Honl Adds Softbox to Light-Shaping Tools

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Dave Honl, our favorite maker of light-shaping tools, has added a circular soft-box to his lineup of small-flash accessories. The nylon and polyethylene cone folds flat and joins Dave’s snoots, grids and reflectors. The big difference between the new traveller8 softbox is that, as its name suggests, it softens light and spreads it out. All Dave Honl’s other kit is designed to control and focus light exactly where you want it.

The traveller8 attaches to the small flash head the same way as all the other Honl modifiers: You wrap around the included rubberized, Velcro Speed Strap and the soft-box then Velcros onto this. Folded, the soft cone is around 11 x 9-inches, and weighs in at under four ounces.

The traveller8 may seem expensive at $70, but if it is made to the same standards of the rest of the range (which we have tested), then it should last you just shy of forever.

Honl Photo traveller8 Softbox [Honlphoto via Strobist]

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iPhone OS 4.0 beta 4 hints at LED flash, camera for iPad, iPod, iPhone

We’ve yet to see concrete proof that Apple’s portable media players will ship with a camera, but the new iPhone OS 4.0 beta shows Cupertino’s at least considering the notion for the iPod touch and even the iPad. It seems AT&T tethering wasn’t the only thing hidden in iPhone OS 4.0 beta 4 — 9to5Mac found a variety of telltale references to an a flash when pouring through the update’s source code. Does that mean that the iDevices will actually get cameras, let alone supporting light fixtures? It’s too early to tell… but we did spot an LED flash on that early iPhone HD, and a recent Vietnamese leak proves that Apple at least prototyped an iPod touch with a camera — though no flash, sadly — as well. Is Apple simply updating their error messages, or is there something to this? You make the call.

iPhone OS 4.0 beta 4 hints at LED flash, camera for iPad, iPod, iPhone originally appeared on Engadget on Wed, 19 May 2010 15:33:00 EDT. Please see our terms for use of feeds.

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Canon Rebel T2i Review: This Should Be Your First DSLR [Review]

Canon’s Rebel T2i is an incredible camera—everything a first DSLR should be. It takes fantastic photos (and, crucially, video) for the price, it’s easy to use, and perhaps most importantly, it’s a camera you can grow with. More »

Canon AE-1D, The Ultimate Digicam Hack

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This is the Canon AE-1D. No, it’s not Canon’s latest retro-styled DSLR. It is an old Canon film camera hollowed out and stuffed with an Ixus 870 IS. It’s also the best hack I have seen this week.

The Canon AE-1 was a classic. First made in 1976, it went on to sell around 5 million units. It featured manual-everything, with the addition of a shutter-priority mode and an electronically controlled shutter. I never owned one, but I have used plenty, and it was a beautiful old camera.

This mod takes on of those 5 million bodies and makes room for the tiny modern digicam. The shutter is connected to the old mechanical shutter release, the opening film-back is replaced by the LCD screen and buttons, and it appears that the lens has been trimmed somewhat, presumably to prevent vignetting. The hack even adds a hinged hatch in the bottom for replacing the battery. Sadly, the viewfinder has been lost, but the camera has gained a pop-up flash.

Many people like the idea of just dropping a digital sensor into an old film SLR, giving the fantastically intuitive controls of a shutter dial and aperture ring and light, tough body, along with access to lots of old manual lenses. This mod, by an unknown hacker, comes as close as we’re ever likely to get. Now where’s my Dremel? Video below.

Clever Canon AE-1 Program Digital Mod [PetaPixel]

Canon AE-1 D [Canon Rumors]

Gallery/Discussion [DP Review Forums]


Polaroid Archives Provide Snapshot of History

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Polaroid has one of the world’s most iconic brands: The self-developing snapshots, with their classic white borders, are nearly as recognizable as the red Coca-Cola logo, the Campbell’s soup can or the Burberry plaid.

The company’s cameras delivered instant visual gratification long before digital cameras arrived on the scene, making them an early photographic sensation.

But Polaroid’s fortunes have waned. The company, which was founded in 1937, has declared bankruptcy twice and was sold to two different buyers. Its assets have long been dispersed, and its factories were shut down. Polaroid even announced in 2008 that it would stop making its instant film, prompting some enthusiasts to create their own Polaroid-compatible film packs.

Now a company called PLR IP Holdings has rights to the Polaroid brand and has said it will revive some iconic Polaroid cameras. The company recently introduced a new camera, the Polaroid PIC-300.

Last month, the Cambridge, Massachusetts-based MIT Museum announced that PLR Holdings has donated a massive collection from Polaroid’s archives.

The archive has some fascinating objects. There are boxes of rare Polarized glasses dating from the 1939 World’s Fair, original newsprint sketches by Polaroid founder Edwin Land, a historic bellows camera the size of a filing cabinet and the SX-70 cameras that defined the instant-photography era.

Overall, the collection has more than 1,800 boxes containing 10,000 items.

“For anyone interested in science, technology, art or consumer culture, this is an unprecedented opportunity to look at a series of products and watch their design unfold from every aspect,” says Deborah Douglas, curator of the collection at the MIT Museum.

Polaroid is unusual among American companies in that it has extensively documented its products and maintained archives of its work, says Douglas.

“This is one of the top five company collections out there, along with IBM, Bell Labs, DuPont and Boeing,” she says.


Stealthy ThinkTank Photo-Bags Expand to Fit Everything

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ThinkTank, the master of shifting photo-gear, is better known for its TARDIS-like airline carry-on cases than for smaller bags. The new Retrospective series may change that.

The Retrospective bags are stealth bags. The “pinestone” colored bags are especially normal-looking, fashioned from a mottled gray fabric that manages not to scream out its camera-holding nature, although the even the black ones are less conspicuous than ThinkTank’s own Urban Disguise series (which are in fact camera bags disguised as camera bags).

The soft-sided shoulder bags come in three sizes and will hold a big DSLR body and lens along with space for a few more lenses. Because they are soft, there is a lot more flexibility as to how you cram in your gear. The layout, though, makes quick lens-changes pretty easy: the lenses are kept upright for grabbing quickly.

The bit I like most, though, is the pair of expandable nylon pockets on each end. These are not padded, and they are big enough to slide in a strobe or compact camera where they can be secured by a Velcro flap. You also get either one or two DSLR body-sized pockets on the front, depending on the model you buy

The main section, too, is Velcro’d closed, but you can silence the ripping sound with some covering flaps. This is a fairly common feature these days, also found in Crumpler bags.

There are also a pair of lens-changer bags, so you can carry you SLR on a strap and just carry the spare lenses over your shoulder. These have a bunch of small accessory pockets, too.

These days I keep most of my kit in a Kata backpack or in separate pouches ready to be thrown into any old bag. The expandable nature of these bags, though, has got me considering yet another addition to my already embarrassingly large bag collection.

ThinkTank Retrospective 20 [ThinkTank. Thanks, Mr.Hobby!]

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New 35mm ƒ1.4 Lens from Leica Costs More than Your Car

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Leica has added a 35mm ƒ1.5 rangefinder lens to its digital M-series lineup. Previously, the only electronic 35mm to be had was the rather slow ƒ2.5 model, hardly the kind of fast lens that we expect to use on these compact, go-anywhere bodies. On the other hand, that lens came from the “budget” Summarit-M range, all of which had the same maximum aperture of ƒ2.5 and lacked any aspherical lens elements.

That older 35mm lens can be had for $1,700 street. The new Leica Summilux-M 35 mm ƒ1.4 ASPH adds back in all these luxury elements and will cost $5,000. It also comes bundled with a metal lens hood which costs $150 when sold alone.

Leica lenses aren’t about the specs. You’ll find no image stabilization here, nor even a zoom (zooms wouldn’t even work well with a rangefinder. The closest you’ll get is a three-way, multi-telephoto setup). They’re about the engineering, the image quality and the hand-made-ness of each lens the company turns out.

The only concession to modernity is hidden inside. These lenses have a 6-bit encoding in them which tells the camera which model it is.

This lens will probably be as stunning as any from Leica, and well done to Leica for getting back to what it does best: making lenses. It’s M-series bodies are increasingly irrelevant, if well made, but the lenses, which will work on any Leica film camera (or Micro Four Thirds camera with an adapter) are possibly still the best lenses you can buy. Available July.

Summilux product page [Leica via Leica Rumors]


Canon Celebrates 40 Millionth EOS, 20 Millionth DSLR

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Canon has sold 40 million EOS SLRs. That’s a pretty good run, but the most amazing thing is that half of those are digital.

The EOS range was launched in 1987 with the EOS 650, a round-edged auto-focus camera that – at the time – looked like something from the future. I was there at the launch, a perk for me as I was a kid with a Saturday job in a camera store.

This first EOS was genuinely revolutionary. Up until then, autofocus SLRs were slow, with either big motors and spindles in the body trying to shift what were essentially modified manual-focus lenses, or they used special AF lenses with big plastic wedges on the sides which contains the motors. Canon had invented an ultrasonic motor (USM) which fit inside the new EF-mount lenses and was fast and quiet. Patents meant that Canon kept this lead for years.

In 2000, Canon introduced its first home-made digital SLR (previous models used Kodak internals), the EOS D30 (3 megapixels, $3,000), By 2003, 20 million EOS cameras had been made, 13 years after the first model launched. It only took seven more years to double that number, and an astonishing 10 million of those were sold in the last two years and four months.

Canon may not have been the first to make a digital SLR, but with the manual focus T90 (my Dad still uses one) and then the AF EOS range, it arguably invented the modern ergonomic SLR shape and the all-electronic button and dial user interface. Congratulations, Canon.

Canon celebrates production of 40 millionth EOS-series SLR camera [Canon]

Canon History Hall [Canon]

Image credit: Canon Japan

Canon EOS-D30 Review, October 2000 [DP Review]


Laser-Scope for Cameras Offers No Obvious Function

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Unless I’m missing something, this laser-sight for SLRs is the most pointless camera gadget I have ever seen. The Wildlife Photography with Tactical Four Reticle Sight from Brando at first seems a great idea. A laser sight that projects a dot onto your prey? Fantastic!

And then you give it some thought: “Wait,” you say, “won’t that put a red dot on my subject?” Then you figure out that you already have a perfectly good viewfinder through which you can see the large, magnified image from your long telephoto lens. Who needs a lensless rangefinder which will show the wildlife as a tiny dot in its center?

And then you read the specs. It turns out that the lasers, which come in red and green, merely projects a spot onto the screen of the sight, not onto a distant lion’s face. You can choose between a cross, a spot or a circle with a spot in the center.

But why? I’m asking seriously here, because I can’t see a point for this at all in wildlife photography. Perhaps it could be used to pinpoint parts of a scene for more accurate panoramas? If you do find you have a use for it, then you can buy one for $40. Before you order it though, make sure you justify your reasons in the comments.

Wildlife Photography with Tactical Four Reticle Sight [Brando via Oh Gizmo!]


Leica Will Lend You an M9 This Weekend (In NYC)

imageLive in New York? Got a hankering to try out the “coveted” Leica M9 for a few hours? Got a credit card robust enough to take a big hit if something goes wrong? Then you’re in luck! Leica has teamed up with the New York Photo Festival to offer the Leica Photo Scavenger Hunt this coming weekend.

It works like this. Turn up at the NY Photo Festival HQ at Powerhouse Book on 37 Main Street, Brooklyn between noon and 7PM Saturday (5PM Sunday) and Leica will lend you the camera to use for the next four hours. You’ll need to bring your own SD card (or cards, if you’re serious). That’s it.

If you never shot with a Leica before, I recommend making time this weekend to try one. I used to have an M6 and it was frickin’ awesome. I loved that camera, and the only reason I sold it was because I has stopped shooting film (that and a small matter of overdue rent).

But beware. I have a feeling that the required credit card and ID is not just to stop you running off with the camera. It’s to make sure you have a means of payment when you inevitably head straight to the camera store to buy your own once the Leica bug has bitten.

NYPH 10 Events Schedule [NYPH. Thanks, Joe!]