Hands-on With the Camera-Equipped iPod Nano

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Say hello to the new iPod Nano, now featuring a video camera. Mind you, the video is standard definition, but it’s still a compelling feature on an iPod. After all, the best camera, as Wired.com’s shutterbug Charlie Sorrel would say, is the one you carry around everywhere with you. That’s exactly what Apple had in mind with this upgrade. Heck, given the puny size of this thing (3.6 inches tall; 1.5 inches wide; 0.24 inch thin), you could call this a sexy spy camera. (Note: It doesn’t shoot stills, but we’ll see if we can find a workaround for that.)

Here’s something that’s not so sexy: The camera and the mic are on the bottom left of the back of the iPod. If you’re right handed, you’re probably going to accidentally cover the mic and camera with your finger when you’re shooting video. That could take some time to get used to.

In terms of overall looks, we like the new Nano. It’s got a shinier look thanks to its polished anodized aluminum, and the corners are less pointy than its predecessor’s. Both pluses.

Other new features on the Nano include an FM radio, a pedometer that works with Nike + and voice recording. After some thorough testing, Wired.com will provide a full review of the iPod Nano. Meanwhile, check below the jump for more artsy photos of the iPod Nano, courtesy of Wired.com photographer Jon Snyder.

The iPod Nano comes in two models: 8GB for $150 and 16GB for $180. It’s available today (although the San Francisco store wasn’t carrying any, last we checked).

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Product Page [Apple]

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Photos: Jon Snyder/Wired.com


Apple Unveils Flip-Killing iPod Nano, Revamped iTunes, No Beatles

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SAN FRANCISCO — Apple CEO Steve Jobs on Wednesday made his first media appearance since returning from medical leave earlier this year, taking the stage at Apple’s annual music event to announce a few new iPods, as well as an update to iTunes. Apple’s small, rectangular iPod, the Nano, received the beefiest upgrade with the addition of a video camera, which could pose a threat to budget cameras such as Flip.

In addition to a standard-definition, 640×480-pixel video camera, the iPod Nano now has a built-in FM radio, a pedometer for tracking steps with Nike+, a microphone for voice recording and a bigger, 2.2-inch display (up from 2 inches). The device also features a speaker for music and video playback. Available in nine colors, the 8GB Nano costs $150 and the 16GB model costs $180 and is available today.

When introducing the new Nano, Jobs showed a slide of a Flip Mino camcorder, making it clear that the low-end video industry is Apple’s primary target.

“Flip’s about to feel a little bit of a world of hurt,” said Michael Gartenberg, an analyst and technology strategist at Interpet. “I think we’re going to hear a lot about video from Apple in the months to come.”

Apple has traditionally hosted music events every September since 2001, and the focus has always been on iTunes and iPods. This year’s event kept analysts and journalists wondering what Apple would do with its iPod family since the MP3 player market is shrinking considerably. In a recent earnings call, Apple said the iPod (not including the iPod Touch) accounted for 18 percent of Apple’s overall revenue, compared to 55.5 percent in 2006. Who’s to blame? Explosive growth in sales of the more versatile iPhone and iPod Touch, of course.

However, Apple is persisting in the music player market with its Wednesday releases. With 73.8 percent of the mobile music player market (according to Apple’s numbers), however, Apple didn’t need major new releases to stay on top: It just needed a few incremental upgrades to maintain its overwhelming momentum, and that’s exactly what the Cupertino company delivered.

iPod Upgrades
Targeting hardcore music junkies with gigantic iTunes libraries, the iPod Classic received a minor upgrade, increasing the storage to 160GB (up from 120GB) while sustaining a $250 price tag. The iPod Shuffle, which comes with 2GB for $60 or 4GB for $80, looks identical to the previous generation; the only difference is it now includes an adapter to work with other headphones.

Most mysterious was Apple’s upgrade for the iPod Touch. Many observers believed, prior to the press conference, that this device would gain a camera, bringing it closer in line with the iPhone. However, the iPod Touch only received a processor upgrade and support for Open GL ES version 2.0, the platform graphics API — which the iPhone 3GS also features. Apple dropped the 16GB model of the iPod Touch and now offers 8GB, 32GB and 64GB models priced at $200, $300 and $400, respectively.

Apple likely left a camera out of the iPod Touch to give consumers incentive to purchase a Nano as a companion device, Gartenberg said.

“I think they’re keeping them segmented to create an aspiration, where I don’t just want one of the products; I want them all,” Gartenberg said. “Now you’ve got a reason to buy a Nano and ann iPod Touch.”

However, Forrester analyst Julie Ask believes the inclusion of a camera in the iPod Touch is imminent, and it’s just a matter of time till Apple delivers one.

“You have to imagine it’s in the works and whether it’s the question of price point today or timing,” she said. “This is what they could have done in time for the Christmas season, and that’s what they did.”

Prior to the event, there were rumors that new iPods with cameras were experiencing technical issues and could see a delay. A camera-embedded iPod Touch might be the device experiencing the delay, as the iPod Nano goes on sale today.

New iTunes
On the software end of the spectrum, Apple released a new version of its media player, iTunes 9. With this new version of iTunes, Apple is now selling music albums in a new format called iTunes LP, which packages albums with various pieces of multimedia, including sleeve notes, song lyrics and art. Clearly, this is Apple’s move to boost digital album sales in its iTunes Store.

“I think it’s really cool, but iTunes LP isn’t going to sell albums,” Gartenberg said. “Good music will sell albums. Still, it’s nice we’re getting back some of the stuff we lost with the CD.”

Additionally, the iTunes Store received an overall makeover. Each page has been revised with a cleaner, more modern design to make navigation more easy.

Also new to iTunes 9 is a feature to easily organize apps on iPhones and iPod Touch devices. Under the “Applications” tab, iTunes users can see a preview of each page of their iPhone Home screen and move applications around with their mouse. (In the past, this could be done on the iPhone itself, but it was a time-consuming process that involved dragging applications around one by one with your finger.)

Apple also added a utility to iTunes called Home Sharing to easily share songs, movies and TV shows between up to five authorized computers on a network. Networked users can both stream and copy each other’s media with this feature.

iPhone OS 3.1 and the Beatles
Apple today also released an update for the iPhone OS: iPhone 3.1, which carries a new “Genius” feature that analyzes a user’s iPhone app library to automatically find recommendations for other apps they may enjoy. This partly addresses the challenge of finding apps in the App Store, which is becoming increasingly crowded with 75,000 apps and counting.

An anticipated announcement that did not become a reality at the event was The Beatles’ albums for sale in the iTunes Store. Apple and The Beatles in the past had a trademark feud, because the popular band’s record label is named Apple Corps. Ultimately, the computer company won the rights to the trademark.

The lack of Beatles news comes as somewhat of a surprise because yesterday Yoko Ono reportedly told Sky News to expect the band’s music to become available via iTunes today. The publication later deleted this report without explanation.

It’s worth noting, however, The Beatles: Rock Band and The Beatles’ remastered CDs were released today. Chicago Sun-Times tech journalist Andy Inhatko theorized that an iTunes release today would cannibalize sales of the remastered CDs.

“There’s no upside to putting these tracks on iTunes on the 9th,” he wrote in a blog post. “All you’re doing is giving consumers the option of buying only the “White Album” tracks they like, instead of making them spring for the whole uneven pile.”

Late Tuesday, EMI told Financial Times that Apple and The Beatles had not yet secured a deal, and no such announcement would be made at today’s press conference. However, EMI suggested The Beatles and iTunes would come together eventually.

“Conversations between Apple and EMI are ongoing and we look forward to the day when we can make the music available digitally,” Ernesto Schmitt, EMI’s global catalog president told Financial Times. “But it’s not tomorrow.”

See a full transcript of Wired.com’s liveblog coverage below the jump.

Photos: Jonathan Snyder / Wired.com

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We’re in the auditorium, rocking out to the sounds of Aerosmith, Green Day and The Who. It’s a sizeable crowd — probably 200 or 300 people here.

They’re playing the Stones’ “It’s Only Rock and Roll” now. I’d say Apple is taking dead aim at the Baby Boomer demographic.

Lights are dimming and Steve Jobs is on stage!

10:01AM The crowd is standing up to applaud.

Same old Steve with the black turtle neck and blue jeans.

Steve is looking thin but well, and his voice is quieter and weaker than before. He’s also clean shaven.
He got a standing ovation from the front half of the crowd here. The back half appears to be liveblogging.

“I’m very happy to be here today with you all. As some of you may know about five months ago I had a liver transplant, so I now have the liver of a mid-20s person who died in a car crash and was generous enough to donate their organs. And I wouldn’t be here without such generosity so I hope all of us can be as generous and elect to become organ donors.”

“I’d like to take a moment and thank everybody in the Apple community for the heartfelt support.”

“It really meant a lot and I’d especially like to thank Tim Cook and the entire executive team at Apple. They really rose to the occasion and ran the company in that very difficult period. So thank you guys.”

10:04am: “I’m getting to work with our very talented teams to come up with some great new products in the future. It’s wonderful, thank you.”

He’s starting off with talking about music.

But first Steve wants to talk about the iPhone.

“In a little over 2 years we’ve sold 30 million iPhones.”

He says the reason for that has been the App Store. It’s a little over a year old and we now have a little over 75,000 apps in the App Store.

Users have downloaded 1.8 billion apps, not including updates.

For iPhone and iPod Touch owners, they’re introducing iPhone 3.1

Upgrade for the iPhone 3.0 operating system.

first new feature is Genius technologies to apps in the App Store.

It automatically makes recommendations in the App Store based on the applications you own.

The Genius bar will appear next to the “What’s Hot” button in the App Store.

The second thing is ringtones to the iTunes Store. 30,000 ringtones from 4 major labels. $1.29 for ringtones.

You can just buy ringtones just like you can other music and they show up right on your iPhone.

(Buy ringtones through the iTunes app in the iPhone)

iTunes is the #1 music retailer in the world now.

There are 100,000,000 iTunes accounts with credit cards.

Now he’s moving on to iTunes 9

Cleaned it up a bit and made it much easier to navigate around

10:09am: new features: Genius Mixes

54 billion songs have been submitted and analyzed to Genius database. It’s gotten smarter and smarter and smarter.

The recommendations have gotten better and better, Steve says. We’re applying that same technology in that same database now to something new called Genius mixes. Imagine a genius DJ that plays endless mixes of songs from your iTunes library that go great together.

Next feature: improved syncing.

54 billion songs have been submitted and analyzed to Genius database. It’s gotten smarter and smarter and smarter.

The recommendations have gotten better and better, Steve says. We’re applying that same technology in that same database now to something new called Genius mixes.

Imagine a genius DJ that plays endless mixes of songs from your iTunes library that go great together.

Next feature: improved syncing.

Syncing to iPods and iPhone is better now.

Next feature is Home Sharing.

You can copy songs, movies and TV shows among up to 5 authorized networked computers in your house.

Syncing to iPods and iPhone is better now.

The sync feature now breaks into categories. If you just want music by Bob Dylan, for example, you can checkmark Bob Dylan.

With syncing photos you can sync events, too.

And with apps you can now manage applications for the iPhone.

Now you can arrange them however you want really fast.

You get a preview of your Home screen and you can move the icons around.

You can copy songs, movies and TV shows among up to 5 authorized networked computers in your house.

You turn Home Sharing on by typing in your name and password. You can click on others’ content and you can stream it or copy it.

Next up, redesigned iTunes Store.

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Much better navigation to get anywhere instantly. Just a makeover for each of the pages.

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Next feature, iTunes LP.

It’s buying albums in crazy LP-like packages. You buy a great album in the past you can get that content with iTunes LP. For American Beauty, it’s got videos, liner notes, all sorts of stuff, lyrics.

(This is the rumored project codenamed named Cocktail)

10:19am: Now they’re just demoing the new features.

Going back to Applications management, you get a full preview of each page of your home screen laid out in iTunes. You can shuffle apps around, move them to different screens.

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You can also move an entire page. Like say your games are on screen 4, you can move the entire page to screen 2.

Now demoing Home Share. A networked computer’s library shows up under “Shared” on the left menu bar in iTunes.

You can access that user’s entire iTunes library. Then you can stream, or you can select the tracks and drag it to your library.

(Hurray for pirates! Easy music sharing!)

Now demoing the new iTunes Store. Cleaner look: all the pages in the store have been redesigned. There’s a new navigation bar.

Navigation bar contains drop-down menus of each category: music, movies, TV shows, App Store, Podcasts, Audiobook, iTunes U.

You can click on each category and get a drop-down menu of the different subcategories (genres).

New social networking feature: Now you can share via Facebook or Twitter a link to any of the content on the store.

So songs you’re interested in, you can slap them in your news feed right on Facebook or Twitter.

Dylan Tweney says: Jobs and Robineaux talk about how much “cleaner” the new iTunes is, and it does look a bit better. But there’s still the same confusing array of options under the Library on the left panel and tabs along the top. I don’t think this redesign goes nearly far enough.

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Moving on to iTunes LP.

Really nice visuals. Showing an album by The Doors.

You can navigate through songs and see all their lyrics.

Accompanied with really nice photos

(It’s actually a very attractive package, but we wonder if this will really boost music sales.)

The video feature in iTunes LP — now that’s cool.

They’re showing an interview with Ray Manzarek about the Doors.

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Dylan Tweney says: They picked the perfect Ray Manzarek clip to demo the video capabilities of iTunes LP. He is the distillation of 1960s hippy blow-your-mind awesomeness.

Also includes music videos.

Now he’s showing a Dave Matthews Band album (bleh).

The menu for the album kind of looks like a DVD menu.

A song displays a page of lyrics and the play button is at top.

10:27am: Now they’re showing WALL-E. It has a new feature called iTunes Extras, which is just like DVD extras. Menus so you can access supplemental material in addition to the movie.

iTunes 9 is a free download available today on Apple.com.

Now we’re moving on to the iPod.

Phil Schiller, VP of marketing, is coming on stage.

“The iPod has been a big hit. It’s absolutely incredible what’s happened. We’ve now sold 225 million iPods to date.”

Latest market share data: the iPod is now 73.8% market share.

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Microsoft has 1.1%

(for MP3 player market share)

The fastest growing of the iPod lines is the iPod Touch.

“To date we have now sold over 20 million iPod Touches.”

So 30 million iPhones, 20 million iPod Touch.

Schiller is going over the new features the iPod Touch has with the new OS. For instance, it now supports the Genius playlists and Twitter/Facebook sharing built into iTunes.

All this and it fits in your pocket — something other people’s computers don’t do, Schiller says, showing a slide of someone trying to cram a Dell into the hip pocket of their blue jeans. That gets a few cheap laughs.

10:34am: He’s emphasizing how the iPod Touch is a gaming platform too, with lots of cheap, easy-to-buy games.

Sony PSP: 607 titles. Nintendo DS: 3,680 titles. iPhone OS: 21,178 gaming titles.

So far, the Schiller segment has largely been a rehash of old news.

They’re rolling a video clip designed to show off the iPhone OS’s 3-D capabilities. It’s impressive. And loud.

Now we’re going to get to see a few new titles.

First up is Ben Mattes from Ubisoft, the makers of Assassin’s Creed. He’s showing a game called Assassin’s Creed II.

Tapulous is coming up, the developer of Tap Tap Revenge

Bart Decrem, Tapulous CEO, is taking stage.

Decrem says Tap Tap Revenge hit 2 million users in 3 weeks.

Today he’s introducing Riddim Ribbon, a new music game for the iPhone and iPod Touch, of course.

Dylan Tweney says: When Decrem says “Riddim Ribbon” with his German (Dutch?) accent, it sounds really bizarre. I want that as a ringtone.

It looks like a weird 3D racing game where you follow a green line. You drive into different obstacles to remix the song.

Looks fun, kind of like Super Monkey Ball on an acid trip.

Next up is Gameloft’s Mark Hickey.

He’s giving a preview of a first-person shooter called Nova.

Pretty intense looking!

Looks kind of like Unreal tournament but slower paced. You can listen to iPod music by tapping on a musical note in the game.

Dylan Tweney says: I really like the ability to play your *own* music as the game’s soundtrack. Every game should offer this option.

10:47am: Electronic Arts is up next. Travis Boatman, in charge of their studios for mobile apps, is coming on stage.

They’re showing a Madden NFL 10.

Yup, 3D football game.

Phil calls iPod touch an “unbelievable game playing device.”

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10:51am: The iPod Touch: Apple is slashing the price to $199 for the 8GB iPod Touch

(From $229)

The 32GB is $299 and 64GB is $399

The 32 and 64GB versions of the iPod Touch are getting the speed gain that the iPhone 3GS got.
Phil Schiller says: “$199 is a magic price point”

And the Open GL ES Version 2.0 for graphics.

Now we’re moving on to iPod Classic.

They’re upping the capacity from 120GB to 160GB and keeping it at the $250 price.

The iPod Shuffle now have more headphone choices.

The Shuffle comes with an adapter to plug in different headphones.

New iPod Shuffle talks to you. Weird.

Some examples: “Battery full” and “Workout Mix”

The iPod Shuffle has new colors: black, silver, pink, green and blue.

$59 for 2GB; $79 for 4GB.

There’s also a new special edition iPod Shuffle made of polished stainless steel.

$99 for the 4GB model.

“We do have one more thing. And that is, a video camera,” says Jobs. He shows a picture of the $150, 4GB Flip.

(Dun dun duuuunnnn)

They’re showing a slide of the Flip Mino. 4GB of memory for $149. Really popular, “We want to get in on this.” Says Steve.

“We’re going to start off with 8GB. We’re going to lower the price from $149 to free.”

“We’re going to build a video camera right into the new iPod Nano.”

The camera is integrated on the bottom left corner, back of the iPod Nano.

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It also has a speaker

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1.1 cu inches thin.

compared to the 10.9 cu in Flip.

11:00am: He’s showing us the video camera on the iPod Nano.

UPDATE: Looks like the video camera on Nano is not HD. H.264 VGA video, 640 x 480 pixels, up to 30 frames per second with AAC audio http://tinyurl.com/kmdfsl

You can just watch recorded video on the Nano, or you can sync it onto your computer.

“iPod Nano is a pretty incredible device. It is the most popular music player in the world. We’ve sold over 100 million iPod Nanos. By far the most popular music player in the world. And it’s a great music player.”

iPod Nano also has an FM radio built in.

And a pedometer to keep up with your steps, sync up with the web for Nike plus.

And a voice recorder app.

They’re composed of polished anodized aluminum.

Nano comes in 2 models.

16GB for $179.

8GB for $149.

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That’s it. No camera for the iPod Touch: Surprising.

Norah Jones is performing.

Not Paul or Ringo.

No Beatles announcement. Nothing about the Beatles whatsoever. Yoko Ono is a liar!

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Dylan Tweney says: Norah Jones is fantastic! Way better than John Mayer if you ask me.

Looks like we’re wrapping up. Thanks for joining us, folks! Stay tuned for a full news report.

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Photos: Jon Snyder/Wired.com


Forget Apple’s New iPods. Make an iPod Touch Box Pinhole Camera

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It is almost certain that today’s new iPods will gain a camera, bringing the iPhone 3GS’s best new feature to the plebeian masses. But what if you are stuck with the old model or worse – gasp – you foolishly bought an iPod Touch within the last few weeks? You can roll your own camera.

Forget about auto-focus, fixed-focus or size limits on emailed photos. With the iPod1 Pinhole camera, you don’t have to worry about any of these. You don’t even need an iPod — Flickr-er Wheehamx, who made this camera, used an iPod Touch box donated by his son.

The setup is simple, with a metal plate forming the pinhole and a lens cap and step-ring closing off the hole to form a “shutter”. A pair of internal wooden strips and screws let this camera take a roll of 120 film and Wheehamx even added a little transparent red plastic covered window to use as a frame counter.

How many megapixels does this camera have? None, technically, but the resolution is way higher than your average camera-phone, and the pinhole gives almost infinite depth of field for front-to-back sharpness. If you’re thinking about making one, do it quick before apple inevitably reduces the size of the packaging yet again and you’re forced to use – horror – 35mm film.

ipod1 pinhole camera [Flickr via iPhone Savior. Thanks, Seth!]

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Leica M9 Brochure Leaked: 18 Megapixel Full-Frame Sensor

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See what a little corporate secrecy can do? It drives the public, and the reporters, nuts, kicking up a whole lot of sparkly publicity-dust along the way. And doesn’t hurt that the brand in question is the cult camera-maker, Leica.

Today’s exciting news is that the details of tomorrow’s “secret” announcement have been leaked in the form of a pdf brochure and an online mini-site. The products are the M9, an update to the M8 rangefinder line, and the X1, a compact camera with a big CMOS sensor.

The M9’s big feature is its full-frame sensor, which will allow proper use of the company’s legendary lenses; the M8, like other crop-framed cameras, would make these lenses longer than they were meant to be. The larger sensor hasn’t added any sensitivity – ISO still tops out at 2500 – but it has let Leica squeeze some extra pixels on there: 18 of them, proving once again that a once innovative company has fallen behind the curve: Even Canon, as megapixel-mad a company as ever existed, has learned the error of its ways.

Not much else is new. From the outside, not many people would spot the difference between the M8 and the M9, but then, the camera design is pretty much already perfect for what it does (apart from having to remove the bottom plate just to change out memory cards). In the box is a nice surprise. Instead of writing its own processing software, Leica has just thrown in Adobe’s Lightroom, a very nice touch.

The X1 is likely to be in more people’s price range, although actual prices are not in the brochure. Details are scarce, but the blurb includes this:

It is equipped with a CMOS sensor equal in size to that of many DSLR cameras, and it’s fitted with one of the very best Leica lenses […] As an optional alternative to its impressive array of manual functions, it provides automatic features, such as autofocus

We take that to mean an APS-C sized sensor, as found in all but full-frame DSLRs. If the pixel-count is kept low, this could actually be a Leica compact worth buying (usually it’s best to buy the identical but differently branded Panasonic versions).

We’ll find out the rest tomorrow, no doubt. If anyone is paying attention during the Apple/iPod furore.

Leica M9 microsite, brochure and more Leica X1 info [Leica Rumors]

LEICA M9 microsite screenshots [Leicaphile/Flickr]

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Leica’s Flat and Fast Panasonic Pancake Lens

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Leica shows just how small a lens can be, if you have a camera with a half-sized sensor and no big mirror-flipping gap between it and the lens itself. This is the new LUMIX G 20mm ƒ1.7 ASPH, and it aptly belongs to the class of lenses called “pancake”.

That 20mm focal length translates to a 40mm equivalent, a little longer than the standard rangefinder length of 35mm. But its the speed that we’re interested in, that this lens is fast. ƒ1.7 means enough light will be gathered for low-light hand-held shooting, and that, when opened right up, it will throw pretty much everything out of focus except, say, your subject’s eyes. The ASPH part means that the lens uses aspherical elements, which are, as the name suggests, not a section of a sphere. This keeps lenses simpler and sharper.

That it was announced today is no coincidence. The lens is designed as a companion for Panasonic’s new Pen rival, the GF1 (it’s the one you see in the picture on that post) and looks like the perfect fit for this kind of camera.

It’s odd that the hot camera category right now is for low megapixel cameras with fixed focal length lenses, rather than multi-pixel mega-zooms. It’s almost as if some somebody had been listening to our whining. $400, which sounds fairly reasonable for Leica glass, and available October.

Press release [DP Review]


Panasonic Micro Four Thirds ‘Rangefinder’ with Leica Lenses

panasonic gf1

Panasonic has joined Olympus in offering a mirror-less, viewfinder-less interchangeable-lens camera with the big Micro Four Thirds sensor. The 12.1 megapixel sensor in the Lumix GF1 is the same one found in Panasonic’s tiny “DSLR” style G1.

The main differences between this and the Olympus EP-1 Pen are the looks (plain, black or colored aluminum instead of fancy faux-leather), a pop-up flash (the Olympus has none), size (the Panasonic is “artistically flat”). Other standard features include image stabilization, face detection and HD video recording and ISO of up to 3200.

But the best feature goes almost unmentioned in the press release: The camera can be fitted with Leica lenses out of the box. You’ll need an adapter to use older M and R lenses, just like the Olympus Pen, but there are a handful of great, fast lenses that can be popped right on and give full autofocus function. There will also fit the Pen, but these Leica lenses are made to work with Panasonic cameras.

Is there bad news, too? Of course. There’s always bad news. There will be an optional, clip-in viewfinder which connects to the hot-shoe, and it will be electronic. Yes, it will pipe the video in at a responsive 60fps, but why, Panasonic? Why? Why engineer a complicated electronic add on when a simple chunk of glass will do the job better?

The GF1 will be available in October for $900.

Press release [DP Review]


Panasonic Lumix GF1 Camera Improves on the Olympus E-P1… But Not By Much

As leaked, Panasonic’s third Micro Four Thirds camera, the GF1, matches the small size of the Olympus E-P1 while adding a built-in flash and some great new lenses.

Besides the size and shape, the Lumix GF1 is very similar to the E-P1: Same 12.1 MP sensor, same 720p video and HDMI-out and same $900 kit price. But it does bring a handful of improvements, most notably the addition of a built-in flash. For the E-P1, the flash is a $200 attachment that hikes up the price and lowers the portability, so some people will be pleased to see it integrated in the GF1.

The other big refinements over the E-P1 is the LCD. Since there’s no optical viewfinder—or even a high-res digital one like on the G1 and GH1, it’s important to get all the dots you can on the 3″ LCD itself. The E-P1’s has a paltry 230,000 dots, while the GF1’s has 460,000 dots.

The lenses Panasonic is offering in the kits also look great, though of course we can’t make a definitive judgment until we try them out. One kit has the Lumix G 20mm f1.7 “pancake” lens, which seems better, on paper, than the E-P1’s 17mm f2.8 kit lens. The other kit includes the LUMIX G VARIO 14-45mm f3.5-5.6 zoom lens. Both kits should retail for $900 when they’re released in early October.

PANASONIC INTRODUCES ITS LATEST LUMIX G SERIES DIGITAL CAMERA – THE LUMIX DMC-GF1

The LUMIX GF1, the world’s smallest and lightest system digital camera with built-in flash*, packs powerful DSLR and HD video capabilities into a sleek and easy-to-use compact body

Secaucus, NJ (September 2, 2009) – Today, Panasonic announced the new LUMIX DMC-GF1, the latest addition to the award-winning LUMIX G Series, which debuts as the world’s smallest and lightest system digital camera with a built-in flash*. The LUMIX DMC-GF1 distinguishes itself from previous models with its elegant, compact design reminiscent of classic film cameras, yet builds on Panasonic’s success with the revolutionary LUMIX G Series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard. With its compact size, user-friendly design and ability to record High Definition (HD) video and take professional-quality photos, the LUMIX GF1 continues to redefine digital photography standards.

“Panasonic changed the digital camera industry with the world’s first Micro Four Thirds digital camera, the LUMIX G1 – a compact “DSLR-like” digital camera that produces exceptional image quality. Then, as we continued to raise the innovation bar, Panasonic launched the LUMIX GH1, adding full High Definition 1080p video recording with continuous auto focus,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Electronics Company. “The new LUMIX GF1 continues the evolution and is the perfect addition to our LUMIX G Series, as its sophisticated, small body makes it easier and more convenient to carry. The GF1 is ideal for point-and-shoot consumers looking to step-up to DSLR-quality or for current DSLR users who want greater convenience without compromising performance quality or creative flexibility.”

With its lightweight body, the LUMIX GF1 provides experienced photographers with the ideal digital camera to carry with them at all times. Like its predecessors in the LUMIX G Series, the LUMIX GF1 eliminates the pentaprism found in traditional interchangeable lens cameras. Thus, this mirror-free structure allows Panasonic to dramatically reduce both size and weight.

Though small in size, the LUMIX GF1 does not compromise in advanced features. The LUMIX GF1 thoroughly optimizes the advantages of a system camera to ensure high performance, whether capturing photos or HD video. The LUMIX DMC-GF1 can record 1280 x 720 High Definition video in AVCHD Lite, a format that enables longer recording times. With a dedicated video record button, capturing video is convenient and easy. The LUMIX GF1 can also record HD Motion JPEG in 1280 x 720 and other video recording formats include: QVGA, VGA and WVGA. The LUMIX GF1 has a unique Movie Program Mode that allows consumers to adjust the depth-of-field while shooting in HD video, so background and foreground can be blurred to give creative effects – something typically only possible with expensive professional camcorders.

The LUMIX DMC-GF1 includes the new My Color mode, which includes seven preset effects – Expressive, Retro, Pure, Elegant, Monochrome, Dynamic Art, Silhouette and Custom – all which let users manually set the color, brightness and saturation levels. With the Live View function, users can see how these settings will effect the photo before they shoot, making it easier to capture the exact mood or atmosphere desired. For even more elaborate effects, users can choose from a total of nine Film modes, and set the contrast, sharpness and saturation levels for each. A custom function lets users store their favorite settings in memory. Furthermore, the exposure meter can be displayed in other shooting modes and the correlation between shutter speed and aperture is shown, with a color-coded warning that alerts users when the settings are not in the proper range.

For those users not quite comfortable with extensive manual and creative controls, the LUMIX GF1 provides a user-friendly setting that can address a beginner’s comfort level, while helping them evolve their photography skills. For instance, Panasonic’s new Scene mode, Peripheral Defocus, lets users take a photo where the foreground is in focus and background is blurred – or vice versa. This popular effect can be intimidating for a beginner, but in the Peripheral Defocus mode, by simply selecting the objects to be blurred and focused using the camera’s keypad, it is simple for photographers of any level.

Also, helping to make the LUMIX GF1 more approachable, Panasonic’s popular iA (Intelligent Auto) mode, a system of technologies that engage automatically – no setting changes needed – allows for intuitive use when shooting still or video images. While shooting video, iA activates Panasonic’s O.I.S. (Optical Image Stabilization), which helps reduce video-blurring due to handshake. In addition, Face Detection automatically detects a face in the frame and adjusts focus, exposure, contrast, and skin complexion on it so it always turns out beautifully. Intelligent Exposure continually checks the ambient light level and adjusts the exposure setting as conditions change to prevent blown highlights and blocked shadows. For still photos, the iA system encompasses: Face Recognition (up to six faces can be registered); Auto Focus (AF) Tracking; Mega O.I.S.; Intelligent ISO; Intelligent Exposure; and Intelligent Scene Selector.

The LUMIX GF1 also comes fully-equipped with a built-in flash and a large, 3.0-inch Intelligent LCD with a wide viewing angle and a 460,000-dot resolution. The Intelligent LCD offers automatic backlight control, which when combined with its high-resolution, helps improve visibility in all light environments – from sunny outdoors to low-light interior settings. New for the LUMIX G Series, the LUMIX GF1 is compatible with an optional Live View Finder (DMW-LVF1), which provides the full-time live view function boasting 100% field of view regardless of the attached lens. To further expand the LUMIX G Series system, Panasonic Micro Four Thirds digital cameras can be used with Four Thirds System interchangeable lenses via an optional mount adaptor DMW-MA1 and with the prestigious Leica M/R lenses using Panasonic’s DMW-MA2M DMW-MA3R. These adapters give the user access to the unlimited number of lens properties.

The LUMIX GF1’s sensor technology offers the best of both worlds – the superior image quality of a CCD sensor, and the low-power consumption of a CMOS sensor. Advanced technology makes it possible to read four channels of data simultaneously, helping the LUMIX GF1 deliver 60 frames-per-second full-time Live View images, while maintaining fine detail and rich gradation. The LUMIX GF1’s Venus Engine HD records stunning high-resolution 12-megapixel images using its advanced Live MOS Sensor. This sophisticated LSI circuit separates chromatic noise from luminance noise and applies the optimal noise reduction to each, helping to capture clear and beautiful images even when shooting at high ISO levels.

The contrast AF system adopted in the LUMIX GF1 is not only accurate, but also very quick – approximately 0.3 seconds with the LUMIX G H-FS014045 lens. Users can choose from a wide-range of AF modes, including multiple-area AF with up to 23 focus areas; 1-area AF with a selectable focus area; Face Detection; and AF Tracking. The LUMIX GF1 also has a Quick AF function that begins focusing as soon as the user aims the camera – without pressing the shutter button halfway.

As with all Panasonic LUMIX G Series digital cameras, the LUMIX GF1 is equipped with a highly-effective Dust Reduction system. Thus, if dust gets inside the camera (when changing lenses), Panasonic’s Dust Reduction system addresses this problem by placing a supersonic wave filter in front of the Live MOS sensor which vertically vibrates around 50,000 times per second, thus repelling the dust.

The content captured on the LUMIX GF1 can easily be viewed on a Panasonic VIERA® HDTV by simply inserting the SD/SDCH Memory Card into the VIERA’s SD/SDHC Memory Card slot or into a Panasonic DIGA Blu-ray Disc Player. Alternatively, an optional mini HDMI cable can be used to output still and motion images recorded with the LUMIX DMC-GF1 directly to the TV for easy VIERA Link™ operation, with control of playback functions, such as slideshows, managed from the VIERA HDTV’s remote control.

The Panasonic LUMIX DMC-GF1 will be available in early October 2009 with the option of two kits – both with a suggested retail price (SRP) of $899.95. One kit option includes the newly-announced LUMIX G 20mm/F1.7 ASPH, a compact and lightweight “pancake” lens, while the other kit features the LUMIX G VARIO 14-45mm/F3.5-5.6 ASPH/MEGA O.I.S. The optional Live View Finder DMW-LVF1 has an SRP of $199.95; while the DMW-MA2M and DMW-MA3R both have an SRP of $249.95. All new accessories will also be available in early October.

For more information about Panasonic and its LUMIX G System cameras and accessories, please visit www.panasonic.com/lumix.

Leica ‘Teaser’ Promises M9 Next Week

The worst kind of puzzle is the one that is too easy to answer. Leica’s new teaser is this kind of “conundrum”. See if you can work it out.

The event will take place next week, on September 9th, 2009. That’s 9/9/09. Leica says that we shall “witness the unveiling of the next generation of Leica Cameras.” To me, this must be the M9, the follow-up to the German company’s first fitful foray into the digital rangefinder realm with the M8.

Rumors have been swirling about the M9. Some say it will have a full-frame sensor, others that this sensor will be the same as found inside the Canon 5D MkII. This would mean that all of Leica’s wonderful old lenses would be useful again, and that its M8 crop-sensor lenses would fade quickly into the mists of obsolescence. The Canon sensor seems unlikely, though, as one of the big problems with digital rangefinders is that the lens is so close to the sensor. Film doesn’t care what angle light comes from, but digital sensors are more fussy about anything that doesn’t hit almost straight-on.

The announcement (at 9AM EST, natch) will come via a webcast, rather than by the dusty fax we might expect. It hints at several new products, for both novice and pro, so we might also see Leica’s large sensor behemoth, the S2.

Press release [Leica]

See Also:


Canon’s New 18 Megapixel Monster, The EOS 7D

canon 7d

True to form, yesterday’s Chinese forum leak was swiftly followed by an official announcement from Canon, just as hunger comes a few hours after eating Chinese takeaway.

The camera is of course the brand new 7D, a crop-sensor (1.6x) body set square against Nikon’s D300s, and in the Canon line the 7D sits above the to-be-continued 5D. In fact, it is so closely pitched at the D300s that we put together a comparison table:

7DD300s
Sensor (MP)1812.3
ISO100-6400200-3200
Video1080p MOV, 24fps720p AVI, Motion jpg, 24 fps
Shooting speed (fps)88
Focus19 points (all cross)51 points (15 cross)
Viewfinder100%, 1.0x100%, 0.94x
ProcessorDual DIGIC 4, 14bit A/DEXPEED, 14bit A/D
Remote flashYes, E-TTL IIYes, i-TTL
Price$1700$1800

Other differences are the dual card slots of the D300s (one each of CF and SD) and an optional Wi-Fi adapter for the Canon which fixes to the base and also acts as a vertical grip. On its own this looks rather limited in use, especially as it won’t fit on any other camera, but in addition to slow old 802.11 a,b and g it has an Ethernet port and USB capability for hooking up to, say, a GPS unit.

This is a strong-looking camera, and we’ll have one soon to test. We don’t expect anything other than excellent: at this level, both Canon and Nikon are playing an good game, and it doesn’t look like either of them is going to slip first.

636332804_96p2s-l

Lenses

Also from Canon today are a clutch of new lenses. The first are for the crop-sensor cameras, and, as ever, the names tell you all you need to know. The EF-S 15-85mm ƒ3.5-5.6 IS USM ($800) and the EF-S 18-135mm ƒ3.5-5.6 IS USM ($500), both have four stop image stabilization and both have small, dark maximum apertures, worsening as you zoom. This is the reason I hardly ever use zooms: for a depth-of-field limiting aperture of, say, ƒ2.8 throughout the range, you’ll pay a fortune. Sure, carrying a couple of primes with you is less convenient, but its a lot cheaper, too. Especially if you buy second-hand.

The new EF 100mm ƒ2.8L IS USM is such a lens, and is the first to feature Canon’s brand new Hybrid IS stabilization, giving four more stops on an already wide-open lens, and up to two stops when shooting in macro mode. The price is $1050.

Canon EOS 7D Preview [DP Review]

Press release [Canon]

Lens press release [Canon]


Canon EOS 7D now official, coming end of September for $1,899

Now everyone pretend to be surprised here. Canon’s gone official with what everyone has already seen and read about in detail, the EOS 7D. Specs look to be exactly what we heard, too: 18 megapixel APS-C CMOS sensor with 8 frames per second continuous shooting, 1080p 24fps HD video with full manual control, a 3-inch LCD, 19-point AF system, and wireless flash control. Mum’s still the word on pricing and availability, though. Hit up the read link for the full press release, as well as some hands-on impressions care of Digital Photography Review.

Update: Canon’s press release has now gone live. Price is $1,699 body-only or $1,899 with an EF 28-135mm f/3.5-5.6 IS USM zoom lens, and target launch is set for end of September.

Read – Press release
Read – Hands-on

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Canon EOS 7D now official, coming end of September for $1,899 originally appeared on Engadget on Tue, 01 Sep 2009 00:13:00 EST. Please see our terms for use of feeds.

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