Sony Ericsson XPERIA X10 announced, we go hands-on

The first Android device from Sony Ericsson may have undergone an upgrade in the naming department, jumping from X3 all the way to XPERIA X10 (probably to avoid confusion with Nokia’s X3 handset), but what lies under the hood is reassuringly in line with what we’ve been hearing. That is to say, a 1GHz Snapdragon chip from Qualcomm, wide 4-inch capacitive touch display, 8.1 megapixel camera with LED flash, and a thoroughly tricked out Android skin named Rachael. Sony Ericsson stressed to us the symbiotic importance of both the new flagship device and “open OS” UI — the X10 was presented as the patriarch of a whole new family of handsets, which we can expect to see in the first half of 2010, all sporting the beauty of Rachael and perhaps helping to bridge the gap between featurephones and, well, more advanced featurephones. So don’t be shy, come along past the break to see our uncensored first impressions of both, along with hands-on video and pictures.

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Entelligence: Of ebooks and suburban moms

Entelligence is a column by technology strategist and author Michael Gartenberg, a man whose desire for a delicious cup of coffee and a quality New York bagel is dwarfed only by his passion for tech. In these articles, he’ll explore where our industry is and where it’s going — on both micro and macro levels — with the unique wit and insight only he can provide.

There was a raging debate going on last week at Engadget HQ over the role of dedicated ebook readers that spilled over on to the Engadget Show. You can watch the show here, but essentially big boss Joshua Topolsky and Paul Miller feel that the new Barnes and Noble Nook is going to be a hit — the one machine that gets suburban moms to buy. On the other hand, Nilay Patel, rationally (as he agrees with me) says it’s not going to happen and there’s no mass market for dedicated ebook readers. I’m going to weigh in and say Nilay is probably right.

Now don’t get me wrong, this is not entirely an integration vs. convergence story. I believe there’s a market for dedicated devices: cameras have not been displaced by music phones, media players have not been displaced by music phones and ebook readers could serve bibliophiles, especially those who travel a lot. However, mobile reader apps like those from Amazon and Barnes & Noble can easily tap into more casual markets, allowing users to leverage the investment in screens they already own instead of buying a dedicated device. That’s one reason why I think it has been important for Amazon and B&N to get their ebook platform onto as many devices with screens as possible, and why Sony’s making a mistake by ignoring the opportunity.

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Gizmodo’s Essential iPhone Apps: October ’09 Edition

Each month, the best new iPhone apps—and some older ones—are considered for admission into Gizmodo’s Essential iPhone Apps Directory. Who will join? Who will live? Who will die?

The Month’s Best

Layar: There’s the obvious reason to be excited about this:

Layar, the first camera-based AR app to really blow us (or anyone) away, has quietly slipped into the App Store. As with the Android version, the app overlays all kinds of information onto a live view of the world around you.

And the less obvious, but ultimately more important one: Layar layers, which let you install user-generated overlays of all different kinds of information, like this one, which tracks government bailout spending. Free.

Tweetie 2: From Matt’s review:

It’s the most polished Twitter app yet, oozing slickness with every swipe. Yet, it’s exploding with new features, and still really fast. It manages to cram in every possible feature you could possibly want in a Twitter app-offline reading!-without feeling too complicated or bloated.

It’s three dollars, even if you had the previous version, but totally worth it.

Photoshop: To call this app Photoshop is almost a misnomer—you can’t have anything resembling desktop Photoshop on the iPhone, but you can have a decent photo processing app:

The tools are basic-you can crop, adjust exposure, saturation, and tint, among others, with some standard special effects like soft focus, colors and filters like “warm vintage” and pop-but using entirely swipe-based gestures as a virtual slider for how intensely or lightly the effect is applied is natural and easy

This, combined with ties to an online service and the fact that this, unlike almost any other similar app, is free, make it a must-download.

MotionX GPS Drive: At $3 a month without any kind of long-term commitment, this is currently the cheapest decent turn-by-turn app in the App Store. And it works, pretty well! Until Google Navigation for Maps hits the iPhone, this’ll be the cheapest, least-risky turn-by-turn option out there.

NASA: Pure, welcome information overload for space geeks, in an app. NASA’s really been killing it with their online strategy lately—lots of news, downloadable media and Twitter action—and this app is a wonderful extension.

Squareball: If Pong grew into a platformer, or Breakout into a sidescroller. You can pick it up quickly, but it gets progressively harder over time without ever getting frustrating. In other words, it’s pretty close to a perfect game. Try the free demo before dropping the two dollars though, since with its retro graphics and soundtrack, dead-simple gameplay concept and fast face, this one can be polarizing.

Rock Band: It’s not perfect—controls can be awkward, and the singing mode isn’t really a singing mode, but it represents the first major rhythm franchise to hit the iPhone, and it bear gifts: Great graphics, decent, familiar, song selection, and multiple instruments.

NASDAQ: It’s much more intensive that the stock stock (stock stock stock) app, and comes with StockTwits integration, which provides a little crowd-sources insight to go along with your stream of numbers. Best of all, it’s free.

ReelDirector: This is as close as you’re going to get to iMovie on your iPhone. (Which isn’t very close, to be honest!) Video stitching alone, will be worth the ($8) price of entry for many people, but keep in mind that Apple instantly render this app obsolete if they just built decent editing into their OS.

Nikon Learn and Explore: It’s heavily branded and obviously intended to promote the Nikon name, but hey who cares: Nikon’s Learn and Explore app is actually a great, free photography primer no matter what kind of camera you carry.

App Directory Inductees


So, who will join the illustrious ranks of Gizmodo’s Essential iPhone apps? I’ve sifted through user submissions, app updates and new arrivals to find our newest inductees:

MotionX Drive, for its brilliant value-to-functionality ratio.

Photoshop, for undercutting almost all of the overcrowded, underinnovating photo app field with something decent and free.

Layar, for being a free, solid platform for augmented reality on the iPhone, which will be made great by new layers.

Tweetie 2, for being even better than it was before, and for being the best iPhone Twitter app out there, assuming you’re willing to shell out a few bucks.

Instapaper, for its tragic exclusion in the last update: the ability to save pages for offline reading is useful for just about anyone, but absolutely essential if you’re a frequent flyer or subway rat.

Runkeeper, for simultaneously offering the most feature-complete outdoor exercise app I’ve seen in a while and offering a decent free version as well.

Backgrounder, a jailbreak app, for giving everyone a taste of what a multitasking iPhone is like. (Hint: pretty great)

And Farewell To…

• Twitterfon, not because it’s bad—it’s still the best free Twitter app, but because it’s not called Twitterfon anymore. Hello, Echofon.

• TomTom, because Navigon has done more to innovate in the last few months, and because with great, cheap options nipping at their heels, expensive iPhone apps like this are harder to justify.

• Tweetie, for you have been replaced; cannibalized by your own child.

• CameraBag, for being two whole dollars more than Photoshop. (Sorry!)

What counts as an essential iPhone app changes all the time, and so should our guide: If we’ve missed anything huge, or you’ve got a much better suggestion for a particular type of app, let us know, or say so in the comments. We’ll be updating this thing pretty frequently, and a million Gizmodo readers can do a better job at sorting through the app mess than a single Gizmodo editor. Enjoy!

[Gizmodo’s Essential iPhone Apps]

I Ate the Windows 7 Burger

Today I ate two things: whale steak and the Windows 7 burger. Only one of these meals made me want to vomit.

CheapyD, who’s no stranger to eating gigantic-ass burgers (I had that burger earlier in the week too), tried his mouth on the Windows 7 burger with his buddy. I physically couldn’t watch his video while writing this post because it the gastrointestinal wound was too fresh, so I don’t know if he liked it or not—I just know that he finished the thing with his buddy.

I, on the other hand, tried to consume the thing with my wife, and the two of us couldn’t quite manage to finish it. Not so much that we weren’t hungry, we just couldn’t stand the taste of it anymore. It was hard to actually even hold, being made out of two flimsy pieces of bread soaked in the juices from seven pieces of meat. There are a few problems with the way they made this burger. One, there’s no cheese. Two, there’s barely anything else besides meat. It would have been much more appetizing if they had made the tomatoes and lettuce and onions in proportion to the meat. As is, in the Shibuya, Tokyo store at least, there was one slice of lettuce, a few tomatoes and not much of anything else.

How does it taste? How do you think it tastes? It’s seven pieces of Burger King meat. There’s no way I would eat this thing normally. I did it for you. Oh, and it’s not 777 Yen—it’s goddamn 1450 Yen. The only people who got the 777 Yen deal were the ones who showed up at launch, or on a first-come-first-served basis. I couldn’t understand the tellers well enough to get the story straight. Point is, it’s not only ridiculously bad, it’s expensive too.

This is meat followed by meat, washed down by meat. You start with an appetizer of meat, then maybe a meat salad and some meat soup, perhaps interjected by a meat meat, then moving on to the entree of meat, enhanced by a bottle of your best red meat. Oh waiter, what’s for dessert? Is it meat? Oh this chef is so creative.

Since I am not a snake, I couldn’t unhinge my jaw to get the entire burger into my mouth at once. The best way, we found, was to eat it like an ice cream sundae; by hacking away at its sides with a fork. We were like chefs at a Greek restaurant, chipping at a a gigantic clump of flesh a little bit at a time; except there was no falafel at the end of this, just more F-grade ground beef. As shown in the video, you’re going to be eating meat almost all the time, with a little bit of bread and tomato occasionally as frosting.

The proportions were similar to Adam’s giant cheeto, in that too much of the inside of a thing totally screws up the delicate balance set forth by its maker. If you had an Oreo that was five inches of frosting and two normal-sized cookies on the end, you’d quickly discover that nature, like Nabisco, knows the meaning of moderation.

To recreate this Windows 7 burger for yourself without having to travel to Japan, head to Burger King and order a Whopper. Then throw a ten dollar bill down and ask them to make six more patties as disgustingly as possible.

I’ve been in Tokyo a week, and I can say that, for the most part, Japanese people are quite thin thanks to their normal diet. This Windows 7 burger must be Microsoft’s way to get them up to the US range in order to make us feel better about ourselves.

Oh and as you probably guessed already, the burger was the thing that made me want to vomit—the whale actually tasted pretty good. Kinda like a tough steak. And whale tongue? That was even better. Fried whale was kinda weird, but edible.

Unless Apple decides to make a Snow Leopard Big Leopard Mac promotion with McDonalds, I’ll see you all in a week when I’m back from Japan. In the meantime, you can keep up with me on Twitter.

Google Navigator for Android Review: Good For Free But Far From Perfect

As you know, Google’s freebie turn-by-turn navigation app for Android 2.0 surfaced this week. After driving around our patented testing track for a few days, I can tell you what’s great—and what’s surprisingly bad—about it.

The Game Changer

Brian already went through the details when he broke the news, all the features you need to know about. On paper, this baby sounds like it has everything the $100 apps have, and it’s free (for Android 2.0 users). I won’t go over all of the features again—live traffic, over-the-air maps, multiple visual layers, search along routes, etc.—so I encourage you to read that. This is what it feels to use the thing day to day, the wheels-on-the-ground perspective, and though it’s certainly as powerful as billed, the experience itself is a little more sobering.

On Android 2.0, on the Verizon Wireless Motorola Droid I’ve been testing, Google navigation is part of the Car Home suite, an easy-to-read, easy-to-reach set of apps including map, turn-by-turn navigation, voice search, text search and contacts. However, as you can probably guess from reading that lineup, the lines are so blurry it can get confusing fast. The sane place to start is voice search.

Voices In, Voices Out

The surprise hit of Google’s new software is the voice command. I said “Navigate to Cloud City” and it quickly launched the navigator, showing me a few options with “Cloud City” in the name. On top was my wife’s favorite coffee shop (home of my favorite BBQ pulled-pork sandwich). I tapped it and got on my way. I have done this with street addresses, store names and categories like simply “barbecue” and it’s worked fine. It’s only when I tried text searching that things got iffy.

But voice command isn’t the only voice feature that’s awesome on this. The turn-by-turn lady may be a tad robotronic, but that’s because she tells you everything, including street names and numbers. Text-to-speech is considered a bit of a premium among the iPhone apps (many have it or are getting it, but not all do), so to find it for free is impressive.

Searching Highs, Searching Lows

As I mentioned, the text search is not as smooth as the voice-activated stuff. That’s because there are several different places to search, and at times they overlap in ways that make my head feel light. There’s the basic directions view that iPhone users are used to seeing, where you type a destination with no predictive guessing on the app’s part. Once you finish typing, it picks the most likely destination or offers you some options. Then there’s the true “Search” window that gives you a keyboard and lets you type whatever you like, and tries to anticipate what it is you’re typing by showing you similar past searches. And then there’s a screen of all your past searches, that you can only get to by backing out of the main Search window. It’s strange, and took me a while to figure out how to return to this little Narnia of a helpful screen.

If that’s not chaotic enough, well, take away any browsable POI menus, any “go home” preset address feature, and any multi-stop trip planning tool. Scared yet? At least its only a few taps to your contacts—which you can fill up with all your favorite destinations—but only if you remember what those taps are.

Street View Blues

One of the things I was super excited about when Brian came back from his secret Google meeting was the Street View feature: When you came to a tricky intersection, Google would show you the actual intersection, and you would know just where to turn. Well, I live in Seattle, one of the biggest cities and certainly one of the most high-tech, and though I’ve driven with this thing on a few outings this week, I haven’t once been shown a photo of an intersection. (Note: Brian says you have to tap the screen to see the picture as you approach an intersection, to which I reply, “Sounds suicidal, I’ll pass.”)

I do, however, see the photos pop up when I reach my destination, and without exception they’ve looked awful. Sure, you can flick them around once you’ve stopped, but I think this highlights the major trouble with Street View on a mobile platform.

Steady As She Goes

The driving directions are, for the most part, just fine. Re-routing is fast when you make an unscheduled turn, and the Droid phone appears to track the road as well or better than an iPhone. I have heard others talk of reliability issues, but frankly, that kind of evaluation takes weeks or months, and results can differ from location to location. Nobody outside of Google knows exactly what the reliability weak points are, especially since Google is using (from what I can tell) its own map data.

When you’ve navigated, you can pull up layers—traffic view, which shows you where the trouble’s going to be; satellite view, which looks neat but I don’t know how practical it is; and POI layers, like where the nearest gas or parking is. There’s some customization you can do to this, but only in the 2D bird’s-eye view.

The power comes when you select the Route Info screen (shown above), by popping up a menu while in your navigation screen. There you can see an icon with a solid arrow and a broken arrow, indicating alternate routes. Tap that icon, and you’ll see your route plus two ghostly alternatives. By selecting one of the alternatives up top, you can re-route. The Route Info screen also contains the all-important turn-by-turn list, buried a bit more than I’d like, but clear and readable nonetheless.

Tooling around northeast Seattle has been fine. My gripes about the driving interface are mostly cosmetic: You can see the time till arrival, in hours and minutes, but you don’t see a time of arrival, which I prefer. On other navigators and apps I’ve gotten used to seeing my speed in MPH and even posted speed limits, and Google doesn’t show those either.

But at least the screen is clean and easy to read. If the screen stayed like this, I’d live.

Someday We’ll Meet Again?

I spent a lot of time telling you what’s wrong with the Google navigation app, but that’s mostly because I get the feeling we’ll all be experiencing it one way or another soon enough, be it on this exceptional Motorola Droid, other Android handsets or even on the iPhone. It’s an extremely powerful program, but the execution isn’t the best. Not by a stretch.

Still, if this was built in to the iPhone’s Google Maps, or offered as a free download at the App Store, damn would it steal customers like a mofo. You might still see the occasional sale of a Navigon or a CoPilot, because of particular necessary features and because of the onboard map databases (which people who go off-grid prefer), but really, this thing would—and probably will—swallow the GPS app market alive.

Because of that, I am hoping Google’s developers pay close attention to this review, too. The app is still in beta, but there’s a lot of user-interface work yet to be done. Google: If you’re going to knock everyone else off the mountain, at least give us an app worthy of a king.

Amazing voice recognition engine


Live traffic and alternate route planner


Text-to-speech


Good routing and fast re-routing


Satellite view and other views not always useful


Text search features are overlapping, confusing


Interface overall needs better flow


No POI category browsing or “go home” feature


No multi-stop trip planner

An Astronaut Explains How We’ll Fall In Love With Space Again

Our friend and astronaut blogger Leroy Chiao sat on the human spaceflight advisory committee which released its report last week. Since news stories about it were hazy at best, we asked him to explain what it really said:

It is not surprising, but it is dispiriting, to realize how little the general public knows (or cares?) about space exploration. We seem to take for granted, that America is the leader in human spaceflight. Will it always be so?

Remember high school history? Remember Portugal? They dominated the seas way back when, and thus, dominated the known world. Then what happened? Did they get lazy? Rest on their laurels? Sure, they still are the only ones who make port wine (at least any that’s worth anything), but WTF, over? How about Rome? Ok, maybe they just got too decadent. I never did see the X-rated movie Caligula, but it probably wasn’t too far off the mark. They got too full of themselves, and that was that.

So, what’s it going to take to get America enthralled again about space exploration? This was one of the questions we considered, on the Review of US Human Spaceflight Plans Committee, also known as the Augustine Committee, after our chairman, respected aerospace veteran, Norm Augustine. What do we have to do? Do we have to go chase imaginary aliens to get your attention?

The media generally missed the mark on understanding our report. How is this possible? Maybe I’m too close to it. I suppose I shouldn’t over-think this. I should give ‘em what they want. Alright then, here are the report highlights, from my perspective:

• The space program needs more money. NASA has been trying to do too much with too little for too long. Let’s either spend more money, or scale back our expectations.

• The Space Shuttle has been a magnificent, beautiful flying machine, but it is more fragile than we thought, and it is too expensive to operate. There is a case to be made to keep flying the Shuttle for a few more years, but only if we are going to base the next heavy launch vehicle on its technology.

• The International Space Station has been a great success, in that an international framework for cooperation has evolved. This is the future, not only in space exploration. In addition, there have been relevant, significant scientific results from research conducted onboard. The US should use this framework, to move exploration forward beyond Low Earth Orbit (LEO).

• The Constellation Program was a reasonable path, five years ago, when the Vision for Space Exploration was first formulated. Since then, budget shortfalls have caused significant delays. Moreover, the goals evolved into a focus on getting astronauts back to the Moon, to the development of the Ares family of rockets and the Orion spacecraft. The public generally is bored with going back to the Moon, since we already did this forty years ago.

• Commercial crew access to LEO should be considered. Traditional aerospace companies can do this, and who knows? Maybe the startups can too, more efficiently. At any rate, the technology has existed for almost fifty years, it’s time to give it a try.

• Heavy Lift Vehicle: Let’s choose one, then, do it. Be it Ares-V, Ares-V Lite, Evolved Expendable Launch Vehicle, or Shuttle Derived. Pick one.

Clear as mud? For a more detailed (yet, still very high-level) explanation, check out my blog.

Leroy Chiao, Ph.D. served as a NASA astronaut from 1990-2005. During his 15-year career, he flew four missions into space, three times on Space Shuttles and once as the copilot of a Russian Soyuz spacecraft to the International Space Station. On that flight, he served as the commander of Expedition 10, a six and a half month mission. Dr. Chiao has performed six spacewalks, in both US and Russian spacesuits, and has logged nearly 230 days in space.

Dr. Chiao is Gizmodo’s official astronaut (and “astroblogger“). On occasion, he still ponders strategies to hunt for imaginary aliens.

8 Ghost Detecting Gadgets That Can Confirm Your Sanity

With Halloween coming up this weekend, it seemed like the perfect time to discuss a problem far too many of us face—homes that are haunted by evil spirits.These gadgets can confirm you are not completely crazy.

Nikola Tesla’s Spirit Radio is built with a simple crystal radio circuit, but it has the ability to generate spooky sounds from all kinds of electromagnetic interference. Some, like Tesla himself, believed that it had the power to pick up on supernatural forces. It actually creeped him out:

“My first observations positively terrified me as there was present in them something mysterious, not to say supernatural, and I was alone in my laboratory at night.”
– Nikola Tesla 1901

Hit the folowing link to learn how to build one yourself. [Instructables via Link]
Cameras with infrared night vision are often used in ghost hunting to detect hot spots in darkened rooms. The Vivitar DVR 150 includes this capability in a convenient pocket-sized form. [Vivitar via Link]
In addition to looking for hot spots, ghost hunters almost always employ some sort of EMF meter to detect sharp fluctuations in the surrounding magnetic field—supposedly a sign of a ghostly presence. Oh hey, Amazon is selling a two pack Gauss Master and K-II Deluxe EMF meter set for $85! How convenient. [Amazon]
If you can’t capture a real ghost on film, you can always turn to the Ghost Finder disposable camera. It inserts an ghostly image in every photo you take—saving you time and effort with Photoshop. It’s all of the fraud without all of the work. [FindGift]
Not only does this keychain claim to detect ghosts, it also has a “safe mode” that can be used to shield your body from becoming possessed. [Strapya]
Contact the spirit of the internets with this specialized ouija board t-shirt. Just place a wireless mouse on your chest and let the spirits guide you to the next big internet meme. [Wildilocks]
Dowsing or “divining” rods have been used for thousands of years as part of religious ceremony or to ascertain the location of water or precious metals. Some modern investigators still believe that these simple rods can be used to detect the presence of ghosts. [Divining Mind]
Trisaksri was a short-lived ghost repellent concept that would detect ghosts in the home with a low level magnetic field and a camera. Once discovered, the unit would emit a “Wave Killer” Radio wave blast to eliminate any unwanted, otherworldly intruders. [Link]

$1000 1080p Projector Battlemodo: Optoma HD20 vs Vivitek H1080FD

The idea of a $1000 1080p projector is enticing, but are the first products to reach this price, the VIvitek H1080FD and the Optoma HD20, any good? Yes, yes they are.

I have to admit, I didn’t have high hopes for these two machines. The first “budget” products in any category always seem to fall short, but in this case I was pleasantly surprised. Both the Vivitek H1080FD and the Optoma HD20, which use DLP technology, offered exceptional performance for the price, but one definitely stood out.

The Results…

The Vivitek takes gold almost every category.
Stack those results up (by weighting each gold medal with 3 points and each silver with 2), and you can see how it all adds up.

Winner: Vivitek H1080FD

While the Optoma HD20 and the Vivitek H1080FD are alike in many respects, the bottom line is that Vivitek pushed the envelope a bit more with picture quality, and provided more of those features that you might find in a pricier projector.

It’s a shade bigger than the Optoma, and a little more than a pound heavier at 7.8 lbs, but it is still an extremely portable device (they even go so far as to throw in a carrying case). Both the Vivitek and the Optoma lack lens shift capability, so I had to set them up on this ghetto cardboard box on top of a card table configuration in order to deliver a straight, unobstructed picture to the wall. However, once things were set up and calibrated properly, the Vivitek offered up slightly richer colors and better overall contrast (5000:1) than the Optoma—although black levels and overall quality of the 1080p picture appear similar between the two devices. I also give the Vivitek an edge in the brightness department—especially when comparing the brightest modes. Still, after running through several 1080p video clips on both machines, I was really wowed by the overall image quality on these entry-level projectors.

As I mentioned earlier, the Vivitek brought a few features to the table that you usually find in pricier models. For one thing, it’s extremely quiet—especially when compared to the Optoma. It also features more inputs/outputs than the Optoma, including S-Video, RS-232c connector and audio jacks (although it would be a crime to use S-Video). It even features a small 5W onboard speaker which aids in portability and ease of use for those who are looking for a simple, all-in-one solution. The speaker is basic, but I found it helpful in my temporary setup when I just wanted to plug and play.

There isn’t much to complain about with regard to the Vivitek H1080FD, but I did notice that menus in the UI don’t collapse, so you have to exit in order to get a full picture of your changes. However, the most troubling negative has to do with the $400 cost of a replacement lamp. The overall lamp life of the Vivitek and the Optoma are the same, but there is a $150 difference in the price of the replacement. Given the fact that there isn’t a vast difference in performance between the two models, this expense could be a real dealbreaker for people who are looking to use their projector on a more regular basis.

Runner-Up: Optoma HD20

Sure, the runner-up in a contest of two is the “loser,” but there’s a lot to like about the Optoma. Right off the bat, you have to marvel at how small this thing is. At 12.76″ x 3.82″ x 9.21″ and 6.4 pounds, users don’t need to use the HD20 in a permanent setup. It can be easily stored and transported—but, again, the lack of lens shift means you might struggle to get an optimum viewing angle.

Granted, the HD20 isn’t going to blow away enthusiasts who will settle for nothing less than the blackest blacks and whitest whites, but most of us will be more than satisfied with the clarity, color and contrast (4000:1). Overall lumen output wasn’t quite up to snuff when compared to the Vivitek, but it was still considerably better than you would expect in a budget model in both bright and theater modes—easily allowing for a screen just under 100″ in my living room to be comfortably viewable with ambient light.

Of course, the HD20 is not without it’s flaws. First of all, excessive fan noise makes it sound more like what you might expect from buying a cheaply priced DLP. It’s noticeable in Standard mode, but I was definitely distracted by it in Bright (users might also find the light emanating from the front vent to be distracting). I also found the UI to be well organized but fairly annoying to navigate, mostly because the remote isn’t very responsive. I felt like I had to mash the button down to get a response.

Feature Comparison

But What If You Spend More?

OK, so what if you’re willing to spend a bit more than $1000?

Epson’s HC 8100 represents a price point in the entry-level market for consumers willing to pay extra for better 1080p performance. At $1600, the LCD-based 8100 is a big step up from the Vivitek and the Optoma. In my opinion, it is worth the added expense.

Simply put, it easily outstrips both of its cheaper competitors in just about every performance category. It also has some advantages that the others lack, many of which derive from the advantages 3LCD has over DLP. Brightness and color accuracy are better, no color wheel means no rainbow effect (for the people who suffer from that—you know who you are) and it has a high degree of vertical and horizontal lens shift, meaning you can put this thing just about anywhere and throw a clean image. However, it is literally twice as big and heavy as the Vivitek, which could make it unsuitable for some setups.

If you are concerned with the long term cost of ownership, the Epson is competitive in that area with a $300 lamp replacement cost (4000 hour lamp life in Normal and Eco modes) and a two-year limited warranty. So, in that sense, it could be cheaper to own in the long term than both the Vivitek and the Optoma, depending on your usage.

Verdict

If you have your heart set on 1080p, the good news is that you will probably be satisfied no matter which one of these projectors you choose—definitely an encouraging sign at these price points. That having been said, I think it is worth spending an an extra $600 for the improved performance of the Epson HC 8100.

However, if the HC 8100 isn’t in your budget, there is no shame in going with the Vivitek—it will deliver a lot of bang for your buck. On the other hand, if you plan on using your projector frequently and the long term cost of ownership is a concern, the Optoma HD20 will be less expensive in the long run—and the choice might be further justified since there isn’t a vast difference in performance. Perhaps the best news is that, within the next year, more 1080p projectors from the likes of Sony and Panasonic will be competing at these lower prices, too. If you are patient, it might be worth it to wait and see how the market develops. [Epson and Vivitek and Optoma]

12 Things You Need To Know About Apple TV 3.0

If there’s one Apple product that lives outside the Reality Distortion Field, it’s Apple TV. But hey wait, 3.0 is out, doesn’t that change everything? Well, considering Apple rolled it out on a Thursday afternoon with no fanfare, whattaya think?

1. New Home Screen and Tweaked UI

The old home screen had a grid of categories, including Movies, TV, Music, Settings, etc. Now the home screen is horizontal, with all of those same categories running across. Besides mere orientation, the major difference is subtle: Apple TV anticipates what files you’re going to want fastest, and puts them above the category in Cover Flow. Click the up arrow to get to the speed rack. The rest of the “new user interface” doesn’t seem very new at all. Buffed a bit, shinier in places, but honestly, it’s not full revision’s worth of new user experience.

2. Genius DJ Playlists

My wife is a huge fan of the Genius option, because she doesn’t want to spend an hour making a playlist, but she also doesn’t want any of my unexpectedly angsty rock messing up her Beth Orton-fueled revery. Apple TV finally gets what a lot of Apple products have had for a while. Yippee.

3. Movie Extras and LP Compatibility

If you are so devoted to Apple’s music and movie retail operation that you care about Extras and LP, visual portals that lead to the main content plus some token extra stuff, then you probably already are excited that Apple TV has this. As much as I am not into it myself, I do admit LP and Extras look much cooler on a TV than they do on a computer.

4. Improved Syncing

iTunes 9 means that, like the iPhone and iPod, there’s more refined sync features—you could select particular movies before, but now you can select individual artists, specific TV episodes and iPhoto events as well as albums. This is closer to full manual control, but it’s not full manual control.

5. Photos Still Require a Sync

I don’t quite understand this quirk of Apple TV: While music and movies I don’t sync to the local drive still appear as long as they’re in iTunes on my Mac, the photos that live on that same Mac are off limits unless I physically sync them. The alternative is to share them via MobileMe, but that’s not the same thing. This highlights an ongoing weirdness between iTunes and iPhoto that may never be resolved.

6. No DivX

“This file was not transferred because it is unable to be played on Apple TV.” Steve Jobs once said that only 4% of music on iPods came from iTunes. A lot of movies that would be nice to play on Apple TV simply don’t, while H.264 is an option on Handbrake and other personal-use DVD-encoding software, it’s not the only game in town.

7. Not NAS Friendly

Assuming I play by the rules and rip all of my personal DVD in H.264 format, I still have to leave them on my laptop, or transfer them to the Apple TV’s puny hard drive. Can I stick them on my 1TB NAS, or point the Apple TV to that same NAS to look for other compatible movies? Nope, I cannot.

8. USB Jack Still Unused

Speaking of terabytes, what the hell is that USB 2.0 drive for? It certainly isn’t for USB drives, because whenever I connect one, nothing happens. Laptop users don’t keep all their movies on their local drives, and many Apple TV drives are too damn small. I don’t honestly see how a USB slot could be used for anything evil, and yet three generations of ATV OS have passed without firing it up.

9. Hardware Sluggish and Hot

Even when doing nothing, the Apple TV is still remarkably warm to the touch—the 3.0 update doesn’t help that. What I did notice, though, was that the remote was sticky—I’d hear the little “bonk” when I’d push a button, but on many occasions, that was followed by a pause before the thing did anything. This led to several accidental double-taps. And that ain’t right.

10. No Netflix or Pandora

Or any other cool third-party services for that matter. YouTube is still there, along with MobileMe and Flickr. And I can understand the conflict of interest in embedding Amazon VOD or CinemaNow or Rhapsody or Napster. But why can’t we get some Netflix love? Or Pandora?

11. Too Much Emphasis on Spending Money

I have always felt that Apple TV’s insistence on paying for content was crass, given the fact that it is supposed to be the extension of your music and movies on your TV. Don’t get me wrong, I actually like that there’s a movie rental option on it (and it’s my understanding that many people who are drawn to Apple TV are excited because they don’t have as much media of their own). But on your computer, you make a deliberate choice to enter the iTunes Store. On Apple TV, you’re basically inside the store from the start.

12. Still Best for a 1:1 iTunes-to-TV Connection

I don’t use Apple TV regularly. I tried, I swear I did. But the shortcomings I mentioned above eventually drove me from it screaming. There are other simpler and cheaper devices that do what I want in a way that may not be as pretty, but is actually more functional. Returning to Apple TV now, though, I recognize something Brian and I were chatting about earlier: If all you want is your iTunes experience quickly replicated on a TV, it’s the perfect device.

As you can see, Apple TV 3.0 isn’t some miracle that will suddenly make Apple TV more relevant. It’s really a 2.5 if you think about what it does to improve functionality. We asked Apple for a briefing today, in hopes we’d get some idea of what makes this revision special, and no one was available to chat. Guess we’ll have to wait for 3.0.1.

How Palm Lost (Like Apple in the ’80s)

The Droid, and Android 2.0 as a whole, isn’t going to kill the iPhone. That’s ridiculous. Teamed with the iPhone, though, it just straight up murdered Palm—the same way that Microsoft brought Apple to its knees decades ago.

Reviews aren’t even hitting yet, but the early consensus is clear: Android 2.0 is the first version of Google’s OS that’s really grown-up. And now, with hardware like the Droid and the Hero, it’s not just a technological triumph, it’s the kind of thing that people—and not just leery, jaded tech blog readers—can connect with, and actually use. This is huge for Android.

iPhone OS is already a superpower with massive adoption, a huge app store and a bright future. They’re not going anywhere. They learned their lessons about the importance of volume and apps when I was still a kid. But what about the other two smartphone players that consumers really love? You know, Google vs Palm? Think Apple vs Microsoft, circa the late 80s.

Hear me out: With version 2.0, Android is sitting on the cusp of greatness. And Palm? They’ve got a nice OS, but with just two handsets and a tiny user base they’re up against a wall. Google is old Microsoft: They’ve got a open development platform, tons of hardware partners. They’re going to start having problems with this strategy—you know, fragmentation, device support issues, etc—but as with Microsoft, it’s going to serve them well, and make them huge. Palm is old Apple: With inhouse hardware and iffy developer support, they’re just insular. What that means:

Hardware partners: Who isn’t developing an Android phone nowadays? Motorola, Samsung, LG, Sony Ericsson, and HTC dwarf Palm’s hardware partner list, which consists of “Palm.” Don’t get me wrong, the Pre and Pixi are nice pieces of hardware—like Apple always had—but it’s tough to compete with such a broad lineup with just two devices, both of which are somewhat polarizing. Android is the new Windows Mobile, but in a good way.

Apps: Apple learned from their past mistakes, and actively courted developers from the start. Android’s start was slower and more organic, but seems to so far correlate with handset adoption, meaning it’s growing, and it’s about to grow a lot more. More apps=a better user experience=joy for Google. Palm has introduced paid apps, but it’s not clear why anyone would want to invest in development for such a small userbase. (The first paid app, if you remember, was an air hockey game.)

Apps, again: Android came before webOS, and likewise the Android SDKs came well before mojoSDK. But no matter how far into the future you look, Google has Palm beaten from a developer standpoint. If Android handset sales start to approach iPhone territory—tens of millions—the combination of a huge potential market and powerful development tools, especially SDK 2.0, will make the choice for developers obvious: Go with Apple, or go with Google. Palm won’t even register.

Resources: Google can dedicate tremendous amounts of money and time to developing Android, as their pastry-themed release schedule can attest to; Palm is hanging by a thread, and they haven’t issued a truly major update to their OS since it came out. Google can lose money on Android for as long as it wants—they’ve got Microsoft-level buoyancy, those guys—while Palm has to turn fast profit by building and selling phones, lest their nervous investors jump ship.

Google is an app development powerhouse: Their apps are becoming more and more central to the general smartphone experience. Apple and Palm both use Google’s maps and search, but naturally, Android always has a later, greater version of both. It helps for the company behind a platform to supply a few killers apps for it too—just look at Office and Window 2.0.

And take what happened yesterday, with Google Navigation for Maps. Google can just will a free turn-by-turn navigation app into existence. Palm can’t do this. They can license Google’s technology, sure, but that leaves them at the mercy of a competitor.

BlackBerry handsets are safe in their own way—suits need their keyboards, and familiarity is worth a lot—and Windows Mobile is on a fixed heading for total irrelevance, as evidenced by their once-strongest ally, HTC, talking about the OS like it’s in hospice care. But there are just three true consumer smartphone OSes out there—the ones that don’t feel like complicated smartphones, but which do all the same tricks.

And assuming Apple’s is safe—and it is—that leaves two. Like Microsoft once was in the desktop computing space, Google is poised for a meteoric rise, and like Apple, Palm should be bracing themselves for hard times. For all the similarities, though, there’s one difference: Palm probably won’t be able to pull through.