Nano’ Mounts Turn SLRs into Movie-Cameras on the Cheap

Redrock Micro makes accessories for movie cameras, and lately it makes add-ons for the latest movie-shooting SLR-cameras. The latest addition is a range of “Nano” kits which turn your stills-cam into a film-making rig, and they do it on the cheap.

SLRs are obviously designed to shoot single photos, and access to the various exposure controls is the premium consideration. A movie camera needs to be focused and moved around as you shoot, which is tricky if you’re using two hands just to hold it up.

The new Redrock kits come in three main flavors: A grip, which is a simple handle that screws into the tripod-mount, a pair of chest braces which let you hold the camera with one hand and focus with the other, and a couple “low-down” kits which put handles on the top and sides so you can carry the camera like a briefcase or an underwater-style rig. The chest rigs come with eye-pieces for the rear LCD-screen to allow live-view-shooting outside.

The prices run from just over $100 to just under $500, depending on how many rods, grips and pads are hanging off the stick-insect structures. This might not sound inexpensive, but in the overpriced world of movie-cameras, it’s an almost dirt-cheap bargain. Available now.

Nano DSLR Rigs [Redrock Micro via Photography Bay]

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Amazing Slow-Motion Video of Things Getting Smashed

No, this post isn’t about a gadget but it is Friday, and the video is the best thing you will have watched all week. What you are seeing is everyday stuff being shot, smashed and shattered, all in incredible slow-motion. The footage is filmed on a Photron SA1.1, a high-speed camera capable of shooting an astonishing 5,000 frames-per-second. To give you an idea of how much information that is, the 1-megapixel sensor needs 8GB of storage for just six-seconds at 1,000-fps.

The movie, titled Tempus II, was made by Philip Heron, a student at Ravensbourne College of art and design in the UK. Make sure you watch it all the way through. My favorite is the shot of the karate guy smashing a cinder-block (or perhaps concrete block) with a chop of the hand. Watch how his fingers bend and distort around the edge of the slab. It looks almost impossible.

Tempus II [Philip Heron/Vimeo via the Giz]

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Canon G12: G-Series Regains High-Def Video at Last

Canon has a rich and proud history of leaking its own products, with premature camera listings popping up on its own sites anywhere from China to Germany. Today’s leak is the G12 pro-compact, but the site is CNET Asia – at least nobody on the Canon tech-team will be embarrassed this morning.

The G12 brings back the one thing missing from the G-series since the G9: High-definition video. The new tank-like camera will shoot 720p, just like its new little brother the S95, introduced yesterday. As with the G11 and S90 before, the G12 and S95 share a sensor, in this case a low-light-loving 10MP CCD.

The lens runs from 28-140mm (35mm equivalent) with the maximum aperture shrinking from ƒ2.8 to ƒ4.5 as it goes. The G12 also gets the fancy new multi-direction image-stabilization of the S95 and keeps its big 2.8-inch tilt-and-swivel LCD. Other “highlights” include in-camera HDR for making hideous, over-colored tone-mapped photos by combining three images.

The price wasn’t leaked, but I’d guess it will come in at around $500. Expect an official announcement very soon.

Canon PowerShot G12 Leaked By CNET [Canon Rumors via Photography Bay]

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Canon S90 Adds 720p Video to Old Favorite

Not to be outdone by today’s announcements from Nikon, Canon also has a few new cameras out, and one of them is an update to a Wired.com favorite, the S90. The new model is called the S95, and is little more than an incremental upgrade to its low-light-shooting predecessor.

Thankfully, the S95 has kept all that was good about the S90. It has the same large-ish sensor, the same sharp, 3-inch (and 461,000-dot) LCD screen, the same ƒ2.0-4.9 28-105mm (equivalent) lens and the same control-wheel surrounding that lens.

The biggest new feature is 720p high-def video, up from the rather poor 640 x 480 resolution of old. That video is recorded at 24-fps in H.264 MOV format. It also gains “Hybrid IS”, an image stabilization system that works in more directions, and you can now pop in a high-capacity SDXC memory-card.

Apart from a few stylistic tweaks, that’s about it. If you, like many Wired staffers, already bought the S90 then you have no reason to upgrade. It’ll still take great shots, and still uses the big sensor found in the high-end G11. If you are in the market for a pocketable $400 compact, you should check this one out.

S95 press release [Canon]

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Nikon Announces Four New SLR Lenses

In addition to the brand-new, HD-video shooting D3100 announced today Nikon also has a clutch of new lenses. Here’s the list of names so you lens-lovers can quickly see the lineup:

AF-S NIKKOR DX 55-300mm ƒ4.5-5.6 VR – $400

AF-S NIKKOR 24-120mm ƒ4 G ED VR – $1,050

The AF-S NIKKOR 28-300mm ƒ3.5-5.6G ED VR -$1,300

AF-S NIKKOR 85mm ƒ1.4G – $1,700

The first one, the 55-300mm, comes out at a 35mm-equivalent of 83-450mm, a very long and very odd zoom range. The price and the maximum apertures put it clearly in the budget range.

The next two zooms on the list look like they’re just there to pad the range. 24-120mm is a handy range, but that ƒ4 aperture makes it hard to stomach dropping a grand on it.

The last lens is possibly the oddest. Nikon already has an ƒ1.4 85mm lens, and it costs $1,360. The new model loses the aperture ring on its barrel, and comes with the autofocus motors inside, meaning faster focussing.It also gains a focus-mode switch on its side and gets Nikon’s latest fancy glass coatings. Both the new and the old 85mm lenses have 9-blade diaphragms for nice, circular out-of-focus highlights.

My guess would be that this new lens will replace the old one in time. But it’s just a guess: the existing ƒ1.4 85mm is a classic, and a very well loved chunk of glass.

Lens store [Nikon]


Nikon D3100 with 1080p Video

Nikon’s new SLR, the D3100, is an odd mongrel of a camera. On one side, it is the first Nikon SLR to shoot proper video, dropping the large file sizes and compromised quality of motion JPEG for full 1080p H.264 video in a tasty AVCHD wrapper. It is Nikon’s first SLR with 1080p, putting it ahead of even its high-end models.

But the other half of this update to the D3000 is aimed at the photography doofus. It has auto modes that take care of everything, including a “Guide Mode” which now, according to Nikon’s PR, “shows you sample images of what you can achieve with certain settings, for example if you change the shutter speed or aperture.”

Not to knock a camera that helps you take better pictures, but if you want “perfect quality, without worrying about settings,” then why buy a bulky SLR? Surely a compact camera would be better, especially as most of these cameras will never have the kit lens swapped out anyway.

Still, ditch the auto mode and you have a great camera, with 14.2 megapixels shooting at up to ISO 3200, 11-point autofocus, and that great video again. The camera captures the MOV files at 24 frames-per-second (just like the movies) and has a new auto-focus mode which will track subjects while you shoot.

The D3100 looks like a good improvement on the D3000, and it’s good to see Nikon finally taking video seriously.The camera will be $700 in September.

D3100 [Nikon]


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Canon’s EOS 7D ‘Studio Version’ features parental controls, barcode mode

Loaning out your precious DSLR to a friend who doesn’t know shutter from aperture? Got a classroom full of trainee photographers whose lesson requires they be set to a particular mode? Canon’s hoping you’ll drop an extra $129 on a version of the critically-acclaimed EOS 7D that lets you control how your lackeys fire off shots. The $1,829 EOS 7D Studio Version adds four tiers of password-protected locking controls, plus an optional barcode and data transfer kit (to organize and commit large photo sessions to databases) using a custom version of the company’s WFT-E5A wireless transmitter for just $770 more. We can’t say we know anyone who’d use these features, but hey — if enough corporations spring for the advanced model, perhaps the original will drop in price. PR after the break.

Continue reading Canon’s EOS 7D ‘Studio Version’ features parental controls, barcode mode

Canon’s EOS 7D ‘Studio Version’ features parental controls, barcode mode originally appeared on Engadget on Wed, 18 Aug 2010 22:51:00 EDT. Please see our terms for use of feeds.

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Canon’s 7D SV With Parental Controls, Barcode-Scanning

This is the oddest camera announcement you’ll see for a while: the Canon 7D Studio Version is, more or lass, a standard 7D with parental controls. It’s not to stop the kids messing with your DSLR, but to help busy pro-photographers to manage their workflow. I know: try to stay awake.

The 7D SV lets the master photographer set up the camera just how he likes and then send lackeys out to, say, shoot school-portraits without messing things up. There are, according to the press release, four-levels of locking so you can let the less stupid assistants do some things for themselves.

This has some utility. You could make sure all your images come back with precisely matched white balance, within the correct ISO-range, for example.

Also included, if you opt for a kit, is a version on Canon’s remote wireless transfer unit, the WFT-E5A. Normally this works like a $700 Eye-Fi card, sending GPS-stamped pics to your computer. With custom firmware the WFT-E5A loses the GPS but gains the ability to ready barcodes, adding their info to a picture’s metadata. Again, this is about speeding up large-volume workflows (stop yawning at the back). You can also scan codes direct to the camera.

The price for these patronizing products is $1,830 body-only (the normal 7D is $1,700) and $2,600 for the kit. Availability to be announced.

EOS 7D SV Press release [Canon]

The above photos shows the current 7D

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