Hasta La Gadget!

Think SIGGRAPH‘s all about far-out design concepts? Think again. A crew from the Tokyo Metropolitan University IDEEA Lab was on hand here at the show’s experimental wing showcasing a new “musical interface,” one that’s highly tactile and darn near impossible to walk away from. Upon first glance, it reminded us most of Yamaha’s Tenori-On, but the “universal input / output box” is actually far deeper and somewhat more interactive in use. A grand total of 16 solenoids are loaded in, and every one of ’em are loaded up with sensors.

Users can tap any button to create a downbeat (behind the scenes, a sequencer flips to “on”), which will rise in unison with the music until you tap it once more to settle it (and in turn, eliminate said beat). You can grab hold of a peg in order to sustain a given note until you let it loose. There’s a few pitch / tone buttons that serve an extra purpose — one that we’re sure you can guess by their names. Those are capable of spinning left and right, with pitch shifting and speeds increasing / decreasing with your movements. The learning curve here is practically nonexistent, and while folks at the booth had no hard information regarding an on-sale date, they confirmed to us that hawking it is most certainly on the roadmap… somewhere. Head on past the break for your daily (video) dose of cacophony.

Continue reading PocoPoco musical interface box makes solenoids fun, gives Tenori-On pause (video)

PocoPoco musical interface box makes solenoids fun, gives Tenori-On pause (video) originally appeared on Engadget on Wed, 10 Aug 2011 18:50:00 EDT. Please see our terms for use of feeds.

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At just under $40,000 for an eight camera setup, we’re hardly in hobbyist territory here, but Organic Motion’s new OpenStage 2.0 motion capture system could certainly make do in the average basement. Unlike a few competing solutions shown here at SIGGRAPH, this one actually has no backdrop mandate, and better still, doesn’t require you to latch a single sensor onto your subject. The magic lies within the cameras hung above — kits are sold that contain between eight and 24 cameras, and even the latter can be handled with a single workstation. Multi-person tracking ain’t no thang, and while you aren’t capturing HD footage here, the high-speed VGA capability enables up to 200 frames per second to be logged. Not surprisingly, the company’s aiming this squarely at the animation and medical realms, and should start shipping bundles as early as next month. Looking to take down Pixar? You’ll need a lot more than 40 large, but perhaps the video after the break will give you a bit of inspiration.

Continue reading Organic Motion’s OpenStage motion capture system grabs 200FPS, no backdrop required (video)

Organic Motion’s OpenStage motion capture system grabs 200FPS, no backdrop required (video) originally appeared on Engadget on Wed, 10 Aug 2011 10:37:00 EDT. Please see our terms for use of feeds.

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A dozen uncompressed 1080p video feeds, simultaneously running off a single workstation. Yep, you’re looking at it. NVIDIA’s showcase piece here at SIGGRAPH was undoubtedly this wall — a monster that trumps even Intel’s CES wall in terms of underlying horsepower. A relatively stock HP Z800 workstation was loaded with the NVIDIA QuadroPlex 7000 Visual Computing System (that’s four GPUs, for those counting) in order to push four HD panels. A pair of Fusion-io’s ioDrive Duos were pushing a total of three gigabytes per second, enabling all 12 of the feeds to cycle through with nary a hint of lag. We’re still a few years out from this being affordable enough for the common Earthling, but who says you need to wait that long to get a taste? Vid’s after the break, hombre.

Continue reading NVIDIA, Fusion-io and HP drive a dozen 1080p streams on four displays at SIGGRAPH (video)

NVIDIA, Fusion-io and HP drive a dozen 1080p streams on four displays at SIGGRAPH (video) originally appeared on Engadget on Tue, 09 Aug 2011 17:50:00 EDT. Please see our terms for use of feeds.

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Bowers & Wilkins has seriously been ramping up its consumer audio game in the past few years — notably, with products like its Zeppelin speaker systems for iDevices and its MM-1 desktop speakers. While speakers seem like an obvious choice for a company famous for HiFi systems, you probably wouldn’t have thought of B&W for your next set of iPhone-compatible headphones — that is, until its $300 P5 mobile HiFi supra-aural ‘phones released last year. This year, the company has taken a second step into the game with its C5 in-ear headset.

Priced at $180, they’re a possible contender for those who’d prefer earbuds to on-ears, or maybe want some B&W headgear at a less expensive price point. We’ve grown fond of our leather-clad P5s for chit-chatting on the phone and rocking out during the commute, so we were curious to see, hear, and feel what the C5s could bring to the table. Luckily, B&W dropped off a pair of the in-ears on our doorstep, and we got to give them a healthy amount of use while commuting in and out of NYC to find out if they’d also win us over. It’s all detailed just past the break.

Continue reading Bowers & Wilkins C5 in-ear headset review

Bowers & Wilkins C5 in-ear headset review originally appeared on Engadget on Mon, 08 Aug 2011 13:00:00 EDT. Please see our terms for use of feeds.

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Apple’s iPhone 4 can serve as a great little camcorder when you’re in a bind, but it’s never been our go-to cam for video shoots. Not only is its small sensor not best suited for high-quality HD shooting, but the smartphone form factor can be awkward to hold, resulting in shakier than normal footage. A new app called DollyCam, which also supports iPad 2, helps soften the blow of the latter, letting you successfully stabilize videos — with a few drawbacks.

We took our iPhone 4 out to test a watermarked free version of the app in New York City, shooting a scene first with the phone’s native app, and then with DollyCam. It won’t replace a hardware solution like the Steadicam Smoothee, but it’s significantly cheaper and more convenient. The only major issues we noticed were related to softened sound capture of all things (pay close attention in the video past the break), and the fact that the app can’t process in real-time, so a minute-long video clip will need about five minutes to process. The app does crop your footage slightly, as can be expected. You’ll also need to remain in the app as it’s processing, though you can also stabilize videos later, after completing your shoot. Overall, it’s an acceptable solution, especially considering the $2.99 price tag. Jump past the break to see original and stabilized clips, and browse through the gallery below for a quick look at the interface.

[Thanks, Jon]

Continue reading DollyCam app lets you stabilize iPhone 4 videos, we go hands-on (video)

DollyCam app lets you stabilize iPhone 4 videos, we go hands-on (video) originally appeared on Engadget on Fri, 05 Aug 2011 16:45:00 EDT. Please see our terms for use of feeds.

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