The Engadget Interview: Erick Tseng, Senior Product Manager of Android

We had a chance to sit down with Erick Tseng, Senior Product Manager of Android at Google, who you may remember from that little press event the big G held the other day. We have a pretty detailed conversation on the impetus behind the Nexus One, details on Google’s long-term strategy for its online store, a deep dive on the device itself, and lots more. We’ve split the chat up into three, easy-to-digest parts, so hit the videos after the break and get the full scoop!

Continue reading The Engadget Interview: Erick Tseng, Senior Product Manager of Android

The Engadget Interview: Erick Tseng, Senior Product Manager of Android originally appeared on Engadget on Fri, 08 Jan 2010 14:34:00 EST. Please see our terms for use of feeds.

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A New Year’s gift to Engadget readers: 3 minutes of Woz

Steve Wozniak is a fascinating man. Super smart, funny, incredibly perceptive… and just a tiny bit crazy. Please enjoy three minutes (and 15 seconds) of pure Woz after the break. It’s our gift to you.

Update: For those wondering about the GPS setup Woz talks about in the interview, he’s posted up a short video of his rig in comments! We’re including a shot after the break.

Continue reading A New Year’s gift to Engadget readers: 3 minutes of Woz

A New Year’s gift to Engadget readers: 3 minutes of Woz originally appeared on Engadget on Fri, 01 Jan 2010 18:21:00 EST. Please see our terms for use of feeds.

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Rainn Wilson on His Nikon DSLR Short Film, and Why Dwight Would Taste Banhammer

Rainn Wilson, best known for playing Dwight Schrute on The Office, shot a 140-second film using a Nikon D5000 as part of his participation in the Nikon Film Festival. He talked with us about directing, pancakes and solar-powered deer-meat grinders.

Rainn is one of three judges in the inaugural Twitter-themed Nikon Festival, in which people submit 140-second videos in the hopes of winning a $100,000 prize. Here’s Rainn’s own video—not a contest entry, naturally—which he made using just an entry-level DSLR:

In your 140-second film, you scatter pancakes on the ground in the shape of an eye, taunt a rocking horse, and play yourself in ping-pong. Were you worried about making a film that’s such transparent Oscar-bait?

I was, I was a little bit. You know, there’s kind of a formula for winning an Oscar and I pretty much followed it to a tee. The only things I left out were someone dying of a debilitating illness and a lot of, like, tracking shots at an airport.

You’re an actor, writer and Twitterer, so it seems like this festival is a pretty good fit—but what about this particular festival most appealed to you?

One thing I’m all for, in all seriousness, is, in this age of minutia, where anyone can post their domes on their websites or on YouTube, where digital cameras take high-def video, is to democratize the filmmaking art. Instead of filmmaking being this realm of people who went to top film schools and knew the right people, now it’s open to everyone. All you need is a camera that you can buy at your local Best Buy, a good idea and some visual talent for storytelling, and you can win a real prize.

Hypothetical question: What would you say is a reasonable amount of money to slip a judge in, say, a digital short film festival, to ensure a win? Purely hypothetical, remember.

I can guarantee anyone a win for $99,000. You could walk away with $1,000. American. Just slip me 99 grand and it’s yours.

You’ve achieved pretty amazing success in the past few years, with a breakout role on a hit sitcom, the leading role in a movie, and a bunch of memorable cameos. Were you upset when MTV chose iJustine over you to be the official Twitter correspondent of the 2009 Video Music Awards?

Upset is the understatement of the century. I was devastated. My world was rocked. I have more Twitter followers, I’m better known, and I have a MUCH better body.

Your spirituality-discussion website is called SoulPancake, and pancakes are also featured in your 140-second film. What can you tell us about your relationship with pancakes?

You know, I’m trying to get over a primal wound. When I was a child, I was raped by a pancake.

My followup question was if you had any favorite pancake recipes you want to share, but now it seems like kind of a sore topic.

Yeah, very sore. But I’d have to go with the walnut-cranberry.

That’s a good one.

Pumpkin. Lemon.

So…

Caramel… Pancakes.

Your 140-second film is really well shot and fun to look at—did you direct it yourself?

I directed it in collaboration with a friend of mine, Joshua Homnick. We’ve collaborated on a bunch of things; we’re actually working on a new media project for Microsoft Zune and Xbox. [Joshua is] a great filmmaker, photographer, and editor; I couldn’t have done it without him.

Are you interested in maybe directing an episode of The Office, like Steve Carell did?

Yeah. John Krasinski directs one in the spring and supposedly I’ll be directing one pretty soon. So get ready for that. I’m gonna put Carell through his paces. I’m gonna be like, “Man, uh-uh, not good enough. Not funny enough. Try again, make me laugh. Cut! What are you thinking, Carell? Come on, magic man, show me what you got!”

Do you think Dwight would read Gizmodo? I ask because it sometimes seems like some of our commenters are channeling him.

Dwight would definitely be on Gizmodo, but he’d be the guy on the comment board who always writes “first.” He’d always be in a race to write first. He’d be “The First Guy.”

After seeing the joy that Dwight took in his Christmas present this year, a nutcracker he built himself, I’m curious: What would Dwight’s favorite gadgets be? Are any of them from this century?

That’s an excellent question. I think Dwight would enjoy updating industrial gadgets from the last century for the modern world. For instance, he might have, like, a deer sausage grinder, but solar powered.

Engadget talks Joojoo, Arrington, 3G, and more with Fusion Garage’s Chandra Rathakrishnan

We had a chance to sit down and talk with Chandra Rathakrishnan of Fusion Garage yesterday for a more in-depth discussion than our previous meeting provided, and we learned a few interesting tidbits about both the Joojoo, as well as the company’s highly public troubles with Michael Arrington (before the latest move). Amongst the more juicy items discussed, we got further technical info on the Joojoo itself, including the fact that the system has 1GB of RAM, a separate GPU for graphics processing (which Rathakrishnan says is capable of at least iPhone level gaming), and an interesting slot along the side. Just what kind of slot, you ask? Well apparently there are plans for a 3G equipped version of the Joojoo on the horizon. Chandra says we won’t see it in Q1 2010, but the second version will appear on the market during the next calendar year. Additionally, the company is supposedly in talks right now with media publishers — an interesting note considering that the Joojoo looks surprisingly like those Time Inc. and Condé Nast digimag demos we’ve seen recently. Chandra also claims that the company is working on deals that could lead to subsidized versions of the tablet, even without the inclusion of 3G. Of course, given the current legal status of the device, you can add all this speculative talk to a growing list of question marks.

There’s plenty more in the video, including some further insight into the confusing situation with Michael Arrington over the creation and ownership of the device, and more clarity on how exactly that rumored Atom CPU is handling 1080p playback without stuttering. It’s pretty darned interesting, actually. Check out the full chat after the break!

Continue reading Engadget talks Joojoo, Arrington, 3G, and more with Fusion Garage’s Chandra Rathakrishnan

Engadget talks Joojoo, Arrington, 3G, and more with Fusion Garage’s Chandra Rathakrishnan originally appeared on Engadget on Fri, 11 Dec 2009 15:02:00 EST. Please see our terms for use of feeds.

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The Engadget Show: Philippe Starck Q&A bonus round

If you’ve already watched our interview with Philippe Starck, you’ll want to catch this quick game of word association we play as well!

Host: Thomas Ricker
Directed by: Daniel Gallenkamp
Edited by: Chad Mumm and Michael Slavens
Music by: Bit Shifter
Titles by: Julien Nantiec

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The Engadget Show: Philippe Starck Q&A bonus round originally appeared on Engadget on Fri, 13 Nov 2009 15:51:00 EST. Please see our terms for use of feeds.

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The Engadget Show: Inside the mind of designer Philippe Starck

If you care about design, then you know the name Philippe Starck. As an industrial designer, Starck has been responsible for some of the most groundbreaking — and divisive — products ever created. He’s been both vilified and deified, and while there are solid arguments for both stances, there is no denying that he is a force to be reckoned with. Fresh off of his design of LaCie’s new Mobile and Desktop drives, Engadget’s Senior Editor Thomas Ricker had a chance to sit down with the man himself in Paris and hear his thoughts on life, love, and good design. What we learn will shock you, amaze you, warm your heart… and convince you that Starck is a serious Apple fanboy. The full video is after the break. Don’t be a fool — watch it now!

Bonus round:
Catch a game of word association with Starck right here!

Host: Thomas Ricker
Directed by: Daniel Gallenkamp
Edited by: Chad Mumm and Michael Slavens
Music by: Bit Shifter
Titles by: Julien Nantiec

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The Engadget Show: Inside the mind of designer Philippe Starck originally appeared on Engadget on Fri, 13 Nov 2009 15:50:00 EST. Please see our terms for use of feeds.

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Synthetic Biology: Why Not Pursuing Crazy Biotech Is Dangerous

We are at a biological turning point: We can invent organisms to make our drugs and fuel, even recode our DNA. It’s easy to run away screaming, but author Michael Specter says we have to quit whining and face it.

Specter, who covers the science beat for The New Yorker, is pissed off. Forces on both the left and right have been coming down on good clean science like never before. Yes, this “denialism,” as he calls it, comes from both sides. People on the left might think of it as Bush-flavored Intelligent Design agendas and bans on stem-cell research, while those on the right would recognize liberal whining about vaccinations and genetically modified food. It’s all of these factions, and plenty more.

And in his new book, Denialism: How Irrational Thinking Hinders Scientific Progress, Harms the Planet, and Threatens Our Lives, Specter demonstrates that ignorance is death.

For our discussion—fitting the theme of This Cyborg Life—we singled out synthetic biology, a pursuit, as Specter describes it, that “by combining elements of engineering, chemistry, computer science and molecular biology, seeks nothing less than to assemble the biological tools necessary to redesign the living world.” Here’s an edited version of our discussion:

So we’re talking about, synthetic biology, the ability to take cells or small organisms and turn them into machines?

Yeah, that’s essentially where building machines, unbelievably complex ones, that will eventually be able to do whatever we want, out of cells and chemicals.

Yeah, so we just mix some chemicals in a pot and suddenly we got a car manufacturer?

Well, it’s a little more complicated than that, but that’s the direction we’re moving in—you put some chemicals together and you get an organism, and then you get a more complex organism, and you get organisms that’ll do things, and you can get drugs, or chemicals, or plastics or fuel… These [scientists] are trying to take basic sugars, basic chemicals, and make it so they can digest carbon (which is kind of exciting though we’re not there yet) or just diesel fuels, plain fuel, that doesn’t emit any sort of greenhouse gasses. That has happened in small scales—we’re there. It’s just a question of scaling.

So why is this kind of low-level synthetic approach better doing than, say, the guys making fuel from algae?

I think the hope is that this will be cheaper and more stable. I don’t know that it’s better. I’m sort of agnostic on that, I think you’d rather have a lot of different approaches that are kind of greenhouse gas neutral. And whatever works, you’ll use. And you know we’re not gonna have one source of energy, we’re gonna have a bunch. We’re gonna have wind, we’re gonna have solar, we’re gonna have chemicals.

When we look at the malaria drug [one of the first products that can be manufactured through synthetic biology—and a project funded by the Gates Foundation], they are going to be able to make all the drug that is needed in the world in a couple of vats. One of the reasons that’s exciting is because it’s a stable, easy way to regulate the manufacturing, to make sure that it’s done properly. We have a big problem with malaria medicine because it’s misused, it’s taken the wrong way, it’s counterfeit—and this is a way of regulating it. I think we’ll see that with energy sources too. It’ll be solid.

In the book, you refer to the opening of the Will Smith film I Am Legend, when doctors say they’ve harnessed the measles virus and turned it into a cancer killer, a mutant virus that eventually turns everybody into zombies. But two years after the movie comes out, real doctors from the Mayo clinic say that they’re using measles strains as a real cancer treatment, in real life.

The point I’m trying to make is, these things are a little scary. Anything that powerful has to have a downside. And we need to know what the downside is, we need to talk about the downside. And we need to acknowledge it exists and say to ourselves—and sometimes we won’t agree—but say to ourselves, “Gee, you know what, the potential benefits outweigh the risks.” Sometimes we won’t think that. But I do believe that lots of times, given the information, we would think that way.

We’re on the verge of creating our own viruses that go into the body—I mean, is that right?—they go into the body and they do something good rather than bad.

Yeah, but the thing is, that has a bad connotation but it ought not to. There’s a guy named Eckhard Wimmer who created a fake version of the polio virus, and lots of people screamed, because why would you do that? I even trashed him in an article once and I was wrong and so were those people. What he had been trying to do was to make synthetic vaccines. In order to make totally synthetic, rapidly reproducible vaccines, you need to understand the viruses. Wouldn’t it be great if, for H1N1, instead of growing tons of this stuff in eggs in Pennsylvania, we could just gear up instantly, making in factories all around this country, so that we could have millions of doses in two weeks? That’s not a pipe dream; that can happen.

Who says whether this kind of research happens or not? Who pounds the gavel?

If you live in America, it’d be some sort of Democratic process. We need to have some sort of regulatory framework. Who approves a new drug? It isn’t just a pharmaceutical company that says, “Hey, I’ve gotta drug, let’s put it out there.” No, there are tons of hoops to jump through, and we need to have some hoops. And we need to make those hoops reasonable so that they’re not so ridiculous that no one bothers to try to jump through them but not so easy that we’re endangering our citizens.

But the scientific progress will probably continue regardless of whether there’s a discussion or a regulatory framework?

I’ve never seen anything in the history of our planet where human progress has stopped. People have gotten in the way, people have slowed things down, but yeah it continues. People do the work. And so I think we kind of need to get on board and harness that work. Some people said, “We need to stop some things,” but I don’t think that can happen. I don’t think we can turn information back.

Right. In your book, you mention that Bill Joy’s argument was to just put a padlock on certain venues.

Yeah, and I understand why he said that, I just don’t think it’s realistic. I don’t think that’s the way the human animal is built or has ever acted.

The point I think that you make in the book is that, if American science infrastructure bans certain researches, it’s not gonna stop people who are outside America from doing the research, and maybe won’t stop people who we definitely don’t want to be doing this research.

It’s true. Look at the stem cell ban. People went elsewhere to do it. It set us back, it set the world back. But it isn’t like it stopped. That’s a good thing, but it could be a bad thing. If we’re gonna do sort of high-end synthetic biology, and be creating all sorts of exciting but theoretically scary things, let’s do it in this country. Let’s not have it done in some place with no regulatory system.

What’s the worst thing that could happen here?

You mean like in terms of?

I mean in terms of messing around with this particular biological technology.

Look, the worst thing that can happen when you mix genes around is you can let something loose that you can’t bring back that destroys, you know, fill in the blank. Humans? Animals? Life? That is the worst thing. That is the doomsday scenario and it… it can happen, these things can happen.

We have had agricultural biotechnology for 35 years and we’ve planted two billion acres. And people still talk about how it’s untried and untested. It isn’t untried. It isn’t untested. It doesn’t make people sick. It doesn’t mean there aren’t problems with it. But to go right to the idea that the worst thing will happen, it’s crazy. There’s always a worst case scenario. We don’t need to assume it. We need to think about it.

And then obviously the upside, this is the point of the book, the upside far outweighs the downside.

Yeah, you know, the worst case scenario is something goes awry and destroys the universe. OK, that’s the worst case scenario, and it’s a pretty remote likelihood.

Now, a pretty good likelihood is, if we continue living the way we live, my kid, who’s 16 years old, maybe she won’t live a whole life because people are dying of skin cancer like crazy in 50 years. This isn’t so long from now. We have really severe problems we need to address instantly. And those are the potential benefits of this research. We don’t talk about that very much. We need to do the work and find out and make our decisions and not decide beforehand that it makes no sense.

If this has piqued your interest, or if you’re just tired of people bitching about stem-cell research, genetically altered foods or the alleged evil that lurks in vaccinations, be sure to pick up Michael Specter’s amazing book Denialism: How Irrational Thinking Hinders Scientific Progress, Harms the Planet, and Threatens Our Lives, and meanwhile have a look at his most recent piece on synthetic biology in The New Yorker. Thanks Michael!

This week, Gizmodo is exploring the enhanced human future in a segment we call This Cyborg Life. It’s about what happens when we treat our body less as a sacred object and more as what it is: Nature’s ultimate machine.

Special thanks to Kyle the Intern for transcribing the interview

ArcAttack: Lightning-Proof Musicians Share Their Tesla Coil Secrets

When Nikola Tesla invented his coil in 1891, he probably never imagined the ominous structures taking the place of the violin or French horn. But with time, anything’s possible. Music trio ArcAttack adds its own spin to Tesla’s dream machine.

We gather around the group in a circle, about 8 or 10 feet away from the Tesla coils as the band performs. This is not some “don’t want to dance in front of the stage” kind of teenage awkwardness—if you stand too close when the band plays, you might actually get electrocuted.

When the lights go down, a loud buzz generates, followed by streaks of lighting into the air. Then the music begins, followed by the sound of drums that are precise as can be. What follows is an overload of light and sound that is pure amazing, a melange of familiar melodies from our favorite video games (Mario and Zelda themes), TV shows (Airwolf) and pop songs (“Sexyback”).

Once the band stops playing, we still can’t roam freely. First, they must discharge the coils, ridding them of any stray lightning bolts that might be trapped inside.

/

Consisting of a pair of Tesla coils—plus a pair of LED-equipped robotic drums and an Open Labs sound console—the ArcAttack experience is largely automated, suggestive of a future era when a musical performance isn’t about the people playing the instruments, but rather the technology involved.

ArcAttack hails from Austin, Texas and certainly don’t fit the mold of what most consider a band should be. But that’s a good thing.

John Di Prima is the man behind the boards, responsible for the execution of the live show. He controls the coils and drums, plus mixing in a few new sounds during the set. He’s also responsible for most of the songwriting and drum programming.

Patrick Brown, aka Parsec, is the master of ceremonies, decked out in steampunk-esque attire consisting of a Faraday Suit with a string of lights that react with the Tesla coils, plus the requisite lightning-proof goggles. He’s the link between the crowd and the show. He found the Di Prima brothers at an Austin Burning Man event and jokes that he’s managed to not get kicked out yet.

Joe Di Prima designs, builds and maintains everything for the group, serving as the technician when the show is on the road. When they’re composing and recording, he plays guitar. With a background in electronics repair, Joe eventually linked up with the engineering department at the University of Texas, where he first learned about the magic of Tesla coils.

I took a few minutes to interview ArcAttack—what makes them who they are—besides the Tesla coils, of course…

——-

Gizmodo: What does your setup consist of?

Joe: It would be two DRSSTC (Dual Resident Solid State Tesla Coil) units which are MIDI controlled. There’s a fiber optic cable running to some digital logic boards that are in the Tesla coils.

John: The Open Labs MiKO MIDI console hosts the PC Software (Fruity Loops) that we use to actually sequence the music.

The MiKO is just a Windows machine with a bunch of nice MIDI interfaces, cased in metal—which is nice because we have a lot of EMF emitted from the coils. I actually used to run it off my laptop, but it would crash all the time.

Patrick: The drum machine has a solenoid for every drum, and they’re MIDI controlled also…from the MiKO.

Gizmodo: How did you get the idea to create a musical show using Tesla coils? Had it been done before this?

Joe: When we did it originally, it was the first time it had been done in this manner. There are a few ways that you can audio modulate a Tesla coil—this way is known as PRM modulation. Now there are a few dozen people that picked up on it, but nobody does it to the scale that we do. It’s still fairly new, and surprisingly still fairly unknown.

When I first saw a solid state Tesla coil in operation, I understood how it worked. After a few minutes of playing with it, I got the idea that, many years later, I put into practice.

Gizmodo: Who are some of your musical and tech influences?

John: Well obviously Nikola Tesla. For music, we all have pretty different tastes. But the cool thing with our project is that we can do anything from Pantera to the Chicken Dance and people would dig it. I listen to electronic rock, Kraftwerk, Daft Punk…if I could do a show with Daft Punk, you could shoot me afterward.

Joe: I didn’t know what music was until three years ago. For tech influences, hard to say, but Faraday, all my mentors at all the repair shops, my dad (who was a biomedical engineer) and Steve Ward, the father of the DRSSTC, who I met at the University of Texas.

Gizmodo: What are some of the weirdest/favorite/disastrous shows you’ve played?

John: Joe had to tackle a cop once.

Joe: Yeah the cops had come shut down this rave we were playing at, and the Tesla coils were still running. He was coming over to shut our stuff off, not knowing exactly what it was, and he was walking straight into the Tesla coils. So I grabbed him and pushed him back. Amazingly he did not Tase me. He was actually kinda grateful. Funniest part is, after they kicked everyone out, they walked around and asked if we could turn the stuff back on.

Patrick: My favorite show so far was when we played DragonCon in Atlanta a few weeks ago. We did the Mad Scientist Ball. We had our big Tesla coils and a Faraday cage, and revealed our new stage show, which assisted people in transforming themselves into true joy…by being bathed in the Tesla coil rays.

During our stage performance, there were about 15 people that we put into the cage, and this one guy named Dr. Satan had big metal wings that he put onto his back. We get him up there, but the cage is kinda small, and he has metal sticking out all over his body. So we tell him “don’t move.” Soon the entire crowd started chanting along. That was pretty cool. [And obviously Dr. Satan lived through it.]

John: We were in the Netherlands for two weeks, and we played a heavy metal fest where they put us in front of this church that was lit all demonic looking. On our stage, there were these big glass viewing areas where you could see the deceased founders of the town. I think that’s pretty much the most epic thing ever. Heavy metal music through lightning over visible graves.

Q: What is the one gadget you can’t live without?

Joe: My iPhone.

Patrick: My Dell laptop.

John: The Open Labs MiKO console. If it was human, I’d marry it.

Gizmodo Gallery 2009
Groupe
267 Elizabeth Street
New York, NY 10012

Gallery Dates:
September 23rd-27th

Times:

9/22 Tuesday
Media Day by appointment only. For info please contact gallery@gizmodo.com.

9/23 Wednesday
12-8

9/24 Thursday
12-8

9/25 Friday
12-8

9/26 Saturday
11-8
9-? – Live Musical Performance

9/27 Sunday
11-6

Read more about our Giz Gallery 09 here, follow @gizgallery on Twitter and see what else we’ll be playing with at the event.And special thanks to Toyota’s Prius — without their sponsorship, there would be no Gizmodo Gallery.

Steve Ballmer talks ‘three screens and a cloud’ and more with TechCrunch

Steve Ballmer’s talk at Microsoft’s Venture Capital Summit yesterday may have only been open to a select few, but non-VCs can now get the next best thing courtesy of TechCruch, which got a chance to sit down with Ballmer following the event. In the wide-ranging interview, Ballmer discusses Microsoft’s new “three screens and a cloud” strategy, which he describes as a “fundamental shift in the computing paradigm” (and can’t help but compare to Three Men and a Baby), as well as Microsoft’s “fun year” with things like Bing, Windows 7, and Project Natal, and Microsoft’s future acquisition strategy (it’ll probably buy about another 15 companies next year). Of particular note, Ballmer also went some way to dampen any talk of a Microsoft-banded phone, saying that while an Apple or RIM can “do just fine,” Microsoft still thinks a software play is right for them in such a high volume market — noting that, “when 1.3 billion phones a year are all smart, the software that’s gonna be most popular in those phones is gonna be software that’s sold by somebody who doesn’t make their own phone.” Head on past the break to see the whole thing for yourself.

Continue reading Steve Ballmer talks ‘three screens and a cloud’ and more with TechCrunch

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Steve Ballmer talks ‘three screens and a cloud’ and more with TechCrunch originally appeared on Engadget on Fri, 25 Sep 2009 11:57:00 EST. Please see our terms for use of feeds.

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EVGA’s dual-LCD InterView display starts shipping

EVGA’s unusual dual-LCD InterView display certainly isn’t for everybody, but if you’ve got a desk-mate that you’re constantly sharing a monitor with you’ll no doubt be pleased to know that it’s now finally available to order. Now selling for as low as $624.99 (or $640 list price), the monitor packs dual 17-inch LCDs that can either be used in a screen-spanning mode for an extra-wide 34-inch display, or be rotated and automatically reoriented for folks sitting across form each other. Unfortunately, each display packs a somewhat lackluster 1,440 x 990 resolution, and you’ll of course have to make sure you have dual VGA or DVI inputs if you want to run it from a single computer. That’ll no doubt be a small trade-off to some folks, however, especially considering there aren’t exactly a ton of competitors to the InterView at the moment.

[Via ComputerMonger]

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EVGA’s dual-LCD InterView display starts shipping originally appeared on Engadget on Mon, 14 Sep 2009 19:29:00 EST. Please see our terms for use of feeds.

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