to investigate roadside bomb, saves lives in Afghanistan


The US military spends billions of dollars each year beefing up wartime tech, but a low-budget hacked RC car recently served as an unlikely hero, saving six soliders’ lives in Afghanistan. The home-built rig, which included a wireless security camera mounted on a Traxxas Stampede remote-controlled truck, cost about $500 when it was built in 2007. Since then, Army Staff Sgt. Christopher Fessenden has used it to locate roadside bombs, until it tripped a detonation sensor during a patrol last month, in turn saving Fessenden and fellow troops from coming head-to-head with 500 pounds of explosives. Unfortunately the RC cam didn’t survive the attack, so Ernie, the solider’s brother who built the first model, is currently working on a replacement. Sure, a half-grand may seem like a laughable sum compared to the Pentagon’s annual budget, but if the proven gadget gets enough attention, perhaps Chinese-made toys will play a role in entertaining our kids, and protecting our troops.

Cam-wielding RC car used to investigate roadside bomb, saves lives in Afghanistan originally appeared on Engadget on Mon, 08 Aug 2011 10:55:00 EDT. Please see our terms for use of feeds.

Permalink SlashGear  |  sourceABC News  | Email this | Comments

Android App Controls Canon SLRs Directly via USB

Using DSLR Controller, Android owners can direct their phones to take photos of posters of hot girls on dorm-room walls

DSLR Controller by developer Chainfire is a pretty good example of the difference between iOS and Android.

To control a camera with an iPhone, you need to first tether the camera to a computer or use some funky, limited BlueTooth triggering. With Android, you just plug in a USB cable.

Chainfire’s Android app does just that, allowing you to stream a live view (at about 15 fps) to a phone or tablet, and control the camera directly. And you can control almost everything, from exposure compensation (swipe to adjust) to focus point (yes, you can touch-to-focus on your SLR, just like the iPhone), toggle a histogram and of course take a photo. And if only Android had Instagram, you could process and send you photos on their way. Here it is in action:

To use it, you’ll need an Android phone or tablet with with USB host support. Currently this means the Samsung Galaxy S2 phone, or pretty much and Android tablet running Honeycomb. You’ll also need one of the following Canon SLRs: 600D, 550D, 60D, 50D, 7D, 5D MkII, or 1D MkIV.

Also unlike anything on iOs, the app is available to the public for sale in its beta form, due to popular demand. It currently costs €6 ($8.50) in the Android Market.

DSLR Controller [Android Market via PetePixel]

See Also:


Ingenious Lens Cap and Hood Opens Like a Blooming Flower

Flower cap

The Hoodcap Flower. Why did nobody think of this already?

Here’s a very neat two-in-one idea. It’s called the HoodCap Flower, and it combines a lens cap and a lens hood into one neat package. Although rather complex in execution, the concept itself is simple: the lens cap is made up of blades which fold out like the petals of a flower. They then surround the lens and stop stray light from entering bouncing around the lens as you shoot.

Not only is it clever, it solves a number of problems. First, you don’t have to remove a lens cap, find somewhere to put it and then — almost inevitably — lose it. Second, you don’t have to walk around with a bulky hood sticking out. And third, you always know whether or not the cap is on before you hold the lens up to your eye.

Finally, you probably never need to use a “protective” UV filter again, as the front element of the lens is always covered, more or less.

Flower cap3

The internal gearing system looks rather delicate

The designers of the HoodCap, Rhie Hyi Joong and Lee Sang Hwa, decided to make their concept use a complex worm-gear system to open and close the hood by twisting a collar around the lens. If it works, I’m in. But if not, I’d be happy just pushing and pulling on the leaves to open and close the hood, just like the blades of one of those folding aluminum steamer inserts for saucepans.

Blooming DSLR [Yanko]

See Also:


Vivitar’s $69 Underwater Camcorder Is Ready for Your Vacation

DVR690

Vivitar’s new camcorder costs $60, and shoots underwater. What more do I need to say?

Vivitar’s latest addition to the groaning shelves of adequate cameras is the 690 HD, a small and very cheap waterproof camcorder.

At $60, you’re probably not expecting much in the way of features, and Vivitar doesn’t disappoint. That’s not to say the camera is bad — just stripped down to the bare basics. There’s no auto-focus, no HDMI-out and no optical zoom, but everything important is included.

Video is motion-JPEG in an AVI wrapper, recoded at 720 x 1280 and 25fps. It is recorded onto an SD card and powered by its own rechargeable lithium battery. There’s a big LED lamp around the lens for shooting in the murky depths, and a 2-inch LCD screen to view your masterpieces. You can also hook the camera directly to a TV via an AV cable.

Not bad, right? And remember, nobody will care about the fixed focus or anything else, because all of your movies will be shot underwater. Up to ten feet under, to be precise.

As I said, the 690 HD is just $60. At that price, its hard to argue against grabbing one for your vacation. Available now, in a rainbow of color choices.

Vivitar 690 HD product page [Vivitar. Thanks, Kelly!]

See Also:


Leica Offers to Remove M9 Red Dot for Just $2,000

M9 m9p

Before… After. Can you spot the $2,000 difference?

Leica sure makes some fine cameras, and some even better lenses. But what is it with those prices? When I picked up a used M6 with a 35mm aspherical lens some years ago, they cost me around £800 ($1,300) apiece. Back then it was probably the most money I has ever spent on anything. Now, next to the $7,000 M9 body, it looks like pocket change.

But Leica’s latest effort is possibly the most ridiculous yet. For just $2,000, the company will remove the famous red dot from the top of your M9.

The “upgrade” package essentially turns your M9 into the recently-announced M9-P. Along with a replacement top-plate, which on the M9-P comes without the red dot, buyers will also get a sapphire crystal cover on the rear LCD, and a replacement bottom plate. These plates can be specced in black paint or silver chrome finishes, the latter of which is not available on the bare-bones M9.

Finally, you get the choice of vulcanite or leatherette trims.

If you don’t care about the red dot (or if you have discovered how to peel and stick electrical tape) then you can opt for the cheap-o “Sapphire Glass Upgrade.” This costs just $1,300, and replaces only the glass and leatherette trim.

A new, tough LCD cover is nice, is it $2,000, or even $1,300 nice? For that kind of cash you could buy a 28mm ƒ2.8 Elmarit-M Aspherical lens.

Leica Offers Upgrade Package to Transform M9 into M9-P Camera [PDN]

See Also:


Pocket Digicam Has a Real Tilt-Shift Lens

Forget about those faux tilt-shift effects. When a special effect is baked into almost every consumer digicam out there, it has clearly donned a leather jacket and a pair of swimming trunks, hopped onto some waterskis and jumped over a shark.

Instead, why not try the real thing? A proper, architectural tilt-shift lens is a precision-engineered and expensive piece of gear, but Photojojo’s Tilt-Shift Camera has a real shifting lens, and costs just $150.

Technically, it should be called the Tilt Camera as it lacks the “shift” part which lets you moves the lens up and down like you would slide the two sides of an Oreo over the melted filling within. This lets the photographer correct converging verticals, which you probably don’t care about anyway.

Moving the angle of the lens moves the angle of the focal plane, which is usually parallel to the “film” plane. Thus you can make people and buildings look tiny, or you could make the whole top of your dinner table be in sharp focus, from end to end.

You pictures are recorded onto a 5MP sensor, shutter speeds run from 1/4 to 1/3000 sec, and you can even shoot tilt-shift video at 640 x 480 pixels. Round back there’s a 2.4-inch LCD, up top you’ll find a flash, and you can also mess with your photos using some built in Instagrammatical effects.

It looks like a lot of fun, and the resulting images seem to make much more convincing miniatures than software-based filters. The Tilt-Shift Camera is available now.

Tilt-Shift Camera [Photojojo]

See Also:


4.5 million fps microscope camera powered by ultra-fast X-ray flash

X-ray undulator

Remember those rugged gadgets we smashed to bits in super slow-mo? Well that spectacular footage was shot at around 1,500 frames per-second. A new camera system being built for the European XFEL (X-ray Free-Electron Laser) facility will record stunning clips of viruses and cells at an almost unimaginable 4.5 million fps. The camera is, in part, powered by a high speed flash created by the Science and Technology Facilities Council, that blasts its microscopic subjects with ultra-bright X-rays. The flashes themselves last as little as two femtoseconds, or 2×10^-15 seconds for you math nerds out there. When the whole apparatus is fired up in 2015 it could provide amazingly detailed, 3D images of individual molecules and answer some questions about the behavior of viruses and cells.

4.5 million fps microscope camera powered by ultra-fast X-ray flash originally appeared on Engadget on Mon, 01 Aug 2011 14:58:00 EDT. Please see our terms for use of feeds.

Permalink Gizmag  |  sourceSTFC  | Email this | Comments

Colorware Barfs Paint Onto Once-Stylish Leica D-Lux 5

Ugh

This is what happens when you let someone like me choose colors

Given that Leica’s D-Lux 5 is little more than an overpriced re-badging of the Panasonic LX5, there might actually be a market for Colorware’s re-painted version. If somebody is willing to pay an extra $370 just to get Leica’s red-dot logo on their camera, surely they’d also be dumb enough to pay another $400 to have the thing resprayed?

The premium point-and-shoot will go from dull black to pretty much any combination of nausea-inducing colors you like. The explosion in a paint factory you see above was arrived at using the randomizing “Brainstorm” button on the Colorware site. I dare you to come up with something worse.

Don’t have a lovely Leica that you’d be willing to sacrifice? Colorware will charge you a mere $1,200 and supply the camera, too. That’s not so bad. At least Colorware isn’t charging a markup on top.

So go ahead and get customizing. And if you do come up with something more hideous than the monstrosity at the top of this post, then attach it to an e-mail and send it to someone you hate. Whatever you do, don’t send it to me. Please. I beg you.

Colorware Leica D-Lux 5 product page [Colorware via Uncrate]

See Also:


Nasa Wraps Its Space-Flashes in Cute Little Spacesuits

S a11 1e040349

In space, Nikon’s SB800 speedlights get their own cute, custom-made spacesuits. Photo NASA

You or I might prepare for an extreme photography trip with a few Ziploc bags or even a proper waterproof housing. When NASA packs for space, though, things are a little more complicated.

The NASA photo above shows a Nikon D2X modified for use in orbit. Further, it shows an SB800 speedlight comfily ensconced inside its own cute little space suit. While a pro-level DSLR requires nothing more than a firmware tweak and a “lubricant modification” to work in the extremes of space, the flash needs a little more coddling.

The white cover is a “thermal blanket” which protects the unit from extreme temperatures, and keeps the “touch temperature” between minus 129 and plus 120 degrees Celsius.

But underneath that cover is a pressure suit. NASA says that the flash won’t work properly in a vacuum, so it gets wrapped in a pressurized jacket to make it feel like it’s back on Earth. A modified SB29 sync cord connects the camera and flash together.

So what becomes of the cameras after a successful mission? Unlike the Apollo missions’ Hasselblads, which were left up on the moon (imagine what one of those would go for at auction if it was ever rescued), the Nikons return to Earth. Then, they are inspected to see if they are fit to go up again. The biggest problem is the effect of cosmic radiation on the sensors, which can kill pixels. Enough dead pixels in one camera and it is grounded forever.

How Does NASA Get a Nikon D2Xs DSLR Ready to Go to Space? [Popular Photography]

See Also: