The gang at Photography Blog have got their hands all over the PowerShot D10, and it looks like Canon didn’t fare too badly with its first “adventure camera.” Even if the reviewer didn’t really drop it from a helicopter or shoot it with a bazooka (as we had originally hoped) the unit was found to be as intuitive, sensible, and dependable as the company’s other point-and-shooters. Of course, a device with this robust of a design is going to suffer in a few areas, and the 3x, 35-135mm zoom lens and 2.5-inch display can easily be considered “rather hum-drum” for a camera in this day and age. That said, the lens is “quite fast,” great for underwater use, and the display is bright enough for all of your spelunking needs. The verdict? If you’re going to be dropping from airplanes or scavenging sunken treasure (actually, make that “reading on the beach” and “taking the kids snorkeling”) this summer, you could do worse than shell out $329.99 for this bad boy. Hit the read link for the usual exhaustive review.
Looking for a digi cam that can stand up to your adventure vacations (you know, like, the beach) while also capturing HD-quality video? Panasonic’s LUMIX DMC-TS1 may be your salvation, and we’re happy to have one in the house for a bit of testing. It’s only just arrived and we’re still getting a feel for it, but so far we’re impressed with the build quality of this semi-rugged 12 megapixel compact shooter, which is taking some solid pictures and videos through its 4.6x stabilized zoom. Full impressions will come soon, but for now enjoy a few unboxing shots.
Both Panasonic and Canon announced their first water- and shock-proof compact toughcams earlier this year, and we’ve taken them underwater for a test. Which is better for capturing your summertime antics both wet AND wild?
Let me say first that I did not use either of these cameras in their ideal conditions—namely, outside, underwater while swimming. For some reason, Canon and Panasonic did not tailor the release dates of these cameras to coincide with my trip to Egypt a few months ago, which is where I wanted to test them out (why not guys??). Back here in New York, any outdoor body of water is way too frigid right now, and there’s something pretty creepy and ultimately unacceptable about taking an underwater camera to the YMCA for test shots. So, instead of the verdant coral reefs of the Red Sea off the Sinai coast, which were straight out of Planet Earth, our test shots are of me playing with a Kraken Attackin’ Lego Pirates playset in my kitchen sink. Which is a cool playset, but, you know, not the same.
But still, we’ve gathered enough data I think to inform your decision, if you’re thinking of picking up a waterproof toughcam for this summer. Here are the main points of differentiation I see:
Form Factor/Interface Both cameras are waterproof, but the Canon D10 is protected up to 10 meters (around 32 feet), where the Panasonic TS1 is only protected up to three meters (around 10 feet). And that’s immediately apparent in their shapes:
The D10 looks like it was designed by Ringo on the set of Yellow Submarine—its bulbous shell and porthole-like screws drive home the fact that this baby is going underwater. But on land, it’ll be tough to fit it into a pants pocket without some serious bulging.
It does have some nice, easy-to-press buttons for changing into video mode, for instance, and the icons on the LCD screen are nice and big, easily spotted through a snorkeling mask. There are some superfluous button presses to lock in settings which could be tedious underwater, but the UI is not horrible, and you’ll easily get used to it. The D10 also has come big screw-mounts on each corner for mounting various underwater grips and other accessories that you can buy from Canon.
The TS1 takes a totally different approach, with a sleek rectangular slab shape that at first glance is hard to distinguish from regular non-tough weeniecams. The buttons are a bit smaller, but not prohibitively so, and shootings modes are selected with a thumb dial instead of dedicated buttons—I didn’t see anything I couldn’t operate with a bit of practice while snorkeling. A basic locking wrist-strap comes in the box.
The important thing is that the TS1 is not at all out of place in non-toughcam situations, where the D10 may be. But if you’re a deep snorkeler, three meters may not be enough for you compared to the D10’s 10 meters (I imagine if you’re a serious SCUBA diver, you’ll need something beefier than either of these), but where you lose usability under water with the TS1 you will gain it on land. Consider that.
Video Another big difference, if not the biggest, is that the Panasonic TS1 shoots 720p in the AVCHD format, where the Canon only does 640×480 VGA vids. The TS1 video recording mode isn’t the most polished—there’s a good two to three second delay from when you hit the dedicated video button to when recording actually starts and stops, and it’s unclear exactly when everything does start, but if you’re OK with that, the HD video mode is awesome. I mean, underwater HD in such a tiny package—that’s a no-brainer right? I would kill to have some HD clips of my friends and I swimming around in crazy schools of neon fish in Egypt.
Here are some sample clips from the sink:
TS1 720P Clip:
Note: There is a current bug with the TS1 that makes video imported into iMovie ’08 and ’09 play at double speed. I had to do some conversion to avoid this, which is a pain. Panasonic says they’re working with Apple on this to include a fix in future versions of iMovie.
Canon D10 VGA Clip:
Keep in mind that the AVCHD format is kind of annoying, in that you might have to install special codecs and import video straight into your video editing software of choice and then export it in friendlier formats, rather than just grabbing an AVI or MOV clip from the memory card and uploading it to YouTube.
And yeah, the quality of these videos is pretty bad, but the difference in the actual output is clear: 720p underwater rules.
Shooting Both cameras are 12-megapixels, for full-res shots at 4000×3000. Both have the same size CCD sensor, but the TS1’s ISO goes up to 6400 where the Canon D10’s only to 1600. I didn’t do a thorough sensitivity test with either camera, but I would imagine you don’t want to go much higher than 800 on either one, so the difference is probably fairly moot.
A difference that does matter is the TS1’s wider-angle lens: it’s a 28mm-128mm f/3.3-f/5.9 effective focal length zoom, compared to the D10’s 35mm-105mm f/2.8-f/4.9.
As you can see, color reproduction via the TS1’s Leica lens is far better than the D10s, which has to fight through a bit more protective plastic. Also, the TS1 tends to autofocus underwater with much greater ease—important, because you won’t always be able to look at the LCD when composing shots while snorkeling.
Conclusion Like I said, I only played with these cameras in the sink, so I didn’t push their waterproof capabilities to their max. But having a waterproof and shockproof camera around the house is kind of cool in its own right—imagine taking bath time photos of your kid without having to worry about getting the camera wet, or taking shots with dirty hands while you’re barbecuing, or anything like that. You can always dunk these cameras underwater to clean them off. It’s nice. You don’t have to be a snorkeler to use them and have fun with them.
Which is why for me, the balance shifts heavily toward the Panasonic TS1. Its form factor makes using it on land a lot more convenient, and the added HD video option is a huge plus. And my ears hurt if I go down much further than three meters underwater anyway. At a premium of only $70 ($400 list vs. $330 for the D10), I’d say it’s well worth spending up for.
Panasonic Lumix DSC-TS1 HD video capture
Unobtrusive form factor good for both land and sea
Details are about as light as can be on this one, but it looks like Japan’s Ito Electronics has developed some sort of special “packaging technology” that can make OLED displays fully waterproof, which could be particularly used for watches, cellphones, or that fish tank home theater you’ve always dreamed of. Of course, there’s no word on any actual products just yet, nor is there any indication of possible transparent waterproof displays — or, at least, none that anyone has seen.
Now that every kid on planet Earth is attempting to mimic the once-heroic Michael Phelps, it’s only fair to equip them with the very best in training tools. FINIS, the same firm that’s been cranking out bone conducting underwater MP3 players for years on end, has finally branched out a bit with the introduction of the AquaPulse. By utilizing an Infrared sensor, the device — which straps onto one’s goggles and rests on the temple bone — can continually monitor heart rate and communicate it audibly to the swimmer via bone conduction in customizable intervals. Unfortunately, FINIS didn’t think to integrate music playback into this for moments when it’s not dishing out vitals, but you could also rock one of its dedicated music players on the non-dominant ear. Olympians-to-be can catch it this May for $139.99. Full release is after the break.
In continuation of a recent trend of majormanufacturers announcing a new-found interest in making a buck off developing nations solar-powered cellphones, AU (KDDI) and Sharp have announced the June launch of this unnamed solar handset. Besides being the world’s first waterproof solar handset, it charges to a minute of talk or 2-hours of standby after just 10 minutes in the sun. No other specs were announced though we seriously doubt it’ll be a power-sucking feature- or smart-phone. Naturally, it’ll still be a boon to people where electricity is scarce but what about the industrious guy who owns the village car battery?
Another Spring, another opportunity for iriver Japan and Speedo to sell a few MP3 players designed for underwater use. Yes friends, the Aquabeat you’ve grown to know, love and disassociate with overly tight swim trunks has a successor, the Speedo LZR Racer. Design wise, you won’t notice a lot of differentiation from the first, but this waterproof-to-three-meters device has twice the internal memory (2GB) and a built-in rechargeable battery good for around eight hours of continuous playback. It’s said to be shipping now in Japan for ¥12,800 ($128), though we hear it won’t be coming to America without first nailing down a Michael Phelps endorsement. Not that said task will be too tough or anything.
Of all the 12.2 megapixel cameras we’ve seen from General Imaging this week, this is certainly one of them. But that ain’t all — it’s waterproof up to 10 feet! Pretty awesome, right? The G3 WP fits in nicely with the rest of the new GE-branded lineup, including 4x optical zoom, auto scene detection, and pan-capture panorama. This guy sports a 2.7-inch LCD and ambient light sensor, with no word yet on price or availability. And to its credit, it does look more like a camera than our other waterproof offering this week. Additional pic and PR after the break.
If you’re enticed by Sony’s new compact Cyber-shot DSC-T90, you also might want to check out its scuba gear. On the PMA show floor in Las Vegas, Sony is showcasing “marine packs” ($200-$230) for new T- and W-series models. The enclosure snaps around the camera—and even allows full use of shooting and playback controls, including those on the T-Series’ rear touch-screen LCDs, at depths of up to 132 feet.
Well, we dug up some hands-on pics of that new waterproof Canon PowerShot D10 we’ve been hearing about recently. Obviously, since it’s aimed at the “sport” set it has to be available in “camouflage,” and since it’s waterproof it has to be sort of bulky. As for the stats, this guy rocks a 12.1-megapixel sensor, DIGIC 4 processor, 3x zoom, image stabilization, and a 2.5-inch PureColor LCD II display that’s said to be twice as bright as the company’s standard LCD II. In addition, the camera is waterproof up to 10 meters, shock resistant, and the display sits behind a 2mm shield — if you should happen to drop this off the roof of an evil genuis’s high-tech lair (or into a pitcher of beer), no worries. Going for about $329, available at the end of April. Hit the read link for the pics.
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Both 
HD video capture
28mm wide-angle lens
Buttons perhaps more difficult to use underwater
Only waterproof up to 3 meters
