CES 2009: Camera Disguised at Photo Badges, Pens

phototagcamera.gif

Chinese company Apexto makes small video cameras that they stick in odd places. The company had a number of weird/cool little cameras on display today at the CES International Hall.

Take the above: The DV X1 is designed to look like a standard business name tag, but there’s a tiny lens hidden in the letter “P” in “Personnel.” The camera inside exports videos in the AVT format at 640-by-480 resolution. It’s can also record sound and has a built-in SD card slot built-in.

Also on display was the DV008, which is designed to look like a pen peeking out of a shirt pocket. The camera features a micro SD card slot and can record in 640-by-480 or 320-by-240 resolution.

For PCMag’s full CES coverage, go to http://www.pcmag.com/category2/0,2806,2235882,00.asp.

CES 2009: Exclusive Video of the Kodak ZX1

kodakruggedhdvideo.gif

We finally got a chance to get our hands on Kodak’s new pocket HD camcorder. The new Kodak ZX1, announced earlier this week in anticipation of CES, is the latest entry into the YouTube camcorder line that started with the Z16–Kodak’s first devoted shot at the world of digital video.

The Kodak ZX1 is the rugged cousin of the Z16. It’s water-resistant and can take its share of knocks, as well. The camcorder can record at 720p quality and features a built-in SD card slot. It’s also just a cool-looking little device.

The ZX1 will street for $149. Check out a hands-on video, after the jump.

Polaroid Puts Instant Printing Inside A Digital Camera

polaroid-pogo.jpg

Though the last Gearlog entry to feature Polaroid concerned its bankruptcy filing, rumors of Polaroid’s death are premature. That’s especially true after today’s announcement that instant print cameras are now digital! Kudos to our Mariella Moon who sniffed this one out in August.

The Polaroid PoGo is 4.7-inches wide by 3-inches tall and weighs only 10 ounces. It is indistinguishable from a bevy of other digital cameras except it prints! Sixty seconds after snapping the shutter your photo comes out fully developed. The photos are a bit on the tiny side and I suspect thinner than typical photo prints. At least that’s the implication from, “2×3-inch sticky-backed photos.”

CES 2009: Cobras Cheap Flip Killer

cobradvc950.jpg

Another trend at this year’s CES? YouTube camcorders, of course. Illinois-based Cobra Digital has come out with their own entry into the field. The DVC950 looks a lot like a slimmer version of the original Flip, but manages to pack in a lot of features that that camera was missing–for a much lower price point.

Like the Flip, the DVC950 has a retractable USB arm, making for easy uploads to site like YouTube. The camera also has an SD card slot, and a swiveling 1.5-inch screen for those among us (read: teenagers) who like to shoot videos of themselves. The camera doesn’t have a built-in battery, however, and requires two AA batteries.

The camera ships with software, a USB cable, and a 256MB SD card. The DVC950 carries an MSRP of around $60.

Sony Cybershot G3: World’s First Camera You Can Surf the Web On

The Cybershot G3 is a camera so special Sony Sir Howard Stringer himself did the honors: It’s the world’s first Wi-Fi camera with a built-in browser.

GALLERY







END Besides stealing your neighbor’s Wi-Fi, it has free access to any AT&T hotspot until 2012, but then it won’t matter since we’re all going to die then anyway when the world ends. It’s worded so it might mean you can only use AT&T spots for free to hit Sony’s Easy Upload Home Page (which provides quick access to sites like Shutterfly, Picasa and YouTube), not furries.meetup.com. But we’ll find out. Oddly unmentioned in the list of supported services is Flickr.

Still, it doesn’t really matter if it has a web browser, if the browser can’t render itself out of ASCII paper bag—we’re hoping it’s a WebKit dealio ’cause that would make it a quick call from the sidelines. But we’re not holding our breath on that (we are talking Sony, after all), so we’ll have to grab some hands on time to see how well it handles the real internet. Sony’s seeing this more as a flexible, fast way to dump and check your photos and videos online, direct from your camera, not so much as a way to compulsively watch YouTube videos or read Gizmodo, even though that’s exactly what we want, and will try to do, practicalities aside.

Oh hey! I think there’s a camera somewhere in there too. 10 megapixel sensor with 4x optical zoom, but it’s got 4GB of storage built-in (optional expansion is Memory Stick only, grrr), with a 921,600-dot, 3.5-inch touchscreen and photo browsing software integrated. Otherwise, it’s got typical Sony features like Intelligent Scene Recognition (automatically picks the best automatic scene setting, automatically), Face Detection, Smile Shutter (it snaps when people smile) and Dynamic Range Optimizer, which automagically balances contrast and detail.

It’s available rightnowomg for $500.

SONY UNVEILS WORLD’S FIRST WI-FI DIGITAL CAMERA WITH WEB BROWSER

Cyber-Shot Camera Lets You Share Your Memories in the Moment

LAS VEGAS (CES Keynote), Jan. 8, 2009 – With a focus on making photo sharing easier and more convenient, Sony today introduced the world’s first Wi-Fi® enabled digital camera that uploads photos and videos to Web sites through any public hotspot due to its built-in Web browser.

The new Cyber-shot DSC-G3 digital still camera answers one of the most pressing needs for photo enthusiasts: how to share those amazing photos and video clips of family, friends and events as soon as you shoot. The Cyber-shot camera makes it easy to upload images and video directly to popular photo and video sharing sites wherever a Wi-Fi connection is available.

“Research shows that our customers greatly value sharing images and video clips, but they often forget or don’t have enough time if they wait to get home to upload images,” said Phil Lubell, director of digital camera marketing at Sony Electronics. “Our new Cyber-shot DSC-G3 camera provides the simplicity and convenience of sharing in the moment, while the impulse is still fresh in people’s minds.”

The camera can wirelessly connect to any public hotspot, including hotels, restaurants, coffee shops and airports. Like a computer, the camera can connect to free or fee-based hotspots, as well as to secure and unsecured access points.

The new DSC-G3 model comes with complimentary AT&T Wi-Fi access to Sony’s Easy Upload Home Page until Jan. 31, 2012. It includes Wi-Fi access at thousands of AT&T hotspots across the United States, including participating coffee shops, selected book stores and major quick-serve restaurant locations, as well as hundreds of upscale hotels and airports.

“By collaborating with Sony to launch the first digital still camera with a built in Web browser and embedded access across the entire AT&T Wi-Fi service network, we’re enabling consumers to gain quick and convenient access to Sony’s Easy Upload Homepage through thousands of AT&T Wi-Fi hotspots across the country,” said Glenn Lurie, president of AT&T’s emerging device organization. “The wireless capabilities and cutting-edge features of the G3 camera with the reliable coverage of AT&T’s Wi-Fi network offers a unique consumer experience.”

Uploads Made Easy
The new camera makes it easy to connect to the Internet and upload images. By pressing the WLAN button on the camera, you can open its embedded Web browser.

After connecting to the Internet via wireless access points, the camera automatically navigates to the Sony Easy Upload Home Page, which includes direct links to photo sharing sites like Shutterfly™ and Picasa™ Web Albums; video sharing sites like YouTube™ and Dailymotion™; and a photo and video sharing site, such as Photobucket™. Also, the DSC-G3 camera allows you to access other sharing sites for uploading photos and videos through its Web browser.

Through the Sony Easy Upload Home Page, you can send e-mail notifications from the sharing Web sites to let friends and family know that you have posted new images and videos for viewing. This is perfect for sharing with loved ones that were not with you when you took the pictures or shot the videos.
When friends and family are nearby, you can use the camera to access photos you may have already uploaded to sharing sites and display them on its high resolution 3.5-inch LCD screen.

The camera supports DLNA (Digital Living Network Alliance) guidelines. By connecting to such DLNA-compatible devices as Sony BRAVIA® televisions via access points, photos in the camera can be played back with high-definition quality. In addition to BRAVIA TVs, the camera can connect to other DLNA-compatible devices, such as Sony VAIO® PCs.

Smart Camera
In addition to its wireless sharing capabilities, the new camera is built for high-performance imaging. The 10-megapixel camera is about three-fourths of an inch thin and includes a 4X optical zoom Carl Zeiss® Vario-Tessar lens. Although compact enough to fit in the camera’s slim dimention, this lens provides excellent sharpness and color accuracy.

The Intelligent Scene Recognition™ feature automatically identifies a total of eight types of scenes — backlight, backlight portrait, twilight, twilight portrait, twilight using a tripod, portrait, landscape and macro — and automatically optimizes camera settings for each challenging shooting situation, taking an additional shot in low and bright light scenarios.

With Sony’s Face Detection technology, the DSC-G3 camera detects faces in a scene and adjusts auto focus (AF), auto exposure (AE), flash and white balance accordingly. It can also distinguish between children and adults, allowing users to to prioritize faces according to their preference.

Combining the Intelligent Scene Recognition feature with Face Detection technology, the camera includes an anti-blink function that helps make closed-eye photos a thing of the past. The camera automatically takes two shots and then determines whether the subject(s) have closed eyes. It will record images with open-eyed subjects. If both pictures have subject(s) with closed eyes, the cameras will record one and display a warning so you can try again.

Sony’s Smile Shutter™ technology automatically captures a smile the moment it happens. You can use the adult or child priority setting when shooting scenes containing both adults and children, and the camera will distinguish one face from another.

The camera’s Dynamic Range Optimizer (DRO) determines the best exposure and contrast settings in almost any shooting environment, giving images a natural look with clearer details that match what you see with your naked eye. DRO also balances the contrast in scenes with strong highlight and shadow, recovering detail normally lost in shadow areas. Combining the benefits of Optical SteadyShot™ image stabilization with high sensitivity mode, Sony’s Double Anti-blur feature helps reduce camera shake blur, especially when there is low light.

Photo Library
The Cyber-shot DSC-G3 model is also a “photo album in your pocket” and has 4GB of internal memory that can store nearly 1,000 full-resolution or 40,000 VGA-quality photos. The 3.5-inch (measured diagonally) wide touch panel Xtra Fine LCD™ screen is perfect for photo-like viewing with high contrast and wide-angle viewing. This Xtra Fine LCD screen delivers high resolution images (921,600 dots) that is approximately four times higher than conventional LCDs.

The camera also makes it easy to sort thousands of images. While shooting, images are organized automatically in albums by date. All images in an album can be displayed simultaneously as thumbnails on the screen, and the desired image can quickly be selected.

There are four ways to view photos: standard folder view, date view, favorites and event view. Images can be stored and managed on both the camera’s 4GB internal memory and an optional Memory Stick® media card.

In addition to the in-camera organization and search functionality, bundled Picture Motion Browser (PMB) software allows you to quickly organize images on a compatible PC. The software lets you search and organize images by event or face, and you can display images in calendar or chronological views organized into folders.

Pricing and Availability
The Cyber-shot DSC-G3 camera is now available in black for about $500. The camera and a range of accessories can be purchased online at sonystyle.com, at Sony Style® retail stores (www.sonystyle.com/retail), at military base exchanges and at authorized dealers nationwide.

Casio Brings 1,000fps Slow Motion Video to Point and Shoot Cameras

Casio is bringing the slow motion hotness of its hulking EX-F1 to the world of point-and-shoots. Yes, that’s right: point-and-shoot cameras that can shoot 1,000fps video.

We’re looking at two models: the EX-FC100 and the EX-FS10. The EX-FC100 will retail for $400 and has a 9-megapixel sensor. It’ll be able to shoot 30 fps of 6-megapixel pictures, 720p HD video and high speed movies at up to 1,000 frames per second. You get a 5x optical zoom and a 2.7-inch LCD with that.

The cheaper EX-FS10 will run you $350, and it has the same sensor and slo-mo specs as the FC100. The $50 you save knocks the optical zoom down to 3x and the LCD down to 2.5 inches.

These are pricey cameras for point-and-shoots, but there are no other cameras out there that pack such robust slow motion functionality into such a small package. If you’ve wanted to get in on the slo-mo fun without carrying around a huge camera, these are the way to go. No word on release dates at the moment, but expect them sometime this year.

Dealzmodo Hack: Outfit Your Camera Like a Pro (Hobo)

Whether your camera is brand new or an aging holdover, you want to accessorize it, but you don’t want to pay. By now, you know the Dealzmodo Hack drill: Paying is for suckers.

For decades, photographers have engineered little tricks to get the most out of their cameras, and most of them have carried just fine over the digital divide. Here are a few, with some newer additions collected by our friends at Lifehacker.

Build your own stabilizer out of string
Shooting long exposures without something to prop your camera on is a pain in the ass, not to mention a blurry mess. So is carrying a tripod. This video shows how to build a pretty effective foot-looping camera stabilizer out of some string, a bolt and a washer. The results are surprisingly good.

Build your own L-bracket, for serious stability, vertical mounting
If you’re doing portrait photography, or have a dumpy old tripod that can’t accommodate vertically oriented cameras, you can build a sturdy L-bracket for about $30. It’s a bit more involved than the piece-o-string stabilizer, but it’s also a lot better, and much cheaper than something you’d pick up at Wolf.

The “David Pogue Special”: Use a lamp as a tripod
To round out the camera-steadying tools, here’s what I call the David Pogue Special, and it’s great: Many lampshade mounts share a diameter and thread size with the tripod mount screw on the bottom of your camcorder, point-and-shoot or DSLR, providing quick and dirty stabilization in a bind.

Scrounge up household flash diffusers
Shooting with flash indoors is often necessary, but can wash out your subjects, making them look sheet-white, greasy and demon-eyed. With a diffuser, the light is softened and the photos are dramatically improved. Commercial flash hoods and diffusers cost money, but aren’t much more effective than what you can make yourself. A coffee filter held in front of a flash, a translucent film canister with a notch cut into it, a simple piece of A4 paper or even a piece of matte Scotch tape over the flash lens will measurably improve your drunk party photography.

Calibrate color temperature with free flooring samples
Shooting a piece of paper, gray notecard or painted wall can give you OK white balance calibration, but this guy has a better idea: snag some free floor laminate samples and built a proper calibration board.

Make flash deflection umbrellas from actual umbrellas
If you really want to go pro-hobo, you can repurpose old umbrellas into flash-directing photography umbrellas. After all, there are always plenty lying around. Here’s how you do it. If you’re feeling lazy, you can even get away with just an old sheet and some tape.

Build still-life photography studio for free(ish)
Ever wonder how that creepy old photographer got such a soft, vivid, dreamy picture of you and your prom date all those years ago? This is how. The project doesn’t call for much more than large pieces of paper and tape—relying on indirect sunlight for the adequate lighting—but the results are impressive. It is just a small-scale testbed though, so you’ll be limited to shooting Lego models, action figures and the like, but what else were you going to shoot anyway?

Snap magazine-style portraits, beautiful macros with a homemade ringlight
Flickr user jedrek has written out a detailed how-to guide for converting your external flash into a ringlighting rig, mostly using kitchen wares. If you’ve never heard of ringlighting, have a look at this. The technique is usually reserved for professional photographers, because real ringflashes are comically expensive. This one costs a few bucks.

Foam-fit an old bag to hold your gear
If you’re packing a DSLR with lenses and accessories, carrying a full-fledged camera bag is usually ideal, but they’re expensive and tend to draw attention to your cargo. With some foam, cardboard and a ratty old military-surplus bag, you can put together a stylish, stealthy and highly-functional camera bag that won’t make you feel like a snap-happy father of four.

Top image of proto-pro-photo-hobo Miroslav Tichy.

Dealzmodo Hacks are intended to help you sustain your crippling gadget addiction through tighter times. If you come across any on your own that are particularly useful, send it to our tips line (Subject: Dealzmodo Hack). Check back every other Thursday for free DIY tricks to breathe new life into hardware that you already own.

Bestmodo 2008


Here’s a list of the very best gear we’ve seen this year. It’s more bragger’s guide than buyer’s guide—if you have any of this, you can officially tell your friends to suck on it.

The year winds to an end and every product worth a damn has already hit store shelves—there’s not going to be any new shiny coolness until next month’s CES. We were lucky enough to have a look at most of the best gear out there, and we’ve passed judgment on all that we saw. Here’s a complete list of great products, yanked from our first looks, reviews, and epic Battlemodos:

TV & HOME THEATER
TVs:
Panasonic 65VX100U Plasma
Pioneer Kuro Elite PRO-111FD Plasma
Sony Bravia XBR8 LCD
Panasonic PZ850 Series Plasma
Samsung 650 and 750 Series LCD
Honorable mention for value: Toshiba Regza RV535 Series LCD

Surround Bar:
Yamaha YSP-3050 Sound Bar

Blu-ray Player:
Pioneer Elite BDP-09FD
Samsung Netflix BD-P2500
Sony PlayStation 3

Blu-ray Movies (with iTunes/WMV Digital Copy):
The Dark Knight
Wall-E

CAMERAS & CAMCORDERS
DSLR Cameras:
Nikon D300 and D700
Canon EOS 5D Mark II with HD video
Nikon D90 with HD video
Canon Rebel XSi and Rebel XS
Honorable mention for value: Sony Alpha A900 and Alpha A300

Point and Shoot Camera:
Canon SD790

Crazy Hybrid Camera/Camcorder:
Casio Exilim EX-F1

Mini Camcorders:
Kodak Zi6 HD
Pure Digital Flip Ultra

COMPUTERS & ACCESSORIES
Laptops:
MacBook/MacBook Pro
Lenovo X300
MSI Wind

All-In-One PC:
Vaio LV

Routers:
Linksys WRT610N Dual N-Band Wireless Router

Router/NAS:
Apple Time Capsule

NAS:
HP MediaVault mv2120

Mouse:
Logitech MX 1100 Mouse

Keyboard:
SteelSeries 7G Pro Gaming Keyboard

iPod/iPhone USB Dock:
Griffin Simplifi iPod-iPhone Dock/Card Reader/USB Hub

PHONES & PORTABLE DEVICES
Phones:
Apple iPhone 3G @ AT&T
Sidekick 2008 @ T-Mobile
Samsung Instinct @ Sprint (after firmware update, it’s officially better than Verizon’s LG Dare)
LG Decoy with docking Bluetooth earpiece @ Verizon
Sony Ericsson W890i @ Europe only; unlocked may be available

Phone Stereo Headsets:
Maximo iMetal iP-HS2 Isolators
Shure Music Phone Adapter
to use with your current earphones

In-Ear Headphones:
Etymotics hf5
Shure SE110
Ultimate Ears metro.fi 2

Pico Projector:
Aiptek PocketCinema V10

GPS:
Garmin Nuvi 785T with lane guidance
Garmin Nuvi 880 with speech recognition

ASSORTED CRAZY STUFF
Flashlights:
Wicked Lasers Torch Flashlight
Duracell Daylite CR123

Toy Robot:
U-Command Wall-E

Cheap Night Vision Goggles:
Jakks Pacific EyeClops

Unmanned Vehicle:
Draganfly X6 UAV

Spy Gadget Book:
Spycraft by Robert Wallace and H. Keith Melton

Water Guns:
Super Soaker Sneak Attack 4-Way

—With reporting by Erica Ho

Google Street View To Cover UK Cities In 2009

pspan class=”mt-enclosure mt-enclosure-image” style=”display: inline;”img alt=”GoogleStreetViewCar.jpg” src=”http://uk.gizmodo.com/GoogleStreetViewCar.jpg” width=”400″ height=”304″ class=”mt-image-right” style=”float: right; margin: 0 0 20px 20px;” //span/p pIf you thought the new Google Maps a href=”http://uk.gizmodo.com/2008/12/19/3d_new_york_now_available_from.html”3D view of New York/a was impressive, you’ll be interested in the new ‘street view’ feature, which was launched in the US last year and will be finalised for cities in the UK next Spring./p pOver the last six months, Google Street View cars have been scooting about snapping pictures in London, Manchester, Birmingham and Edinburgh and in compatible areas you’ll be able to zoom down to street level to take a look around. /p p/p pbr / /pimg width=’1′ height=’1′ src=’http://feeds.uk.gizmodo.com/c/552/f/9581/s/2a5150b/mf.gif’ border=’0’/div class=’mf-viral’table border=’0’trtd valign=’middle’a href=”http://res.feedsportal.com/viral/sendemail2.html?title=Google Street View To Cover UK Cities In 2009link=http://uk.gizmodo.com/2008/12/29/google_street_view_to_cover_uk.html” target=”_blank”img src=”http://rss.feedsportal.com/images/emailthis2.gif” border=”0″ //a/tdtd valign=’middle’a href=”http://res.feedsportal.com/viral/bookmark.cfm?title=Google Street View To Cover UK Cities In 2009link=http://uk.gizmodo.com/2008/12/29/google_street_view_to_cover_uk.html” target=”_blank”img src=”http://rss.feedsportal.com/images/bookmark.gif” border=”0″ //a/td/tr/table/divbr/br/a href=”http://da.feedsportal.com/r/27588650952/u/0/f/9581/c/552/s/44373259/a2.htm”img src=”http://da.feedsportal.com/r/27588650952/u/0/f/9581/c/552/s/44373259/a2.img” border=”0″//a

How To Use Your New Digital Camera

It’s Christmas, and we’re betting that at least some of you received new digital cameras (be they point-and-shoots or DSLRs). And if you’re a photography n00b, we’ve got a few tips to help.

Turn On Burst Mode
It’s harder to capture candid shots on point-and-shoots (let’s call em PASs) than DSLRs, but in either format you should turn on “burst mode” or “continuous shooting.” This allows you to keep the camera taking shots as fast as it can by holding down the shutter button. Even the greatest photographers don’t predict magical moments down to the millisecond—they let their camera do it for them. And with today’s cheap and gigantic SD cards, you can afford to waste plenty of shots to get the best.

Control the Color Temperature Yourself
Auto White Balance (AWB) does a good job on most cameras. But you know who can do a better job? You. Backing up for a moment, since every color has its own relative “temperature” that’s measured in degrees Kelvin, even the orangey glow of an incandescent bulb or the relatively bluish hue of the sun’s light can screw with your photos. Your brain factors it out when you’re looking around, but it’s important to notice whether the light falling on your scene is more yellow or blue, and to compensate.
Your camera uses auto white balance to get around this cacophony of color, but it’s not always right. On some cameras, you can actually use “manual white balance” (MWB), shooting a white patch, such as a piece of paper, in order to say “THIS IS WHITE.” That’s the most accurate way, though the simpler way found on most cameras is to manually select the best white balance by choosing the tiny icon that identifies your light source: a sun for direct sunlight, a cloud for cloudy, a round bulb for incandescent, a rectangular bulb for fluorescent, etc.

Keep ISO to 400 on PASs, 800-1600 on Low-End dSLRs
ISO, a carryover term from the days of film, essentially signals the sensitivity of the imaging sensor to light. A higher number means grainier (noisier) but better defined shots in low light; a lower number means smoother shots in decent light. Most cameras will crank this number in medium to low light situations so that it can capture a shot without blurring, but you will get a grainy image. This may just be a rule of thumb based on the cameras I’ve used, but for optimally crisp shots, don’t let the ISO exceed 400 on your PAS or 1600 on your DSLR. (In some older DSLR models, you probably shouldn’t exceed 800.)
Use Diffuse Flash, Or Just Turn it Off
Any way you cut it, flash is a problem. When used instead of ambient light, it pulls the color and texture from skin, turns eyes red (a phenomenon caused when the flash is too close to your lens, which it is in most cameras) and often erases the background ambiance from your shot. A few things you can do will help tame flash:
1. Check your manual for minimum and maximum flash distances—probably around 6 to 12 feet away—and stay in those constraints.
2. Diffuse the flash. A classic trick for DSLR owners is to put a cigarette carton on large flash attachments, but in the absence of a large flash—and a cigarette carton—try taping some kind of translucent paper over your flash.
3. Turn it off. Even a grainier high-ISO shot is better than a washed-out flash explosion. If you use a tripod, you can get nice low light shots without resorting to flash or upping the ISO. Most cameras now have a flashless “night mode” to automate this process.

Carry a Pocket Tripod
Ultimately, if you want to take good shots in dark environments, you need to allow light to hit your camera’s imaging sensor for a longer period of time. And the only way to keep your shots sharp in this scenarios is to stabilize your camera. Though even cheap cameras boast image stabilizers of all kinds, a $7 pocket tripod trumps all that marketing speak, allowing you to use a solid surface to set up the camera and then angle it to your liking. If you don’t have a tripod, try resting your camera on the side of a table, or up on a (preferably empty) water glass.

Protect Your Images From Lens Flare
In any situation where sunlight or some other bright light source is hitting your lens indirectly (not associated with your subject), you may lose part of your image to stray light. Sometimes this looks cool, of course, but not always. The best and most common solution is a lens hood. The second best solution (and the one that works for PASs) is your hand, a piece of paper, anything, between that light source and your lens.

Exhale, Then Shoot
ISOs and tripods aside, maybe the best tip I’ve ever gotten to taking great shots was to exhale, then take the picture. Right after you exhale, the tension is released from your body, and you’ll find yourself, for a brief moment, at your stillest and most relaxed. In low light especially, it could be the difference between getting a clear shot and getting a blurry one.

Use Sepia Filter Whenever Humanly Possible
Sepia is well known for making your lousy photography “deep.” Helllllooo precious moments! (OK, I sort of despise sepia because it’s been so overused, but that’s just me. It can be beautiful, of course.)
For DSLR Owners…Shoot in RAW, Shoot in RAW, Shoot in RAW
There are many advantages to the average DSLR camera, but the best, by far, unequivocally, is RAW shooting. If you save your pictures as JPEGs, they can be beautiful, but they’ve been compressed and packaged into a product. If you save in RAW, you have a picture, but you also have the cold clay that shaped it.
RAW is the data pulled right off the imaging sensor of your camera, before it gets run through a bunch of optimizer and compression algorithms. This data allows for a complete do-over on many aspects of the picture, like color temperature. In other cases, it allows a lot of room for fudging, as with exposure. You’ll need software that can handle RAW images—most cameras come with something proprietary, but Photoshop can also manage RAW from the major camera brands. Just don’t be scared by it. It’s why you’re holding that shiny new DSLR you have no idea how to use.

And Your Own…
I realize this list will seem too obvious to some, but the goal is to help those who didn’t know much to start with. Since we have more than our share of incredible photographers among our readership, I’d encourage any of you with pro tips to please offer them up in comments.

[Example images 1, 2, 3, 4]