Home-Made Protection: Rear Lens-Cap Pad for Stackable Storage

Rear Lens Cap Pad for Stacking in Camera BagUnlike some photo DIY projects, I can see no reason why you would ever have to buy a commercial version of Derrick Story’s Rear Lens Cap Pad. It is as simple a project as you could imagine, but also solves a real problem: bag space.

The Rear Lens Cap Pad is simply a circle cut from a sheet of adhesive, padded material, and stuck to the existing rear-cap of your lens. What does it do? It allows you to stack lenses inside a bag or pouch without a bulky lens cover. And while it doesn’t offer the dust or bump-protection of a proper lens bag, it looks protective enough for day trips, stopping lenses from bashing and scratching each other as they jostle.

Derrick uses the caps so he can perch smaller lenses atop a zoom lying flat in his bag. A 50mm prime is small enough for a pocket, but put it inside a padded case and it immediately becomes unwieldy. I often leave lenses at home because of the size problem, and this hack gives me an even better idea: With a single foam tube and a few cap-padded lenses, you could easily make a minimal case into which any number of small objectives could be slid. A weekend project? I think so.

Rear Lens Cap Pad for Stacking in Camera Bag [The Digital Story]

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The Battlefield: DIY Three-Hole Pinhole Camera

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For panorama-obsessed French photographer Steven Monteau, every photo is better if lengthened or widened with others. For him, even exposing a single, elongated image spanning a good six inches of 35mm film and spilling out across the sprocket holes is not enough. No, Steven would only be happy stretching three lengths of film out in parallel, and shooting onto all of them simultaneously. Still not crazy enough for you? Then why not make it a pinhole camera?

Above you see the result of Steven’s crazed concept, dubbed the Battlefield because it looks like, um, a battleship. It is constructed of cardboard, tape, aluminum foil (for the pinholes), plastic tubes, nails and bottle-tops. The three reels of film run along the length of the box, and its odd shaped ends are due to the three 35mm cartridges being offset to get the film strips close enough together. The results are stunning:

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Inside, the mechanics are complex, as you’ll see if you follow the step-by-step tutorial Steven has written for DIY Photography. While one crank winds all three reels forward, and a neat rubber-band-and-nail assembly keeps the film in tension, there are three separate knobs to rewind the film.

I’m not sure what I like most here. The meticulously-made camera, the crude and beautiful images complete with sprocket holes and the mix of different films stocks, or the intricate and detailed illustrations accompanying the how-to. One thing I do know: I want one.

The Battlefield Pinhole Camera [DIY Photography]

Photos: Steven Monteau/Flickr

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Nikon’s New $7,000, 200-400mm Monster

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Nikon’s new telephoto zoom lens is huge, and has a price-tag to match. The AF-S Nikkor 200-400mm ƒ4G ED VR II will cost you $7,000, and if you need all its features, it could be worth every penny.

First, the traditional decoding of the name. AF-S refers to the internal, Silent-Wave auto-focus motor. The long zoom range of 200-400mm is what you get with a full frame camera. Put this monster on a DX body and it becomes a 300-600mm zoom, and keeps that constant, and pretty wide, ƒ4 maximum aperture. The “G” means that there is no aperture ring on lens. ED means “Extra-low Dispersion” glass, which cuts down internal reflection, and finally VRII is the “vibration reduction” which will give up to four extra stops of handheld shooting.

There’s more than that, though. Nikon has put in a 9-blade aperture diaphragm for better out-of-focus highlights, and managed to make the camera focus down to just over six feet throughout the zoom range, which with such a long lens is like focussing just in front of your nose.

There is also a new AF mode, called A/M. This ignores any manual tweaking of the focus-ring when set (you still get full manual and M/A, which lets you override AF with a touch).

Clearly aimed at the pro sports and wildlife shooter, $7,000 is a vast sum for a lens. I imagine there are a still a lot of excited people pulling out their credit cards today, though.

AF-S NIKKOR 200-400mm f/4G ED VR II [Nikon. Thanks, Geoff!]


Left-Handed Camera-Firing Hack

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You are left-handed. You use a DSLR camera. Do you consider it easier to a) just use your right index finger to fire the shutter and adjust the dials – after all, you’re used to living in a right-handed world by now – or b) screw an aluminum strip to the camera, flip it upside-down and try to fire it with your left pinky?

If your answer is “b” then you are either a masochist or somebody who favors the political over the practical. You are also in luck, as inveterate camera-hacker bertus52×11 has posted a how-to over at Instructables. The hook lets you support the camera with your left thumb whilst firing the shutter with the little finger.

Granted, this hack is meant for righties who may want to show their right hand in a picture, so they won’t have to deal with adjusting settings. Unless you use full-auto, then you left-handers will probably end up twisting off a finger using this method.

For limited or emergency use, we like this inventive solution. What really rocks, though, is bertus52×11’s plaid coffee-cup lens hood. Go “check” it out.

Take photographs with just your left hand [Instructables]


iPad Camera Connection Kit Delivered, Un-Boxed

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IPad owner Jerrod H finally received his iPad Camera Connection Kit and did what any self-respecting geek does with brand new kit: He posted un-boxing photos.

The kit is one of very few accessories which use the USB-ness of Apple’s Dock Connector to hook up to external hardware. In the box, as you can see from Jerrod’s snaps, you get a pair of dongles, one an SD-card reader and the other a USB-adapter for plugging cameras in direct. Once hooked up, the Photos app pops over to the “camera” tab and from there you choose which pictures, both RAW and JPEG, you want to import. The app will detect and ignore duplicates if you like, and you can also choose to have the app delete the images from your card after import. I’d advise against this – to avoid screwing up the card’s file-system, I always format the card in-camera.

From the shots, it also appears that you can pull movies into the iPad, and presumably play them back. The connection kit will be the first accessory I buy when I eventually get an iPad over here in Spain, and I will put the RAW tools to the test. I’m also interested to see some full-scale photo-editing apps on the big-screen iPad. If they’re anything like the excellent iPhone movie-editor ReelDirector, photographers are in for a treat.

iPad Camera Kit received and working [TwitPic/Jerrod H]

Picture 2 [TwitPic/Jerrod H]

Picture 3 [TwitPic/Jerrod H]


The BeetleCam: Remote Controlled Camera-Car Survives Lion Attack

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There’s more than one way to shoot a cat, as Will and Matt Burrard-Lucas proved when they went on safari to Tanzania. Instead of loading up on giant lenses to project their eyes artificially into the middle of the animal action, the brothers chose to get their cameras up close to the African wildlife. But how to do this without a Siegfried and Roy style disaster? The BeetleCam.

The brothers wanted to shoot close up with wide-angle lenses, but waiting for animals to approach hidden cameras is slow, boring and requires luck. So instead they built a tough, off-road remote control buggy to carry a camera and couple of flashes to help fill the shadows of the harsh African sun.

If you are loading up a remote control buggy with a DSLR, a heavy lens and a couple of strobes, you can’t just pick something up from Walmart. Instead, the boys built their own, and from the start it was designed to last:

We […] ordered the most powerful motors we could find and large off-road tires. BeetleCam had to be able to operate for long periods without being charged, so we stuffed the vehicle with the biggest batteries we could squeeze in.

Once built, the brothers figured out how to trigger the camera remotely using the same controller that drives the BeetleCam, and they loaded it up, covered it in protective camouflage gear to keep the dust out, and headed off to track down some big game.

The rig worked great. There were some surprises: Elephants, for instance, were “impossible to sneak up on” due to their super-sensitive hearing. Parking up in front and then waiting for the giants to walk by proved to be the solution.

Some things were less surprising. Lions attacked and mauled the BeetleCam, completely trashing the on-board Canon EOS 400D, although miraculously they managed to “retrieve an intact memory card from the mangled Canon 400D body”. They got the shot. Try that with film.

A quick MacGyvering later with string and wood and the BeetleCam was back in action, this time with the second (much more expensive) expensive body, an EOS 1D MkIII. The bigger camera managed to survive the rest of the trip.

The guys have gotten some fantastic shots, photos which would be impossible any other way, at least without putting themselves in the same lion-bait position as their poor 400D. And this project also points to the new ways we can take photos with digital, not least because you can destroy a camera without exposing the film inside, and that you’re not limited to just 36 shots.

In fact, a BeetleCam-Lite could make a great weekend project, using that cheap Walmart car we mentioned earlier and a cheap old compact rigged for remote-shooting. It might not survive the Veldt, but it would certainly be a lot of fun.

The Adventures of BeetleCam [Burrard-Lucas via Flickr]


Fisheye Tin Cam: 180º Lens in a Soda Can

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If you can trust anyone to come up with a great camera hack, it’s a research engineer from SFX superstar Industrial Light and Magic. And luckily for us, that engineer, aka Bhautik Joshi, spends his spare moments putting together things like the Fisheye Tin Cam, a fisheye lens in a soda can.

The whole project is dirt cheap, even with a few new parts on the shopping list. The lens is based around one of those super wide-angle security peep-holes found in doors ($6 new) coupled with a single-element film-projector lens ($3 at a yard sale) to corral the 180-degree fisheye image into a form acceptable to the camera.

An adapter ($9 on Ebay) to actually mount the unit to the body is the only other photo-specialist item, and then the whole shebang is stuffed inside a soda can and held in place with hand-cut foam donuts. The result is ugly as hell, but the pictures it makes are just the opposite.

Bhautik took his new creation out for a spin in San Francisco’s Mission District, and you can see the results on his Flickr page. The v1.0 Tin Cam has some room for adjustment (the projector lens has a thread for focussing), but the point of this is the weird colors, the distortion and the general lo-fi vibe you can’t get with even the fanciest digital effects. The irony of this, considering Bhautik’s job, doesn’t escape us.

The fisheye tin cam [Cow Mooh via Photojojo]


CE-Oh no he didn’t!: Nokia’s Anssi Vanjoki thinks cameraphones are about to make SLRs obsolete

From what we know of Anssi Vanjoki, he’s a great guy and one that isn’t afraid of admitting his company’s mistakes. Alas, now we can also add to that dossier the ignominious fact that the fella doesn’t seem to know how professional cameras work. Talking about the rapid improvement in cameraphone technology during a speech in Helsinki yesterday, Vanjoki said that very soon “there will be no need to carry around those heavy lenses.” He’s really enthusiastic about HD video coming to phones, which he predicts will be here within 12 months (if you ask Sony Ericsson, it’s here already), but we just can’t let that spectacular line about lenses slide. The glass you shoot through is, for a lot of people, the most important piece of photographic equipment and there are genuine reasons why said lenses are heavy, elongated, and typically unfriendly to pockets. Then again, this dude also thought the N-Gage was gonna be a success, so don’t start selling off that glass stockpile just yet.

CE-Oh no he didn’t!: Nokia’s Anssi Vanjoki thinks cameraphones are about to make SLRs obsolete originally appeared on Engadget on Wed, 21 Apr 2010 05:04:00 EST. Please see our terms for use of feeds.

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77 Sensationally Staged Scenes [Photography]

Some pictures capture a moment. Others capture a story. For this week’s Shooting Challenge, I asked you to stage a scene. Your results were sometimes funny, sometimes beautiful, sometimes sad and always worthwhile. More »

Robotic Buggy Takes Stunning Photos of African Wildlife

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Wildlife photographers will risk life and limb to get the perfect close-up, but a few ingenious hacks can make the process easier.

Shutterbug Will Burrard-Lucas and his brother Matthew rigged up a four-wheel-drive, remote-control buggy called BeetleCam that has a DSLR camera mounted on top. Almost Wall-E like in its appearance, the BeetleCam can click photos of African wildlife from a ground-level perspective.

“We like to get really close to the animals with a wide-angle lens,” Will Burrard-Lucas told Wired.com. “That’s the photo we really enjoy getting.”

Conventional photographers use either a telephoto lens or camera traps — stationary cameras triggered to click when an animal breaks an invisible infra-read beam — to get close-ups of wild animals. But while telephoto lenses zoom in on the animal, they cut out the beautiful landscape, while camera traps require a great degree of patience and more than a fair share of luck.

A remote-controlled buggy with a wide-angle lens could offer a new perspective, says Burrard-Lucas.

“We can find the animals and use BeetleCam to approach it and we wouldn’t have to fear for our lives,” he says.

To build the BeetleCam, the Burrard-Lucas brothers used a Lynxmotion robot chassis and a Hitech 6-channel radio control. They reinforced the chassis and replaced the wheels with bigger, sturdier versions, then added a tripod plate.  Two 7.2 Volts Ni-MH 2800mAh battery pack also from Lynxmotion offers day-longer power to the device. Tweaks ensured that the camera, a Canon EOS 400D, would interface with the same controller used to drive the buggy.

They also put together a split ETTL off-camera flash cord that would allow the camera to control the output of the two flashes on board the BeetleCam. To have the camera take an exposure, they use the remote control to activate a relay switch that tells the camera to fire.

BeetleCam’s biggest challenge has been getting over the uneven terrain in Tanzania’s national parks with a heavy camera, lens and flashes on its back. But the buggy did pretty well, says Burrard-Lucas, capsizing completely only about twice. The duo are always about 50 meters (approximately 165 feet) away in a land rover trying to make sure that the BeetleCam’s view is unobstructed by the grass or flipped over. They have chronicled their adventures with the BeetleCam on their blog.

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Once on the ground, Burrard-Lucas says Beetlecam offered some interesting lessons. Elephants, for instance, turned out to be very tricky to photograph using the buggy because they are wary of unfamiliar objects and have extremely sensitive hearing. But putting the BeetleCam in front of the animals and letting them walk up to it worked well.

Lions were tricker. On the BeetleCam’s second day in the jungle, the device was mauled, smashed and carried off into the bush by a pack.

“We were extremely lucky to retrieve an intact memory card from the mangled Canon 400D body,” says Burrard-Lucas.

The photos from the card survived the wrath of the lions and a few pieces of string and wood later, the BeetleCam was on the ground once more.

This summer, BeetleCam will be back in action in Kenya, says Burrard-Lucas, but with a less expensive camera. “We will use a Canon 500 or 500 D,” says Burrard-Lucas. “We don’t want the camera smashed again.”

Check out some of the photos shot by the BeetleCam:

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To see video clips of BeetleCam in action and more of the resulting photographs, check out the BeetleCam project page.

Photos: Burrard-Lucas.com