Scout is a robot boat designed to sail more than 3,000 miles across the Atlantic to Spain. The last attempt by a robot sailboat failed after 400 miles.
Android apps on PlayBook eyes-on (video)
Posted in: Android, app, BlackBerry, blackberry playbook, BlackberryPlaybook, Google, hands-on, playbook, RIM, Today's Chili, videoWe knew it was coming, but today at BlackBerry World 2011 we were treated to a demo of Android apps running natively on the PlayBook. The end result isn’t too far removed from what we saw with Myriad’s Alien Dalvik at Mobile World Congress. Android’s menu and home buttons are emulated using the standard PlayBook gestures, and the back button is replaced with an on-screen softkey. Of course, you’ll have to visit App World to download Android apps for the PlayBook when the Android Player (as it’s called) finally becomes available. And speaking of Android apps, the wildly popular Angry Birds is coming to the PlayBook as a native game – no cross-platform trickery required.
Android apps on PlayBook eyes-on (video) originally appeared on Engadget on Tue, 03 May 2011 12:47:00 EDT. Please see our terms for use of feeds.
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For a mere $50 per year, you can watch unlimited out-of-market games, live, on your Android phone, iPhone, or iPod Touch. Alas, iPad users aren’t allowed in on the action.
Originally posted at iPhone Atlas
LG Optimus Black vs. Galaxy S II and Xperia Arc… fight!
Posted in: Android, galaxy s ii, GalaxySIi, hands-on, LG, optimus, samsung, smartphone, Smartphones, Sony Ericsson, SonyEricsson, Today's Chili, videoIt’s time for us to welcome yet another contender in the battle for world’s slimmest Android phone: the LG Optimus Black. This 9.2mm-thick handset made its debut to oohs and aahs of admiration at CES earlier in the year, and is now on the very precipice of a global release. Admittedly, it’s not quite slender enough to knock the 7.7mm-thick NEC MEDIAS N-04C off its perch as the absolute thinnest, but it is sufficiently slender to give Samsung’s Galaxy S II and Sony Ericsson’s Xperia Arc a good fright. That pair of smartphones offer thinner proportions on the spec sheet, but when rested on a flat surface they sit ever so slightly higher than the Optimus Black. This is because, unlike its tricky contemporaries, the Optimus Black keeps to the same thickness along its full length (don’t laugh), which, technically speaking, makes it the thinnest Android handset on the European market. Check it out in the gallery below or video after the break — and hold tight, we’ll have a full review for you in the coming days!
Continue reading LG Optimus Black vs. Galaxy S II and Xperia Arc… fight!
LG Optimus Black vs. Galaxy S II and Xperia Arc… fight! originally appeared on Engadget on Tue, 03 May 2011 12:30:00 EDT. Please see our terms for use of feeds.
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Giz Explains: What Happens when You Get Shot in the Head [Warning: Graphic]
Posted in: Today's Chili, top You may or may or may not see it coming, but it doesn’t really matter. You’re not going to have time to react. Because a bullet can travel at speeds exceeding 3200 feet per second, which is too fast to duck or yell or plead. Hang in there. Taking a cap to the dome means that it will be over faster than a fatal wound anywhere else. More »
A DigiTimes report says Taiwan-based manufacturer Quanta Computer has already received orders from Amazon for a tablet PC and that a launch could come in the second half of the year.
Originally posted at News – Digital Media
Apple iMac hands-on, with dual 30-inch displays! (video)
Posted in: Apple, CoreI5, CoreI7, desktop, hands-on, imac, sandy bridge, SandyBridge, thunderbolt, Today's Chili, videoOne Thunderbolt port on your new MacBook Pro? Pah. The new 27-inch iMac has twice that many — two. When we got ours out of the box we just had to do the natural thing: fire up as many pixels as possible. Two 30-inch Dell displays and a couple of dual-link DVI display adapters later and we have what you see above: a wide swath of LCD covering 11,878,400 pixels. Sure, any average desktop can do this, but how many all-in-ones can push that many dots? The iMac’s 27-inch, 2,560 x 1,440, LED-backlit IPS panel is definitely a highlight, but flanked by another two monsters the combination is, honestly, a little overwhelming. We tried working this way but only made it about 30 minutes before retreating to smaller fields of view.
Other tid-bits we’ve learned about the updated iMac: those who’d rather swipe than drag can now choose to order theirs with a Magic Trackpad instead of a Magic Mouse, though we’re sure Apple would surely be happy to sell you both. Additionally, the 21.5-inch model can now be configured with a 256GB SSD, just like its big bro. The bigger news, of course, is what’s on the inside, with updated Radeon HD graphics featuring GDDR5 memory and Sandy Bridge processors all-round. We’ll be back with a full review later to get a feel for just how powerful this thing is, but until then dig all those pixels in the video below.
Continue reading Apple iMac hands-on, with dual 30-inch displays! (video)
Apple iMac hands-on, with dual 30-inch displays! (video) originally appeared on Engadget on Tue, 03 May 2011 11:53:00 EDT. Please see our terms for use of feeds.
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HDTV settings explained
Posted in: Today's ChiliAn HDTV’s settings have a dramatic effect on the TV’s performance. Knowing what each does is the first step to ensure your TV looks its best.
Microsoft’s home of the future lulls teens to sleep with tweets (video)
Posted in: Microsoft, Today's Chili, twitter, videoMicrosoft Home is a sort of “world of tomorrow” for the computer nerd set where Surface takes the place of video phones and dinner pills. The only difference is that, unlike those World’s Fair staples, Redmond’s vision of the not-so-distant future isn’t open to the public. This is a private testing ground where researchers can try out concepts, like a watch that records health data and syncs it with your home network or a media center that can analyze video and identify products and locations featured on screen. You might not be able to swing by the campus and visit, but you can catch a glimpse of suburban life in 2025 — populated by touchscreen wireless charging trays and interactive walls — in the video after the break. We’ll take it all, except the wallpaper — we don’t need #winning tweets floating overhead while we try to get some shut-eye.
[Thanks, Vygantas]
Continue reading Microsoft’s home of the future lulls teens to sleep with tweets (video)
Microsoft’s home of the future lulls teens to sleep with tweets (video) originally appeared on Engadget on Tue, 03 May 2011 11:22:00 EDT. Please see our terms for use of feeds.
How to Convert Video to Work With iPad iMovie
Posted in: ipad, Panasonic, Tablets and E-Readers, Today's Chili, videoThe iPad edition of iMovie is a slick, easy-to-use, inexpensive video editing tool. But it’s designed only to edit video shot with the iPad 2, iPhone or iPod Touch.
If you have video shot with another device, like a camera, you need to do a little work to get it working with iMovie on the iPad.
This appears to be because the hardware video chips inside these devices are tuned to very specific file types. This is why iMovie on the iPad can process video faster than a Mac. It is also why iMovie is so fickle about the video formats it will accept.
Even if video can be played back on the iPad, and shows up fine either in the Camera Roll or the native Videos app, iMove likely can’t see it. To fix this, you need first to convert the footage into the right format, and then introduce it gently to iMovie in just the right way.
There are two ways to do this: On a Mac, using a couple of applications and then syncing the converted file back to your iPad; or right on the iPad itself, using certain iOS apps.
Converting Video With a Mac
I have spent the last month, on and off, trying to get video shot with my Panasonic GF1 to show up in iMovie on the iPad. I gave up with the iPad 1, thanks to iMovie not working so great on the older iPad, but with a brand new iPad 2 in the Gadget Lab Spain offices, I finally cracked the code.
My examples use MTS files from the GF1, but should work with anything.
The trick is to turn the file into a specifically crafted MP4 with the H.264 codec. Most cameras already shooting something like this anyway. If so, proceed to step 2.
Step 1: Convert to MP4. The MTS from the Panasonic is an AVCHD file. This is just a container, which has an H.264 file within. This can be extracted without transcoding, which means it’s fast and — more importantly — there is no loss of quality. For this stage I use an app called ClipWrap. You just drop the files onto the app and then press go. It re-wraps the video into a nice MP4. At this stage, you may well be able to view the result on the iPad, but it still won’t work with iMovie.
ClipWrap costs $50. There is a trial which will work only the first minute of each clip. Unless you’re Alfred Hitchcock, you shouldn’t need much more. There are also free (and often clunkier) alternatives.
Step 2: Convert to “iMovie format.” For this you need a free app called MPEG Streamclip. There may be others, but this one works for me. Drop your freshly-minted MP4 file onto the app and then dial in the settings.
These settings are where the magic lies. I found them in a YouTube video how-to from user MyGreatiPhone, a young man from England (near Bristol, judging by his accent). First, go the menu bar and select File > Export to Other Formats:
You will then see this monstrosity:
Change the format to MPEG-4, and then press the “Options” button to the side. You’ll see this:
Here, the file format should read simply MP4 (not MP4 (ISMA)). You should also make sure your image size is 1280 x 720 HD and that the frame rate is 30. Don’t touch anything else. You can see the output details in the block of text at the bottom of this window.
Click OK in both windows and choose a file name. Make sure you have the MP4 extension and don’t make the name too long, or put any weird characters in there, as they may upset poor Princess iMovie.
That’s it. Now You need to get the file onto the iPad.
Step 3: Transfer to iPad. You may think that you could just drop the file iMovie’s file-transfer area in iTunes, but that would be too easy. That appears to be meant only for getting iMovie project out of the iPad to work on in desktop iMovie.
What you need is iPhoto.
Add the movie to iPhoto, preferably putting it into a special folder. Then flip back to iTunes and plug in your iPad. In the “Photos” section of the iPad sync screen, make sure “Include videos” is checked, and make sure that your folder is either checked to be synced, or you have chosen to sync everything from iPhoto. Hit sync.
Now, the moment of truth. Open up a project in iMovie on the iPad and your clip should be there. As I said, I have tried this with files from a Panasonic GF1 and found it to work. Let us know the make and model of you camera if you are successful, or if you fail.
Written here it seems like a long process, but in practice it is pretty fast. Both ClipWrap and MPEG Streamclip can batch-convert files, and you can save your Streamclip settings as a preset. Also, the iTunes step will be automatic now it’s set up.
Still, it would be nice if you could do these conversions on the iPad itself, right? Well, it turns out you can. I shall now permit myself an exclamation mark: !
Converting Video With the iPad
As we know, the iOS app for playing videos is a lot less finicky than iMovie, as all it has to do is play back video. Third-party apps, too, can read any movie file stored in your camera roll. And here’s the trick: Many of these apps will edit video or add special effects and then spit out the results in an iMovie-compatible format.
That’s right: If you’re prepared for a small loss in quality, you can convert video right there on the iPad.
ReelDirector ($2) is a venerable app that arrived on the iPad before iMovie. It’s clunky, slow and doesn’t even allow you to view your edits before rendering them. But it will take a clip and crunch it into a format iMove can understand.
Shoot a clip, put the SD card into your camera connection kit and transfer the movie right to your iPad (Motion JPG, AVI, MOV and MP4 should all come across fine). Then open up ReelDirector, make a new project, switch off all the options in the pop-up and hit the plus button to add a clip. It will compress the video. Then go back to the “My Projects” tab, hit render and wait. You’re done. Your clip will now show up in iMovie. Pretty rad, right?
But wait. If you’re going to degrade the quality then you may as well have some fun. Luckily, there are plenty of iPhone apps that Lomo-ize your footage. And they will pretty much all spit out iMovie-friendly files. I used the $2 iSupr8 (which is also made for iPad), but there are plenty of iPhone apps that can be used in pixel-doubled mode.
And that’s it, apart from one question that has been nagging at me. I swear that I once imported a movie clip direct to my iPad, and then was able to edit it right there in the Photos app. Somehow, I selected the clip and it was highlighted with a yellow outline. I could then trim the clip and save it as a new file. This new file was recognized in iMovie.
However, I can’t repeat it. I have a feeling that the file was from a Canon G9, but I tried it again today on an iPad 2 with the latest iOS, and an iPad 1 with an older version of iOS4, and it didn’t work.
Any ideas? Answers, along with questions and reports of success, can go in the comments.