Hands-On With the Pinwide Wideangle Pinhole for Micro Four Thirds

A snapshot taken through the Pinwide. Try this with a film camera.

Back in April, I wrote about the Pinwide wide-angle pinhole lens for Micro Four Thirds cameras. I liked it so much I ordered one, and I promised to let you know how it worked out. The short answer? Pretty good, for a pinhole. The long answer? Read on.

The Pinwide is a plastic disk that clicks onto the lens mount of my Panasonic GF1 like any other lens. It has a slightly dished conical shape which puts the pinhole back inside the body. This is what makes it wide-angle, and it’s something not possible on an SLR because of the mirror that slaps around inside the body. The pinhole itself is laser-cut into a tiny disk of metal at the center.

In use, you get to adjust the camera’s ISO and shutter speed, and that’s it. The aperture is fixed at around ƒ96-ƒ128, so even in bright sunlight you’ll need to crank your ISO to a minimum of ISO 800. And with such a tiny aperture, everything in the frame, near or far, is in focus.

It’s surprisingly fun to use. Set the camera to aperture priority, crank up the ISO and all you have left to do is point and shoot. The 22mm focal length (35mm equivalent) means you can stand a couple of feet from a person and capture them from top to toe. It also means dreamy, super-wide landscape and cityscape shots.

The resulting pictures are grainy (noisy), blurry and have some distinctly weird color shifts. In short, just the kind of thing you spend long minutes achieving in grunge-ifying apps like Instagram.

If you’re looking for high-fidelity shots, you won’t find them here. If you’re looking for $40 worth of fun, along with some truly unusual-looking shots, then the Pinwide is just the thing. Recommended.

Pinwide product page [Wanderlust]

See Also:


Adapter Puts Nikon and Canon Lenses on iPhone

Pretty much the only thing stopping me from buying an iPhone to use as my next camera is the fact that I can’t shoot photos with a shallow depth-of-field, which throws the background into a distraction-free blur while keeping your subject pin sharp. The ridiculously impractical iPhone SLR Mount probably won’t change my mind, but if I had an iPhone already, I would be fingering my credit card right now.

The “mount” is actually more of a case. You slide in your phone, screw on the long cylindrical adapter and then snap on your SLR lens. The kit comes in Nikon and Canon flavors, so you can mount pretty much any Nikon lens ever made, or use any Canon lens manufactured since the 1980s (when Canon switched mounts).

You can’t remove your iPhone’s own lens, of course, so this adapter comes with its own focussing screen, just like the one in your actual SLR. The iPhone then just takes a snap of this screen, which results in a sharp, bright (but upside-down) images.

Like I said, I’d be fingering my credit card in anticipation. Once I saw the price, though, I might slide it back into my dusty, moth-infested wallet. The iPhone SLR Mount costs $250, or $190 if you choose the iPhone 3-compatible version. For that money, you could buy an actual lens for your real camera.

The iPhone SLR Mount [Photojojo]

See Also:


Cornell University’s microscopic camera makes photos with mathematics

Megapixel, megaschmixel — we’re more impressed when camera tech goes the opposite way and shrinks down. A happy byproduct of his neural mapping research, Patrick Gill and his Cornell University team have engineered a cam so microscopic it could fit on the head of a pin. The lensless creation is only one 100th of a millimeter thick, looks more like a miniature CD and doesn’t require any budget-breaking parts. Named after the Fourier transform that inspired it — a mathematical operation that breaks a signal down into various frequencies — the Planar Fourier Capture Array translates pixel components into a fleshed-out image. Creators of the tiny camera tech stress that it won’t be “[taking] family portraits,” but you could probably count on having this nigh-invisible sucker implanted into your brain. It’s definitely one small step for man, one nano-leap of the photographing kind.

Continue reading Cornell University’s microscopic camera makes photos with mathematics

Cornell University’s microscopic camera makes photos with mathematics originally appeared on Engadget on Thu, 07 Jul 2011 13:57:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourceCornell University  | Email this | Comments

Capture App, a ‘Record Button For Your Home Screen’

Capture: Launch the app and you’re already shooting video

Capture is an app that does just one thing. And if that thing is useful to you, this could be the best 99 cents you’ll spend today. Capture is a video-shooting app that starts recording as soon as it is launched.

Hit the icon on your home screen or — even better — the dock, and you’ll be shooting one second later. No fiddling to switch between still and video, no adjusting settings, and no missing the moment you want to record.

Once you get going, you can make a few adjustments. You can tap to shift focus, hit another button to toggle the rear LED flash, and of course start and stop recording.

The app also works on the iPad 2, although not with a native interface. I tried it out and it does just what it says it does, saving the captured footage direct to the camera roll. It’s like having a dedicated video-record button on the home screen. You’ll never miss a skateboarding dog ever again.

Capture — The Quick Video Camera [iTunes via MacStories, an Apple enthusiast site]


Twin-Lens Holga Sees Double

Holga’s TIM looks like an alcoholic Englishman after a particularly nasty Friday-night brawl, eyes half closed and all but a single tooth knocked from his stupid grinning mouth. And like that violent drunk, TIM will also stumble through life seeing double.

TIM stands for Twin Image Maker, and to this end the camera’s “eyes” are a pair of identical lenses. Shoot with both open and you can make 3-D photos. Shoot with either one closed and you get half-frame images, allowing you to put the same image on either side off the photo, or make a diptych of any two images.

TIM’s single tooth slides around in his smiling mouth to set the aperture for correct-ish exposure, and the camera also comes with an optional ($15 standalone) flash with color filters. Combine this with the half-frame and multiple exposure options and you have enough image-bending tools to make even a sober viewer dizzy.

All of these shenanigans are recorded on 35mm film.

TIM, from Holga, is available now and will cost you a very reasonable $50 or $60, depending on whether you opt for the flash or not.

Twin Lens Holga with Color Flash [Photojojo]

See Also:


VEA Sports ‘Watch’ Replaces Every Other Gadget On Your Run

The odd-looking Sportive replaces a GPS, a camera, a watch and a cellphone

Despite somewhat polarizing looks (I kind of like them, and some of you probably hate them), the Sportive “watch” from French company VEA looks like the idea runner’s companion. Not only does it pack in the tracking, altitude and speed-recording features of a wrist-mounted GPS device, it also replaces your cellphone, camera and — yes — your watch.

As a phone, it’s certainly not smart, with EDGE connectivity, MMS and Bluetooth, but it is pre-loaded with the “apps” you might need. It’ll measure your speed, distance, calories burned and — as it’s sat right on your wrist — your pulse. You can play music and grab video from and to the internal 8GB memory, and hook it up to a a heart-rate monitor via Bluetooth (although why this is any better than taking your pulse I’m not sure).

If you’re used to juggling a GPS, a phone and an iPod while you train, this wrist mounted super-watch is just the ticket. Unfortunately, it costs the same as all of those other gadgets put together: €500, or around $720. Available November.

VEA Sportive press release [VEA via Engadget]

See Also:


Insert Coin: Triggertrap open source automatic camera release (video)

In Insert Coin, we look at an exciting new tech project that requires funding before it can hit production. If you’d like to pitch a project, please send us a tip with “Insert Coin” as the subject line.


Perhaps the simplest function on any camera, the shutter release is typically triggered using a dedicated button, or — most often in the case of a professional rig — using a wired or wireless remote. The Triggertrap falls into that latter category, completing the circuit necessary to capture an image after receiving commands from a virtually limitless array of sources. After pairing with your DSLR or ILC using a universal connector, you’ll be able to trigger the device to snap a photo using a laser beam (thanks to the built-in photo transistor), sound (a hand clap, for example), or a timer — typically most applicable to time-lapse photography. An auxiliary port will enable you to get even more creative — you could release the shutter using a remote control, pressure trigger, or even a cell phone call, for example.

The Triggertrap is well on its way to a Kickstarter campaign goal of $25,000, but there’s still time to pre-order a DIY kit for $70, or a turn-key version for five bucks more. As always, Kickstarter will issue a refund if the project isn’t funded before the July 31st deadline. Both devices are Arduino based and open source, so you’re free to make modifications as you wish — assuming you don’t mind getting your hands dirty with a bit of programming. Jump past the break for a quick demo video, and keep an eye out for the creator’s Pringles can DIY macro lens, just past the 13 second mark.

Continue reading Insert Coin: Triggertrap open source automatic camera release (video)

Insert Coin: Triggertrap open source automatic camera release (video) originally appeared on Engadget on Tue, 05 Jul 2011 16:55:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourceKickstarter  | Email this | Comments

Video: Cameras Mounted on Fireworks Show Dizzying Point-of-View

Sure, you love to watch a crash-bang firework show while you sip a cold beer on July 4th, but did you ever think about how the poor firework feels? Well did you, you callous spectator, you?

No, you didn’t, which means that Jeremiah Warren is a much better man than you. Not only did he ask himself about the firework’s welfare, he tried to see things from its point-of-view. Literally. Warren, a videographer, mounted tiny (808 #11) video cameras onto the rockets and fired them up into the sky.

The result is this short collection of clips showing the dizzying, spinning flight of the fireworks. You see the earth falling away, and showers of colored sparks erupting before the whole package returns to the ground with a thud.

What’s amazing to me is that Warren got any footage back at all. Here’s what he says about trying to get a decent shot:

It ended up being harder to get a good shot than I though it would be. I was going to mount fins on the to stabilize them, but by the time I got the idea I already shot through my supply.

Already shot through my supply. It sounds like he was sacrificing these $140 cameras one after the other, which makes it seem like only the microSD cards survived.

Thank you, Jeremiah Warren.

Wide Angle Camera Mounted on Firework POV [YouTube via PetaPixel]

See Also:


Caffenol turns Folgers into DIY film developer — decaf won’t do (video)

Caffenol turns Folgers into DIY film developer -- decaf won't do (video)We knew instant coffee was good for something. The folks at Make just demoed a rather novel method for developing negatives from a roll of black and white film — you remember film, don’t you? Known as Caffenol, the process involves a smattering of household substances, including Vitamin C powder, instant coffee (caffeinated only), good ole H2O, and Cascade. Of course, it’s not as simple as throwing this stuff in a slosh bucket with a roll of film and mixing it up, but it’s not that complicated, either. If you’re looking for something to do with those instant crystals, and still have a non-digital camera laying around, hop on past the break for a homebrew tutorial.

Continue reading Caffenol turns Folgers into DIY film developer — decaf won’t do (video)

Caffenol turns Folgers into DIY film developer — decaf won’t do (video) originally appeared on Engadget on Mon, 04 Jul 2011 04:44:00 EDT. Please see our terms for use of feeds.

Permalink   |  sourceMake  | Email this | Comments

How It Works: Backside Vs. Frontside Illuminated Camera Sensors

By hiding the circuitry behind the pixels, a backside illuminated sensor gathers much more light. Image: Camera Technica

Friday seems like a great time to stop working, kick back with a beverage and read up on something that you have been wondering about since, like forever. So today we bring you one of the most pressing issues of the day: backside vs. frontside illuminated camera sensors.

What’s the difference? In construction, not much. But in use, they’re like night and day — almost literally. The always fascinating Preston Scott over at Camera Technica has the in-depth explanation, but the quick version is surprisingly interesting.

Frontside and backside refer to where the circuitry sits on the chip. Delicate silicon is made thick to stop it from breaking, and then the pixels are added. On top of this goes the circuitry. To stop the wires which connect each pixel from getting in the way, they are routed around the edges, “like city blocks,” in Preston’s words. As these stacks get higher with ever bigger pixel-counts, they shade the pixels in the same way Manhattan’s tall buildings shade the streets.

The solution? Flip it over and grind away the silicon layer to reveal the pixels. It’s like putting all those skyscrapers underground and then enjoying the uninterrupted sunshine in a beautiful flat field. More light gets to the sensor, making it much more sensitive.

There’s more too it than that, of course, and you should read Preston’s great article. In fact, photo nerds should just subscribe to the Camera Technica RSS feed.

Technology Demystified: Backside Illuminated Sensors [Camera Technica]

See Also: