Hasta La Gadget!

Now that video on Instagram just got real, a connected pro camera with direct access to Android apps makes a fair bit of sense. Enter the Android-powered Samsung Galaxy NX.

Samsung continues to push its Galaxy brand into new devices’ types and categories, a strategy aimed at extending the success it’s had with the brand in smartphones. Today the Korean giant has added the Galaxy badge to its high end camera range, with the launch of this digital mirrorless interchangeable lens camera (MILC): its first interchangeable lens camera to run Android.

Samsung’s other high end cameras have been badged NX but this is the first time it’s used the Galaxy brand on its pro range. It’s not, however, the first time it’s pushed the Galaxy brand into camera tech territory — having recently extended the Galaxy S4 range with a hybrid smartphone point-and-shoot camera with a 10x optical zoom on the back. That device, the Galaxy S4 Zoom, remains a mid-range affair. It’s certainly not targeting the professional photographer market, as the Galaxy NX presumably is. Samsung also previously launched another mid-range camera running Android, called the Galaxy Camera — making extending the brand to its pro MILC range a natural next step.

The Galaxy NX runs Android 4.2.2 skinned with a version of Samsung’s TouchWiz UI tweaked to make sense for the camera format. This means the UI defaults to the camera app view. Swiping left from there brings up a familiar Samsung Android home screen where users can get at all the usual Android stuff including Google Play, the web browser, plus apps — like Instagram, say. And that’s the obvious use-case for a bit of kit like this: being able to post near-SLR quality photos direct to apps like Instagram or share on social media, without even having to pull the photos off the camera first. The Galaxy NX has both 4G/LTE and Wi-Fi built in. It is Samsung’s first interchangeable lens camera to include LTE, in fact.

The version of Android on the Galaxy NX does not include a phone dialer but that’s the only other major software difference when compared to a typical Samsung smartphone. The point here is clearly for Samsung to leverage the familiarity of its TouchWiz environment to try to bolster the appeal of its high end camera kit.

Who might the Galaxy NX appeal to? Perhaps someone  hankering for a better camera but not necessarily yet especially well versed in how to use more pro photography equipment. The external look and feel of the Galaxy NX bears that theory out, being especially plain looking — almost devoid of markings. It’s also terribly lightweight for such a large bit of kit, adding another convenience string to its bow.

The Galaxy NX has a 20.3MP APS-C CMOS Image sensor that’s 24mm in size. It’s powered by Samsung’s DRIMe IV processor, which it says is 4x faster than its previous processor. The device supports up to 25,600 ISO, and it’s the same family of interchangeable lens as Samsung’s prior MILCs.

Click to view slideshow.

Pentax has unveiled its latest DSLR, the K-50, which is boasted as exceeding its classification as a mid-level shooter via a variety of advanced features. Aimed at consumers, this DSLR also offers quite a few color combinations – 120, to be exact – which allows photographers to personalize their purchase and set it apart from

Read The Full Story

It may be time to dust off that Canon 50D you purchased back in 2008. The folks behind the Magic Lantern firmware add-on have pulled yet another rabbit out the proverbial hat (or is it lantern?) by enabling RAW video recording on the APS-C-based DSLR. What’s even more impressive is that the 50D lacks video support out of the box, so this new-found functionality is truly magical. This hack comes hot on the heels of the Magic Lantern team coaxing the Canon 5D Mark II / III into capturing 24 fps RAW video. With the firmware add-on installed, the 50D is capable of shooting video up to 1592 x 1062 pixels at 30 fps. There are some caveats, though. First, there’s no audio recording since the camera lacks a microphone input and associated electronics. Second, capturing RAW video requires fast CF cards (at least UDMA 6). Third, we now fully expect to see the 50D skyrocket in value on the used market. Hit the break for a few sample videos.

Filed under: Cameras, Canon

Comments

Via: No Film School

Source: Magic Lantern Forums

It’s no secret that Canon’s 5D Mark III is the go-to DSLR for videographers the world over, but things are about to become a whole lot more interesting. The people behind Magic Lantern have successfully coaxed the 5D Mark III into shooting 24 fps RAW video at resolutions up to 1,920 x 820 pixels using 1000x speed cards. If you’re not familiar with Magic Lantern, it’s an open source firmware add-on that brings additional functionality to Canon EOS cameras. The ability to capture RAW video at 24 fps improves dynamic range and resolution — it also provides extra flexibility during post-production. According to the team at Magic Lantern, more work is required before the feature is ready to be deployed. So until then, you’re invited to follow the via link below and watch the RAW vs. H.264 videos after the break, or if you’re feeling brave, check the source for download locations.

Update: We just received news from Magic Lantern that Canon’s Mark II is now also a go for 24 fps with the new firmware. Nic from the development team said “After some further testing it is clear the older, cheaper Mark II should be able to record at least resolutions of 1880×840 in full-frame mode (with line skipping).”

Filed under: Cameras, Canon

Comments

Via: No Film School

Source: Magic Lantern forums

Noted Blackmagic Design shooter John Brawley has released the first footage from the company’s upcoming $995 Pocket Cinema Camera that might leave your DSLR green with envy. Though it’s always tough to judge compressed web footage, to our eyes it looks completely untouched by the moire, aliasing and compression artifacts that tends to plague other digital cameras. While not specifying whether he used the compressed RAW setting or not, Brawley said he shot it using a Panasonic 12-35mm f/2.8 Micro Four Thirds lens with image stabilization turned on, meaning that feature’s likely to be enabled on the camera when it arrives in late July. He also said he was “literally grabbing shots whilst I was shopping,” which bodes well for serious filmmakers with a bit more time to spare. Head past the break to admire the video.

Filed under: Cameras

Comments

Via: DVXUser

Source: John Brawley