133 Photos Lit By a Single Candle [Photography]

For this week’s Shooting Challenge, I asked you to capture a photography by the light of just one candle. Your response, as always, was remarkable.

Most Meme


“Taken with a tripod mounted Canon XSi with a Canon 50mm f1.8 and an extension tube. Exposure was f/2 @ 1/50s, ISO 320.”
[Ed note: Close call, given the Portal shot in the galleries.]
-Adam Carlson

Most Clever


“This was “shot” using my Canon 7D with the 50mm f1.8 prime. Tripod, ISO 800, 1/6 shutter, f2.8. The only light in the image is from a taper candle inserted into a disassembled MAG-Lite. To keep the flame from melting the reflective lens of the flashlight, the setup was aimed up and the final image rotated.”
-Christian Shaffer

Most Fiery


“The shot was taken with my Canon S90 @ F8, ISO 400 and with a 15sec exposure on a tripod. To achieve the blur, I adjusted the head of the tripod downward and back to it’s starting position quickly at the start of the exposure.”
-Jesse Oliveri

Favorite on Film


Camera: Mamiya RZ67
Lens: Mamiya-Sekor 110mm
Film: Kodak 160VC
Shot at: f2.8 at 1 sec
Reflective metered with a Sekonik L-508
Scanned at a low resolution
-Gabriel Padilla

Winner


Canon 5dMark II
Sigma 70-200mm EX
ISO 100
F 2.8
Shutter speed 2.5
“I hung the statue upside down to make it appear that the light was coming from up above. Using long term exposure I quickly moved the candle to light the side of his face.”
[Ed note: This image subverted my expectations completely, re-imagining soft candle light as a crisp backlight. Also, I have a soft spot for The Incredibles, silhouettes and the color red.]
-Felix Mendoza

Note: there are two galleries this week for the sake of our back end:


If participants proved one thing this week, it’s that a single candle is more than apt for photography by modern dSLRS. Well, that, and they’re all gluttons for punishment. Nice job, everyone.

Now cheer* on your favorites in the comments!

(*Just be sure to do so without, you know, being a dick to other participants. Also, for anyone wondering why the lead shot didn’t win, it was taken last summer making it ineligible for competition.)

54 Awesome Action Sequences [Photography]

What happens when Gizmodo readers capture action at 3-5fps? Why, the results of this week’s Shooting Challenge: Action Sequence Photography. Read on for the winners.

Second Runner Up


“Shot in my New England backyard during the lull in a snowstorm on February 26, 2010.”
Camera: Canon EOS 7D
Lens: Canon EF 70-200 f/2.8L IS USM
ISO: 3200
Focal Point: 73mm
Aperture: f/7.1
Shutter: 1/4000
[Ed note: Loved the juxtaposition of the soft yet miserable environment and a young, undeterred athlete.]
– Ron Miles

First Runner Up


“I have shot this series in Engelberg Switzerland on Jochpass on an awesome day. I have used a Canon EOS 50D with a 17-85mm lens.”
Exposure Time 1/4000
ISO 100
Exposure bias +2 steps
Focal Length 17mm
[Ed note: The epic jump, mixed with the sun that blinds us to the full scope of the scene—my eye kept coming back.]
– Simon Sharp

Winner


“I was directly below the snowboarder, standing behind the jump ramp. All photos taken with Nikon D2x with Nikkor 10.5mm fisheye lens. I didn’t use any tripod, it was all hand held. Aperture was around f/6.3 and shutter speed around 1/1000sec. No flash Photos are then merged together in Photoshop cs4.”
[Ed note: It’s just an awesome shot that required an element of risk, capturing a classic sports action sequence from an immersive perspective.]
– Vedran Frka

Truly fantastic entries this week. Thanks to everyone who entered.

Just a note to commenters: Please, please, sing praises for your favorites. There are so many great shots here, and it’s flat-out unfair for them not to be recognized. But there’s absolutely no reason to put down anyone’s work from the cheap seats. We will ban accordingly.

122 Brilliant and Blinding Blow Outs [Photography]

99.99% of our photography falls within a certain acceptable range of exposure—one filled with color and detail. Last week’s Shooting Challenge was dedicated to the rare .01% that’s blinded by the light. The resulting shots are incredible.

Second Runner Up


I shot most of the photo with the exposure I wanted, but used photoshop to up the exposure, gamma correction, noise reduction and unsharp mask.
Lens: Nikon AF-S Nikkor 18-200mm VR
ISO: 200
Shutter: 1/200
Aperture: F13
Focal Length: 50mm
[Ed note: I have a feeling that the larger you can look at this, the more you can appreciate the gradient of detail and the more striking it would be. Imagine a wall-sized print.]
-Jason Bolt

First Runner Up

Camera: Canon Eos 40d
Lens: Canon 24-70 2.8L USM
ISO: 100
Focal Length: 52mm
Aperture: f2.8
Shutter Speed: 1/1000
[Ed note: I was just struck by the simple, clever play of black and white.]
-Justin Carney

Winner

Michelangelo´s “Creation of Men” inspired me to this “Adam´s sight of view”.
I shot “Gods hand” with my Canon Eos 500D and the Canon 18-55mm lens.Also used a tripod and a remote trigger. 1/4 sec. Iso 800, into the sunlight. No software adjustments except for crop and resize.

[Ed note: My mind just kept coming back to this one.]
-Roland Renne

The notable shots mentioned here barely represent the creativity and awesome execution of this week’s challenge, ranging from subtle clipping to complete whiteouts. Thanks to everyone for participating, and readers, be sure to mention your favorites in the comments!

UPDATE: Download wallpaper sizes here.

17 Clever Tricks of Scale [Photography]

For this week’s Shooting Challenge, we asked you to abuse the principles of perspective to confound our sense of scale. The results are as charming as they are clever…or someone took out a second mortgage on that giant Aibo.

Second Runner Up


Taken with my Sony a350 Sony DT18-70 lens @ 20mm; f/9; 1/160sec; ISO100. Picture of Randy’s Donuts in Inglewood, California. Took the picture w/ my friend Rafael Ortega he held the cup as I pretended to dunk the donut. Rafael bought coffee from Randy’s ,but the cup was too blank so after a couple of takes he decided to draw “Coffee” on it.
– Luis Marroquin

First Runner Up


I was aware of this optical phenomenon, but never really thought of it in relation to photography. Without an assistant to call for, I had to trust my remote once more. So here’s me (duck) peeking out of a cup, and a towering 70-200mmL (f/4 non-IS) lens with another duck on top.
Gear used: Canon EOS 450D, Canon EF 28mm f/1.8 USM, Manfrotto 190XproB tripod RC-1 IR remote. f/22 (max), 1/10s, ISO 200.

– Staff Anthomen

Winner


Meet my dog Arti(ficial). He likes humans (bones), pissing on big trees and having sex with trucks. He reads Gizmodo all day and tried to escape from me two times to become Rosa´s new pet. Too bad his battery drains and needs his own nuclear plant…
Canon Eos 500D / Canon 18-55mm lens @ 28. 1/50 sec. / F 25 / Iso 1600 / Monochrome.
Lightroom for brightness adjustment / Photoshop for crop.

– Bobo the Teddy

Thanks for all of the entries. And as usual, here’s the full gallery of participants:

74 Phenomenal Panoramic Planets

The point has grown cliche by now, but it’s true. Every week your submissions to Shooting Challenges blow me away. And your polar panoramas just upped that ante on every challenge to come.

Honorable Mention (non-original photography)


Subject: Denali, Alaska
Built from 9 photos
Camera: Nikon D80
Lens: AF-S DX VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED
ISO: 100
Focal Length: 18mm (27mm /35mm equiv.)
Aperture: ƒ/8
Shutter Speed: 1/250
As you can obviously tell by climate, I broke rule 2 because I’m a college student and don’t have time to go out and take photos, but I did want to test my hand at the challenge!
-Isaac Chambers

Second Runner Up


Camera: Sony Cybershot DSC-W50
F-stop: f/5
Exposure time: 1/200 sec.
ISO Speed: ISO-80
Focal length: 16mm
Flash: None
I leave my office right around sunset everyday and park on the top of a garage in the middle of downtown Charleston, SC. I saw a particularly nice sunset and pulled out my basic point and shoot (Sony Cybershot DSC-W50) and took a series of 5 pictures to stitch into a panoramic. After creating the Polar Panorama, I merely adjusted the brightness so that the buildings would show more detail.
-David Crosby

First Runner Up


I shot these with a Nikon D60, 18-55mm kit lens. This was seven 20-second exposures at f5 of the quad at Oklahoma City University.
-Robert Rickner

Winner


Camera: Nikon D5000
Lens: Tamron 28-135
ISO: 500
Exposure: 1/250
Location: Seattle, WA
I had gone out shooting trying to emulate the look of old contrasty but yet washed out photos of boats I had seen all over the harbor and its various shops and thought it would make an interesting juxtaposition using a new technique with an old look. Taken in the Ballard Harbor.
-Tyler Yates

This was the hardest week to judge yet, and I don’t know that anyone can really “win” at art. (So as always, praise our intrepid photographers in the comments.)

Also, for those of you saying “I wish this was in a wallpaper,” just go here: [Gizmodo Flickr]

30 Photographers Make a High Speed Getaway

Some people really hate being photographed, so much, in fact, that they’ll run, jump, tight rope walk or even teleport away. Seriously! Here are 30 such getaway shots from this week’s Shooting Challenge, including the winners:

Second Runner Up: ‘Don’t Fall!’

Technique: Pre-Step 1: Walk to beach. Step 1: Set camera on railing Step 2: Set 2 second timer to take 2 pictures Step 3: Press shutter Step 4: DON’T FALL! Equipment: Nikon D5000 with a 35mm f1.8 lens. Picture Details: 1/250 sec. at f/8. Nerd Details: Camera set to program auto (lazymode), ISO 200, custom picture style, auto white balance, no flash. Confession 1: Picture was actually taken 4 seconds after the shutter was pressed because the timer was set to take 2 pictures, each after 2 seconds. 2 seconds was nowhere near enough time to get into the frame, so the second picture was chosen. I’m not a tightrope walker, I can’t move THAT fast on that rail! Picture was taken in Emerald Isle NC. And yeah, it really was foggy. Like could not see more than 100 yards foggy. Like everything was moist foggy. Oh and sorry if you don’t like the word moist.
-Cory Efland

Runner Up – ‘Tight Rope Walker’

I shot this image tonight on a roof top in Chicago. I setup a single strobe (Calumet 7B) synced to my 5D Mark II on a tripod, set the timer and leaped from one roof top to the other! 5D Mark II with a Canon 17-40 f/4; Exposed for 8 seconds at f/5.6; Strobe at half-power; ISO 200; Mirror locked up. It was a fun shoot, little did I know, the rooftop that I was jumping onto was someone’s apartment. After about 5 test jumps I heard some screaming and ignored it, after getting this final image the neighbors were throwing eggs up on to the roof at me.
-Josh Billions

Winner – ‘Teleport’

For this shot, I used my Canon XSi on the 2sec timer with a Canon 50mm at f/1.4, ISO 100, and 15sec. I set the camera to shutter speed priority at 15s. I then ran from my camera holding a flashlight for about 10 seconds, then light painted my body for the rest of the exposure.
-Kinta Maeda

I absolutely love that we started with such a simple idea—running from your camera—and ended up with so many entries I could have never anticipated. Even more worthwhile shots in the full gallery:

Thanks again for your participation!

58 Photos of Faces Where They Shouldn’t Be

Everywhere I look, I see faces. The cabinet is looking at me. The lightswitch is looking at me. The cereal is looking at me. And it’s all because of your submissions to this week’s Anthropomorphism Shooting Challenge. The winners:

Second Runner Up

Death Face on Muni Track in SF; Nikon D50; 55-200mm; Shot at 200mm; ISO: 200; f/5.6; 1/20 sec
-Tyler Ball

First Runner Up

This image was taken with a Nikon D200 using a 18-200mm lens in aperture mode. ISO was 200, focal length was 80mm (35mm equiv = 120mm). Exposure time was 6 seconds.
-Joe Hale

One Half Runner Up

“A robot is hiding behind the trees” I love walking the streets of Shanghai. This picture was taken with my Leica D3, f/2.8, 1/15 sec., at ISO 200.
-Ariel Borremans

Winner

Camera: Nikon D60; Lens: 50mm F1/8; ISO: 100; “sad Robot” Guess he didn’t like the New York Snow…
-Jacob Santiago

Thanks to everyone for participating. There are so many fantastic shots in the mix, you’ll never want to throw out anything again…lest you doom an innocent object to rot away, smiling in a dump.

107 Dazzling Christmas Lights

You readers have filled me with so much freakin’ holiday cheer that I may, MAY, not protest the holidays with my ritualistic murder of a tree. Here are the 107 entrants in this week’s Shooting Challenge. UPDATE: Wallpaper versions HERE.

Second Runner Up
This is actually a picture of my Christmas tree. I shot this with my Canon XS using a 4 second exposure at f-8, and an iso of 100. I started with the lens unfocused and zoomed in at 55m. During the 4 second exposure I zoomed out to 18mm.
-John Chapman

First Runner Up
Sony A230 Body; Tamron 17-50mm f2.8 lens; ISO 800; 1/500 sec @ f2.8; No Flash
-Nick Marquis

Winner!
Nikon D5000; Nikkor 18-200 VR; Exposure: 12.2 seconds; Aperture: f/9.0; Focal Length: Multiple; ISO: 200; White Balance: Cool White Fluorescent. This was taken in bulb mode on a tripod. I exposed the tree and surrounding scene at 18mm for about 9 seconds, then slowly zoomed to 200mm closing the shutter right before hitting 200. More here.
-Dan DeChiaro

Dan, please contact me to claim your Joby SLR-ZOOM Gorillapod and Ballhead.

As always, thanks to everyone for participating, and enjoy all of the awesome entries in the gallery below. Picking winners is my favorite worst job to do of the week. Oh, and for those of you wanting wallpaper-sized images, we’ll be popping those in a separate post soon.

By the way, more of you sent in shots of soul-sucking winter than pretty, happy Christmas lights. What’s that say about us all?

Images coordinated by Kyle VanHemert.

153 Soul-Sucking Shots of Winter

After going through the results of this week’s “Gray Winter” Shooting Challenge, I’m going to need years of therapy. Or a hug from someone very, very attractive. But as usual, Gizmodo photographers have completely exceeded my expectations.

(Also, based upon my favorites, I appear to have a barren tree fetish. Regardless!)

Second Runner Up
Camera: Canon EOS 40D; Lens: EF28-135mm f/3.5-5.6 IS USM; ISO: 400; Exposure: 1/8000. Subject: Winter after California Wildfires -Devin Workman

First Runner Up
I used a Panasonic DMC-FX150 point and shoot camera. I had to shoot it in manual mode because I was shooting into the sun. This is after a rainy day in Los Angeles. The shot is looking toward Century City (The water is behind it). -Jim Hale

Winner
This is a shot I took myself at my college Campus in Goshen, Indiana. Was a very rare morning with snow on the ground, yet a tremendous amount of fog also, it almost whited out everything. This tree is in front of our cafeteria, not sure the type, but always looks very spooky at night, and this fog made it really stand out and look awesome. I shot it with a Canon 30d, Sigma 17-70 lens. No real special technique other than framing the shot and taking it. (hope this shot can be extra depressing and destroys the hope of happy holidays for everyone.) Believe me, living in Indiana in the winter, I know a thing or 2 about a gray winter…. -Andy Graber

Thanks to everyone for making this week’s turnout absolutely nuts. And as always, my choices are painfully subjective, so take part of this afternoon to look through our gallery of participants, which includes photographs taken on everything ranging from Holgas to iPhone 3Gses—all of which are producing impressive, unique results.

Gallery assembled by Kyle VanHemert.

74 Mesmerizing Slow Shutter Shots

Honesty: I never, in my wildest dreams, expected your slow shutter photography to be this crazy-awesome. But 74 of you turned in some humbling shots for this week’s Shooting Challenge.

First Place
“Smoke Signal was taken with an Olympus sp350 set to night scene. This was taken with a color changing led rave light about six inches long by 1/2 inch wide that I wrapped with electrical tape to create a candy cane stripe. I placed the light on my record turn table at a slow RPM and swiped the camera vertically to create the spinning stripe”
Brad Bogle

Second Place
“No photoshop! To take this photo, I set up some white paper for a background in a dark room. I laid strawberries on a table and separately stood up a banana with some cardboard and tape. With the lights on, I set up a quick-release tripod properly framing the banana (this makes it much easier later). Now the lights are off. So now I set my camera to bulb and used my built-in pop up flash to shoot straight down on the strawberries, filling the frame. Keeping my finger on the shutter button, I put my camera on the tripod and then hit the pilot button on an external flash. The flash hits the white background behind the banana, silhouetting it briefly. Effectively, this washes out all of the original photo of the strawberries except for where the silhouette is, thereby superimposing the first image into the second. And you get a cool glossy product-shot-reflection-look that results from the shadow drop off of the external-flash (although if you look closely, you’ll notice the “reflection” is actually just other strawberries from the initial shot) And now you can have a strawberry-banana! Canon 20D 17-55 IS lens @ f/22 ISO 200 13s (multiple focal length)”
Jason Yore

Third Place
Nikon D5000; Nikkor 18-200mm VR; Exposure: 36.5 seconds; Aperture : f/5.0; Focal Length: 38mm; ISO: 400; WB: Daylight. I had a friend spin some burning steel wool in an eggbeater attached to a lanyard at the top of the overpass. What you’re seeing are the resulting spark trails. More here. [Ed note: the umbrella shots are even more impressive]
Dan DeChiaro

These placements are almost unfair with so many good shots being in the mix. I wish that I could honorable mention you all. Check the gallery. It’s well-worth a waste of 10 minutes.