Sony NEX Update Adds Autofocus for Alpha Lenses

Heads up, Sony NEX owners: There’s a firmware update for your camera and it’s actually something to get excited about. An exciting firmware update? Yes. With a simple download, you now have full access to 14 new lenses.

The update, for the NEX-3 and NEX-5, brings autofocus to these A-mount lenses. These lenses, which include both Sony’s own and third-party models from Carl Zeiss, are designed for the bigger Alpha SLRs and previously only worked in manual mode on the smaller mirrorless NEXs.

That’s the good news. The bad news is that, by Sony’s measurements, focussing these lenses will take from two to seven seconds, or longer than doing it by hand. Still, it’s free, so what are you gonna do?

There are a few more upgrades: two of the three soft-keys on the back of the cameras can now be programmed with your choice of function, you can choose which menu pops up when you hit the “menu” button, and when you choose manual focus, you can have a section of the picture enlarged on-screen to make things easier, just like Panasonic’s Micro Four Thirds cameras.

The updates are available now, and can be installed from Windows or Mac OS2 (!?).

More enhancements for NEX-5/NEX-3 cameras [Sony]

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Scout: The Lensbaby That Doesn’t Bend

Lensbaby’s schtick is that you can twist and turn all the lenses in the range to grab selective focus from either a single, small circle, anywhere in frame, or photograph a sharp stripe the slashes through an otherwise blurred image. Until now.

Recently, Lensbaby added swap-in optics to the range, a fisheye, a soft-focus and a pinhole module which slide into the various bendy-shells. The new Scout is designed to hold these, too, but it doesn’t move. This lets you keep the optics dead-center to enjoy their various deliberate defects without the twisting. It also lets you focus so close the lens is almost touching the subject, and you’ll get a lot of lens-flare. This, if you were wondering, is a feature.

The analog nature of these tricks makes it faster and much more fun than tweaking things later in photoshop. Hell, you could probably buy the whole range for less than the Adobe Creative Suite.

But the Scout costs $250. This compares to $270 for the Composer, which also works with the all same optics but also adds the trademark twist. The Scout does at least come with the fisheye optic which retails for $150, whereas the Composer ships with the double-glass optic which costs $85 bought separately. Some quick math, then, tells us that the Scout’s shell is valued at $150, versus the Composer shell which is $185.

If you’re looking to buy into the whole Lensbaby system, then go with one of the bendier options and buy the fisheye separately. If you just fancy some flared-out, close-focus fisheye action, then get this, or the Lomo adapter with a plastic fisheye lens for around $50.

Scout product page [Lensbaby. Thanks, Jessica!]

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Adobe shows off plenoptic lenses that let you refocus an image after it’s taken (video)

Yes, you read that correctly. The fevered dreams of crime scene investigators up and down the country are being brought to reality by Adobe, with just a single extra lens and some crafty software knowhow. Basically, a plenoptic lens is composed of a litany of tiny “sub-lenses,” which allow those precious photons you’re capturing to be recorded from multiple perspectives. The result is that you get a bunch more data in your image and an “infinite” depth of field, meaning you can toggle at what distance you want your image to be focused after the act of taking it. These plenoptic lenses are inserted between your shooter’s usual lens and its sensor, though commercialization is sadly said to still be a fair distance away. Never fear, you can get hold of a video demo much sooner than that — you know where it’s at.

Continue reading Adobe shows off plenoptic lenses that let you refocus an image after it’s taken (video)

Adobe shows off plenoptic lenses that let you refocus an image after it’s taken (video) originally appeared on Engadget on Thu, 23 Sep 2010 14:17:00 EDT. Please see our terms for use of feeds.

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Lensbaby rolls out Composer with Tilt Transformer kit for Micro Four Thirds, Sony NEX cameras (hands-on)

We’ve already gotten our hands on Lensbaby’s basic Composer lens, but the company has now gone and expanded its bag of tricks even further with its new Composer with Tilt Transformer kit. The key bit there is the Tilt Transformer (also available separately), which can also accommodate any Nikon mount lens and tilt it up to twice the amount of standard tilt-shift lenses. Have a Panasonic Lumix G Micro System or Olympus PEN Micro Four Thirds camera? Then you can get the kit now for $350 or just the Tilt Transformer for $250 — Sony NEX camera users will have to wait until October 28th to get in on the act. Full press release is after the break, and our hands-on from the Photokina show floor is just below. Enjoy.

Continue reading Lensbaby rolls out Composer with Tilt Transformer kit for Micro Four Thirds, Sony NEX cameras (hands-on)

Lensbaby rolls out Composer with Tilt Transformer kit for Micro Four Thirds, Sony NEX cameras (hands-on) originally appeared on Engadget on Thu, 23 Sep 2010 08:23:00 EDT. Please see our terms for use of feeds.

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Olympus 600mm Zoom-Lens is World’s Tiniest

Olympus has revealed two new lenses today, both for the Micro Four Thirds format. One is a 40-150mm ƒ4.0-5.6 which will sell for just €330 when it is launched in October. This has a silent AF-motor for movie-shooting but is otherwise rather pedestrian thanks to those mediocre maximum apertures.

The other lens is way more interesting. It too has rather poor light-gathering abilities when wide-open (ƒ4.8-6.7), but that is excusable as it runs from 75-300mm. In 35mm terms, that’s a 150-600mm monster. Still not impressed? The lens weighs just 430-grams (15-ounces) and is only 116mm (4.6-inches) long.

For comparison, look at some SLR lenses. Nikon’s longest reaching zoom is the 200-400mm ƒ4, which weighs 3360-grams or a wrist-breaking 7.4-pounds and measures 365mm or 14.4-inches. That, though, is still short of the Olympus’ 600mm far-end. To get to that number, you need to choose a prime lens from Nikon.

The Nikkor 600mm ƒ4 weighs five kilos (11-pounds) and is a John Holmesian 166mm (17.5-inches) in length. To put that in perspective, the diameter of the Nikon is almost four times the length of the Olympus. Also, the Nikon will cost you $10,300.

This astonishing difference is due only to the lack of a mirror in the Micro Four Thirds cameras, and the smaller sensor (half the size of a 35mm-frame and around two-thirds the size of a typical DSLR). These lenses would have been possible on Leica rangefinders, too, but were impractical as there was no way to see through the lens and frame your shot. Digital live-view has changed that.

The 75-300mm Olympus will cost just €900 ($1,140, but certainly less when sold in the US) and will be in stores in December.

Olympus releases M.Zuiko Digital ED 75-300mm lens [DP Review]

Olympus introduces M.Zuiko Digital ED 40-150mm lens [DP Review]

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World’s Smallest DSLR Measures Just One-Inch

If I popped open a Christmas Cracker and this tiny little camera-kit dropped out instead of the usual crappy plastic novelty, I’d be a very happy boy. As the Mini Model Camera actually costs $28, more than a whole box of the traditional exploding British tubes, this is unlikely. That hasn’t stopped me from writing to Santa about it, though.

The teeny SLR is made to 1/6th scale and the body measures just one inch by one half inch. Yes, the body: this miniature camera actually comes with three interchangeable lenses, complete with lens-hoods and, on the telephoto, a little tripod mounting-ring in case things get a little to heavy.

The knobs and dials don’t actually move, but they are all represented in Oompa-Loompa-sized detail (only with less orange). The brand isn’t specified but the models are clearly based on Canon gear, with the monster-sized telephoto lens in Canon’s signature beige colorway.

Yes, it’s just a trinket and no, it won’t actually shoot pictures, but it is cute as hell, and could also double as a marker in that other Christmas family-favorite, the game of Monopoly. It would certainly be better than that stupid old boot, or worse, the clothes-iron that I always seem to end up with.

$28, available now in time for my Christmas gift.

Mini Model Camera [Photojojo]


Cosina Joins Micro Four Thirds Team, Announces ƒ0.95 Lens

Cosina, the camera giant responsible for many rebranded cameras and lenses, along with its own Voigtländer brand, has joined the Micro Four Thirds (MFT) team. That means it will begin making lenses for the cameras from Panasonic and Olympus.

This is pretty big news. While the lens line-up for the large-sensor mirrorless cameras is growing, with even a Leica-branded lens on sale, it is doing so rather slowly. Adding Cosina to the team means that we should soon see a whole lot of interesting glass which will work fully with the cameras, and without adapters.

Not convinced? The first MFT lens from Cosina is its amazing Nokton 25mm ƒ0.95 prime, a 50mm equivalent lens which can see better in the dark than you can. It will be on sale in October for Around $1,100.

And it’s not just lenses. It’s possible that we could see a Voigtländer camera-body in the near future, too. Given that Voigtländer is a name closely associated with rangefinder cameras, which are the spiritual ancestor of the Micro Four Thirds cameras, this is pretty exciting stuff. An MFT camera with chunky metal body and all-manual knobs and dials? Yes please. Welcome aboard, Cosina!

Cosina Joins the Micro Four Thirds System Standard Group [Olympus via DP Review]

Micro Four Thirds Nokton [Cosina]

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Sony Offers Clutch of Fast Prime Lenses

Following the fashion towards fast prime glass, Sony has announced a trio of new Alpha lenses: a 24mm ƒ2, 35mm ƒ1.8 and an 85mm ƒ2.8. All of these (apart from the $1,250 24mm) are bargains, showing just how much simpler is a fixed focal-length design than a zoom.

The 24mm is pricier for a reason. It is a Carl Zeiss Distagon T* (or Tessar) objective, for both full-frame and crop-frame cameras (where it will act as a 35mm, more or less). The 35mm is designed to work on the smaller APS-C sensor cameras, and will vignette if used on a full-framer, and the 85mm will work on both sizes.

All these lenses will fit on the new mirrorless NEX cameras with an adapter, but you’ll need to focus manually. The lenses can be had for $1,250 (24mm) $250 (85mm) and $200 (35mm), and will be on sale in September (October for the 35mm).

Sony US announces 24mm F2, 35mm F1.8 and 85mm F2.8 lenses [DP Review]

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Nikon Announces Four New SLR Lenses

In addition to the brand-new, HD-video shooting D3100 announced today Nikon also has a clutch of new lenses. Here’s the list of names so you lens-lovers can quickly see the lineup:

AF-S NIKKOR DX 55-300mm ƒ4.5-5.6 VR – $400

AF-S NIKKOR 24-120mm ƒ4 G ED VR – $1,050

The AF-S NIKKOR 28-300mm ƒ3.5-5.6G ED VR -$1,300

AF-S NIKKOR 85mm ƒ1.4G – $1,700

The first one, the 55-300mm, comes out at a 35mm-equivalent of 83-450mm, a very long and very odd zoom range. The price and the maximum apertures put it clearly in the budget range.

The next two zooms on the list look like they’re just there to pad the range. 24-120mm is a handy range, but that ƒ4 aperture makes it hard to stomach dropping a grand on it.

The last lens is possibly the oddest. Nikon already has an ƒ1.4 85mm lens, and it costs $1,360. The new model loses the aperture ring on its barrel, and comes with the autofocus motors inside, meaning faster focussing.It also gains a focus-mode switch on its side and gets Nikon’s latest fancy glass coatings. Both the new and the old 85mm lenses have 9-blade diaphragms for nice, circular out-of-focus highlights.

My guess would be that this new lens will replace the old one in time. But it’s just a guess: the existing ƒ1.4 85mm is a classic, and a very well loved chunk of glass.

Lens store [Nikon]


Magnetic Lenses Snap-on to Your Cellphone

We’ve covered a few add-on lenses for cellphones, but none as cute, convenient or clever as these two. The wide-angle macro and fisheye lenses from Photojojo come with a little self-adhesive magnetic ring that you stick permanently to your phone, surrounding the crappy lens it already has. The lenses then simply snap onto that.

The wide-angle gives a 0.67x angle of view, and will let you focus as close as 10mm. The fisheye will give a 180º view, and a 0.28x magnification. It also gives the trademark fisheye circular image, vignetting the corners of the photo.

The tiny lenses both come with a tiny strap for hanging in a safe place, and they are also supplied with front and rear caps to protect them. And because of the way they attach, they’ll fit any cellphone you have. Cost? $40 for the pair, or $20 for the wide-angle and $25 for the fisheye.

Fisheye, Macro, and Wide Angle Camera Phone Lenses [Photojojo]

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