Why E-Books Are Stuck in a Black-and-White World

e-ink-color-reader

Electronic book readers may be the future of publishing, but in one important respect, they’re still stuck in 1950: Almost every e-book reader on the market has a black-and-white display. Most can’t display more than a handful of different shades of gray.

That’s why display makers are racing to bring color to the world of e-books. Their goal is to make Gray’s Anatomy and its more than 1,200 full-color illustrations as interesting as the next Dan Brown novel.

The hitch is that color e-ink technologies aren’t anywhere near ready for prime time. Amazon chief Jeff Bezos recently told shareholders that a Kindle with a color screen is “multiple years” away.

“There’s no doubt color displays can offer much more compared to black and white, which is why we are working on it,” says Sri Peruvemba, vice president of marketing for E Ink. “And so far we have hit all the milestones that we had set for ourselves.” Last week E Ink was acquired by Taiwanese company Prime View International for $215 million.

E-book readers have become the hottest consumer products of the year. Since the first e-reader was introduced by Sony in 2006, and particularly since the introduction of Amazon.com’s popular Kindle in 2008, demand for e-readers has taken off. More than 1 million black-and-white displays have been sold so far, says E Ink, whose black-and-white displays power most of the e-readers on the market. And there are more than 15 e-reader models currently available or in the works.

With the exception of the Flepia, though, almost all e-readers are monochromatic. So what’s the technological holdup? To understand that, you first have to understand how E Ink’s black-and-white displays work. Electronic ink, pioneered by the company, is composed of millions of microcapsules. Each microcapsule has positively charged white particles and negatively charged black particles suspended in a clear fluid. When a positive electric field is applied, the black particles are attracted to the top and become visible to the user. That makes that area appear black. The reverse is also true: A negative electric field draws white particles to the top, making the area appear lighter. For an electronic display, the ink is printed on a sheet of plastic film, and a layer of circuitry is laminated to it to drive the ink.

For a color display, E Ink needs to put a color filter on top of its black-and-white display. A color filter usually has four sub-pixels — red, green, blue and white — that are combined to create each full-color pixel. That also means reduced brightness of display.

“With four sub-pixels, we get only a fourth of the area that we use today in the black-and-white displays. That means the resolution of the black and white display needs to get higher for the color filter to be effective,” says Peruvemba. A 6-inch E Ink black-and-white display has a SVGA resolution of 800 x 600 pixels. To put a color filter on top would require the underlying display to have almost double the existing resolution.

The color filters also block a large amount of light, making the displays look dull and washed out, says Young. “The challenge is to balance the color output of the filter with the amount of light blocked by it,” he says. The good news? When E Ink figures it out, its black-and-white displays will be better than ever, says Young.

E Ink says it is on track for large scale production of color displays at the end of next year. At the recent DisplayWeek conference in San Antonio, Texas, E Ink showed off prototypes of its color screen. Meanwhile, E Ink rival Kent Displays has already seen its color screen included in the Fujistu’s Flepia, the only color e-reader available today. The Flepia is for sale in Japan only.

Other contenders in the race for color e-reader displays include Pixel Qi, the startup founded by former One Laptop Per Child project CTO Mary Lou Jepsen, and Qualcomm. Qualcomm could improve its existing line of low power displays called Mirasol and introduce a color version next year.

There’s a caveat. E-readers with color displays can’t match up to the standards set by LCD and now OLED displays. “Color displays for e-readers doesn’t have anywhere the contrast ratio of LCDs or OLED,” says Barry Young, managing director of the OLED association. “For color electrophoretic displays, the contrast is down to about 20 to 1, while for LCDs it is in the 1,000s to 1 and for OLEDs is 10,000s to 1 range.”

“People don’t like color screens that are dark,” says Raj Apte, manager of prototype devices and circuits for PARC, formerly known as Xerox PARC, “and so far, the displays for e-readers we have seen lack the brightness that makes color screens attractive.”

E Ink’s rivals are facing their own challenges. Kent’s color screens are based on cholesteric LCDs (liquid cyrstals where the molecules are arranged with their axes parallel to each other in one layer and then are displaced a little for each following layer to give them a helix-like structure.) The advantage with cholesteric LCDs is that they consume much lower power than traditional LCDS and are bistable — which means they can retain their image even when the power is lost. These LCDs stack red, green and blue films to create a color display. The trade-off for them is the refresh rate, says Young.

“It operates in three stages, so we are looking at a refresh rate of probably a second for a page compared to say a Kindle 2’s 250 milliseconds,” he says.

The stacking process also raises questions of whether Kent’s displays can be thinner than its competitors. “Thickness is just an engineering issue that can be solved with the use of the right substrate,” says Asad Hussain, vice president of technology for Kent Displays.

A problem that won’t go away as easily will be in convincing e-reader makers to choose Kent Displays over rival E Ink, which has proven its mettle. A 16-year-old private company, Kent has been showing demos of its color screens for years. But so far, other than Fujitsu, it hasn’t found any takers, at least none announced publicly.

Hussain blames the reluctance of e-reader manufacturers to introduce color displays. “Right now black-and-white displays have momentum and though everyone wants color, no one is willing to make the shift.”

Check out our detailed comparison of how the four color e-reader display technologies

colore-ereaders-table

See also:

Photo: E Ink color screen prototype/E Ink


First Look: Lonely Planet iPhone Guide NYC

img_0014The Lonely Planet guide is an iPhone travel guide done right. It takes everything from the original dead-tree guide and squeezes it into an iPhone (or iPod Touch) sized package. Better still, it does adds some things that are impossible to do in an old-fashioned paper edition.

Lonely Planet guides are, like any other travel guide, great if you want to be eating, sleeping and visiting in the same places as everyone else. You’ll find advice on restaurants, bars, gay and lesbian hangouts, shopping and everything else, and it’s all replicated here.

There are some advantages to having an electronic version. First, you won’t look quite so much like a tourist — staring at your iPhone will make you look like any other local. Toting a map and guidebook, on the other hand, marks you out as a target. And because the iPhone knows where you are, there’s no wandering around looking for street signs and then wading through indexes. Just like Google Maps on the iPhone, your location is pinpointed. All of the actual streetmaps are stored on the device, too, which means that you don’t need an internet connection — or even an iPhone: this works great on the Touch, too.

You can either browse maps or just hit the “Nearby” button and be given a list of everything in the surrounding streets. As you can see from the picture, it even works here in Barcelona, although everything is over 6000 kilometers away.

nyc-rough-guide maps for iPhone

One quirk of this system is that you can’t access the restaurant and bar listings through the actual sections in the book, whether by kind of food or by neighborhood. Instead you have to use the map. It’s a shame. While a paper book can’t spare space to print everything twice, there is no such restriction in an application.

You can save favorites, too, which is the equivalent of folding the corners on pages, or you can browse through like a normal book, page by page, section by section, just by swiping your fingers. And a very handy extra is the search function. It will bring up anything listed in the book, but sadly you can’t search on addresses.

I’ll be trying it out in New York over the next week, and I’ll let you know how it goes. The Application cost me €13 ($16 in the US store). That’s cheaper than the paper book, and a lot more handy. You can also get guides for many other major and minor cities, and if you want to check things out first, the San Francisco guide is actually free during the WWDC. I guess those Californian hippies won’t pay for anything.

Product page [iTunes]


Next Up for E-book Readers: Social Networking, Online Sharing

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Digital book clubs could become the next big thing. Over the next few months, electronic book readers are likely to add the ability to access Facebook and Twitter, share book recommendations and rate e-books, says Forrester Research analyst Sarah Rotman Epps in her latest report. And at least one company is already moving towards the idea.

“Buying and reading books is an inherently social process and the lack of robust sharing capabilities on the (Amazon) Kindle is an obvious weakness that competitors will address,” says Epps.

Txtr, a Germany-based e-book reader startup, is doing just that. Txtr hopes to introduce a new device at the Frankfurt Book Fair in October that will put social networking and sharing at its center.

“Txtr is to focused on the idea of connected reading,” Andreas Steinhauser, founder and CEO of Txtr told Wired.com. “You can create collections of web pages, documents or images and give friends access to it.”

E-book readers have turned into one of the hottest consumer devices of the year. So far more than a million E Ink  displays, which powers most e-book readers, have been sold worldwide. (E-paper manufacturer Prime View Technologies announced Monday that it would be acquiring E Ink, potentially increasing the latter’s capacity to deal with large production volumes.) Companies such as Amazon, Fujitsu, Sony and Samsung are vying to grab a slice of the e-books reader market.  And as the competition heats up, e-book reader makers will have to innovate.

E-Readers will need to sport applications that connect people through recommendations and ratings, says Epps. And that means integration with communities like Facebook and Goodreads. E-readers are also likely to evolve to provide a way to recommend and buy content for others, says Epps.

“We anticipate that some households will have multiple eReaders and the devices will have to support
content sharing within a household to a greater extent than the Kindle’s Content Manager currently does,” she says

Txtr’s Steinhauser agrees that for new e-readers social features will be important as they seek to differentiate themselves from their peers. “We think it is necessary to allows users to sync their device with friends over Wi-fi or Bluetooth,” he says.

Separately, Amazon announced Monday that it will start shipping the Kindle DX, a 9.7-inch  screen size e-book reader, on June 10 for $489.

See also:
Why E-Books Look so Ugly
How to Choose an E-book Reader
Hands On: New Cool-er E-book Reader Turns up the Heat

Photo: Txtr


Pixel Qi Offers Peek at New Display

pixelqi-0528Pixel Qi, a company that promises inexpensive, low-power displays that could potentially rival E Ink screens, has been talking about its product for months.

But Thursday Pixel Qi founder Mary Lou Jepsen posted the first pics of the display on her blog. The pictures are a little fuzzy but they show the display in two modes and also running on a netbook.

We wrote about Pixel Qi earlier this month and talked to Jepsen. Pixel Qi’s displays called 3Qi will operate in three settings: a full-color, bright, conventional LCD mode; a very low-power, sunlight-readable, reflective e-paper mode; and a low-power, basic color transflective mode. The screens are initially expected to be available in 10.5-inch and 7.5-inch screen sizes.

If successful, the 3Qi displays could effectively bridge the high-speed, full-color benefits of traditional LCDs and the low-power, reader-friendly qualities of electronic ink displays.

In one photograph on her blog, Jepsen shows two 3Qi screens side-by-side, one in full color mode with its backlight on and the other in a black-and-white electronic paper mode with its backlight off.

The screens will be available this fall in netbooks and e-book readers, says Jepsen. Netbooks might be an easier market for Pixel Qi to enter. The Cambridge, Massachusets-based E Ink has a near monopoly on the e-books reader market. Earlier this week, E Ink announced that more than 1 million e-book readers use its display.

Photo: Pixel Qi’s Screen/Mary Lou Jepsen


Plastic Logic E-Reader is Slimmer than Kindle DX

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Plastic Logic’s electronic book reader is an ultra skinny, extra large device targeted at business users. And if you’re lucky enough to be at the All Things D conference, you’re getting one for free.

In a demo Wednesday at the ongoing at the Wall Street Journal’s conference in California, Plastic Logic showed a prototype device with an onscreen keyboard and an annotate feature, and said every attendee would be getting one. The company has been showing prototypes of its e-book reader for over 8 months since its debut at DemoFall last year, but has yet to announce a public ship date or pricing for its product.

The Plastic Logic e-reader, when it releases, will be a rival to Amazon’s broadsheet Kindle DX, which is expected to start shipping this summer.

Plastic Logic’s e-reader is 0.27 inches thick, significantly thinner than Amazon Kindle 2’s 0.33 inches, and has a 8.5 x 11 inch E Ink touchscreen display that makes it seem almost like a large notepad.

Because of its large screen size, the device is aimed at business users who will use it to view PDF files, Word documents, spreadsheets and even PowerPoint presentations. The device will include Wi-Fi and 3G capability and will initially be available in black and white, with more colors likely. It will also have its own online store for books and newspapers among other things. While users noticed a lag while turning pages, Plastic Logic has said it expects it to improve over time.

Laptop Mag has a hands-on with the Plastic Logic reader and says scribbling on the screen with a stylus was fairly responsive. Check out their gallery of photos.

Plastic Logic has yet to offer a release date for the device or how much it will cost.

Photo: Joanna Stern/Laptop Mag. Used by permission


Apple Relents, Adds ‘Pornographic’ E-Book Reader to App Store

eucalyptuspageturnApple has finally approved the gorgeous-looking e-book reader, Eucalyptus, for the iTunes App Store. The application was previously banned for pornographic reasons: not because it contained objectionable material but because it could be used to download the Kama Sutra, an ancient text which acts as a manual for living a good and full life.

Whoever was on Approval Duty at Apple that day obviously saw the name “Kama Sutra” in the list of downloadable books and had such a knee-jerk reaction that they likely smashed in their own teeth, believing that the book is some kind of sex manual (it isn’t, although it does contain some sex advice — take a look at an issue of Cosmopolitan if you want some real, juicy sex talk). After the now familiar fuss, accompanied by blog posts and Twitter tweets, Apple has relented and allowed Eucalyptus into its inner sanctum of taste.

Eucalyptus costs $10 and has access to around 20,000 Project Gutenberg texts. As we said, it looks gorgeous, with proper hyphenation, a hand-rolled typesetting algorithm and a rather lovely page-turning animation (there’s a video on the website). The problem is that you can’t add your own books: It’s all public domain, which often, although not always, means old.

In other news, Apple issues official statement of outrage at the “filthy” Lady Chatterley’s Lover.

Product page [Things Made Out of Other Things]
Product page [iTunes]

See Also:

E-Reader iPhone App Rejected Because Users Can Download Kama Sutra


Buying Guide: How to Choose an E-Book Reader

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E-books are the ‘it’ gadget of the year. But picking an e-book reader is more difficult than choosing a brand of cereal or a bottle of shampoo. Every other week, a new reader is gussied up in the factories of Taiwan, ready to make its debut. At last count, we estimated at least 12 different e-book readers on the market or close to release.

How do you know which one is right for you?

All e-book readers promise to do one thing well: display text, especially for books. But there are a few more basic requirements: It must offer long battery life, be easy to carry, have a screen that doesn’t strain the eyes and can be easily read in all environments including bright sunlight. Fortunately, most e-book readers for sale today meet that basic criteria.

There are many devices to choose from, and there’s also a lot of homogeneity in looks, style and function. Almost all the e-book readers available are paperback-sized and sport a display sourced from E Ink, the Cambridge Massachusetts-based company.

So should you buy the $360 Amazon Kindle (after all, it’s the most widely known e-reader and is backed by the Amazon brand) or the $250 upstart Cool-er e-book reader launched just a week ago?

Read on for our guide on what you need to think about before buying an e-book reader, whether you want to read the latest book from the Twilight saga or Thank God It’s Monday, the current No. 2 bestseller on Amazon’s list.

Location: Whether you are in the lower 48 will determine how well the Amazon Kindle 2 and the upcoming Kindle DX will work for you. Both devices use Sprint’s EVDO network to offer wireless downloads of e-books and periodicals. But tough luck if you are in Alaska or the U.K.

International buyers might have a tough time getting their hands on the Kindle DX. Users have to trick Amazon into believing their billing address is associated with an address in the United States. Even if they get one, they’ll end up with a crippled device that allows only for transfer of e-books using USB.

In which case, it may be a better option to buy a cheaper device that only offers USB-based connectivity such as the Sony Reader, the Hanthe Foxit eSlick Reader or even the newly launched Cool-er. Some of the e-book readers are also country-specific. The BeBook is available largely in the Netherlands, the Fujitsu Flepia that promises a color screen will start shipping in a few weeks but only in Japan.

Access to content: This is probably the single most important factor to consider when you buy an e-book reader. Most e-book manufacturers have their own e-books store. And size matters here. The more publishers the manufacturers can ink deals with, the greater the chances that the book you want is available. 

That’s where Amazon’s Kindle scores. As the biggest online retailer of books, Amazon has been able to leverage that relationship for the Kindle and its e-book store is probably the largest, with more than 285,000 books, according to Amazon.

But Sony is fast catching up. It announced a partnership with Google to bring about half-million classic books to its digital book store. Sony Readers can get those books for free. Sony had about 100,000 titles in its e-book store at the end of 2008.

Other e-book readers such as the iRex iLiad or the Hanlin eReader don’t have that kind of muscle and though these e-book owners can buy books from other online book stores, it doesn’t offer a smooth, integrated experience. Think buying music through iTunes for the iPod vs. buying music on iTunes for the SanDisk music player.

Formats supported: Almost all the e-book readers support HTML, Txt, MP3 and JPG. The battle of formats in the world of e-books is largely between the proprietary format that Amazon uses called .azw, a flavor of Mobipocket, and the open source ePub. Amazon’s Kindle does not support ePub; almost all other e-book readers do.

Why should you care? Many of the largest publishers have books available in the ePub format, including Google’s classic books. Because ePub is an open source format, it allows book designers to create better-formatted titles than Amazon’s proprietary file format. Also, if you don’t like DRM on your books, you have a better chance of finding DRM-free books in the ePub format than the .azw format. There’s speculation that Amazon might open up the Kindle to support ePub. But till that happens, you have to make the decision: Which side of the fence do you want to be on?

Going beyond just books: What do you want to use your e-book reader for? If the answer is just books, e-book readers such as the Cool-er start at $250. But the Cool-er won’t do much beyond books because it does not support magazines and periodicals. Like to read blogs or newspapers on your e-book reader? You’ll have to get Kindle 2 for that because Amazon lets users publish blogs to the Kindle. Thanks to its wireless connection, the Kindle also offers basic web surfing. Even better, would you like to hack your machine and make it run some cool applications? You’re better off choosing a lesser known e-book reader that runs the Linux operating system

Price and brand: What’s your budget and how important is the brand for you? In this recessionary economy, everyone’s watching their dollars. And while the Kindle is attractive, at $360 it isn’t cheap. If you’d like to save a few bucks, the Bookeen Cybook is an alternative priced at $350. Or go for the Cool-er at just $250. There are cheaper alternatives to the Kindle, but hey, it isn’t a Kindle. Can you live with that?

See also:
Detailed e-book reader matrix wiki from Mobile Read.  The wiki offers a list of the most popular e-book models and how they compare in terms of price, formats supported, and features.

Photo: Jon Snyder/Wired.com


Why E-Books Look So Ugly

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As books make the leap from cellulose and ink to electronic pages, some editors worry that too much is being lost in translation. Typography, layout, illustrations and carefully thought-out covers are all being reduced to a uniform, black-on-gray template that looks the same whether you’re reading Pride and Prejudice, Twilight or the Federalist Papers.

“There’s a dearth of typographic expression in e-books today,” says Pablo Defendini, digital producer for Tor.com, the online arm of science fiction and fantasy publisher Tor Books. “Right now it’s just about taking a digital file and pushing it on to a e-book reader without much consideration for layout and flow of text.”

With the popularity of the Kindle and other e-book readers, electronic book sales in the United States have doubled every quarter. Though still a very small percentage of the overall book industry, sales of e-books touched $15.5 million in the first quarter of the year, up from $3.2 million the same quarter a year ago. By contrast, the printed book market sales in North America alone was nearly $14 billion in 2008.

The rapid growth of e-books has piqued many publishers’ interest, enabling Amazon to sign all the major publishers and offer more than 275,000 books in its Kindle store.

But despite the rapid growth, e-books are still new territory for most publishers. Add proprietary publishing standards such as the .mobi file format for the Amazon Kindle, and you have a recipe for confusion among many would-be e-book designers.

“E-books today are where the web was in its early years,” says Andrew Savikas, vice-president of digital initiatives at O’Reilly Media, a major publisher of technical books. “And some of those e-books are as difficult to read and browse as the early web pages.”

After spending a weekend with the Sony e-book reader, I found that the convenience of having so many books in a single, lightweight, slim device had me hooked, and its screen offers nearly print-like readability. But after about four hours of flipping through blocks of grey text I found myself feeling strangely melancholic. It couldn’t have been the lack of sunshine. Moving from one book to another, while easy, didn’t help: I was still staring at the same font, the same gray background and the same basic layout.

I had stumbled onto the reason why design and fonts are so important in publishing, says Mark Simonson, an independent typeface designer.

“Different typefaces are like like having different actors in play or different voices in an audio book,” Simonson says. “The variations in typeface influence the personality of the book. Sticking to one font is much like having the same actor play all the different parts.”

It’s why creative directors at publishing houses try so hard to make one book feel different from another, says Henry Sene Yee, creative director for publishing house Picador.

Sene Yee’s department is cover design. A book’s cover design can be photographic, illustrative, iconic, typographic or something more conceptual, he says. In each case the cover is a finely-tuned representation of the book’s genre and the message it wants to send.

“It’s about what we want readers to see in the book,” says Sene Yee, who says his job is part designer, part ad man. He spends more than two weeks coming up with the first sketch of a book cover — one that he hopes will bait readers in.

If readers are not familiar with a writer, they make impulse buys in bookstores or even online, “so covers are what make readers pick up a book they don’t know,” says Sene Yee.

So, if book design is so important, why is it so absent from e-books today?

“Ultimately the sticking point for e-books is accessibility,” says Defendini. “A large component of this is making sure the text flows right and the fonts are appropriate, even while giving the reader choice to change that. That flies in the face of the traditional role of a typographer, who is in minute control of everything.”

Designing a cover specifically for an e-book is rare: Most e-book covers are digital images of their print namesakes. That’s likely to change soon, says Savikas, who compares e-book stores today to how Apple’s iPhone App stores were when launched.

“With the iPhone App store we have seen app creators get more sophisticated with their choice of icons or the screenshots they use to attract buyers,” Savikas says.

E-books publishers are likely to get there soon, agrees Tor.com’s Defendini.

“The illustrators will be big winners soon,” Defendini says. “The social aspect of buying e-books will go up, just like it did with apps and music.”

When it comes to the guts of the e-book, fundamental aspects such as fonts and page layouts become a battle. There’s a dearth of typographic expression in e-books, says Defendini. That’s because e-readers’ firmware offers few font choices. Licensing custom fonts from a well-known foundry or font designer, a ubiquitous practice in print book design, is an impossibility for e-books.

Savikas says O’Reilly Media learned the hard way when the first-generation Kindle was released. The technology publisher found that the Kindle did not have a way to ensure that blocks of computer code would remain intact and properly formatted.

“As a publisher we are not necessarily looking for 800 different font choices,” says Savikas. “But even at this early stage we are looking for a set of standard fonts that guaranteed to be in any device or software.

“It was frustrating to contrast the Kindle’s limited fonts with that of the iPhone, which has very rich support for fonts, spacing and layout,” he says.

A big part of the problem with the Kindle (the largest selling e-books reader) is its use of the Amazon-specific .mobi file format, rather than the open standard ePub. ePub is based on the XML and CSS standards used in millions of web pages and allows for far more control over layouts than is currently possible with the .mobi file format.

As a result, if publishers want to sell Kindle books, producers like Defendini have to do a lot of manual work to create the digital file. In some cases, that means almost page-by-page customization, ensuring that drop caps appear correctly and that text flows around illustrations properly.

E-books won’t stay ugly forever, says Sene Yee. The devices’ limitations are mostly because they are in their early stages. For instance, color e-book readers are not likely to be widely available until at least mid-2010. And the current black-and-white displays offer readers no choice beyond increasing or decreasing font size.

As e-book readers get more popular they will get more sophisticated, bringing in a new crop of designers that understand a changing world of digital publishers.

“People want more than just plain text and the technology will have to change and keep up with this need,” says Sene Yee. “It won’t stay ugly forever.”

See also:
Hands-On: Kindle DX is a Pricey Pleasure
Kindle 2’s Fuzzy Fonts Have Users Seeing Red
Wired Review of Amazon Kindle 2
Kindle Readers Ignite Protest Over E-Book Prices

Photo: Kindle DX (Bryan Derballa/Wired.com)


Gadget Lab Podcast #74: Multimedia and…Mullets?

Gadget Lab Podcast logo

This week’s Gadget Lab podcast zones in on multimedia players, starting with the new Cool-er e-book reader — a lighter, slimmer and cheaper alternative to Amazon’s Kindle. Then Danny Dumas weighs in on Sony’s new Series-X Walkman player. No, it doesn’t play cassette tapes; it’s actually an MP3 player with built-in FM and Slacker service.

Treading into the software world, we discuss the latest iPhone App Store drama. Apple rejected Me So Holy, an iPhone app that edits your mug to resemble a portrait of none other than Jesus Christ. Perhaps someone at Apple was offended? And in other App Store news, the new SlingPlayer iPhone app, which streams video from a Slingbox player plugged into your TV, can only work on Wi-Fi! Why? Because AT&T doesn’t want iPhone users hogging its 3G service watching TV.

Other than crippling SlingPlayer, AT&T neutered the Nokia E71x smartphone by removing a really cool button we loved in the phone’s predecessor: a toggle button. Danny tops off the podcast with an emo rant about the loss of this wonderful feature.

This week’s podcast features Dylan Tweney, Danny Dumas, Priya Ganapati and Brian Chen, with audio engineering by Fernando Cardoso.

If the embedded player above doesn’t work, you can download the Gadget Lab podcast #74 MP3 file.

Use iTunes? Subscribe to the Gadget Lab Audio Podcast in iTunes. Do it now!

Like video? Aim your browser at the Gadget Lab Video Podcast — available on iTunes and right here on the Gadget Lab blog.


Random House now disabling text-to-speech function of Kindle e-books

The much-touted and extremely controversial story of the text-to-speech function of Amazon’s Kindle 2 could fill a very large e-book. The tale continues to get longer still, as at least one major publisher — Random House — has thrown the dreaded “kill switch” on about 40 of its titles, including authors such as Toni Morrison, and, ironically, Stephen King (who you will remember was part of the Kindle 2’s launch). Random House disabled the function without much fanfare, or an official announcement, but you can be sure this isn’t the final chapter.

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Random House now disabling text-to-speech function of Kindle e-books originally appeared on Engadget on Thu, 14 May 2009 21:46:00 EST. Please see our terms for use of feeds.

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