Hasta La Gadget!

Remember the Sony Video 8? No? Well, let’s recap: it was 1985, and the company releases the CCD-M8 camcorder, capturing life on 8-millimeter cassettes at just under 2.2 pounds. “Back in my day” references notwithstanding, Sony is now celebrating the 25th anniversary of its Handycam line, from that progenitor recorder all the way up to today’s SD card-equipped lineup. All the festivities and a pretty detailed trip down memory lane can be found via the source link, or if you’re looking for something infinitely more cornball, Sony’s produced a “commemorative movie” of sorts in honor of the anniversary — that’s after the break.

Continue reading Sony Handycam celebrates 25th birthday, can now film itself renting a car

Sony Handycam celebrates 25th birthday, can now film itself renting a car originally appeared on Engadget on Tue, 25 May 2010 18:41:00 EDT. Please see our terms for use of feeds.

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Like Sony’s new NEX3 and NEX5 compact cameras with APC-C-sized sensors? Then check out this tease for a Sony camcorder. The AVCHD shooter will feature the same Exmor APC HD CMOS sensor and E Mount interchangeable lenses. Better yet, it’ll also work with A Mount lenses built for Sony’s existing Alpha DSLRs. Coming this fall, that’s when.

Continue reading Sony teases high-end camcorder with Exmor APC HD sensor and interchangeable lenses (video)

Sony teases high-end camcorder with Exmor APC HD sensor and interchangeable lenses (video) originally appeared on Engadget on Tue, 11 May 2010 03:05:00 EST. Please see our terms for use of feeds.

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Well what do we have here? We’ve just been handed a picture of what we’re told is Sony’s EX3 prototype 3D camera, with changeable lenses and a penchant for capturing life in the third dimension. That’s unfortunately all we really know at this point, but if this two-eyed beaut does go to market (and we hear that it most certainly will), it looks like Panasonic’s 3D camcorder will have some healthy competition. And hey, we’re all for having more options.

Update: A trusted source just chimed in with some specs, and it’s looking like Sony’s basically just crammed the guts of two PMW-EX3 studio cams into a single shell for this prototype. That’s not a bad thing: behind those proprietary hot-swappable lens cartridges are the same two three half-inch CMOS eyeballs that stream 4:2:0 MPEG-2 video at 1080p to SxS memory cards at 35Mbps per eye, or send uncompressed 4:4:4 footage over a new pair of HD-SDI outputs. Our source was pretty excited about how close together those eyes were, too — he whispered something about an industry-first 1.5-inch interocular distance, before vanishing into the darkness without a word on price or availability.

Update 2: The EX3 has three CMOS chips, not two. [Thanks, The Advanced Kind]

Sony EX3 prototype 3D camcorder spotted, destined for retail channels? (update: we’ve got specs) originally appeared on Engadget on Sun, 02 May 2010 14:00:00 EST. Please see our terms for use of feeds.

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Inside tech fiends the world over, there is a deep-seated desire to film lightning strikes, bullets penetrating glass and objects dropped into water, if only to see the fantastic, chaotic patterns played back in slow motion. (Peep an example after the break.) Thing is, most cameras fast enough to catch such phenomena do so with a tradeoff — like the Phantom V12, which had a tiny 256 x 8 picture at its impressive 1,000,000fps. But now, Vision Research claims they have a camera that does it all: the Phantom Flex, which captures 1080p images at up to 2,800fps — with 1000 ISO sensitivity — and can shoot higher (2560 x 1600 at 1,560fps), faster (640 x 480 at 13,000fps) or even slower (down to 5fps) for regular filming. Since the high speed modes fill the onboard 16 or 32GB of memory in the blink of an eye, the sexy black number supports hot-swappable SSD modules for storage, and can even be synced in pairs to film blue alien Pocahontas reenactments in stereoscopic 3D. Hit the source link for a mouthwatering spec sheet, and don’t ask how much it costs. You really don’t want to know.

Continue reading Vision Research’s Phantom Flex captures 1080p at 2,800fps, our full attention

Vision Research’s Phantom Flex captures 1080p at 2,800fps, our full attention originally appeared on Engadget on Mon, 19 Apr 2010 05:19:00 EST. Please see our terms for use of feeds.

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May 17, folks. That’s the date when the grumpy doctor you wish you were and the snazzy camera you wish you owned will join forces on American network television. The final episode in this season’s run of House has been shot exclusively using Canon’s 5D Mark II, and the show’s director Greg Yaitanes has been taking questions about the experience on Twitter. PetaPixel have helpfully collated the Q&A session into a coherent pseudo-interview, which you’ll be able to find at the source below. The major takeaway is that the crew liked the experience and didn’t have to do an overwhelming amount of work to adapt to the different shooting method. Guess after SNL and its own movie, the 5D Mark II just had to go and do a guest appearance on its favorite TV show.

[Thanks, Ben K]

Canon 5D Mark II used to shoot entire House season finale, director says it’s ‘the future’ originally appeared on Engadget on Tue, 13 Apr 2010 08:02:00 EST. Please see our terms for use of feeds.

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